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La Collection Du Musée Du Quai Branly
ÉCOLE DU LOUVRE Stéphanie LECLERC Les collections fidjiennes conservées en France L’exemple des collectes Dumont d’Urville Volume I Mémoire de recherche (2nde année de 2ème cycle) en histoire de l'art appliquée aux collections sous la direction de M. Philippe PELTIER, conservateur en chef (Musée du Quai Branly) [Juin 2008] LES COLLECTIONS FIDJIENNES CONSERVEES EN FRANCE L’EXEMPLE DES COLLECTES DUMONT D’URVILLE VOLUME I 2 ÉCOLE DU LOUVRE Stéphanie LECLERC Les collections fidjiennes conservées en France L’exemple des collectes Dumont d’Urville Volume I Mémoire de recherche (2nde année de 2ème cycle) en histoire de l'art appliquée aux collections sous la direction de M. Philippe PELTIER, conservateur en chef (Musée du Quai Branly) [Juin 2008] 3 Avant-propos Enjeux et historique de la recherche Les collections fidjiennes conservées en France. J’ignore si l’on perçoit, derrière le titre général que j’ai choisi cette année pour mon mémoire de recherche, l’immensité de son sujet. C’est pourtant cette ampleur que j’ai d’abord voulu mettre en avant. Cette étude, en effet, est construite comme une partie d’un tout. Le travail de recherche dont il est ici question n’a pas débuté avec le présent mémoire et ne s’achèvera pas avec lui, du moins je l’espère. Ce contexte est fondamental. Il justifie mes démarches, conditionne mes choix et mon raisonnement. Les objets fidjiens du Musée du Quai Branly. Le sujet proposé en octobre 2006 aux élèves de Master I de l’Ecole du Louvre, dans le cadre du groupe de recherche sur les collections extra-européennes, était déjà vaste. -
Catalogue No. 3 Science, Voyages & History [1] [BLIGH] SHILLIBEER, John
LRP / November 2017 Catalogue no. 3 Science, Voyages & History [1] [BLIGH] SHILLIBEER, John. Ontmoetingen op eene reis met het schip Briton, naar het eiland Pitcairn… Published: Dordrecht: Blusse en Van Braam, 1819. Collation: octavo, [vii], 180 pp., in contemporary tan half calf, sprinkled paper boards, green spine label. Condition: some foxing, the spine a little chipped and evidence that a lower label has been removed at some point, but generally a very attractive copy indeed. Very rare Dutch edition: no copy in Australia or NZ First Dutch edition of Shillibeer’s swashbuckling tale of sailing in the Pacific, including his widely-read account of meeting the last of the Bounty survivors on Pitcairn Island. Even apart from it’s Bligh interest, Shillibeer’s book is an important account from an intriguing era in Pacific exploration. Shillibeer’s book was originally published in Taunton (Somerset) in 1817 and again in London later the same year. This Dutch edition is very scarce indeed, and I can find records relating to only two confirmed sales: the first a rather worn copy at Sotheby’s in 1964, at the sale of the library of Senor Alberto Dodero of Buenos Aires (US$22.40); and a second copy, noted as in fair condition, at the small Dutch auction house Bubb-Kupyer in 2004 (EUR 420). $1250 References: Borba de Moraes, p. 797; Ferguson, 767; Sabin, 80845. [2] BLUMENBACH, Johann Friedrich. Ioanni Fr. Blumenbach… Viro Illustri Germaniae Decori diem semisecularem Physiophili Germanici laete gratulantur… Published: Berolini, Litteris Starckianis, 19 September 1825. Description: octavo, engraved frontispiece, 131 pp. -
Patterns in the Art of Samoan Siapo
The art of Samoan Siapo By Paul Tauiliili EDCS 606 with Dr. Don Rubinstein Dr. Sandy Dawson Dr. Neil Pateman Dr. Joe Zilliox Source: (Neich & Pendagrast 1997) 1 Table of Contents Introduction: Cultural Significance 3 Methodology How did you conduct your research 7 Interview questions used 9 Difficulties encountered 10 Is research complete 10 Description What is siapo? 11 How is siapo designed 16 SIAPO ELEI 16 Elei process 18 Identifying imprints and patterns 20 Sequences of Imprints 23 Imprints used as standard of measurement Length and width 25 Surface area 27 Congruency 28 Balance defined 30 SIAPO MAMANU 31 Mamanu process 32 Mamanu or motifs 34 Symmetry classifications 36 Horizontal and vertical symmetry 37 Translations 41 180 degree rotation 44 Conclusion 45 References 46 2 Introduction This paper is focused on describing the rich art of siapo making in Samoa and the mathematical concepts derived from its designs and production. It begins with a historical look at siapo in the Samoan culture and the methods used to conduct this research. It is followed by a detailed description of how Samoan siapo is processed from raw bark to finished work of art and the differences between two distinct types of Samoan siapo: a) siapo elei and b) siapo mamanu. And finally it focuses on exploring the mathematics involved in the art of Samoan siapo. Cultural Significance Siapo is a Samoan word for tapa or bark cloth that has been painted or imprinted with various design motifs. Although Samoan siapo can be distinctly recognized as a pure art form that flourishes in Samoa its origins can be traced to eastern Asia (Neich & Pendagrast, 1997). -
Polyvocal Tongan Barkcloths: Contemporary Ngatu and Nomenclature at the Museum of New Zealand Te Papa Tongarewa
Tuhinga 24: 85–104 Copyright © Te Papa Museum of New Zealand (2013) Polyvocal Tongan barkcloths: contemporary ngatu and nomenclature at the Museum of New Zealand Te Papa Tongarewa Billie Lythberg Mira Szászy Research Centre for Mäori and Pacific Economic Development, University of Auckland, Auckland, New Zealand ([email protected]) ABSTRACT: The Museum of New Zealand Te Papa Tongarewa (Te Papa) collects and exhibits Tongan barkcloth (ngatu) to illustrate curatorial narratives about Pacific peoples in New Zealand. I discuss the materiality and provenances of five ngatu at Te Papa, their trajectories into the museum’s Pacific Cultures collection and, where relevant, how they have been exhibited. I consider the role of Tongan curators and communities in determining how, when and which ngatu will enter the collection, and how Tongan identity will be imaged by the objects. The paper concludes with a close examination of contemporary descriptive and evaluative nomenclature for ngatu made with synthetic materials, including examples at Te Papa. KEYWORDS: Te Papa, Pacific Cultures collection, ngatu, barkcloths, Tonga, New Zealand, nomenclature. Introduction values by Polynesians, the ways in which Polynesian and Western popular culture have melded, and also the The Pacific Cultures collection at the Museum of New possibilities presented by these transactions (Refiti 1996: Zealand Te Papa Tongarewa (Te Papa) includes Tongan bark- 124).1 As well as being a literal descriptor of the multiple cloths (ngatu) representative of material and technological and overlapping Tongan systems of nomenclature for innovation, significant historical events, and the confluence contempo rary ngatu (see Table 1), the term polyvocal encom- of seemingly divergent Tongan and museological politics passes the many voices employed to talk about bark- of prestige. -
Patterns in Leaves and Cloth E Ducation K It Te Papa Whakahiku
Auckland Museum PACIFIC PATHWAYS Patterns in Leaves and Cloth e ducation k it Te Papa Whakahiku Auckland Museum Te Papa Whakahiku YEARS 1 TO 13 © Auckland Museum 2001 Auckland Museum Te Papa Whakahiku Pacific Pathways contents page About this Resource 1 Booking Information 1 Introduction 2 Teacher Background 3 Curriculum Links 17 Pre and Post- Visit Activities 20 Classroom Activity Sheets 22 Gallery Activity Sheets 30 ABOUT THIS RESOURCE: BOOKING INFORMATION: This resource has been designed to meet the All school visits to the museum must be booked. needs of Social Studies and Art classes, Years 1-13 and Technology classes, Years 1 - 10. Numbers: 40 maximum (including adults) Adult child ratio: Y 1-4 1:6 Y 5-6 1:7 Y 7-8 1:10 Y 9-13 1:30 Exhibition cost: $3 students of members schools. $4 students of non-member schools. Booking: Contact the Museum School Bookings Officer at: Adult/child interaction is important to maximise your Private Bag 92018 Auckland museum experience. Group leaders need to have Phone: (09) 306 7040 some background knowledge of what the students Fax: (09) 306 7075 are expected to cover and they are advised to par- ticipate in the introduction on arrival. Introductions and Hands-on Sessions (facilitated by Education Staff) are available. Please ask the Auckland Museum Education kits may be downloaded free School Bookings Officer for more information. at www.akmuseum.org.nz 1 Contents Auckland Museum Te Papa Whakahiku introduction Pacific Pathways Greetings Cook Islands Ni Sa Bula Vinaka Kia Ora Fiji Maori English Kia Orana Namaste Malo e Lelei Fakaalofa Lahi Atu Hindi Tonga Niue Ia Orana Aloha Fakatalofa Atu Tahiti Hawaii Tuvalu Taloha Ni Mauri Mauri Mauri Tokelau Kiribati Taloha Ni Talofa Lava Halo Oloketa Tokelau Samoa Pidgin his Education Kit relates to the temporary exhibition Pacific Pathways - Patterns in Leaves and Cloth which runs from April 11 2001 - July T15 2001. -
A Tale of Two Tapa: Their History, Legend and Celebrity Ownership by Robert Louis Stevenson
A TALE OF TWO TAPA: THEIR HISTORY, LEGEND AND CELEBRITY OWNERSHIP BY ROBERT LOUIS STEVENSON ROGER G. SWEARINGEN Santa Rosa, California This article describes briefly and traces the 20th-century history of two tapa acquired by the Scottish novelist Robert Louis Stevenson (1850-94) during his residence in Samoa from late 1889 until his death there on 3 December 1894. Neither has been known previously to scholars of Polynesian material culture, chiefly because the tapa have been valued for their associations with the famous author, not for their interest as artefacts of 19th-century Polynesia. As a result, they were collected and have been preserved and displayed by institutions with no special links to anthropology or the display of cultural artefacts: the Beinecke Rare Book and Manuscript Library, Yale University, and Monterey State Historic Park, California. In addition, legends have developed about both tapa, telling how Stevenson himself got them and what their history has been since then. These legends not only reflect a natural human desire to enhance the value and interest of one’s possessions, mere ownership of an object by a famous person being less interesting, and less nourishing to one’s self-esteem, than ownership with a splendid and characteristic tale of its history as well. They also make the objects themselves available as symbols of 19th-century cross-cultural gestures of mutual respect: between Polynesians and non-Polynesians, between chiefs in one realm and the world’s famous in another and, finally, in the transfers during the 20th century from private to institutional ownership, between the world of wealth and the world of learning. -
Cook and the Pacific EXHIBITION CHECKLIST
Cook and the Pacific 22 September 2018 – 10 February 2019, Exhibition Gallery, National Library of Australia EXHIBITION CHECKLIST Who is Cook? John Webber (1752–1793) Portrait of Captain James Cook RN 1782 oil on canvas; frame: 140.4 x 115.8 x 9.5 cm, support: 114.3 x 89.7 cm National Portrait Gallery, Canberra, Acc. No. 2000.25. Purchased in 2000 by the Commonwealth Government with the generous assistance of Robert Oatley AO and John Schaeffer AO Michael Cook (b. 1968) Undiscovered #4 2010 inkjet print; 102.4 x 100 cm National Library of Australia, Pictures Collection, nla.cat–vn7794191 Percy Trompf (1902–1964) The Landing of Captain Cook at Botany Bay 1770 1929–30 chromolithograph; 101.5 x 63.5 cm and 101.5 x 65.0 cm Melbourne: Australian National Travel Association National Library of Australia, Pictures Collection, nla.cat–vn2072778 Michel Tuffery (b. 1966) Cookie in Te Wai Pounamu Meets Cook Strait 2011 acrylic on canvas; 40.0 x 40.0 cm Courtesy of the artist and Andrew Baker Art Dealer, Brisbane Arthur Horner (1916–1997) ‘This is the place of a cottage’ 1980 pen and ink; 24.0 x 30.0 cm National Library of Australia, Arthur Horner archive of cartoons (Pictures), nla.cat–vn4942077 Tapuvae (Stilt), Marquesas Islands (French Polynesia) 1770s wood; 40.0 x 12.0 cm Australian Museum, Sydney, H000370 Cook’s Box of Instruments c. 1750 wood, engraved brass, glass, letterpress; 44.2 x 21.0 cm (closed) National Library of Australia, Rex Nan Kivell Collection (Pictures), nla.cat–vn2640976 Thomas Luny (1759–1837) The Bark, Earl of Pembroke, later Endeavour, Leaving Whitby harbour in 1768 c. -
A Brief History of the Hawaiian People
0 A BRIEF HISTORY OP 'Ill& HAWAIIAN PEOPLE ff W. D. ALEXANDER PUBLISHED BY ORDER OF THE BOARD OF EDUCATION OF THE HAWAIIAN KINGDOM NEW YORK,: . CINCINNATI•:• CHICAGO AMERICAN BOOK C.OMPANY Digitized by Google ' .. HARVARD COLLEGELIBRAllY BEQUESTOF RCLANOBUr.ll,' , ,E DIXOII f,'.AY 19, 1936 0oPYBIGRT, 1891, BY AlilBIOAN BooK Co)[PA.NY. W. P. 2 1 Digit zed by Google \ PREFACE AT the request of the Board of Education, I have .fi. endeavored to write a simple and concise history of the Hawaiian people, which, it is hoped, may be useful to the teachers and higher classes in our schools. As there is, however, no book in existence that covers the whole ground, and as the earlier histories are entirely out of print, it has been deemed best to prepare not merely a school-book, but a history for the benefit of the general public. This book has been written in the intervals of a labo rious occupation, from the stand-point of a patriotic Hawaiian, for the young people of this country rather than for foreign readers. This fact will account for its local coloring, and for the prominence given to certain topics of local interest. Especial pains have been taken to supply the want of a correct account of the ancient civil polity and religion of the Hawaiian race. This history is not merely a compilation. It is based upon a careful study of the original authorities, the writer having had the use of the principal existing collections of Hawaiian manuscripts, and having examined the early archives of the government, as well as nearly all the existing materials in print. -
Friends Newsletter, Ticket Option) Or Events That Are Free of Charge
FRIENDS OF THE NATIONAL LIBRARY OF AUSTRALIA INC. SUMMER 2018–19 MESSAGE FROM THE CHAIR 2018 FRIENDS MEDAL: SHIRLEY GOLLINGS Dear Friends The three months since my last message have seen many successful Friends activities, some of which are described elsewhere in this newsletter. In 2018, the Friends Committee awarded the Friends Medal to Shirley Gollings, in recognition of her 20 years of service as a National Library volunteer. Shirley’s award should also be seen as recognition for the scores of other unsung Library volunteers who have given of their time since the establishment of the volunteer program in 1989. The Committee considered that it was important, in this year of the Library’s fiftieth anniversary celebrations, that we acknowledge the volunteers’ ongoing commitment and contribution to various Library programs. This is my final message as Chair of the Friends, as I’ve Shirley Gollings reached the end of my three year term. I would like to We are delighted to announce that Shirley Gollings has been thank the members of the Friends Committee with whom awarded the 2018 Friends Medal. The Friends Medal was I have served over the last three years. We have all established in 2006 to recognise a significant contribution considered it a great privilege to support the continued to the work of the National Library of Australia by Friends’ development and success of the National Library. members, Library staff or volunteers. I would also like to offer my congratulations to the newly Shirley joined the National Library volunteer program in 1998 elected members of the Committee, all of whom I know and has since engaged in 20 years of ongoing contribution, will serve the Friends well. -
Humanities Research Journal Series
CONTENTS 1 Caroline Turner Editorial: Tomorrow’s Museums 5 Iain McCalman Museum & Heritage Management in the New Economy 17 Dawn Casey Case Study: The National Museum of Australia 25 Elaine Heumann Gurian What is the Object of This Exercise?: A Meandering Exploration of the Many Meanings of Objects in Museums 37 Howard Morphy Seeing Aboriginal Art in the Gallery 51 Paul A. Pickering Conserving the People’s History: Lessons From Manchester and Salford 59 Dorreen Mellor Arterfacts of Memory: Oral Histories in Archival Institutions 68 Future Shots: Prominent Australians Share Their Thoughts on Museums of the Future 71 Ralph Elliot Book Review: Remarkable Occurences, The National Library of Australia’s First 100 Years, 1901–2001 Vol. 8 No. 1, 2001 ISSN: 1440-0669 contents 3/3/03 5:07 PM Page 1 editorial: tomorrow’s museums CAROLINE TURNER An aerial view of the new National Museum of Australia on Canberra’s Acton Peninsula. Source: Ashton Raggatt McDougall, Robert Peck von Hartel Trethowan. Architects in Association t the beginning of the twenty-first with the future of museums as cultural heritage A century museums worldwide are coming institutions and are both involved in research under increasing scrutiny as public institu- projects and partnerships with museums and cul- tions. They are taking on new roles and using tural institutions, nationally and internationally. new means of communication with audiences. Museums in our contemporary globalised Two volumes of Humanities Research — this world are far more than repositories of the his- issue for 2001 and the first volume for 2002 — tory of “nations” or single national narratives. -
Hidden Treasures Hidden Treasures
HIDDENHIDDEN TREASURESTREASURES InsideInside the the national national library library of of australia australia withwith Betty Betty Churcher Churcher Betty Churcher presents an insider’s guide to the ‘hidden’ art treasures in the National Library of Australia. Photo by Marcus Fillinger. © Film Australia. Film © Fillinger. Marcus by Photo Premieres Tuesday 3 June 2008, 6:50pm on ABC1 Catherine Bocking ABC TV Publicitywww.filmaust.com.au/hiddentreasuresnla 02 8333 4459 [email protected] HIDDEN TREASURESInside the national library of australia with Betty Churcher Key Credits Hidden Treasures – inside the National Library of Australia is a Film Australia National Interest Program in association with Early Works. Produced in association with the Australian Broadcasting Corporation. With special thanks to the National Library of Australia. © Film Australia 2008. Producer/Writer/Presenter – Betty Churcher Producer/Director – John Hughes Producer - Philippa Campey Editor – Uri Mizrahi Line Producers - Philippa Campey, Andrea Foxworthy Cinematographer - Joel Peterson Sound Recordists – Mark Tarpey, Steve Best Composer – Paul Grabowsky Executive Producer – Anna Grieve Duration – 10 x 5 mins 30 secs An Australian Government owned company, Film Australia Is a leading producer and distributor of television documentaries and educational programs. www.filmaust.com.au Producer/Director John Hughes directs a scene of Hidden Treasures with Director of Photography Joel Peterson (right) and Betty Churcher (left) in the National Library of Australia Map Room. Photo by Marcus Fillinger. © Film Australia. 2 Catherine Bocking ABC TV Publicity 02 8333 4459 [email protected] HIDDEN TREASURESInside the national library of australia with Betty Churcher Series Synopses One line Betty Churcher presents an insider’s guide to the ‘hidden’ art treasures in the National Library of Australia. -
Pacific Islands Sources at the Hocken Collections
Reference Guide Pacific Islands Sources at the Hocken Collections ‘Vue de L’ile Borabora. (Iles de la Societe).’ Plate 16 in Atlas: Histoire du voyage. Voyage autour du monde,: exécuté par ordre du roi, sur la corvette de Sa Majesté, La Coquille, pendant les années 1822, 1823, 1824, et 1825, …, par Louis-Isidore Duperrey, et al., Paris: Arthus Bertrand, [1838]. Publications Collection, s16-520a. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to the Pacific Islands held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu.