The Ithacan, 1967-09-08

Total Page:16

File Type:pdf, Size:1020Kb

The Ithacan, 1967-09-08 Ithaca College Digital Commons @ IC The thI acan, 1967-68 The thI acan: 1960/61 to 1969/70 9-8-1967 The thI acan, 1967-09-08 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1967-68 Recommended Citation Ithaca College, "The thI acan, 1967-09-08" (1967). The Ithacan, 1967-68. 1. http://digitalcommons.ithaca.edu/ithacan_1967-68/1 This Newspaper is brought to you for free and open access by the The thI acan: 1960/61 to 1969/70 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1967-68 by an authorized administrator of Digital Commons @ IC. - A Weekly Newspaper, Published by and for the Students of Ithaca College. '/ol, 40--No. 1 Ithaca, New York Friday, September 8, 1967 1,070 FRESHMEN ARRIVE By ALAN HYMEN Sound off, frosh! Hey, tip that ed parents and incoming students beanie! Whata' ya mean you don't find their way on campus. know the slogan-It's not bow Sunday night President Dil­ long you make it, it's bow you lingham welcomed the members make it long-Now don't forget it of the Class of '71 and a dance followed. or next time you'll be in Kan­ Beginning early Monday morn­ garoo Court. These familiar ing, freshmen met with their de­ words have greeted freshmen for partment chairmen and were also the past week. Now orientation subject to a battery, of tests. The and registration are all behind new Dean of Students, Paul and classes are in session. Orien­ Brown, spoke to the students that tation, 1967 has unofficially end­ night, as did Dr. Eastman and Dr. ed and the members of the Class Hammond. The boys were sep­ of '71 will take their places with arated from the girls briefly as the other classes at Ithaca Col­ WGB and MGB met with the lege. freshmen. Next, it was time for Dieter Scherer, orientation "Uncle" Jess Nadleman leading chairman explained, "If the fresh­ the counselors and freshmen in men are happy and friendly as a singing the fight song and also result of orientation, then it can Happy Birthday to Dr. and Mrs. be deemed a success." At Sunday Dillingham. at wasn't either's night's dance, Monday's bonfire, birthday). " and all during the week the Tuesday saw more tests, more freshmen seemed scared at first, free time and the candle lighting and then a little more at ease, closing ceremonies to mark the after some careful planning by end of orientation. the counselors. On both Monday and Tuesday Upperclassmen were on hand to Freshmen began arr1vmg on afternoon Kangeroo Court was in move the freshmen Into their Saturday with the courtesy desk session. Freshmen were sum­ ~ms. This particular member and beanie distribution tables in moned there for such "crimes" ~f the class of '71 seems a bit the Union until late Sunday: The as: not tipping their beanies to "'tlismayed by such efficiency. registration went quite easily as upperclassmen, talking back to 417 frosh responded that they counselors, illiteracy, and some­ would arrive on Saturday and times for just not having any 1,070 time& shoes and levies and And It didn't take long for the 425 actually came that day. Six summonses at all. sweaters .•. dorm room to be'come ''home". hundred arrived on campus on Miss Sharon Staz, Administra­ Sunday. The Properties Depart­ tive Director of orientation, men­ ment spent several hours design­ tioned that although there were ing four maps of the different not enough male counselors most areas of the campus which help- Please tum to page 7 SUNDAY: Feature Movies Shown at 7 P.M. and 10 P.M. MONDAY-WEDNESDAY: Olde Tyme Fliques Shown Continuously From 8 to 7: Also our TDEIJIOXCAR leads along · the track 1l'o Great Sandwich Special THURSDAY MITE and nightly entertainment, delicious sandwiches, !FRIDAY AFTERNOON Live Rock and Roll ice cold draught beer, and your favornil'e From 9 P.M. - 1 A.M. From 4 ,P.M. to 7 P.M. mixed drink. !FRIDAY and SATURDAY: Smooth Music from 9 - 7 Rte. 13 and Dryden !ltd. (Tie & Jacket requested) 0 WHEN YOU:'RE TIRED. OF FOLLOWING THIE CROWD TIHIERE S 0 0 0 0 Open: Sun. - Thurs. rFrii. 4 3 Bloody Mary's 50c - auoon to 7 on Saturdays 108 N. Auroro Streell' 11 "Happy •• To Seirve V OM ~-----------------------------------------------------------------------·t THE ITHACAN, SEPTEMBER 8, 1967, PAGE 2 . ~ Recording Secretary Sunday Night At The Movies Student Officers Welcome Frosh arreri t,~ Sept. 10 "OUR MAN FLINT" (C-CS) -W l J amcs Coburn, Lee J. Cobb Ithaca Colleges Student Coun- power to other student organiza­ 17 "ON THE BEACH" (B-W) eil officers offer a warm word of tions. Benson Grc_gory Peck, Ava Gardner, Fred Astaire welcome to the incoming fresh­ 24 "SERGEANTS THREE" (C-CS) men and transfer student starting Goes to Oct. 1 "THE HILL" ( B-W) at IC this fall for the first time. Scan Connery, Michael Redgrave We also welcome back the up­ 8 to be announced perclassmen who are already Eastman 15 "MR. ROBE.RTS (C) familiar with the campus idiosyn­ James Cagney, Jack Lemmon, Henry Fonda crasies. Composer W.arren Benson of 22 "THE LONGEST DAY" (CS-BW) For those of you who find Ithaca College has been named John Wayne, Red Buttons, Robert Mitchum themselves in the former cata­ professor of composition at the 29 "VON RYAN'S EXPRESS" (C-CS) gory, may we take a moment .to Ealjtman School of Music, Frank Sinatra, Trevor Howard explain that Student_ Council is University of Roch.ester~ He will Nov. 5 "REBEL WITHOUT A CAUSE" (C) , the primary legislative body of Diane - Physical begin teaching there Sept. 18. , James Dean, Natalie Wood, Sal Mineo the student government at Ithaca Therapy · major from Newton, Benson, here for 14 years, has 12 "TEN LITTLE INDIANS" ( C) It's purpose is "the creation of a Massachusetts. Pi Theta Phi, been composer in residence and Hugh O'Brien, Shirley Eaton, Fabian self governing student commu­ President's Host Committee. professor of music at Ithaca 19 "OPERATION CROSS.BOW" (C-CS) nity through responsible citizen­ College. Geor_p;e Peppard, Tom Courtenay, Sophia Loren ship." Janet Bulan: 1968 - Psychology Student Congress -also extends Some 30 or more of his com­ this invitation to those who find Dec. 3 "THE LOVED ONES" (B-W) . from Woodstock, N. Y. positions have been publishe~ Jonathan Winters, Sir John Gielgud Phl Zeta, Student Con- themselves in the latter category as well as a dozen records and President of upperclassmen. Participation 10 "SHE" ( C-CS) gress. a book, "Creative Projects in Ursala Andress, Peter Cushing, John Richardson is urged by the entire student M~sicianship," brought . out un­ body in order to have a truly ef­ der the imprimatur of "Music 17 "WHAT A WAY TO GO" (C-CS) Voting membership in Con­ Shirley McLaine, Dean Martin, Paul Newman fective government. Educators National Conference. gress consists of elected depart­ and the Ford Foundation. Jan. 21 "KING RAT" (B-W) mental representatives, represen­ George Segal, Tom Courtenay, James Fox tatives from each living units, Vic~ President His music was performed in . 28 "CLEOPATRA" ( C-CS) from the WGB, MGB, IFC, as well some 32 foreign countries last Elizabeth Taylor, Richard Burton as the class presidents. year as well as in the U.S. Feb. 4 "FLIGHT OF THE PHOENIX" (C) It is important to the function­ His ballet, "Bailando," was : Rock Hudson, Rod Taylor ing of Congress that the people selected ror the opening or the I; 11 "'THE BEDFORD INCIDENT" ( B-W) whom you elect to represent you first International Society of) James McArthur, Sidney Poitier, Richard Widmark are well qualified and have a Music Educators meeting to be~· "NO TIME FOR SERGEANTS" (B-W) held in this country; last yer - 18 sincere willingness to participate 1 Andy Griffith, Don Knotts, Nick Adams and contribute their time and ef- at the Interlochen, Mich., Mus-ll 25 "LORD JIM" (C) Camp, with 24 dancers and fl Peter O'Toole, James Mason, Curt Jergens Pete Burrell: 1968 - Radle>-T.V. fort. Regardless ';>f wb:!ther or . 105-piece orchestra interpreting· Mar. 3 "YOUNG CASSIDY" ( C) major from Rochester, N. Y. Jr. _not you are a votm~ member of li.t: the composition. , "THE CINCINNATI KID" (C) Class President. Chairman of Congress, everyone 15 more than ;/'J:, 31 s Week d - welcome to attend the Thursday -, , The Benson family, which bas Steve McQueen, Edward G. Robinson, Ann pr Ing en · evening meetings and offer their m~de a home in Ithaca 13 years, Margaret comments and suggestions. will move to 46 Musket Lane, .: Apr. 7 "A PATCH OF BLUE" (B-W) Pittsford. ~ Sidney Poitier, Elizabeth Hartman, Shelly Winters This is achieved by close com­ Skip Pannella: 1968 - Business Mrs. Benson, an artist, b 14 "THE LOST COMMAND" (C) munication and cooperation be­ major from Port Chester, N. Y. taught art here in the adult Anthony Quinn, George Segal, Claudia Cardinale tween students, faculty and the Pl Lambda Chi. Sprin9 Weekend education program for Senior 21 "SANDS OF KALAHARI" (C-CS) several administration. Several Committee, Donn Advisor, Citizens for the past year. Susannah York, Stuart Whitman responsibilities of the Congress ;:~ Benson organized and became 28 "IN HARM'S WAY" ( BW-CS) are: Student Grievances, Orienta- r· chairman of the Department of John Wayne tion for freshmen and transfer r? EGBERT UNION HOURS Music History at Ithaca CollegiCl May 5 "THE CHASE" (C) students, Student Services (laun- i, He has received awards fl"Oll.
Recommended publications
  • A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
    MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris
    [Show full text]
  • Video Reviews 6-15-07.Qxp
    New On Video & DVD Reno 911: Miami Comedy Central’s cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers’ convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren’t allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation’s police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Fox The Secret Nimh Don Bluth's The Secret Of NIMH is an exquisitely drawn, colorfully animated fea- ture about Mrs. Brisby, a brave mother field mouse who struggles to save her family's home from a farmer's plow. She soon discovers she needs the help of the strange, intelligent rats who live beneath the nearby rosebush in an intricate city. But when the timid but determined Mrs. Brisby discovers the astounding wonders of NIMH, it could change her life forever.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • Le Laboratoire D'éric Rohmer, Un Cinéaste À La
    2 EXPOSITIONS ÉVÉNEMENTS 25 CYCLES EXCEPTIONNELS : BLAKE E DWARDS / N ANNI MORETTI FRITZ LANG / CITÉS FUTURISTES / ROBERT ALTMAN / JACQUES FEYDER BERNARDO BERTOLUCCI / TIM BURTON / EGYPTOMANIA / ALAIN CAVALIER BULLE OGIER / GABRIEL YARED / KING HU / SHIRLEY MACLAINE / STEVEN SPIELBERG ... Organisez votre saison sur cinematheque.fr LA CINÉMATHÈQUE FRANÇAISE - 51 RUE DE BERCY 75012 - PARIS Grands mécènes de La Cinémathèque française pub_cf_belfort_2011.indd 1 25/10/2011 17:40:32 Le cinéma n’est pas une distraction pour moi. C’est la rencontre, parfois atroce, avec mes désirs les plus profonds. Alejandra Pizarnik 25 janvier 1963 (Journaux 1959-1971, collection Ibériques, édtions José Corti, 2010) 3 L’équipe du festival Remerciements Président du Festival : Étienne Butzbach Le festival remercie ses partenaires : Le Festival remercie particulièrement Déléguée générale, directrice artistique : la Région Franche-Comté, le Conseil général du Jean-Pierre Chevènement Catherine Bizern Territoire de Belfort, le ministère de la Culture Françoise Etchegaray, Patricia Mazuy, Jean- Secrétaire générale : Michèle Demange et de la communication, la Direction régionale Claude Brisseau Adjoint à la direction artistique, catalogue, site des Affaires culturelles de Franche-Comté, Hala Abdallah, Michel Amarger, Jérôme internet : Christian Borghino le Centre national du cinéma et de l’image Baptizet, Gilles Barthélémy, Xavier Baert, Claire Sélection de la compétition officielle : animée, la Cinémathèque française, la Sempat, Beaudoin, Bernard Benoliel, Vincent-Paul
    [Show full text]
  • Theater Tickets
    Tickets i Theater R MISSOURI THEATRE boat diplomacy during the Chinese telter Yves Brian Bedford Now showing Sean Connery as revolution is the theme of this action and Eva Marie Saint A drama of James Bond in You Only Live war dramadrama- ormulaFormula I racing on the European grand prix Twice Agent battles interna- HALL THEATRE circuit tional villains in Japan Now showing Hawaii starring BROADWAY DRIVE-IN THEATRE UPTOWN THEATRE Julie Andrews Max Von Sydow and Now ShowingINFistful of DolDol- Now showing Barefoot in the Richard Harris The missionary porpor- lars starring Clint Eastwood and Park starring Jane Fonda and RobRob- tion of James Michener's vast novel Return of the Seven Starting WedWed- ert Redford Newlyweds adjust to is brought to the screen nesday three features Hot Rods to new apartment and each other in this Hell Spinout and Warning screen version of the Broadway comcom- FILM ARTS THEATRE Shot edy Now showing Your a Big Boy Now starring Elizabeth Hartman SKYSKY-HIHI DRIVE-IN THEATRE CINEMA THEATRE Geraldine Page and Peter Kastner Now showingINThe Game is OvOv- Now showing The Sand PebPeb- FORUM THEATRE er and The Happening Starting bles starring Steve McQueen RichRich- Thursday The Dirty Dozen with ard Attenborough Richard Crenna Now showing Grand Prix Lee Marvin and The Liquidator and Candice Bergen American gungun- starring James GarnerGamer Jessica WalWal- with Rod Taylor.
    [Show full text]
  • Copyright by Joseph Paul Moser 2008
    Copyright by Joseph Paul Moser 2008 The Dissertation Committee for Joseph Paul Moser certifies that this is the approved version of the following dissertation: Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film Committee: ____________________________ Elizabeth Butler Cullingford, Co-Supervisor ____________________________ Neville Hoad, Co-Supervisor ____________________________ Alan W. Friedman ____________________________ James N. Loehlin ____________________________ Charles Ramírez Berg Patriarchs, Pugilists, and Peacemakers: Interrogating Masculinity in Irish Film by Joseph Paul Moser, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 For my wife, Jennifer, who has given me love, support, and the freedom to be myself Acknowledgments I owe many people a huge debt for helping me complete this dissertation. Neville Hoad gave me a crash course in critical theory on gender; James Loehlin offered great feedback on the overall structure of the study; and Alan Friedman’s meticulous editing improved my writing immeasurably. I am lucky to have had the opportunity to study with Charles Ramírez Berg, who is as great a teacher and person as he is a scholar. He played a crucial role in shaping the chapters on John Ford and my overall understanding of film narrative, representation, and genre. By the same token, I am fortunate to have worked with Elizabeth Cullingford, who has been a great mentor. Her humility, wit, and generosity, as well as her brilliance and tenacity, have been a continual source of inspiration.
    [Show full text]
  • Margaret Tante Burk Papers MS.084
    http://oac.cdlib.org/findaid/ark:/13030/kt7t1nf4km No online items Inventory of the Margaret Tante Burk Papers MS.084 Clay Stalls, Christine Bennett, Liliana Mariscal, Gia Forsythe William H. Hannon Library, Archives & Special Collections, Manuscripts © 2009 Loyola Marymount University William H. Hannon Library, Archives and Special Collections 1 LMU Dr. Los Angeles, CA 90045 [email protected] URL: http://library.lmu.edu/archivesandspecialcollections/ Inventory of the Margaret Tante MS.084 1 Burk Papers MS.084 Language of Material: English Contributing Institution: William H. Hannon Library, Archives & Special Collections, Manuscripts Title: Margaret Tante Burk Papers creator: Burk, Margaret Tante Identifier/Call Number: MS.084 Physical Description: 102 archival boxes15 oversize boxes,; 1 map case drawer Date (inclusive): 1921-2008 Date (bulk): 1921-2008 Abstract: This collection consists of the personal papers of Margaret Tante Burk, author, and long-time publicist and champion of Los Angeles' famed Ambassador Hotel. Besides these notable accomplishments, Margaret Tante Burke served as the first female vice-president of a financial institution in Los Angeles and the first female president of the Wilshire Chamber of Commerce. In addition Margaret Tante Burk was co-founder of the literary forum, the Round Table West. The Burk Papers consist of correspondence, photographs, flyers, brouchures, postcards, memoranda, and ephemera. Collection stored on site. Appointment is necessary to consult the collection. Language of Material: Languages represented in the collection: English Processed by: Clay Stalls, Christine Bennett, Gia Forsythe, Liliana Mariscal Date Completed: 2010 Encoded by: Christine Bennett, Gia Forsythe, Liliana Mariscal, and Natalie Sims Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University.
    [Show full text]
  • Boa Noite, Afaste O Sofá Que Hoje É Festa, E Festa De Arromba
    UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE SOCIOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM SOCIOLOGIA Jovem Guarda: A construção social da juventude na indústria cultural (Versão Corrigida) Marcelo Garson Braule Pinto Tese de doutorado apresentada ao Programa de Pós-Graduação do Departamento de Sociologia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para a obtenção do título de Doutor em Sociologia Orientador: Prof. Dr. Fernando Pinheiro Filho São Paulo 2015 UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE SOCIOLOGIA PROGRAMA DE PÓS-GRADUAÇÃO EM SOCIOLOGIA Jovem Guarda: A construção social da juventude na indústria cultural d (Versão Corrigida) Marcelo Garson Braule Pinto Tese de doutorado apresentada ao Programa de Pós-Graduação do Departamento de Sociologia da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, para a obtenção do título de Doutor em Sociologia Orientador: Prof. Dr. Fernando Pinheiro Filho De acordo São Paulo 2015 À Sol, Ricardo e Ana Luiza, por estarem sempre comigo, mesmo quando ausentes de corpo. Agradecimentos À minha família, por todo o apoio que me concederam desde o início de meu percurso até o fim desta tese, não só carinho e estímulo, que vêm do Rio e de Brasília, mas ajudas técnicas de todo o tipo, principalmente nos gráficos e tabelas que não seriam possíveis sem o auxílio de meu pai. Ao meu orientador Fernando Pinheiro, que aceitou este tema e contribuiu com valiosas observações ao longo da pesquisa. Aos professores Sergio Miceli e Marcos Napolitano que, assim como Fernando, me acolheram na USP, participaram de minha qualificação e pacientemente responderam a minhas intermináveis dúvidas e questionamentos.
    [Show full text]
  • David Lean: DR. ZHIVAGO (1965, 197 Min.)
    March 12, 2019 (XXXVIII:7) David Lean: DR. ZHIVAGO (1965, 197 min.) DIRECTOR David Lean WRITING Robert Bolt screenplay adapted from the Boris Pasternak novel PRODUCER Carlo Ponti MUSIC Maurice Jarre CINEMATOGRAPHY Freddie Young EDITING Norman Savage PRODUCTION DESIGN John Box ART DIRECTION Terence Marsh SET DECORATION Dario Simoni COSTUME DESIGN Phyllis Dalton The film permeated the 1966 Academy Awards, winning Oscars for Best Writing, Screenplay Based on Material from Another Medium (Robert Bolt), Best Cinematography, Color (Freddie Young), Best Art Direction-Set Decoration, Color (John Box, Terence Marsh, and Dario Simoni), Best Costume Design, Color (Phyllis Dalton), and Best Music, Score (Maurice Jarre). The Mark Eden...Engineer at Dam film also received Oscar nominations for Best Picture (Carlo Erik Chitty...Old Soldier Ponti), Best Actor in a Supporting Role (Tom Courtenay), Best Roger Maxwell...Beef-Faced Colonel Director (David Lean), Best Sound (A.W. Watkins, Franklin Wolf Frees...Delegate Milton), and Best Film Editing (Norman Savage). The film was Gwen Nelson...Female Janitor also nominated for the Cannes Palm d’Or. Lucy Westmore...Katya Lili Muráti...The Train Jumper (as Lili Murati) CAST Peter Madden...Political Officer Omar Sharif...Yuri Julie Christie...Lara DAVID LEAN (b. March 25, 1908 in Croydon, Surrey, England, Geraldine Chaplin...Tonya UK—d. April 16, 1991 (age 83) in London, England, UK) was Rod Steiger...Komarovsky an English film director (19 credits), producer, screenwriter (10 Alec Guinness...Yevgraf credits)
    [Show full text]
  • This Week's Movies
    C5 THE MESSENGER, Sunday, March 11, 2012 C5 THIS WEEK’S MOVIES Commando .. (1985, Action) A pioneer aviator experiments with Lafayette Escadrille .. Panic Room ... (2002, Sus- Step Brothers .. (2008, Comedy) A Arnold Schwarzenegger, Rae gliders in the 1800s. TCM≠ Mon. (1958, War) Tab Hunter, Etchika pense) Jodie Foster, Forest Whita- Will Ferrell, John C. Reilly. Two Abducted ... (2007, Drama) Dawn Chong. A war vet battles an 3:45 PM Choureau. An American volunteers ker. Thieves trap a woman and spoiled men become rivals when Sarah Wynter, Andrew Walker. A old foe to rescue his kidnapped The Game Plan .. (2007, Com- for the World War I French air her daughter in their apartment. their parents marry. FXI Tue. 7 prison warden’s wife learns about child. AMCÆ Wed. 11:30 AM, edy) Dwayne “The Rock” Johnson, force. TCM≠ Mon. 5:15 PM LIFE< Mon. 9 PM PM, Wed. 3 PM, Sat. 7 PM her kidnapper’s motives. LIFE< Thu. 8:30 AM Madison Pettis. A carefree football The Last Hurrah ... (1958, Paparazzi .. (2004, Suspense) The Story of G.I. Joe ... (1945, Sat. 9 PM Coraline ... (2009, Fantasy) player learns he has a daughter. Drama) Spencer Tracy, Jeffrey Cole Hauser, Robin Tunney. An War) Burgess Meredith, Robert Accepted .. (2006, Comedy) Voices of Dakota Fanning, Teri BRAVO¨ Sat. 8 PM, Sat. 10:30 Hunter. A political boss wages actor takes revenge on intrusive Mitchum. Syndicated columnist Justin Long, Jonah Hill. A college Hatcher. Animated. A girl discovers PM a final campaign to hold office. photographers. __ Sat. 1 PM Ernie Pyle covers World War II with reject and his friends create a fake a parallel world that closely mirrors Garfield Gets Real (2007, Com- TCM≠ Sat.
    [Show full text]
  • The Museum of Modern Art Department of Film
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]