DOCSLIB.ORG

Susan Loughran

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Susan Loughran Mary Moody Northen Theatre for the Perf orining Arts presents SUSAN LOUGHRAN in THE PRIME OF MISS JEAN BRODIE by JAY PRESSON ALLEN ADAPTED FROM THE NOVEL BY MURIEL SPARK JULY 28-AUGUST 2, 1981 SUSAN LOUGHRAN 0-EAN BRODIE) came to Austin three years ago as a guest artist with the St. Edward's summer stock program and remained to become a member of the theatre faculty. She had previously spent ten years in New York working as a professional actress, director and costume designer. She has appeared at the Shakespeare Festival in Stratford, Ontario, Canada, the Loretto-Hilton Repertory Theatre in St. Louis as well as the Stage Company and the Playbox in New York City and various din­ ner, summer stock and children's theatres throughout the United States. Commercially, she has appeared for Thomas' English Muffins and Good Seasons Salad Dressing among others. She will soon be seen locally for Henna Chevrolet. You may also have seen her briefly on several daytime dramas and in several films, including DOG DAY AFTERNOON. Since coming to Austin, Ms. Loughran has .designed most of the cos­ tumes at St. Edward's. She has directed DIAL M FOR MURDER starring Martin Milner, LI'L ABNER, MUSIC MAN and this season's BELLS ARE RINGING starring Grant Goodeve. She has appeared in TOBACCO ROAD with John Carradine, PRISONER OF SECOND A VENUE with Gene Expectmore. Rayburn, SHENANDOAH with Alan Jones, A FUNNY THING HAP ­ PENED ON THE WAY TO THE FORUM with John Schuck and in BORN YESTERDAY as Broderick Crawford 's mistress, a role for which she won ~~, CityBank Austin's B. Iden Payne Award as Best Actress in a Comedy. ~~~ ~ MEMBER FDIC 9TH & CONGRESS FOR TICKET INFORMATION CALL ST. EDWARD'S UTOTEM WEST TEXAS DIVISION AT 444-8398 3000 SOUTH CONGRESS Across from St. Edward's Satisfaction - Our Goal ONE From 8:00 AM - 4:00 PM Mon - Sat 2 Hour Laundry Service on Shirts HOUR Trousers from 8:00 AM - 2:00 PM No 1-613 Congress . ..... 477-4083 SERVICE No 2-14 01 W Ben Whit e ... 444-5000 SWEETONE -HOUI DIY CUANEIS The Cast St. Edward'sUniversi~y Jean Brodie .................................... SUSAN LOUGHRAN Teddy Lloyd ........................................... Hart Sprager Mary Moody N orthen Theatre Sandy ................................................ Nicole Farmer Jenny ............................................. Bonna Cummings Monica ............................................... Debbie Bennet for the Perf orining Arts Mary MacGregor .................................... Tina Jo Garrison Miss Mackay ......................................... Patricia Knock Gordon Lowther ...................................... Hillary Garrett presents Sister Helena ........................................... Leslie Staser Mr. Perry ............ .. ................................ Ken 'Thomas McCready ................... ....................... Edward Hanlon Miss Campbell ......................................... Elise Wagner Understudy to Ms. Loughran . ... .. ... .. ............... Martha Patino SUSAN LOUGHRAN Schoolgirls - Judith Cummings, Lisa Maranto, Martha Patino and and Jane Sylvester HART SPRAGER Who's Who m HART SPRAGER (TEDDY LLOYD) began his acting career at Stanford University. He performed in summer THE PRIME OF stock seasons at the Westport Country Playhouse in Connecticut and at the La MISS JEAN BRODIE Jolla Playhouse in California, appearing with Imogene Coca, Vincent Price and by Tammy Grimes. After appearing as a JAY PRESSON ALLEN continuing character on the George Burns and Gracie Allen television series, Adapted from the novel he worked as a story consultant with by Warner Brothers and Alfred Hitchcock, MURIEL SPARK produced and directed documentary Directed and Designed films and taught film at the University of Texas. His recent local perfor­ mance in the title role of ZORBA at Center Stage won him the B. Iden Payne by Award as the year's Best Actor in a Musical. Hart is the Actor-in-Residence SUSAN LOUGHRAN this summer at St. Edward's and has appeared with Marion Ross and Grant Goodeve. Lighting Designed Sound Designed NICOLE FARMER (SANDY) is a sophomore theatre arts major from Cali, by ,by Columbia. Previously a member of Independent Actors of Austin, she Edward Hanlon Jane Sylvester played the daughter in THE LABYRINTH, performed at Hogg Auditorium. She was last seen as Francis in BELLS ARE RINGING with Grant Goodeve. THE PRIMEOF MISS JEAN BRODIEIS PRODUCED BY SPECIAL BONNA CUMMINGS (JENNY) is a junior from Apache Junction, Arizona ARRANGEMENT WITH SAMUEL FRENCH, INC. majoring in theatre arts and English literature. She has been seen in BYE BYE BIRDIE, THE SOUND OF MUSIC, GET SMART, OUR TOWN, and PYGMALION. Here at St. Edward's, she has appeared in MUSIC MAN and BELLS ARE RINGING with Grant Goodeve. DEBBIE BENNET (MONICA) is a senior acting major from Honolulu, 1 Hawaii. While in Hawaii, she appeared in GOING COCONUTS with Donny and Marie Osmond as well as several episodes of HAW All FIVE-O. Here at St. Edward's, Debbie's credits include JB with Carol Bruce and ACT ONE Adam Wade, the understudy to Jill in· BUTTERFLIES ARE FREE with The action of the play occurs in Edinburgh, Scotland, 1959, Yvonne DeCarlo, 1968, the understudy to Kid in THE ROAR OF THE and from 1931 to 1933. GREASEPAINT, THE SMELL OF THE CROWD with Noel Harrison . She was last seen in BELLS ARE RINGING with Grant Goodeve. TINA JO GARRISON (MARY MacGREGOR) is an acting major from the ACTTWO Napa Valley in California. While at St. Edward's, she has appeared in OUR TOWN, THE FROGS, CURIOUS SAVAGE, and THE ROAR OF THE The action continues from 1933 to 1936. GREASEPAINT, THE SMELL OF THE CROWD with Noel Harrison. She recently played Ella opposite Grant Goodeve in BELLS ARE RINGING. PA TRICIA KNOCK (MISS MACKAY), a member of the American Guild of ACT THREE Variety Artists, graduated from St. Edward's in 1977. She has appeared in many opera productions and has carried lead roles in SEE HOW THEY The action continues two and a half years later. RUN, BRIGADOON, LOST HORIZON, THE MAN WHO CAME TO DIN­ NER and AUNTIE MAME. Ms. Knock also worked at NBC for 3 years and There will be two ten-minute intermissions between acts. toured with the Ernie Young Fair Circuit. A writer of children's plays, her Please, smoking and refreshments in lobby only. WHAT'S WATT has been performed in the . Austin Independent School District and by the National Wildlife Federation . HILLARY GARRETT (GORDON LOWTHER), a sophomore acting major from Dresden , Tennessee , has appeared in CHAPTER TWO with Mar ion Ross and BELLS ARE RINGING with Grant Goodeve. He was also seen in OUR TOWN and in the stude nt productions of CURIOUS SAVAGE and SPECIAL THANKS THE FROGS. Betty Creamer LESLIE STASER (SISTER HELENA) is a senior transfer student from Loui­ Hairstyles by Command Performance siana. Leslie has appeared in productions at Zachary Scott and Theatre in Br. Hilarion Brezik the Rye, including H.M.S. PINAFORE and THE PHYSICISTS. Her local Eileen Shocket major roles include Inez in NO EXIT and Helen . Alving in THE GHOSTS. Joseph Sprug At St. Edward's she has appeared as Sue in BELLS ARE RINGING with Sr. Marie Andre Walsh Grant Goodeve and was the understudy to Marion Ross in CHAPTER Miller Blue Print TWO. French Cuisine, Courtyard, & Bar. Airport Fina Co-Oriental Market Open 8 a.m. until 2 at night. James Koch KEN THOMAS (MR. PERRY) is a junior acting major from Cleveland, Glenn Hinkle Ohio. He has appeared with Adam Wade and Carol Bruce in JB and with ~1" East6th St. Noel Harrison in THE ROAR OF THE .GREASEPAINT, THE SMELL OF THE CROWD. Most recently, he played the part of Inspector Barnes and also understudied the role of Jeff in BELLS ARE RINGING starring Grant Goodeve. Member of Ford Rent A Car System Cars For The STARS Provided By "Where fitting is a profession" A-J LEASING COMPANY Highland Mall Northcross Mall 56th Street at Airport Boulevard Westgate Mall 5517 Burnet Phone 452-0286 The Ultimate Step- SHOES 2348 Guadalupe 0 An Affiliate of Leif Johnson Ford,, 11IDJ'A-TIW I St. Edward's always welcomes patrons. Anyone interested in becoming actively involved in the support of the theatre, its stu­ 'Thegood dents and its programs, pl ease contact Mr. Donald W. Seay, Artistic ~ Bank of Austin R~r~~JICSouth Director of Theatre, St. Edward's University, 3001 S. Congress, business Austin, Texas, 78704, Ph. 444-2621. Congress at Oltorf. (512) 447-4411 Member .FDIC. In the past, we have experienced the problems of tickets getting bank. lost in the mail. Therefore, we will no longer mail tickets to our patrons. We are suggesting this procedure for obtaining your tickets: 1) Call the box office at 444-8398 or 444-2621, ext. 324/325 one Summer Theatre Staff week before you plan to attend a performance and make your reservations. Director of Summer Theatre .. ... ... ................ Edward Mangum Director, Costume Designer .......................... Susan Loughran 2) Pick up your tickets at least 15 minutes before th e performance Executive Secretary ...................................... Kim Benson at the box office. Actor-in-Residence ..................................... Hart Sprager Assistant Costume Designer .. ........... ... ......... Doris Lindblom THANK YOU FOR YOUR PATRONAGE. Playbill Editor .................................. ...... Lisa Maranto Playbill Business Manager ............................... Elise Wagner Box Office Manager, Ass't. Playbill Editor ................ Jane Sylvester WAIT Before you throw away that old hat, dress, suit or rocking chair, PLEASE CALL US. We are working at enlarging our
Load more

Recommended publications
  • January / February
    CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music.
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • I Have a Song to Sing O! Program.Pdf
    Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James
    [Show full text]
  • Lyrics and Music
    Soundtrack for a New Jerusalem Lyrics and Music By Lily Meadow Foster and Toliver Myers EDITED by Peter Daniel The 70th Anniversary of the National Health Service 1 Jerusalem 1916 England does not have a national anthem, however unofficially the beautiful Jerusalem hymn is seen as such by many English people. Jerusalem was originally written as a preface poem by William Blake to his work on Milton written in 1804, the lyrics were added to music written by Hubert Parry in 1916 during the gloom of WWI when an uplifting new English hymn was well received and needed. Blake was in- spired by the mythical story Jesus, accompanied by Joseph of Arimathea, once came to England. This developed its major theme that of creating a heaven on earth in En- galnd, a fairer more equal country that would abolish the exploitation of working people that was seen in the ‘dark Satin mills’ of the Industrial revolution. The song was gifted by Hubert Parry to the Suffragette movement who were inspired by this vi- sion of equality. 2 Jerusalem William Blake lyrics Hubert Parry Music 1916 And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark Satanic Mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight Nor shall my sword sleep in my hand Till we have built Jerusalem In England's green and pleasant Land Hubert Parry 1916 Words by William Blake 1804 3 Jerusalem 1916 4 Jerusalem 1916 5 Jerusalem 1916 William Blake imagined a time when Britain would be a fairer more equal society.
    [Show full text]
  • Radiotimes-July1967.Pdf
    msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy.
    [Show full text]
  • Rpm Award to Top Canadian Disc Jockey
    Volume 4, No. 16 Week of December 13th, 1965 RPM Updated to Near RPM AWARD TO TOP CANADIAN DISC JOCKEY Newsl etter Speed For the past 11 months, RPM has been keeping tab on DJs across Canada, and along with the industry votes for the RPM Annual Awards, RPM will (on the basis of our calculations) RPM now comes to you so fast that the for the first time this year pick a top CANADIAN air personality. The basis of our survey ink may still be wet when you get it. The will be kept secret, but we have figured out a way of making this award that will definitely news is now the very newest, and our and unbiasly give us a DJ award for the top CANADIAN air personality. All air person­ Play Sheet programming guide is even alities with Canadian stations will be eligible. more advanced than usual. It was impossible to make this award a part of our ballot because Canada is so far­ Programmers have been the first to tell flung, and such an award would not be practicable on a national basis with so many us, that our "picks" don't miss and that the regions, but our award will be based on Canadianism, promotional attitude, and influence programming guide is used for program­ in the industry. ming new singles and new LPs. It isn't un ­ usual to hear that DJs are reading direct All the winners will be announced in the January 17th edition of RPM . from RPM, and our Star Line feature gives programmers insight into the biographical details of the artists whose records are reaching the top of the chart.
    [Show full text]
  • The Thomas Crown Affair
    Urban Optiques “Movies at the Marquis” Viewing Guide Tonight’s Feature The Thomas Crown Affair Viewing Notes Released in 1968, The Thomas Crown Affair directed by Norman Jewison stars Steve McQueen and Faye Dunaway in one of Hollywood’s most stylish heist thrillers. FAST FACTS Nominated for two Year: 1968 Academy Awards and Studio: The Mirisch Corp/United winner of the 1969 Oscar Artists for Best Song with Length: 102 minutes “Windmills of Your Director: Norman Jewison Mind,” The Thomas Screenplay: Alan Trustman Crown Affair remains Color: Color a masterful example of Original Sound Mix: Mono late-60s movie making. A Genre: Crime/Thriller/Romance remake starring Pierce Actors: Steve McQueen, Faye Dun- Brosnan and Rene Russo away, Paul Burke, Jack Weston was released in 1999. Awards: Winner of 1969 Oscar and Golden Globe for Best Music, Plot Original Song for Michel Legrand’s “Windmills of Your Mind.” Thomas Crown (Steve McQueen), a millionaire Budget: $6,000,000 businessman and Box Offi ce Gross: $14,000,000 sportsman, pulls off a perfect crime by having fi ve men rob a Boston Alternative Titles: bank and dump the money - The Crown Caper -- approximately $2.6 - Thomas Crown and Company million -- in a cemetery’s - L’affaire Thomas Crown (France) trash can. Crown retrieves the money later and depos- Original Studio Movie Poster for The Thomas Crown Affair its it at a bank in Geneva. The fi lm also features the now famous chess scene. McQueen and Vicki Anderson (Faye Dunaway), an independent insurance Dunaway play a game of chess, silently fl irting with each other, investigator, is contracted to investigate the heist.
    [Show full text]
  • Wand'ring Minstrels in I Have a Song to Sing, O!
    E OWL P RFO B RM S I D N N G A A L D R 97th Annual T The E S Summer Music R 2273rd Festival Event Tuesday, July 28, 2020 8:00 p.m. ● ALBERT BERGERET, ARTISTIC DIRECTOR WAND’RING MINSTRELS IN I HAVE A SONG TO SING, O! INTRODUCTION BY Nathan Gonzales ________________________________________________________________________________ This program is generously sponsored by ______________________________________E_S__R_I ______________________________________ THIS EVENING’S ARTIST Director: James Mills Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Editor: Danny Bristoll Sarah Caldwell Smith, Soprano Rebecca Hargrove, Soprano Angela Christine Smith, Contralto Alex Corson, Tenor James Mills, Comic Baritone Matthew Wages, Bass-Baritone David Wannen, Bass Accompanist: Elizabeth Rogers MUSICAL NUMBERS With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) . .Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) . .James Mills Sarah Caldwell Smith Am I Alone and Unobserved? (Patience) . .James Mills A British Tar (H.M.S. Pinafore) . .Alex Corson Matthew Wages David Wannen I’m Called Little Buttercup (H.M.S. Pinafore) . .Angela Christine Smith We’re Called Gondolieri (The Gondoliers) . .Alex Corson Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) . .Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) . .Matthew Wages and Men When All Night Long a Chap Remains (Iolanthe) . .David Wannen Three Little Maids From School are We (The Mikado) . .Rebecca Hargrove Angela Christine Smith Sarah Caldwell Smith The Sun, Whose Rays are All Ablaze (The Mikado) . .Rebecca Hargrove Here’s a How-de-do! (The Mikado) . .Alex Corson James Mills Rebecca Hargrove Alone, and Yet Alive! (The Mikado) .
    [Show full text]
  • J2P and P2J Ver 1
    INTERNATIONAL NEWS REPORTS Garner, returning from a Euro- FROM THE pean concert tour, will do a new album for MGM Records. Jerry Vale's next guest appearance MUSIC CAPITALS on Ed Sullivan's CBS -TV show set for June 26.... Jill Sinclair will OF THE WORLD sing the title role in the upcoming film, "Lady in Blue." . Eddie has five at Continued from page 32 had station's Kurt Russell chatting Hazel a -week run with Tony Bennett about his pri- After the Ball, Lodi, N. J. The New Order, new Warner Bros. vate and public lives. B111 CHICAGO Calder reports WIND for, report- group, finished a stint at the edly, Houston. No replacement Comic Strip in Worcester, Mass., Some 1,000 Jobs Projects train- yet announced. RAY BRACK and returned to New York June ees heard the new Ramsey Lewis 13 for a Shakespeare Festival ben- Trio (Lewis, Cleveland Eaton, efit at the Plaza Hotel. Maurice White) Sunday (12) in a MILAN Bruce Morrow, disk jockey on benefit concert at the National WABC, will emcee the first half Design Center. Following the Dischi Ricordi issued a new of the Adam (Batman) West Show currently featured Lewis trio into album series under the label I at Shea Stadium on June 25.. the London House will be the Best Seller, to be sold at a budget The Little Flowers, currently head- Mongo Santantarta Septet June 21 price retail. Ten albums are in lining at the Night Owl Cafe, were ATLANTIC RECORDS' HERBIE MANN plays with Kanda-Bayashi, a tra- ditional combo orchestra, for the festival of Kanda for three weeks.
    [Show full text]
  • Iron from the Wilderness: the History of Virginia's Catharine Furnace
    National Park Service U.S. Department of the Interior History Program Northeast Region Iron from the Wilderness: The History of Virginia’s Catharine Furnace Historic Resource Study Fredericksburg and Spotsylvania County Battlefields Memorial National Military Park IRON FROM THE WILDERNESS: THE HISTORY OF VIRGINIA’S CATHARINE FURNACE FREDERICKSBURG AND SPOTSYLVANIA NATIONAL MILITARY PARK HISTORIC RESOURCE STUDY SEAN PATRICK ADAMS PREPARED UNDER COOPERATIVE AGREEMENT WITH THE ORGANIZATION OF AMERICAN HISTORIANS NATIONAL PARK SERVICE U.S. DEPARTMENT OF THE INTERIOR NORTHEAST REGION HISTORY PROGRAM JUNE 2011 i ii TABLE OF CONTENTS Acknowledgements vii Introduction: The Many Stories of Catharine Furnace 1 Chapter One: Creating the Landscape of Catharine Furnace 7 Chapter Two: The Fredericksburg Iron and Steel Manufacturing Company 19 Chapter Three: From Ore to Pig: Making Iron at Catharine Furnace 35 Chapter Four: Life and Labor at Catharine Furnace 49 Chapter Five: Catharine Furnace on the Front Lines 63 Epilogue: Remembering Catharine Furnace 75 Appendices: Appendix A: Figures 77 Appendix B: Timeline of Important Events 85 Appendix C: Selected Annotated Bibliography 91 Appendix D: Maps 105 Index 109 v ACKNOWLEDGEMENTS Historians, like nineteenth-century ironmakers, tend to accumulate massive debts as they go about their business. Although many of them can never be repaid in full, I would like to take this opportunity to recognize my main creditors. Susan Ferentinos, public his- tory manager at the Organization of American Historians (OAH), and John Hennessy, chief historian at Fredericksburg and Spotsylvania National Military Park (FRSP), have been great supporters of this project from the beginning and were excellent guides as I negotiated the in- stitutional pathways of coordinating between the OAH, FRSP, and the National Park Service.
    [Show full text]
  • Stefan Firca Dissertation
    Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University by Stefan Firca , B.M., M.A. Graduate Program in Music The Ohio State University 2011 Dissertation Committee: Professor Arved Ashby, Advisor Professor Graeme Boone Professor Danielle Fosler-Lussier Copyright by Stefan Firca 2011 Abstract Circus, fairground, carousel, carnival imagery is everywhere during the late 1960s: in cover art, song lyrics, band names and song titles, music criticism, names of music venues, festivals, movies, literature. From circus tents to clowns, from jugglers to magicians, from carousels to parades, an entire carnivalesque lexis seems to be at play in what is generally termed “psychedelia.” The current study attempts to read and offer “thick description” (Geertz) of this vocabulary as part of a larger cultural and countercultural imagination, and integrate musical manifestations of the period (popular psychedelia and avant-garde / experimental music) in a semiotic network of metaphoric representation. If language is nothing more than a chain of metaphors (Lakoff), it is nevertheless true that we often take such metaphors as “rock ’n’ roll circus,” “song-carousel,” “riot of sound” for granted, since they are so widespread and culturally shared that an explanation of their meaning may appear pedantic. But what do these word-images actually mean? What is the range of their connotations? What is the relationship between them? Why are they so frequent in the late 1960s? And how are these tropes translated or suggested musically? One possible answer to the last question involves the broad concept of circularity , emblematic for the psychedelic era: a round melodic motive or harmonic progression, ii a cyclic phrase articulation, a motoric-recurrent riff, a spiraling or whirling waltz in triple time.
    [Show full text]
  • NME Dylan/Folk Rock Issue 2003
    NICK DRAKE TIM BUCKLEY BOB DYLANBOB DYLAN INTERVIEWS, REVIEWS & RARE PHOTOS AND THE VOLUME 2 ISSUE 5 UK £ 5.99 & NASH STILLS CROSBY, FOLK ROCK BOOM 1964-1974 NEIL YOUNG JONI MITCHELL THE BYRDS CAROLE KING CAROLE MORRISON VAN STEVENS CAT DONOVAN TAYLOR JAMES DVD - EREDV519 Features the classic tracks 99.9F ˚, Marlene On The Wall, When Heroes Go Down, Left Of Center, Luka, Solitude Standing, Tom's Diner and many more. 2004 Includes bonus tracks from her concert DISTRIBUTED BY at the Montreux Festival in 2000. AVAILABLE AT eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LIMITED www.eagle-rock.com “FESTIVAL!” MURRAY LERNER’S CLASSIC FILM, originally released in 1967, is now on DVD for the first time. Filmed across four Newport Folk Festivals in the early sixties it combines live footage and interviews with the artists and with members of the audience. FEATURED ARTISTS INCLUDE BOB DYLAN • JOAN BAEZ • DONOVAN, PETER,PAUL & MARY • JOHNNY CASH, JUDY COLLINS and many more. EREDV499 DISTRIBUTED BY AVAILABLE FROM eagle vision A DIVISION OF EAGLE ROCK ENTERTAINMENT LTD www.eagle-rock.com Britain catches Dylanmania, Donovan versus Dylan, The Byrds fly in, Ramblin’ Jack Elliott reminisces, the great Protest Song debate, Barry McGuire heralds the ‘Eve Of Destruction’, Sonny & Cher conquer the charts, Simon & PAGES 6-39 Garfunkel forge sound out of silence Byrds banned in drug scandal, Dylan press deceptions and gig fracas, Simon & Garfunkel go “intellectual”, The Mamas And The Papas entertain The Beatles, Cat Stevens in “youth’s a drag” shocker,
    [Show full text]