Imogen Murphy DRAMA DIRECTOR

Total Page：16

File Type：pdf, Size：1020Kb

Imogen Murphy DRAMA DIRECTOR SHOWREEL +353 86 2318678 [email protected] www.imogenmurphy.com BIOGRAPHY Imogen is an Irish director of drama for film & television, currently seeking to direct drama projects in Ireland and the UK. A graduate of the National Film School of Ireland Imogen has directed numerous award-winning short films. Her television work has been IFTA nominated and broadcast on RTE, BBC, Channel 4 and MTV. Recent drama work includes Hollyoaks for Channel 4, and Cracking Crime for RTE. SELECTED WORK – DRAMA THE HARD WAY, Fail Safe Films, 2013 Winner Screen Directors Guild Ireland / ARRI Alexa Take award CRACKING CRIME, Stirling Film & TV, 2012 and 2013 Series Director Drama Reconstructions for RTE Crime Series, 7 x 30” HOLLYOAKS, Lime Pictures, 2011 2 x 30” Episodes HONEYCOMB, Samson Films, 2011 Feature pilot in development with the Irish Film Board TEN MINUTE MOVIE, White House Pictures, 2004 Recipient RTE/FilmBase Short Award Special Jury Award Winner, Houston Worldfest 2005 Best Short Film nominee, Taormina Filmfest 2005 Jameson/Kodak Short Film Award shortlist, Belfast Film Festival 2005 Best Short nominee, Soho Rushes Film Festival 2004 MARTIN, Celtic Mouse, 2003 Recipient Irish Film Board Short Shorts Award Highly Commended, BFI London Film Festival 2003 Best Short nominee, Milan Film Festival 2003 BBC New Drama selection SHORT, Samson Films, 2000 Recipient RTE/FilmBase Short Award Selected New Directors/New Films, MoMA, NY, 2000 Best Short nominee, Edinburgh Film Festival 2000 Best Short nominee, Cork Film Festival 2000 1 SELECTED WORK – ENTERTAINMENT / DOCUMENTARY WHO DO YOU THINK YOU ARE, RTE, 2009 Factual/History, 60” Series Producer Steve Carson, Mint Productions Documentary Series IFTA nominee 2009 FAMILY SILVER SERIES 2 & 3, RTE, 2006 & 2008 Factual/History, 2 x 60” Producer Maria Horgan, Liberty Films Factual Documentary IFTA nominee 2007 SEX & SENSIBILITY, RTE, 2008 Factual/Entertainment Series, 4 x 30” (Series Director) Producer Mike Keane, Midas Productions NO EXPERIENCE REQUIRED SERIES 1 & 2, RTE, 2005 & 2007 Factual/Entertainment, 3 x 60” Producer Katie Brosnan, Liberty Films Factual Entertainment Series IFTA nominee 2008 EDUCATION NATIONAL FILM SCHOOL OF IRELAND (IADT) Film & Television Diploma (Merit) 1997 TRINITY COLLEGE DUBLIN B.Phil. (Hons.) 1994 SHOWREEL Vimeo Reel www.imogenmurphy.com REFERENCES ANNE STIRLING MARTINA NILAND STEVE CARSON Managing Director Producer Head of Television Stirling Film & TV Samson Films RTE 137 University St. The Barracks Donnybrook Belfast BT7 1HP Irishtown Dublin 4 Northern Ireland Dublin 4 Ireland Ireland 2 .

Copy Link

Recommended publications

Page 1 of 125 © 2016 Factiva, Inc. All Rights Reserved. Colin's Monster
Colin's monster munch ............................................................................................................................................. 4 What to watch tonight;Television.............................................................................................................................. 5 What to watch tonight;Television.............................................................................................................................. 6 Kerry's wedding tackle.............................................................................................................................................. 7 Happy Birthday......................................................................................................................................................... 8 Joke of the year;Sun says;Leading Article ............................................................................................................... 9 Atomic quittin' ......................................................................................................................................................... 10 Kerry shows how Katty she really is;Dear Sun;Letter ............................................................................................ 11 Host of stars turn down invites to tacky do............................................................................................................. 12 Satellite & digital;TV week;Television....................................................................................................................
[Show full text]
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
[Show full text]
Promoting Oral Health in Ireland
Promoting Oral Health in Ireland April 2008 1 Promoting Oral Health in Ireland The Dental Health Foundation, Ireland April 2008 2 3 Table of Contents Chairman’s Address 4 Introduction 5 Executive Summary 6 Advocacy 9 Public Information and Education 12 Support for Special Needs Groups 15 Taking a Multi-Sectoral Approach 18 Oral Health Promotion and Professional Development 21 Support to the Department of Health and Children 24 Conclusions 25 Future Plans 26 Governance 27 Appendix 1: Oral Health – Common Risk Factors 29 Appendix 2: Summary of Resources 30 Appendix 3: Publications 31 4 Chairman’s Address Dr Brendan Pigott Chairman, Dental Health Foundation, Ireland t gives me great pleasure to present a report on The Foundation’s achievements would not have been I the achievements of the ﬁrst Strategic Initiative of possible without the support and involvement of the Dental Health Foundation. The Foundation was the dental profession. We received co-operation and established as an independent Trust as a result of a support from the Department of Health and Children, consultation process conducted by the Department of the Health Service Executive, including its public Health and Children in 1997. In 2001 the Foundation dental service, Population Health and Primary Care launched a Strategic Initiative to provide clarity and Directorates, the Cork and Dublin Dental Schools and focus for the work of the organization and to enable it Hospitals, the WHO Oral Health Services Research to work in a more effective way with stakeholders. Centre, University College, Cork and the Health Promotion Research Centre, NUI Galway, consumers, The Strategic Initiative marked a new era for the relevant agencies and the Oral Health Care Industry.
[Show full text]
Director's Report, 2008
Report of the Director of the National Archives for 2008 Prn. A11/1338 14 December 2009 Report of the Director of the National Archives for 2008 2 Report of the Director of the National Archives for 2008 CONTENTS 1. Legislation 1.1 National Archives Act 1986 1.7 Proposed amalgamation with the National Library 1.10 New legislation 1.13 Records management 1.15 Freedom of Information Acts 1997 and 2003 1.23 Data Protection Amendment Act 2003 2. Resources 2.1 Financial allocations 2.2 Staff 2.12 Information and Communications Technology (ICT) 2.19 Urgent need for new accommodation 2.27 Existing premises at Bishop Street 2.31 Existing premises at Four Courts 2.33 Fire Safety and Health and Safety 3. Preservation and reprographics 3.1 Preservation of archives 3.6 Improvements in storage and access 3.12 Conservation work 3.16 Microfilming 3.20 Photocopying and scanning 4. Services to the public 4.1 Reading Room 4.7 Genealogy Service 4.10 Correspondence, Customer Charter and Users’ Group 4.17 Group visits and lectures 4.20 Archive Awareness Campaign, Open Day, Culture Night and “Who Do You Think You Are?” 4.26 Information booklets, leaflets and markers 4.29 Website 5. Departmental records 5.1 Main provisions of the National Archives Act and Regulations 5.6 Advice and training given to Government Departments and Courts Service 5.9 Department of Justice, Equality and Law Reform – Archives Advisory Group 5.12 Appraisal of Departmental records proposed for destruction 5.14 Transfer of records by Government Departments 5.19 Transfer of Court and Probate records 5.22 Transfer of records by Scheduled Bodies 5.26 Recalls system 3 Report of the Director of the National Archives for 2008 6.
[Show full text]
University College Dublin SEPTEMBER Celebrating the Past, Creating the Future
2006 University College Dublin SEPTEMBER Celebrating the past, creating the future www.ucd.ie/ucdtoday Nobel laureate Professor Andrew Jane Suiter Professor Conor Professor Carpenter meets Heneghan tells James J. discusses Dr Christine Shane Hickey Heckman UCD’s new MA Casey, how technology talks to in Creative author of can improve Louise Holden Writing Dublin:The healthcare about his new Buildings of role at UCD Ireland 3 7 11 12 New round of academic promotions announced The UCD Governing Authority has approved a new round of 107 academic promotions, This current round of promotions is highly significant, as, for the first time, a procedure for promotion to reflecting the high standards and achievements of the UCD academic community and the Professor was implemented and a total of 24 promotions to Professor were made. Also for the first time, university's commitment to rewarding excellence. The promotions demonstrate that a key promotions to Associate Professor did not take place under a quota system, and 48 promotions to tenet of the UCD Strategic Plan 2005-2008 - the development of a full suite of recruitment Associate Professor were approved. A new benchmarking system for promotion to Senior Lecturer, which and reward mechanisms for academic staff - is now in place. gives candidates clear targets to strive for, resulted in 35 promotions to Senior Lecturer. To see a full listing of the academic promotions, go to www.ucd.ie/news inside Interdisciplinary insights what’s3 into childhood development Professor James J. Heckman tells Louise Holden how cross-disciplinary research can help policy-makers draw up effective UCD - Sunday Times intervention methods to promote personal development during childhood.
[Show full text]
Members Claiming in US
Electronically Filed Filing Date: 07/16/2017 11:09:24 PM EDT Audio-Visual Copyright Society Limited t/a Screenrights List of Copyright Owners Satellite TV Royalties 2016 Copyright Holder Street Address Line 1 Street Address Line 2 City State Postcode Country 13 Production SAS 1 rue Elie Pelas Marseille 13016 France 1440 Productions Pty Ltd 10 Prince Patrick Street Richmond VIC 3121 Australia 220 Productions Pty Ltd 10 Wonderland Avenue Tamarama NSW 2026 Australia 30 Squadron RAAF Beaufighter Association 1 Eucalyptus Street Peakhurst NSW 2210 Australia 33 Media Limited 43 Oregon Place Christchurch Canterbury 8061 New Zealand 360 Degree Films Pty Ltd Level 1 420 Sydney Rd Brunswick VIC 3056 Australia 3D Films Pty Ltd 16 Lyndon Street Ripponlea VIC 3185 Australia 4 Winds Films Ltd 43 Daytona Road Lincoln Nth, Waitakere City Auckland New Zealand 46664 Concerts SA Mandela House 107 Central Street, Houghton Johannesburg 2041 South Africa 60 Degrees North Pty Ltd 2/28 Bennett Street Neutral Bay NSW 2089 Australia 6ixty Foot Productions Pty Ltd 10A Hall Street Bondi Beach NSW 2026 Australia 8th In Line Productions Pty Ltd 1 Muriel Place Leederville WA 6007 Australia A Bigger Picture Limited 98 Waiatarua Road Remuera Auckland 1050 New Zealand AAA Entertainment Pty Ltd 1 Owens Street Boronia Heights QLD 4124 Australia Aarrow Productions Inc 916 Monterey Ave Victoria British Columbia V8S4V2 Canada Aboriginal Nations Pty Ltd FSA 210 Driver Avenue Moore Park NSW 1363 Australia Abracadabra Film & Television Productions Pty Ltd 138 Easey St Collingwood
[Show full text]
Irish Literature Since 1990 Examines the Diversity and Energy of Writing in a Period Marked by the Unparalleled Global Prominence of Irish Culture
BREW0009 15/5/09 11:17 am Page 1 Irish literature since 1990 Irish literature since 1990 examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. The book is distinctive in bringing together scholars from across Europe and the United States, whose work explores Irish literary culture from a rich variety of critical perspectives. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and newer writers who have received relatively little critical attention before. It also considers creative work in cinema, visual culture and the performing arts. Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The volume examines the contexts from which the literature emerges, including the impact of Mary Robinson’s presidency in the Irish Republic; the new buoyancy of the Irish diaspora, and growing cultural confidence ‘back home’; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the ‘Celtic Tiger’ myth); Ireland’s increasingly prominent role in Europe; the declining reputation of established institutions and authorities in the Republic (corruption trials and Church scandals); the Northern Ireland Peace Process, and the changing relationships it has made possible. In its breadth and critical currency, this book will be of particular BREWSTER interest to academics and students working in the fields of literature, drama and cultural studies. Scott Brewster is Director of English at the University of Salford Michael Parker is Professor of English Literature at the University of Central Lancashire AND Cover image: ‘Collecting Meteorites at Knowth, IRELANTIS’.
[Show full text]
IRISH FILM and TELEVISION ‐ 2008 the Year in Review Tony Tracy (Ed.)
Estudios Irlandeses, Number 4, 2009, pp. 148-206 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION ‐ 2008 The Year in Review Tony Tracy (ed.) Irish Film and Television Review 2008 Tony Tracy ..............................................................................................................................149 In the Beginning: Ardmore Studios Celebrates 50 Barry Monahan .......................................................................................................................153 Kisses Ruth Barton .............................................................................................................................157 Hunger Seán Crosson............................................................................................................................160 Staging Space: Eden Harvey O’Brien .......................................................................................................................163 In Bruges Joan Dean ................................................................................................................................166 Entering the Dark Place: Visions of Irish Horror in Seer Zélie Asava .............................................................................................................................170 32A Roddy Flynn ............................................................................................................................174 Níl aon tinteán mar do thinteán féin:
[Show full text]
Flann O'brien
Flann O’Brien problems with authority 00 FOB.indd 1 31/05/2017 12:52 00 FOB.indd 2 31/05/2017 12:52 Flann O’Brien problems with authority edited by Ruben Borg, Paul Fagan and John McCourt 00 FOB.indd 3 31/05/2017 12:52 First published in 2017 by Cork University Press Youngline Industrial Estate Pouladuff Road, Togher Cork T12 HT6V Ireland © 2017 [to come] All rights reserved. No part of this book may be reprinted or reproduced or utilised in any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or otherwise, without either the prior written permission of the publishers or a licence permitting restricted copying in Ireland issued by the Irish Copyright Licensing Agency Ltd., 25 Denzille Lane, Dublin 2. British Library Cataloguing in Publication Data A CIP record for this book is available from the British Library. ISBN: 978-1-78205-????-0 Printed in ??? by ???? Print origination & design by Carrigboy Typesetting Services, www.carrigboy.com www.corkuniversitypress.com 00 FOB.indd 4 31/05/2017 12:52 for Werner 00 FOB.indd 5 31/05/2017 12:52 00 FOB.indd 6 31/05/2017 12:52 Contents Acknowledgements ix Textual note x Notes on contributors xi Editors’ introduction Ruben Borg, Paul Fagan, John McCourt 1 Part I. ‘neither popular nor profitable’: O’Nolan vs. The Plain People 1. ‘irreverence moving towards the blasphemous’: Brian O’Nolan, Blather and Irish popular culture Carol Taaffe 21 2. ‘No more drunk, truculent, witty, celtic, dark, desperate, amorous paddies!’: Brian O’Nolan and the Irish stereotype Maebh Long 34 3.
[Show full text]
Irish Cinema 2005 - Year in Review
Estudios Irlandeses, Number 1, 2006, pp. 156-189 ___________________________________________________________________ AEDEI Irish Cinema 2005 - Year in Review Introduction by Tony Tracy ..................................................................................................... 156 Irish Film 2005: An Industry in Crises? by Roddy Flynn ....................................................... 158 Boy Eats Girl by Ruth Barton ................................................................................................. 162 Masculinity in Contemporary Irish Cinema by Debbie Ging .................................................. 164 Adam and Paul by Barry Monahan .......................................................................................... 167 The Trouble with Sex by Emma Grealy .................................................................................... 170 Pure Mule by Tony Tracy ........................................................................................................ 172 Fair City by Helena Sheehan ................................................................................................... 175 Mickybo and Me and The Mighty Celt by Pádraic Whyte ........................................................ 178 Man About Dog by Díóg O’Connell ........................................................................................ 180 Documentary Film and Television by Harvey O’Brien ........................................................... 183 Pavee Lackeen by Seán Crosson .............................................................................................
[Show full text]
Downloaded from Manchesterhive.Com at 09/25/2021 12:47:36PM Via Free Access 9780719075636 4 005.Qxd 16/2/09 9:24 AM Page 80
9780719075636_4_005.qxd 16/2/09 9:24 AM Page 79 5 The stuff of tragedy? Representations of Irish political leaders in the ‘Haughey’ plays of Carr, Barry and Breen Anthony Roche Plays which deal directly with political life are rare in the Irish canon. Mostly, the emphasis is on family relations, with the direct political con- text placed in the background, if not almost entirely effaced. But there are those exceptional occasions when contemporary playwrights have felt the need to address the state of the nation more directly by placing politicians squarely on the stage. Brian Friel did so in his 1969 play The Mundy Scheme, with its mendacious Taoiseach F.X. Ryan and his scheme to repopulate the west of Ireland by ﬁlling it with the dead bodies of rich foreigners; and in 1982’s The Communication Cord the equally corrupt Senator Donovan mouths as hypocritical pieties many of the views of Irish identity seriously promulgated two years earlier in Translations: ‘This determined our ﬁrst priorities! This is our native simplicity! Don’t give me that shit!’1 Both plays were unusual in Friel’s oeuvre in being ferocious satires; neither did well commercially or crit- ically, neither has been much revived (if at all) and The Mundy Scheme is not currently in print. In 1982, Hugh Leonard followed his autobiographical plays of the 1970s, Da and A Life, with his black comedy, Kill, whose central politician Wade is a thinly disguised version of then-Taoiseach Charles Haughey. Leonard’s play was neither a critical nor commercial success. With such antecedents it can hardly have been on commercial grounds that in the concentrated period of 2002–03 three Irish playwrights staged dramas which centred on a political leader who bore in varying degrees a recognisable resemblance to Charles J.
[Show full text]
Report of the Director of the National Archives for 2009
Report of the Director of the National Archives for 2009 Prn. A11/1339 17 August 2010 Report of the Director of the National Archives for 2009 2 Report of the Director of the National Archives for 2009 CONTENTS 1. Legislation 1.1 National Archives Act 1986 1.8 Proposed amalgamation with the National Library 1.11 New legislation 1.15 Records management 1.17 Freedom of Information Acts 1997 and 2003 1.23 Data Protection (Amendment) Act 2003 2. Resources 2.1 Financial allocations 2.2 Staff 2.12 Information and Communications Technology (ICT) 2.19 Urgent need for new accommodation 2.26 Existing premises at Bishop Street 2.33 Existing premises at Four Courts 2.36 Fire Safety and Health and Safety 3. Preservation and reprographics 3.1 Preservation of archives 3.5 Improvements in storage and access 3.13 Conservation work 3.18 Microfilming 3.22 Photocopying and scanning 3.27 Guidelines for Places of Deposit 4. Services to the public 4.1 Reading Room 4.11 Genealogy Service 4.14 Correspondence, Comments by Users, and Users’ Group 4.19 Group visits and lectures 4.23 Archive Awareness Campaign, Open Day, Culture Night and “Who Do You Think You Are?” 4.30 Information booklets, leaflets and markers 4.32 Website 5. Departmental records 5.1 Main provisions of the National Archives Act and Regulations 5.6 Advice and training given to Government Departments and Courts Service 5.8 Department of Justice, Equality and Law Reform – Archives Advisory Group 5.11 Appraisal of Departmental records proposed for destruction 5.14 Transfer of records by Government Departments 5.19 Transfer of Court and Probate records 3 Report of the Director of the National Archives for 2009 5.22 Transfer of records by Scheduled Bodies 5.26 Recalls system 6.
[Show full text]