Benito Cereno Study Guide
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Bartleby's Lawyer and the Common Law Nathan M
Osgoode Hall Law Journal Article 5 Volume 24, Number 3 (Fall 1986) "Plus 'IL' Change, Plus 'IL' Reste Le Meme:" Bartleby's Lawyer and the Common Law Nathan M. Greenfield Follow this and additional works at: http://digitalcommons.osgoode.yorku.ca/ohlj Article Citation Information Greenfield, Nathan M.. ""Plus 'IL' Change, Plus 'IL' Reste Le Meme:" Bartleby's Lawyer and the Common Law." Osgoode Hall Law Journal 24.3 (1986) : 635-666. http://digitalcommons.osgoode.yorku.ca/ohlj/vol24/iss3/5 This Article is brought to you for free and open access by the Journals at Osgoode Digital Commons. It has been accepted for inclusion in Osgoode Hall Law Journal by an authorized editor of Osgoode Digital Commons. "Plus 'IL' Change, Plus 'IL' Reste Le Meme:" Bartleby's Lawyer and the Common Law Abstract This article responds in part to Bryan Schwartz's "A Meditation on 'Bartleby'" published in volume 22(3) of this Journal. The uthora here suggests that the Lawyer narrator of Herman Melville's "Bartleby, the Scrivener" is not transformed by his contact with Bartleby. Rather, the story exemplifies the Lawyer's unchanging reliance on and approval of common-law contract theory in order to identify and deal with societal problems. This article is available in Osgoode Hall Law Journal: http://digitalcommons.osgoode.yorku.ca/ohlj/vol24/iss3/5 19861 "Plus 'il' change, plus 'il' reste le nzme:" "PLUS 'IL' CHANGE, PLUS 'IL' RESTE LE MIEME:" BARTLEBY'S LAWYER AND THE COMMON LAW By NATHAN M. GREENFIELD* This article responds in part to Bryan Schwartz's "A Meditation on 'Bartleby'" published in volume 22(3) of this Journal. -
201504 Nauticallibrary V 1 7.Xlsx
Categories Title Author Subject Location P BIOGRAPHY AND 2.0000 AUTOBIOGRAPHY All This and Sailing Too Stephens ll, Olin J. Autobiography Olin Stephens 2.0001 Beken file, The (aka Beken, Ma Vie) Beken, Keith Selection of anecdotes & photos from Beken’s seagoing memories 2.0002 Wanderer Hayden, Sterling Autobio of Hollywood actor Hayden’s long affair with sailing offshore 2.0003 Admiral of the Ocean Sea Morison, Samuel Eliot Life of Christopher Columbus 2.0004 Conqueror of the Seas Zweig, Stefan Story of Ferdinand Magellan 2.0005 Nelson. Oman, Carola Detailed story of Nelson with much on his Royal Navy sea battles for Great Britain 2.0006 Nelson, Horatio Nelson Viscount 1758-1805 Remember Nelson : The Life of Captain Sir Pocock, Tom Story of Nelson protege, Capt Sir William Hoste 2.0007 William Hoste Two Barneys, The Hacking, Norman Story of RVYC members Captains Bernard L Johnson & son Bernard L Johnson 2.0008 and Johnson Walton Steamships history. Johnson, Bernard Leitch, 1878-1968 Johnson, 0 Bernard Dodds Leitch, 1904-1977 Merchant marine Portrait of Lord Nelson, A Warner, Oliver Capt Horatio Nelson, Viscount, 1758-1805 2.0009 Capt. Joshua Slocum Slocum, Victor Biographical account of the life and adventures of Joshua Slocum, as told by his 2.0010 son Victor Pull Together! Bayly, Admiral Sir Lewis Memoirs of Admiral Sir Lewis Bayley 2.0011 My Ninety Four Years on Planet Earth Summerfield, Roy H. Autobiography of Roy H. Summerfield, past RVYC member 2.0012 Sailing Alone Around the World and Voyage Slocum, Joshua Slocum’s account of his solo circumnavigation and subsequent voyage from Brazil 2.0013 of the Liberdade with wife & children on Liberdade Sailing: A Course of My Life Heath, Edward Heath autobiography centered on his lifetime of racing - featuring yacht Morning 2.0014 Cloud Sailing Boats Fox, Uffa Autobiography of Uffa Fox: his sailing life, designer and competitor 2.0015 Don’t Leave Any Holidays McCurdy, H. -
A Stylistics Analysis of the Works of Herman Melville
Striking Through the Pasteboard Mask: A Stylistics Analysis of the Works of Herman Melville By Kristal Eilein Metzger-Andersen, B.A. A Thesis Submitted to the Department of English California State University, Bakersfield In Partial Fulfillment for the Degree of Masters of English Spring 2012 Copyright By Kristal Eilein Metzger-Andersen 2012 Striking Through the Pasteboard Mask: A Stylistics Analysis of the Works of Herman Melville By Kristal Eilein Metzger-Andersen, B.A. This thesis has been accepted on behalf of the Department of English by their supervisory committee: Dr. Steven Frye This thesis is dedicated to Dr’s Charles MacQuarrie and Steven Frye. Without your constant reassurance and encouragement this thesis would never have seen the light of day. A special thanks to my husband, Chris Andersen, who gave me the confidence to continue when I wanted to quit. Thank you so much for being the light in the storm. Table of Contents Introduction 1 Chapter One: The Travel Narratives – Typee: A Peep at Polynesian Life, During a Four Months’ Residence in a Valley of the Marquesas 7 Chapter Two: The Philosophical Narratives – “Bartleby, the Scrivener: A Story of Wall Street” 17 Chapter Three: The Psychological Narrative – Moby Dick; or, The Whale 27 Chapter Four: The Satirical Narrative – The Confidence Man: His Masquerade 37 Conclusion 49 Glossary of Literary Terms 51 Bibliography 53 Metzger-Andersen 1 Introduction Herman Melville is arguably the most influential American writer of the nineteenth-century, yet he was not taken seriously by the critics of his time. Since the early twentieth-century, however, Melville’s oeuvre has been considered an important part of the Western canon and modern critics have been writing about his works at length. -
"No Life You Have Known": Or, Melville's Contemporary Critics Hester Blum
"No Life You Have Known": Or, Melville's Contemporary Critics Hester Blum Leviathan, Volume 13, Issue 1, March 2011, pp. 10-20 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/493026/summary Access provided at 9 Apr 2019 00:59 GMT from Penn State Univ Libraries “No Life You Have Known”: Or, Melville’s Contemporary Critics HESTER BLUM The Pennsylvania State University id-nineteenth century evaluations of Herman Melville’s work share acommonattentiontowhatmanyreviewers—anditcanseem Mlike all of them—called the “extravagance” of his writing and his imagination. Critics remarked on his general “love of antic and extravagant speculation” (O’Brien 389) and found that his imagination had a “tendency to wildness and metaphysical extravagance” (Hawthorne and Lemmon 208). In their estimation the “extravagant” Mardi featured “incredibly extravagant disguises” (“Trio” 462) and contained “a world of extravagant phantoms and allegorical shades” (Chasles 262), while Redburn was notable for “episodic extravaganzas” (“Sir Nathaniel” 453). “Unlicensed extravagance” (454) char- acterized even White-Jacket;and“theextravaganttreatment”(454)givento whaling in Moby-Dick stood in for the novel’s “eccentric and monstrously extravagant” nature (“Trio” 463), containing as it did “reckless, inconceivable extravagancies” (“Trio” 463) in addition to “purposeless extravagance” (A.B.R. 364). These surpassed the only “passable extravagancies” of his earlier works (“Book Notices” 93). The critical account offered above was assembled from fragments of criticism of the novels of Melville’s mid-career; readers of Pierre will hear in it the echo of Mary Glendinning’s equally insistent—and equally regulatory— catalogue of her son’s qualities: “A noble boy, and docile.. -
Benito Cereno: an Analytical Reflection on Benito Cereno As a Fictional Narrative Dani Kaiser Marquette University
Marquette University e-Publications@Marquette 4997 English: Capstone English Department 10-1-2015 The Literary Significance of Herman Melville’s Benito Cereno: An Analytical Reflection on Benito Cereno as a Fictional Narrative Dani Kaiser Marquette University This project was created for a section of ENGL 4997: Capstone devoted to the life and work of Herman Melville. The Literary Significance of Herman Melville’s Benito Cereno: An Analytical Reflection on Benito Cereno as a Fictional Narrative by Dani Kaiser Abstract: In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. Melville’s novella is derived from Delano’s nonfiction account of the experience, titled Narrative of Voyages and Travels in the Northern and Southern Hemispheres (1817). This paper focuses on three questions that demonstrate why Melville wrote a novella almost completely derived from a nonfiction account of the events aboard the ship. In order to understand why Melville’s novella is powerful, one must ask, as an overarching question why he wrote it, and, more specifically, what Melville was attempting to communicate to his American readership by writing the novella. Studying what Melville changed from the nonfiction account is important in wholly understanding Melville’s intentions in Benito Cereno. This ultimately goes to show that fictional narratives can be as effective as nonfiction, if not more influential in illuminating complex realities that are likely outside of one’s limited perception. Keywords: Herman Melville, Benito Cereno, Amasa Delano, slavery, African American In Herman Melville’s Benito Cereno (1855), Captain Amasa Delano discovers a distressed slave ship in need of aid, only to later find out that his perception of the dire situation was completely incorrect. -
Visionary of the Word: Melville and Religion
BOOK REVIEWS 625 and positively of very few things, except of Matters of fact.” As a reference work, focused on “matters of fact,” Guthery’s book shines, but the fragmented nature of the text clouds the results of his research. Amy Fisher is assistant professor of the history of science and technol- ogy in the Science, Technology, and Society Program at the University of Puget Sound. Visionary of the Word: Melville and Religion. Edited by Jonathan A. Cook and Brian Yothers. (Evanston, IL: Northwestern University Press, 2017. Pp. 296. $99.95 cloth; $34.95 paper.) Jonathan A. Cook and Brian Yothers begin their volume of ten es- says by calling religion “an often neglected subject in contemporary” Melville studies (3). This is odd since the second part of their use- ful introduction (the first part deals concisely with Melville’s life and reading in religion) traces a critical concern with the subject begin- ning with Raymond Weaver’s biography of 1921 and accelerating in the last forty years or so, with increasing attention to Melville’s late poetry. Religion is currently a hot subject; the difference between older and more recent discussions is that the latter tend to be more cul- tural than intellectual—a mixed blessing with Melville whose engage- ment with religion, while grounded in an intimate possession of the Bible, belongs more to the European and especially Anglophone in- tellectual context than to the native social and denominational one. In this respect the essays in Visionary of the Word are a mix of the tra- ditional and the new. -
ANALYSIS Omoo (1847) Herman Melville (1819-1891) “One Can Revel in Such Richly Good-Natured Style…. We Therefore Recommend T
ANALYSIS Omoo (1847) Herman Melville (1819-1891) “One can revel in such richly good-natured style…. We therefore recommend this ‘narrative of adventure in the south seas’ as thorough entertainment—not so light as to be tossed aside for its flippancy, nor so profound as to be tiresome.” Walt Whitman Brooklyn Daily Eagle (5 May 1847) “Omoo is a fascinating book: picaresque, rascally, roving. Melville as a bit of a beachcomber. The crazy ship Julia sails to Tahiti, and the mutinous crew are put ashore. Put in the Tahitian prison. It is good reading. Perhaps Melville is at his best, his happiest, in Omoo. For once he is really reckless…. For once he is really careless, roving with that scamp, Doctor Long Ghost. For once he is careless of his actions, careless of his morals, careless of his ideals: ironic, as the epicurean must be…. But it was under the influence of the Long Doctor. This long and bony Scotsman was not a mere ne’er-do-well. He was a man of humorous desperation, throwing his life ironically away…. He let his ship drift rudderless…. When he saw a white man really ‘gone savage,’ a white man with a blue shark tattooed over his brow, gone over to the savages, then Herman’s whole being revolted. He couldn’t bear it.” D. H. Lawrence Studies in Classic American Literature (1923; Doubleday 1953) “The play of fantasy in Omoo takes the form not of nightmarishness or even of daydreaming but of an easy and emotionally liberating current of humorous narrative, always slightly in excess, as one sees with half an eye, of the sober autobiographical facts. -
Title Author Subject Category 1 Category 2 LC Call Number Location Code Offshore Illingworth, J.H., R.N. BOATBUILDING & MAIN
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Dissertation Rough Draft Final
UNIVERSITY OF CALIFORNIA RIVERSIDE Melville on the Beach: Transnational Visions of America A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ikuno Saiki December 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. Traise Yamamoto Copyright by Ikuno Saiki 2018 The Dissertation of Ikuno Saiki is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been finalized without the invaluable assistance of many people. First of all, I would like to express my sincere gratitude to my exam advisor and former dissertation chairperson, Professor Emory Elliott. Throughout the irregular and tedious process of completing my degree, he constantly encouraged me and supported me by frequent e- mail messages, writing from his office in early morning, or from a hotel in China at midnight, until a month before his sudden demise. I learned, and am still learning, from his enthusiastic and humanitarian approach to literature and from his pure devotion to help his students. Professor Jennifer Doyle was on my exam committee, and kindly succeeded Professor Elliott as chair. She made it possible for me to finish the dissertation within a limited amount of time, and her advice gave me a framework within which to integrate all my ideas. Professor Steven Gould Axelrod and Professor Traise Yamamoto supported me in the first difficult quarter at UC Riverside in 2001. I learned scholarship and the art of research from Professor Axelrod’s meticulous and warm suggestions on my seminar papers. Professor Yamamoto, who provides energetic guidance and affectionate care for her students, is one of my unattainable role models. -
Benito Cereno" and Madison Smartt Bell's "All Souls' Rising"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1997 Breaking open the monologic| Re-reading the Haitian Revolution in Herman Melville's "Benito Cereno" and Madison Smartt Bell's "All Souls' Rising" Beth Marie Moynihan The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Moynihan, Beth Marie, "Breaking open the monologic| Re-reading the Haitian Revolution in Herman Melville's "Benito Cereno" and Madison Smartt Bell's "All Souls' Rising"" (1997). Graduate Student Theses, Dissertations, & Professional Papers. 1704. https://scholarworks.umt.edu/etd/1704 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of MONTANA Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not grant permission Author's Signature 7 Date 11 Iff 1*17 Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. Breaking Open the Monologic: Re-Reading the Haitian Revolution in Herman Melville's Benito Cereno and Madison Smartt Bell's All Souls' Rising by Beth Marie Moynihan M.A. -
Christine “X Ine”
Dr. Christine “Xine” Yao | www.christineyao.com 1 CHRISTINE “XINE” YAO DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE, UNIVERSITY COLLEGE LONDON GOWER STREET | LONDON, UNITED KINGDOM WC1E 6BT [email protected] | +44 7894 512459 ACADEMIC HISTORY 2018 Lecturer in American Literature to 1900 (UK equivalent to tenure-track Assistant Professor) Department of English Language and Literature, University College London 2016-2018 Postdoctoral Fellow, Social Sciences and Humanities Research Council of Canada Department of English, University of British Columbia 2016 PhD, Department of English, Cornell University Minor Fields: American Studies; Feminism, Gender, and Sexuality Studies Dissertation: “Feeling Subjects: Science and Law in 19th-Century America” Committee: Shirley Samuels (chair), Eric Cheyfitz, George Hutchinson, Shelley Wong 2013 MA, Department of English, Cornell University 2008 MA, Department of English, Dalhousie University Thesis: “Genre-Splicing: Epic and Novel Hybrids in Neil Gaiman’s The Sandman and American Gods,” directed by Jason Haslam 2007 Honours BA, High Distinction, University of Toronto, St. George Campus BOOK PROJECTS The Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America. (under contract with Duke University Press. Perverse Modernities series edited by Jack Halberstam and Lisa Lowe) ● Winner of the 2018 Yasuo Sakakibara Essay Prize from the American Studies Association for an excerpt from the main argument and first chapter on Benito Cereno Sex Without Love: Affect, Bodies, and Resistance in Nineteenth-Century Sex Work Narratives. (in progress) PUBLICATIONS Articles “#staywoke: Digital Engagement and Literacies in Anti-Racist Pedagogy.” American Quarterly. Dr. Christine “Xine” Yao | www.christineyao.com 2 Special issue: Toward a Critically Engaged Digital Practice. 70.3 (2018). -
Herman Melville and the History of American Law
University at Buffalo School of Law Digital Commons @ University at Buffalo School of Law Journal Articles Faculty Scholarship Fall 1-1-2004 The Accidental Legal Historian: Herman Melville and the History of American Law Alfred S. Konefsky University at Buffalo School of Law Follow this and additional works at: https://digitalcommons.law.buffalo.edu/journal_articles Part of the Legal History Commons Recommended Citation Alfred S. Konefsky, The Accidental Legal Historian: Herman Melville and the History of American Law, 52 Buff. L. Rev. 1179 (2004). Available at: https://digitalcommons.law.buffalo.edu/journal_articles/810 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Journal Articles by an authorized administrator of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. The Accidental Legal Historian: Herman Melville and the History of American Law ALFRED S. KONEFSKYt While Herman Melville has been variously described as an existentialist, a socialist, Marxist, democrat, social democrat, conservative, liberal, radical, reactionary, mod- ernist, and postmodernist,' he has not to my knowledge t University at Buffalo Distinguished Professor, School of Law, State University of New York at Buffalo. First, I thank Joyce Farrell for her care and patience with the manuscript and, in particular, her ability to convince recalcitrant computer spell-check programs that the words Melville used actually existed and were also really spelled that way. Second, I thank a number of years of students in my Melville and the Law seminar for constantly bringing fresh ideas to the course, a tribute both to them and Melville.