About This Document
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
Poradnik Gry-Online Do Gry Street Fighter IV
Nieoficjalny polski poradnik GRY-OnLine do gry Street Fighter IV autor: Mikołaj „Mikas” Królewski poprawki: Radosław „eLKaeR” Grabowski Copyright © wydawnictwo GRY-OnLine S.A. Wszelkie prawa zastrzeżone. www.gry-online.pl Producent Capcom, Wydawca Capcom, Wydawca PL Cenega Poland. Prawa do użytych w tej publikacji tytułów, nazw własnych, zdjęć, znaków towarowych i handlowych, itp. należą do ich prawowitych właścicieli. Street Fighter IV – Poradnik GRY-OnLine Spis treś ci Wprowadzenie __________________________________________________ 3 Podstawy ______________________________________________________ 4 Oznaczenia _________________________________________________________________ 4 Pojęcia_____________________________________________________________________ 5 Postacie _______________________________________________________ 7 Abel _______________________________________________________________________ 7 Balrog (M Bison) ___________________________________________________________ 10 Blanka ____________________________________________________________________ 12 Chun-Li ___________________________________________________________________ 14 Crimson Viper _____________________________________________________________ 16 Dhalsim ___________________________________________________________________ 18 E. Honda __________________________________________________________________ 20 El Fuerte __________________________________________________________________ 22 Guile _____________________________________________________________________ 24 Ken_______________________________________________________________________ -
Cgcopyright 2013 Alexander Jaffe
c Copyright 2013 Alexander Jaffe Understanding Game Balance with Quantitative Methods Alexander Jaffe A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: James R. Lee, Chair Zoran Popovi´c,Chair Anna Karlin Program Authorized to Offer Degree: UW Computer Science & Engineering University of Washington Abstract Understanding Game Balance with Quantitative Methods Alexander Jaffe Co-Chairs of the Supervisory Committee: Professor James R. Lee CSE Professor Zoran Popovi´c CSE Game balancing is the fine-tuning phase in which a functioning game is adjusted to be deep, fair, and interesting. Balancing is difficult and time-consuming, as designers must repeatedly tweak parameters and run lengthy playtests to evaluate the effects of these changes. Only recently has computer science played a role in balancing, through quantitative balance analysis. Such methods take two forms: analytics for repositories of real gameplay, and the study of simulated players. In this work I rectify a deficiency of prior work: largely ignoring the players themselves. I argue that variety among players is the main source of depth in many games, and that analysis should be contextualized by the behavioral properties of players. Concretely, I present a formalization of diverse forms of game balance. This formulation, called `restricted play', reveals the connection between balancing concerns, by effectively reducing them to the fairness of games with restricted players. Using restricted play as a foundation, I contribute four novel methods of quantitative balance analysis. I first show how game balance be estimated without players, using sim- ulated agents under algorithmic restrictions. -
Revista Gameblast - 15.Pdf
ÍNDICE De volta aos ringues O rei dos jogos de luta está prestes a tomar a atenção dos jogadores mais uma vez! Isso porque estamos a poucos dias do lançamento do ano da Capcom: Street Fighter V, a luta da noite aqui na Revista GameBlast. Para o aquecimento, vamos revisitar jogos e lutadores da franquia, além de muita coisa sobre o gênero dos jogos de luta. Nos intervalos, confira tudo sobre Mighty No.9, Far Cry Primal e muito mais! Boa leitura! – Rafael Neves BLAST FROM THE PAST Street Fighter III 3rd Strike (PS2) 04 DIRETOR GERAL / PROJETO GRÁFICO Sérgio Estrella PRÉVIA Street Fighter DIRETOR EDITORIAL V (Multi) 10 Rafael Neves DIRETOR DE PAUTAS Alberto Canen PRÉVIA João Pedro Meireles Lucas Pinheiro Silva Mighty No. 9 Pedro Vicente (Multi) 19 DIRETOR DE REVISÃO Alberto Canen PRÉVIA DIRETOR DE Far Cry Primal DIAGRAMAÇÃO (Multi) 25 Breno Madureira REDAÇÃO Dácio Augusto TOP 10 Ítalo Chianca July Dourado Melhores participações Renan Pinheiro em jogos de luta 31 REVISÃO Bruno Alves PERFIL Henrique Minatogawa Luigi Santana M. Bison (Street Fighter) 36 Vitor Tibério DIAGRAMAÇÃO Breno Madureira Bruno Italiani ANÁLISE David Vieira Guilherme Lima Resident Evil Zero Leandro Fernandes ONLINE HD Remaster (Multi) Letícia Fernandes ILUSTRAÇÕES ANÁLISE S. Carlos Sr. Raposo Pony Island (PC) ONLINE CAPA Felipe Araujo gameblast.com.br 2 ÍNDICE HQ Blast: Piada eterna... E receba todas as edições FAÇA SUA ASSINATURA em seu computador, smartphone ou tablet com antecedência, além de brindes, promoções GRÁTIS DA e edições bônus! REVISTA GAMEBLAST! ASSINAR! gameblast.com.br 3 BLAST FROM THE PAST por Renan Pinheiro Revisão: Henrique Minatogawa Diagramação: Bruno Italiani Street Fighter II chegou ao seu auge e quebrou a desconfiança dos fãs mais tradicionais com a inovação da barra de Super lançando a versão definitiva:Super Street Fighter II Turbo. -
BAM5 Wrap Up: Five Years of Salt, Sweat and the Return of the Bomb
Search the site... Reviews About Contact DC Web Store The archive Behind the site Get in touch Grab sweet gear! Please consider disabling AdBlock for our site. HOME (../../INDEX.HTM) » FEATURES (../INDEX.HTM) » BAM5 WRAP UP: FIVE YEARS OF SALT, SWEAT AND THE RETURN OF THE BOMB FEATURES REVIEWS BAM5 Wrap Up: Five years of salt, (../INDEX.HTM) (../../REVIEWS/INDEX.HTM) ROUND- PREVIEWS sweat and the return of the Bomb UPS (../../PREVIEWS/INDEX.HTM) 1 year ago (../../2013/05/index.htm) (P.O./D../CRAOSUTNSD- VIDEOS by Chee Seng Siow (../../author/chee/index.htm) 1 comment U(..P/S../IPNODDECXA.HSTMS/)IN(.D./E..X/V.HIDTEMO)S/INDEX.HTM) CULTURE INTERVIEWS (../../CULTURE/IND(E..X/...H/ITNMTE) RVIEWS/INDEX.HTM) Please consider disabling AdBlock for our site. “CAN YOU DO THE OVERHEAD?” roars the crowd at Daichi Akahoshi as he completes his disgusting Vergil comeback over his training partner ToXy. It is the Sunday of the BAM5 (Battle Arena Melbourne) weekend, it is finals day and it is MAHVEL, baby. Sitting in the crowd one can feel overwhelmed by the level of sound in the room; you have gasps, cheers, jeers, tribal chants and even pleading. It is loud and it is hype. Register Login Daichi is notorious in Melbourne for looking away from the screen inmatch to jive with (../../wp- (../../wp- the audience. He once famously dropped a combo when indulging in said login.php- login.php.htm showmanship, only to spin back and win the match with an ohsodirty Vergil swords registration=d ) instant overhead. -
Black Characters in the Street Fighter Series |Thezonegamer
10/10/2016 Black characters in the Street Fighter series |TheZonegamer LOOKING FOR SOMETHING? HOME ABOUT THEZONEGAMER CONTACT US 1.4k TUESDAY BLACK CHARACTERS IN THE STREET FIGHTER SERIES 16 FEBRUARY 2016 RECENT POSTS On Nintendo and Limited Character Customization Nintendo has often been accused of been stuck in the past and this isn't so far from truth when you... Aug22 2016 | More > Why Sazh deserves a spot in Dissidia Final Fantasy It's been a rocky ride for Sazh Katzroy ever since his debut appearance in Final Fantasy XIII. A... Aug12 2016 | More > Capcom's first Street Fighter game, which was created by Takashi Nishiyama and Hiroshi Tekken 7: Fated Matsumoto made it's way into arcades from around late August of 1987. It would be the Retribution Adds New Character Master Raven first game in which Capcom's golden boy Ryu would make his debut in, but he wouldn't be Fans of the Tekken series the only Street fighter. noticed the absent of black characters in Tekken 7 since the game's... Jul18 2016 | More > "The series's first black character was an African American heavyweight 10 Things You Can Do In boxer." Final Fantasy XV Final Fantasy 15 is at long last free from Square Enix's The story was centred around a martial arts tournament featuring fighters from all over the vault and is releasing this world (five countries to be exact) and had 10 contenders in total, all of whom were non year on... Jun21 2016 | More > playable. Each character had unique and authentic fighting styles but in typical fashion, Mirror's Edge Catalyst: the game's first black character was an African American heavyweight boxer. -
Street Fighter X Tekken Pc Download Street Fighter X Tekken
street fighter x tekken pc download Street Fighter X Tekken. The long awaited dream match-up between the two leaders in the fighting genre becomes a reality. Street Fighter X Tekken delivers the ultimate tag team match up featuring iconic characters from each franchise, and one of the most robust character line ups in fighting game history. With the addition of new gameplay mechanics, the acclaimed fighting engine from Street Fighter IV has been refined to suit the needs of both Street Fighter and Tekken players alike. DREAM MATCH UP � Dozens of playable characters including Hugo, Ibuki, Poison, Dhalsim, Ryu, Ken, Guile, Abel, and Chun-Li from Street Fighter as well as Raven, Kuma, Yoshimitsu, Steve, Kazuya, Nina, King, Marduk, and Bob from Tekken. REAL-TIME TAG BATTLE � Fight as a team of two and switch between characters strategically. FAMILIAR CONTROLS � In Street Fighter X Tekken, controls will feel familiar for fans of both series. JUGGLE SYSTEM � Toss your foes into Tekken-style juggles with Street Fighter X Tekken�s universal air launching system. CROSS ASSAULT � By using the Cross Gauge, a player can activate Cross Assault and attack with both of their characters at the same time. SUPER ART � Using the Cross Gauge you can immediately unleash a Super Art. Ryu�s famed Shinku Hadoken, Kazuya�s Devil Beam as well as the Tekken characters all have original Super Art techniques. ROBUST ONLINE MODES � In addition to the online features from Super Street Fighter IV, Street Fighter X Tekken features totally upgraded online functionality and some new surprises. Game mode: single / multiplayer Multiplayer mode: Internet Player counter: 1-2. -
4. the Street Fighter Lady
4. The Street Fighter Lady Invisibility and Gender in Game Composition Andy Lemon and Hillegonda C Rietveld Transactions of the Digital Games Research Association December 2019, Vol. 5 No. 1, pp. 107-133. ISSN 2328-9422 © The text of this work is licensed under a Creative Commons Attribution — NonCommercial –NonDerivative 4.0 License (http://creativecommons.org/licenses/by-nc- nd/ 2.5/). IMAGES: All images appearing in this work are property of the respective copyright owners, and are not released into the Creative Commons. The respective owners reserve all rights ABSTRACT The international success of Japanese game design provides an example of the invisibility of female game composers, as well as of gendered identification in game music production and sound design. Yoko Shimomura, the female composer who produced the iconic soundtrack for the 1991 arcade game, Street Fighter II (Capcom 1991), seems to have been invisible to game developers and music producers, which is partly due to the way in which the game is credited as a team effort. Regardless of their personal gender identity, game composers respond to themed briefs by 107 108 The Street Fighter Lady drawing on transnational musical ideas and gendered stereotypes that resonate with the Global Popular. Game music, as imagined as suitable for hyper-masculine game arcades, seems to draw on a masculinist aesthetic developed in Hollywood compositions. In turn, Street Fighter II’s music and the competitive game culture of arcade fighting games has been interwoven with masculinist music scenes of hip-hop and grime. The discussion of the music of Street Fighter II and the musical versions it inspired, nevertheless highlights that although seemingly simplified gendered stereotypes are reproduced within the game, gender identification itself can be complex within the context of game music composition. -
Entertainment
[email protected] Technique Entertainment Editor: Daniel Spiller 17 Friday, Assistant Entertainment Editor: March 6, 2009 Entertainment Jennifer Aldoretta Street Fighter !lm loses battle WATCHMEN with success FILM THE LEGENDARY GRAPHIC NOVEL COMES TO LIFE Street Fighter: The Legend of Chun-Li GENRE: Fighting, Action STARRING: Kristin Kreuk, Michael Clarke Duncan, Neal McDonough and Chris Klein DIRECTOR: Andrzej Bartkowiak RATING: PG-13 RELEASE DATE: Feb. 27, 2009 OUR TAKE: !"!!!! By Robert Solomon Contributing Writer “Your father is the milk of my organiza- tion… but all milk has an expiration date.” — M. Bison. Having not learned their lesson with the Jean-Claude Van Damme !lm based on their Street Fighter video game series, Capcom ap- parently thought that enough time had passed to give it another go. "is time it is focused on Chun-Li, the undercover Chinese agent (who has legs that are as thick as her pixilated head). Guile and Ryu are nowhere to be seen. It will take longer than 15 years to forget this wretched mess, a debacle of truly underwhelm- ing proportions. It is very di#cult to know where to begin, so let’s start with Chris Klein, who is most famous for his role in the American Pie movies. Having been largely delegated to the Images courtesy of Warner Bros. straight-to-video slums since that series petered out, Klein apparently thought the challenge of his !rst role as an action hero would be a good one to resuscitate his career. FILM are impotent with even the ing massive power, holding ther and uses the superhero "ere are bad performances, and then there Watchmen hottest babe until they acti- great in%uence over society, framework to tell us the are bad performances that make you howl in vate their kinkiness in leath- having women who adore darker aspects of the human disbelief. -
Animation of a High-Definition 2D Fighting Game Character
Tuula Rantala ANIMATION OF A HIGH-DEFINITION 2D FIGHTING GAME CHARACTER Thesis Kajaani University of Applied Sciences School of Business Business Information Technology Spring 2013 OPINNÄYTETYÖ TIIVISTELMÄ Koulutusala Koulutusohjelma Luonnontieteiden ala Tietojenkäsittely Tekijä(t) Tuula Rantala Työn nimi Teräväpiirtoisen 2d-taistelupelihahmon animointi Vaihtoehtoisetvaihtoehtiset ammattiopinnot Ohjaaja(t) Peligrafiikka Nick Sweetman Toimeksiantaja - Aika Sivumäärä ja liitteet Kevät 2013 56 Tämä opinnäytetyö pyrkii erittelemään hyvän pelihahmoanimaation periaatteita ja tarkastelee eri lähestymistapoja 2d-animaation luomiseen. Perinteisen animaation periaatteet, kuten ajoitus ja liikkeen välistys, pätevät pelianimaa- tiossa samalla tavalla kuin elokuva-animaatiossakin. Pelien tekniset rajoitukset ja interaktiivisuus asettavat kuiten- kin lisähaasteita animaatioiden toteuttamiseen tavalla, joka sekä tukee pelimekaniikkaa että on visuaalisesti kiin- nostava. Vetoava hahmoanimaatio on erityisen tärkeää taistelupeligenressä. Varhaiset taistelupelit 1990–luvun alusta käyt- tivät matalaresoluutioista bittikarttagrafiikkaa ja niissä oli alhainen määrä animaatiokehyksiä, mutta nykyään pelien standardit grafiikan ja animaation suhteen ovat korkealla. Viime vuosina monet pelinkehittäjät ovat siirtyneet käyttämään 2d-grafiikan sijasta 3d-grafiikkaa, koska 3d-animaation tuottaminen on monella tavalla joustavampaa. Perinteiselle 2d-grafiikalle on kuitenkin edelleen kysyntää, sillä käsin piirretyn animaation ainutlaatuista ulkoasua ei voi täysin korvata -
Virtual Spectating: Hearing Beyond the Video Arcade
Virtual Spectating: Hearing Beyond the Video Arcade Norman Makoto Su Patrick C. Shih School of Information and Library Studies Department of Informatics University College Dublin University of California, Irvine Dublin 4, Ireland Irvine, CA 92697-9440 [email protected] [email protected] The latest in the most popular head-to-head fighting video series, Super Street Fighter IV by Capcom, now features spectating functionality. Coupled with audio chat, players can both watch and participate in matches with anyone in the world. We describe a video analysis of over 36 hours of gameplay in SSF4. Our results show that players can deftly structure audio when spectating to transform gameplay in SSF4. This new hybrid spectator sport in which boundaries between actor and audience are blurred exhibits three significant characteristics: the audio recreates the arcade culture, appropriates “invisible” but real players, and symbolically creates power relations between mute and speaking gamers. We also present exploratory evidence that suggests a starkly different experience for female gamers who wish to audibly join in virtual spectating. Spectating, Performing, Audio, Video games, Fighting games, Super Street Fighter IV 1. INTRODUCTION host them, e-sports has proven to be an enormously profitable enterprise (Jonasson & Thiborg, 2010). In Spectating is about two key things. First, palpable South Korea, the government sponsors star players excitement comes not only from watching skilled (Policy Analysis & Research Team, 2007), and the play but being immersed in a crowd of spectators production quality of tournaments is akin to a who love such play. Second, play itself becomes Broadway musical, complete with dramatic music, more enjoyable when players are cognizant of their flashing lasers, and fog. -
ANNUAL REPORT 2012 Editorial Policy Strength Capcom’S
Year Ended March 31, 2012 22012ANNUAL0 1REPORT 2 Border-less. Interract more. Code Number: 9697 Corporate Philosophy “Capcom: Creator of Entertainment Culture that Stimulates Your Senses” Our principle is to be a creator of entertainment culture. Through development of highly creative software contents that excite people and stimulate their senses, we have been aiming to offer an entirely new level of game entertainment. By taking advantage of our optimal use of our world-class development capabilities to create original content, which is our forte, we have been actively releasing a number of products around the world. Today, young and old, men and women enjoy a gaming experience all over the world. It is now common to see people easily enjoying mobile content (games for cell phones) on streets or enjoying an exchange through an online game with someone far away. Moreover, game content is an artistic media product that fascinates people, consisting of highly creative, multi-faceted elements such as characters, storyline, a worldview and music. It has also evolved to be used in a wide range of areas of media such as Hollywood movies, TV animation programs and books. As the ever-expanding entertainment industry becomes pervasive in our everyday lives, Capcom will continue to strive to be a unique company recognized for its world-class development capabilities by continuously creating content brimming with creativity. 1 CAPCOM ANNUAL REPORT 2012 Editorial Policy Strength Capcom’s This report was prepared for a wide range of readers, from individual shareholders to institutional investors, 3 Capcom’s Strength and is intended as a tool to aid in the understanding of Capcom management policies and business strategies.