Directions: ​ Use the Citations Below for the Handouts You Received in Class

Total Page:16

File Type:pdf, Size:1020Kb

Directions: ​ Use the Citations Below for the Handouts You Received in Class Directions: ​ Use the citations below for the handouts you received in class. Match the title of the handout to the chapter title in the citation. The handouts you received in class do not contain the pages in Gods, Men and Monsters ​ that contain only pictures. The pages numbers on your handouts from Edith Hamilton’s Mythology may differ from ​ ​ the page numbers listed below. Works Cited “Athena.” Athena | Encyclopedia Mythica, 3 Mar. 1997, pantheon.org/articles/a/athena.html. ​ ​ Britannica, The Editors of Encyclopaedia. “Orestes.” Encyclopædia Britannica, Encyclopædia ​ ​ Britannica, Inc., 8 Feb. 2018, www.britannica.com/EBchecked/topic/431814/O ​ Britannica, The Editors of Encyclopaedia. “Orpheus.” Encyclopædia Britannica, Encyclopædia ​ ​ Britannica, Inc., 8 Feb. 2018, www.britannica.com/EBchecked/topic/433177/Orpheus. ​ ​ Britannica, The Editors of Encyclopaedia. “Pandora.” Encyclopædia Britannica, Encyclopædia ​ ​ Britannica, Inc., 8 Feb. 2018, www.britannica.com/topic/Pandora-Greek-mythology. ​ ​ Broadcasting, Educational. “Jason and the Argonauts.” PBS, Public Broadcasting Service, 1 ​ ​ Nov. 2005, www.pbs.org/mythsandheroes/myths_four_jason.html. ​ ​ Bulfinch, Thomas. “Read Chapter 3 of ‘Pyramus and Thisbe’ by Thomas Bulfinch.”ThoughtCo, ​ ​ ThoughtCo., 8 Mar. 2017, www.thoughtco.com/pyramus-and-thisbe-by-thomas-bulfinch-119891. ​ Cartwright, Mark. “Agamemnon.” Ancient History Encyclopedia, Ancient History Encyclopedia, ​ ​ 22 Apr. 2018, www.ancient.eu/Agamemnon/. ​ ​ Cartwright, Mark. “Prometheus.” Ancient History Encyclopedia, Ancient History Encyclopedia, ​ ​ 23 Apr. 2018, www.ancient.eu/Prometheus/. ​ ​ Encyclopedia of Greek Mythology: Theseus, www.mythweb.com/encyc/entries/theseus.html. ​ Gibson, Michael. “Persephone Among the Dead.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 25–28. Gibson, Michael. “Prometheus and Pandora.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 33-36. Gibson, Michael. “Chariot of the sun.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 50-52. Gibson, Michael. “Athene, goddess of wisdom.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 53-57. Gibson, Michael. “The labours of Hercules.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 62-72. Gibson, Michael. “The Adventures of Perseus.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 73-79. Gibson, Michael. “Jason and the Golden Fleece.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 85-96. Gibson, Michael. “The house of Thebes.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 97-102. Gibson, Michael. “Theseus, king of Athens.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 103 -112. Gibson, Michael. “Orpheus and Eurydice.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 113-118. Gibson, Michael. “Echo and Narcissus.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 124-125. Gibson, Michael. “Midas, the golden king.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 126-128. Gibson, Michael. “The Fall of Troy.” Gods, Men and Monsters, Peter Bedrick ​ ​ Books, New York, NY, 1991, pp. 133-143. Hamilton, Edith. “Pyramus and Thisbe.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 135–137. Hamilton, Edith. “Orpheus and Eurydice.” Mythology, Little Brown and Company, Boston, ​ ​ 1942, pp. 138-141. Hamilton, Edith. “The Quest of the Golden Fleece.” Mythology, Little Brown and Company, ​ ​ Boston, 1942, pp. 159-179. Hamilton, Edith. “Perseus.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 197-208. Hamilton, Edith. “Theseus.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 209-223. Hamilton, Edith. “Hercules.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 224-243. Hamilton, Edith. “Prologue: the Judgment of Paris.” Mythology, Little Brown and Company, ​ ​ Boston, 1942, pp. 256-259. Hamilton, Edith. “The Trojan War.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 259-276. Hamilton, Edith. “The Fall of Troy.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 277-290. Hamilton, Edith. “The House of Atreus.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 345-371. Hamilton, Edith. “The Royal House of Thebes.” Mythology, Little Brown and Company, ​ ​ Boston, 1942, pp. 372-391. Hamilton, Edith. “Glaucus and Scylla.” Mythology, Little Brown and Company, Boston, 1942, ​ ​ pp. 417-418. Lombardi, Esther. “What's the Difference Between Myth, Folklore, and Legend?” ThoughtCo, ​ ​ ancienthistory.about.com/cs/grecoromanmyth1/a/mythslegends_2.htm. “Narcissus.” Narcissus | Encyclopedia Mythica, 3 Mar. 1997, ​ ​ www.pantheon.org/articles/n/narcissus.html. ​ Parada, Carlos. “Pyramus and Thisbe.” Pyramus and Thisbe - Greek Mythology Link, Greek ​ ​ Mythology Link, 1 Jan. 1997, www.maicar.com/GML/Pyramus.html. Smith, William. “Hercules.” Hercules | Encyclopedia Mythica, Encyclopedia Mythica, 22 Apr. ​ ​ 1997, pantheon.org/articles/h/hercules.html. Smith, William. “Perseus.” Perseus | Encyclopedia Mythica, Encyclopedia Mythica, 3 Mar. ​ ​ 1997, pantheon.org/articles/p/perseus.html. “Tantalus.” Tantalus | Encyclopedia Mythica, 3 Mar. 1997, ​ ​ www.pantheon.org/articles/t/tantalus.html. ​ VII. b. Glaucus and Scylla. Vols. I & II: Stories of Gods and Heroes. Bulfinch, Thomas. 1913. Age of Fable, www.bartleby.com/181/072.html. ​ .
Recommended publications
  • The Classical Tradition in America Saving Endangered Books Lynne Cheney Answers Tough Questions Editor's Notes
    HumanitiesNATIONAL ENDOWMENT FOR THE HUMANITIES • VOLUME 8 NUMBER 1 • JANUARY/FEBRUARY 1987 The Classical Tradition in America Saving Endangered Books Lynne Cheney Answers Tough Questions Editor's Notes A Legacy of Value The pediments, pillars, and domes of official Washington are architectural symbols of the influence of classical Greece and Rome on American political institutions. In this issue of Humanities, classicists look behind the monu­ mental facades to examine what the ancient republics have contributed to American culture. Essays by Meyer Reinhold of Boston University and Susan Ford Wiltshire of Vanderbilt University demonstrate that the classical This elevation drawing showing a side civilizations inspired not only the mechanism and shape of American gov­ view of the marble memorial to Thomas ernment but also the values of statehood that continue to affect American Jefferson in Washington, D.C., was is­ political life. sued by the architectural firm of John In the same spirit that moved Charles Bulfinch to base his design for Russell Pope in January 1939. Inspired the dome of the U.S. Capitol on classical models, his son, Thomas Bulfinch, by the Pantheon in Rome and honoring brought classical mythology to a broad American audience. Marie Cleary, Jefferson's own classically influenced ar­ who is currently at work on a biography of the younger Bulfinch, describes chitecture, the monument is a symbol of the American heritage of republican gov­ in an essay on The Age of Fable how Bulfinch brought knowledge of the clas­ ernment and civic virtue. sical gods and heroes to generations of Americans. The NEH fosters goals similar to those achieved by Bulfinch by supporting projects that increase the awareness of the presence of the classical past in American politics and culture.
    [Show full text]
  • HS-Required-Reading-Assignment
    Accredited with – SACS/CASI/AdvancedEd - NIPSA Required High School Summer Assignment Summer Reading: (1) Read two books from this list, or one book from this list and one biography, memoir, or autobiography or other book of your own choosing. Any edition or translation is fine. These recommendations include many traditional “classics” of western culture, as well as suggestions for discovering other world masterworks. (2) Create a carefully designed and well executed product that will persuade others to read the books you chose. Due the first day of school! Homer, The Iliad Homer, The Odyssey Ovid, Metamorphoses Virgil, The Aeneid Dante, The Inferno Edith Hamilton, Mythology Thomas Bulfinch, Mythology Shakespeare, The Tempest, Julius Caesar, etc. Swift, Gulliver’s Travels Defoe, Robinson Crusoe Frances Hodgson Burnett, The Secret Garden Poetry by Blake, Keats, Shelley, Coleridge, Wordsworth, Tennyson, Christina Rosetti Any work by Jane Austin, Mary Shelley, Emily Bronte, Charlotte Bronte, Charles Dickens, Joseph Conrad, Somerset Maugham, Evelyn Waugh, or Virginia Woolf Earnest Hemingway, A Farewell To Arms, his Africa stories, etc. John Steinbeck, Travels With Charlie, etc. Patrick O’Brian, Master and Commander, The Far Side of the World Albert Camus, The Stranger Julia Alvarez, How the Garcia Girls Lost Their Accents or other works by Alvarez Any book by Isabel Allende, especially her books for youth Poetry by Pablo Neruda Julia Butterfly Hill, The Legacy of Luna Edward Abbey, Desert Solitaire Carl Hiassen, Hoot, etc. Patrick Smith, A Land Remembered Lucy and Steven Hawking, George’s Cosmic Treasure Hunt Helene Cooper, The House at Sugar Beach Any work by Edgar Allen Poe, H.P.
    [Show full text]
  • The Project Gutenberg Ebook of Bulfinch's Mythology: the Age of Fable, by Thomas Bulfinch
    The Project Gutenberg EBook of Bulfinch's Mythology: The Age of Fable, by Thomas Bulfinch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Bulfinch's Mythology: The Age of Fable Author: Thomas Bulfinch Posting Date: February 4, 2012 [EBook #3327] Release Date: July 2002 First Posted: April 2, 2001 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK BULFINCH'S MYTHOLOGY: AGE OF FABLE *** Produced by an anonymous Project Gutenberg volunteer. BULFINCH'S MYTHOLOGY THE AGE OF FABLE Revised by Rev. E. E. Hale CONTENTS Chapter I Origin of Greeks and Romans. The Aryan Family. The Divinities of these Nations. Character of the Romans. Greek notion of the World. Dawn, Sun, and Moon. Jupiter and the gods of Olympus. Foreign gods. Latin Names.-- Saturn or Kronos. Titans. Juno, Vulcan, Mars, Phoebus-Apollo, Venus, Cupid, Minerva, Mercury, Ceres, Bacchus. The Muses. The Graces. The Fates. The Furies. Pan. The Satyrs. Momus. Plutus. Roman gods. Chapter II Roman Idea of Creation. Golden Age. Milky Way. Parnassus. The Deluge. Deucalion and Pyrrha. Pandora. Prometheus. Apollo and Daphne. Pyramus and Thisbe. Davy's Safety Lamp. Cephalus and Procris Chapter III Juno. Syrinx, or Pandean Pipes. Argus's Eyes. Io. Callisto Constellations of Great and Little Bear. Pole-star. Diana. Actaeon. Latona. Rustics turned to Frogs. Isle of Delos. Phaeton.
    [Show full text]
  • Bulfinch's Mythology
    Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34
    [Show full text]
  • Bulfinchs Greek and Roman Mythology the Age of Fable 1St Edition Download Free
    BULFINCHS GREEK AND ROMAN MYTHOLOGY THE AGE OF FABLE 1ST EDITION DOWNLOAD FREE Thomas Bulfinch | 9780486411071 | | | | | ISBN 13: 9780486411071 Not only does he relate the stories, but he also points out allusions to the characters and themes to them in literature a While a very ambitious work, Bulfinch's Mythology didn't quite live up to my expectations. It makes looking up details quick and easy and I understand why this has been used in classrooms. Stock Image. Video Audio icon An illustration of an audio speaker. Drawing on the works of Homer, Bulfinchs Greek and Roman Mythology The Age of Fable 1st edition, Virgil, and other classical authors, as well as an immense trove of stories about the Norse gods and heroes, The Age of Fable offers lively retellings of the myths of the Greek and Roman gods: Venus and Adonis, Jupiter and Juno, Daphne and Apollo, and many others. All you need to know for the basics in most mythologies. I'm sure you'll expect an erudite and telling critique of this all too proper version of stories that in the beginning and for a very good while thereafter were about as improper as improper could be. Ancient Egypt is my forte, but I also very much like myths from Ancient Greece thus knowing quite a lot about them. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. View all copies of this ISBN edition:.
    [Show full text]
  • Thomas Bulfinch, the Age of Fable, and the Continuity of the Classics in American Education
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1982 Thomas Bulfinch, The gea of fable, and the continuity of the classics in American education. Marie Sally Cleary University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Cleary, Marie Sally, "Thomas Bulfinch, Theg a e of fable, and the continuity of the classics in American education." (1982). Doctoral Dissertations 1896 - February 2014. 3779. https://scholarworks.umass.edu/dissertations_1/3779 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THOMAS BULFINCH, THE AGE OF FABLE , AND THE CONTINUITY OF THE CLASSICS IN AMERICAN EDUCATION A Dissertation Presented By MARIE CLEARY Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of DOCTOR OF EDUCATION September 1982 School of Education Marie Cleary 1982 All Rights Reserved THOMAS BULFINCH, THE AGE OF FABLE , AND THE CONTINUITY OF THE CLASSICS IN AMERICAN EDUCATION A Dissertation Presented By MARIE CLEARY Approved as to style and content by: Professor Richard 0. Ulin, Chairperson of Committee Professor William G. Kornegay, Member / L-t^\ II' ^IA Professor Elizabeth Lyding>' Will , Member Dr. Mario D. Fantini, Dean School of Education DEDICATION In loving memory of Mary Gertrude Sullivan, who taught me about teaching, and much else besides. IV ACKNOWLEDGEMENTS Special thanks are due to several people and groups who have played a significant part in the development of this dissertation.
    [Show full text]
  • MMF Companion Bulfinch Myths
    Reading Greek and Roman Mythology The Myth Louis Made Markos, act PhD through Christian Eyes COMPANION FILE: BULFINCH’S MYTHOLOGY PDF Excerpts selected from Bulfinch’s Mythology: Complete In One Volume for use in conjunction with The Myth Made Fact arn wit Le h Louis Markos o n m o Cl .c assicalU The Myth Made Fact: Reading Greek and Roman Mythology through Christian Eyes Companion File: Bulfinch’s Mythology PDF All myths in this PDF are taken, unedited, from Bulfinch’s Mythology, Complete In One Volume by Thomas Bulfinch. Courtesy of Project Gutenberg. Illustrations courtesy of Adobe Stock artist Matias Del Carmine Design by David Gustafson Classical Academic Press 515 S. 32nd Street Camp Hill, PA 17011 www.ClassicalAcademicPress.com Reading 1 Daedalus Read this myth along with chapter 1 of The Myth Made Fact. he labyrinth from which Theseus escaped by them, astonished at the sight, and thinking they were gods means of the clew of Ariadne was built by Daeda- who could thus cleave the air. lus, a most skilful artificer. It was an edifice with T They passed Samos and Delos on the left and Lebynthos numberless winding passages and turnings opening into on the right, when the boy, exulting in his career, began to one another, and seeming to have neither beginning nor leave the guidance of his companion and soar upward as if end, like the river Maeander, which returns on itself, and to reach heaven. The nearness of the blazing sun softened flows now onward, now backward, in its course to the sea.
    [Show full text]
  • The Metamorphosis of Ovid in Retellings of Myth for Children
    chapter 10 The Metamorphosis of Ovid in Retellings of Myth for Children Deborah H. Roberts* From the middle of the nineteenth century, following the success of Nathaniel Hawthorne’s A Wonder-Book for Girls and Boys (1851) and Tanglewood Tales (1853), children have increasingly encountered Greek myth for the first time in anthologies of stories written specifically for the young.1 Myths for which Ovid’s Metamorphoses is our major or sole source are among those most fre- quently chosen for these collections and for single-myth picture books; these include the tales of Arachne, Baucis and Philemon, Daedalus and Icarus, Daphne and Apollo, Echo and Narcissus, Midas, and Pygmalion and Galatea. In many instances, however, Ovid goes unmentioned, and these stories are repre- sented simply as Greek myths or folktales and as unmediated expressions of the Greek spirit. This was not always the case. Many of the educational handbooks written for or used by children in the 18th and early 19th centuries regularly cite and quote from Ovid,2 and Thomas Bulfinch’s 1855 Age of Fable, which seeks to give * I am grateful to Sheila Murnaghan and to the anonymous reviewer for helpful comments and suggestions. 1 My focus here is on the English-speaking world, especially Britain and the United States, but analogous developments may be found in other countries. On myth in English for children see Constant, A Critical Study of Selected Greek Myths as Story for Children. Thesis, Columbia University. (Ann Arbor mi: University Microfilms, 1970), Lines, The Faber Book of Greek Legends (London and Boston: Faber and Faber, 1973) 18–24, 251–61, Brazouski and Klatt, Childrens’ Books on Ancient Greek and Roman Mythology: An Annotated Bibliography (Westport, ct.: Greenwood Press, 1994), Stephens and McCallum, Retelling Stories, Framing Culture: Traditional Story and Metanarratives in Children’s Literature (New York and London: Routledge, 2013) ch.
    [Show full text]
  • The Project Gutenberg Ebook of the Age of Chivalry, by Thomas Bulfinch (#2 in Our Series by Thomas Bulfinch)
    The Project Gutenberg EBook of The Age of Chivalry, by Thomas Bulfinch (#2 in our series by Thomas Bulfinch) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Age of Chivalry Author: Thomas Bulfinch Release Date: January, 2004 [EBook #4926] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 27, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, THE AGE OF CHIVALRY *** Robert Rowe, Charles Franks and the Online Distributed Proofreading Team. BULFINCH'S MYTHOLOGY THE AGE OF FABLE THE AGE OF CHIVALRY LEGENDS OF CHARLEMAGNE BY THOMAS BULFINCH COMPLETE IN ONE VOLUME [Editor's Note: The etext contains only THE AGE OF CHIVALRY] PUBLISHERS' PREFACE No new edition of Bulfinch's classic work can be considered complete without some notice of the American scholar to whose wide erudition and painstaking care it stands as a perpetual monument.
    [Show full text]
  • Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
    1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS
    [Show full text]
  • English Language and Literature
    Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Jan Zbořil H. P. Lovecraft and the Cthulhu Mythos Master‘s Diploma Thesis Supervisor: doc. Michael Matthew Kaylor, PhD. 2015 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‘s signature 2 Acknowledgements I would like to thank my supervisor, Supervisor: doc. Michael Matthew Kaylor, PhD, for his patience and understanding. 3 Table of Contents Introduction 5 1. The Author 7 1.1 Biography 8 1.2 Dreams and Horrors 16 1.3 Philosophy 19 2. Cthulhu Mythos 23 2.1 Fear of the Unknown 33 2.2 Religion 36 2.3 Necronomicon 39 2.4 Beings 47 2.5 Tales 48 2.5.1 ―The Call of Cthulhu‖ 49 2.5.2 ―The Dunwich Horror‖ 54 2.5.3 At the Mountains of Madness 58 2.5.4 The Shadow over Innsmouth 61 Conclusion 65 Works cited 68 4 Introduction In comparison to my BA thesis which dealt with the most critical and crucial differences between Stephen King‘s Shining and Stanley Kubrick‘s famous movie adaptation, I have decided to deal solely with works of a single man, coincidentally Stephen King‘s predecessor and virtually his mentor, Howard Phillips Lovecraft, who is by some considered to be the most essential literary writer of the horror genre, and the leading author of and on the supernatural fiction of the 20th century. One of the aims of the following is to examine Lovecraft‘s personal life, upbringing and interests, as well as the development of his relationships with others, and to strive to postulate what has lead to his renown.
    [Show full text]
  • Bowdoin Square, the Birthplace of Charles Bulfinch (1763- 1844), Is Now a Busy Intersection at Bowdoin St., Cambridge St., and New Chardon St
    Bowdoin Square, the birthplace of Charles Bulfinch (1763- 1844), is now a busy intersection at Bowdoin St., Cambridge St., and New Chardon St. in downtown Boston, but in the 18th and 19th centuries it was a charming residential neighborhood, with country roads and large pastures. Known as an aristocratic neighborhood in the Bay Colony, Bowdoin Square was home to the Bulfinch Mansion, which included stables and four acres of land. During Charles Bulfinch's lifetime the Bay Colony would be dramatically changed, a change he had a large hand in as Boston's first city planner. Bulfinch( ---) Federal Style, an architectura l style which is characterized by columns and arches in the classical style with modest, simp lified ornament. The Federal Style was popular through the nineteenth century in American architecture, and it can be observed in many government buildings today. ThomasBulfinch 1757 Bulfinch, also the Architect of the Capito l, made Courtesy WestEnd Museum an indelible mark on the neighborhood of his childhood and the development of the nation after Independence. TenYears Old Bulfinch Drawing Charles Bulfinch comes from a long line SusanBulfinch 1753 Courtesy West EndMuseum of successful Bulfinch's in the Bay Colony. Courtesy WestEnd Museum His father and grandfather, both named Logos:Boston Latin, Harvard Thomas were prominent physicians, both CourtesyWest End Museum educated in Europe, and well known in Boston. The earliest Bulfinch recorded as a resident of the colony was Adi no Bulfinch, a Boston Merchant and great grandfather of Charles. Adi no built the Bulfinch mansion which Bulfinch lived in as a child.
    [Show full text]