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Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Master Artist of Art Nouveau
Mucha MASTER ARTIST OF ART NOUVEAU October 14 - Novemeber 20, 2016 The Florida State University Museum of Fine Arts Design: Stephanie Antonijuan For tour information, contact Viki D. Thompson Wylder at (850) 645-4681 and [email protected]. All images and articles in this Teachers' Packet are for one-time educational use only. Table of Contents Letter to the Educator ................................................................................ 4 Common Core Standards .......................................................................... 5 Alphonse Mucha Biography ...................................................................... 6 Artsits and Movements that Inspired Alphonse Mucha ............................. 8 What is Art Nouveau? ................................................................................ 10 The Work of Alphonse Mucha ................................................................... 12 Works and Movements Inspired by Alphonse Mucha ...............................14 Lesson Plans .......................................................................................... Draw Your Own Art Nouveau Tattoo Design .................................... 16 No-Fire Art Nouveau Tiles ............................................................... 17 Art Nouveau and Advertising ........................................................... 18 Glossary .................................................................................................... 19 Bibliography ............................................................................................. -
Undercurrent (Blue Note)
Kenny Drew Undercurrent (Blue Note) Undercurrent Freddie Hubbard, trumpet; Hank Mobley, tenor sax; Kenny Drew, piano; Sam Jones, bass; Louis Hayes, drums. 1. Undercurrent (Kenny Drew) 7:16 Produced by ALFRED LION 2. Funk-Cosity (Kenny Drew) 8:25 Cover Photo by FRANCIS WOLFF 3. Lion's Den (Kenny Drew) 4:53 Cover Design by REID MILES 4. The Pot's On (Kenny Drew) 6:05 Recording by RUDY VAN GELDER 5. Groovin' The Blues (Kenny Drew) 6:19 Recorded on December 11, 1960, 6. Ballade (Kenny Drew) 5:29 Englewood Cliffs, NJ. The quintet that plays Kenny Drew's music here had never worked as a unit before the recording but the tremendous cohesion and spirit far outdistances many of today's permanent groups in the same genre. Of course, Sam Jones and Louis Hayes have been section mates in Cannonball Adderley's quintet since 1959 and this explains their hand-in- glove performance. With Drew, they combine to form a rhythm trio of unwavering beat and great strength. The two hornmen are on an inspired level throughout. Hank Mobley has developed into one of our most individual and compelling tenor saxophonists. His sound, big and virile, seems to assert his new confidence with every note. Mobley has crystallized his own style, mixing continuity of ideas, a fine sense of time and passion into a totality that grabs the listener and holds him from the opening phrase. Freddie Hubbard is a youngster but his accomplished playing makes it impossible to judge him solely from the standpoint of newcomer. This is not to say that he is not going to grow even further as a musician but that he has already reached a level of performance that takes some cats five more years to reach. -
Leadership, Teamwork, Innovation and All That Jazz
ENABLING COLLECTIVE IMPROVISATION ADRIAN CHO in AGILE SOFTWARE DEVELOPMENT “Modern Business is Pure Chaos” Fast Company, January 2012 © Copyright Adrian Cho 2009-2012. All Rights Reserved. 2 THE AGILE RESPONSE Change Innovate Complexity Improvise Iterate Confusion © Copyright Adrian Cho 2009-2012. All Rights Reserved. 3 TAKING FALSE COMFORT IN RIGIDITY PREDICT Tools Technology Processes Practices © Copyright Adrian Cho 2009-2012. All Rights Reserved. 4 LEARNING FROM THE MILITARY “We know that the best equipment in the world without the right person operating it will not accomplish the mission. On the other hand, the right person will find a way to succeed with almost any equipment available.” Gen.Wayne A. Downing, Commander, U.S. Special Operations Command “People, ideas, hardware – in that order” Col. John Boyd, fighter pilot, instructor, strategist and aircraft designer The Special Operations Forces Truths 1. Humans are more important than Hardware. 2. Quality is better than Quantity. 3. Special Operations Forces cannot be mass produced. 4. Competent Special Operations Forces cannot be created after emergencies occur. Brig. Gen. David J. Baratto, Commander, JFK Special Warfare Center © Copyright Adrian Cho 2009-2012. All Rights Reserved. 5 LEARNING FROM MANUFACTURING “There is something called standard work, but standards should be changed constantly. Instead, if you think of the standard as the best you can do, it's all over. The standard work is only a baseline for doing further kaizen. It is kai-aku [change for the worse] if things get worse than now, and it is kaizen [change for the better] if things get better than now. Standards are set arbitrarily by humans, so how can they not change?” Taiichi Ohno, originator of the Toyota Production System Aim for continuous improvement Conduct regular retrospectives Beware of taking false comfort in best practices Best practices are the best...until something changes © Copyright Adrian Cho 2009-2012. -
Schubertiade Music & Arts
SCHUBERTIADE MUSIC & ARTS schubertiademusic.com | [email protected] | 617.308.4019 | Brooklyn, NY 2020 NEW YORK ANTIQUARIAN BOOK FAIR BOOTH A-4 Terms & Conditions ALL AUTOGRAPHS GUARANTEED AUTHENTIC Abbreviations: SP = Signed Photo. SPc = Signed Postcard Photo. ALS= Autograph Letter Signed. LS = Letter Signed. ANS = Autograph Note Signed. AQS = Autograph Quotation Signed. AMusQS = Autograph Musical Quotation Signed. DS = Document Signed. TMsS = Typed Manuscript Signed. Terms: Net cash upon receipt of material ordered. We accept payments in cash, money order, personal check, credit cards, and Paypal through our website. Please visit our web site for full terms. Phone and Email orders welcomed: www.schubertiademusic.com [email protected] phone: 617-308-4019 fax : 617-507-5568 Postage Rates: Up to $150: add $10.00 $151 to $400: add $12.00 $401 to $2000: add $20.00 $2001 and up: add $30.00 Overseas Charges: add $25.00 Additional Surchages will apply to Framed Items or Larger Printed Scores and Books. Please Inquire. Domestic Fedex, Express Mail, UPS Surcharge: Add $10.00 All shipping orders subject to review and final approval. Cover Image: Item 49 (Original Photograph of a Jug Band, c. 1900) Schubertiade Music & Arts 617-308-4019 [email protected] https://www.schubertiademusic.com New York Book Fair 2020 Catalog 1. [American Music] Gifford, Isaac. (1772-1843) Decorated Tenor Partbook from Early American Fa-Sol-La Tradition, dated 1797. Autograph musical manuscript, dated 1797, approx. 70 pp., handwritten in ink throughout, followed by additional blank leaves and containing nearly 50 songs in total (with titles such as "French tune", "London tune", "York tune", "Dundee tune", "Dublin tune", "Martyrs tune", "Aby tune", "Newton tune", St. -
Juilliard Jazz Orchestra Wynton Marsalis , Conductor
Tuesday Evening, April 3, 2018, at 7:30 The Juilliard School presents Juilliard Jazz Orchestra Wynton Marsalis , Conductor A Tribute to Blue Note Records JACKIE MCLEAN , arr. Wynton Marsalis Appointment in Ghana MCCOY TYNER , arr. Chris Crenshaw Search for Peace WOODY SHAW , arr. Victor Goines The Moontrane HORACE SILVER , arr. Carlos Henriquez Señor Blues Intermission JOE HENDERSON , arr. Ted Nash Inner Urge HORACE SILVER , arr. David Berger Peace WAYNE SHORTER , arr. Ted Nash Fee-Fi-Fo-Fum DEXTER GORDON , arr. Sherman Irby Ernie’s Tune WAYNER SHORTER , arr. Wynton Marsalis Free for All Performance time: approximately 1 hour and 30 minutes, including one intermission Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Meet the Artist more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, and Yale. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music for his Z E N I oratorio Blood on the Fields . In 2001 he T R A was appointed Messenger of Peace by M E O Kofi Annan, secretary-general of the J Wynton Marsalis United Nations, and in 2005 Mr. -
Professionalità Studi Bimestrale On-Line Di Studi Su Formazione, Lavoro, Transizioni Occupazionali
ISSN 0392-2790 Professionalità studi Bimestrale on-line di studi su formazione, lavoro, transizioni occupazionali In questo numero Nuove metodologie per l’insegnamento universitario delle discipline giuridico-economiche, psicologiche, sociologiche e pedagogiche che studiano le trasformazioni attuali del lavoro: - trasformazioni del lavoro e nuove metodologie per l’insegnamento universitario - e-learning e apprendimento collaborativo online - le cliniche legali - l’esperienza dei dottorati c.d. pratici e professionali N. 4 marzo-aprile 2018 PROFESSIONALITÀ STUDI Bimestrale ad estensione on-line di Professionalità, edita da STUDIUM in collaborazione con ADAPT University Press, per l’analisi e lo studio delle transizioni occupazionali nella nuova geografia del lavoro. Contatto: [email protected] DIREZIONE Giuseppe Bertagna, Ordinario di Pedagogia generale e sociale, Università di Bergamo; Giuseppe Scaratti, Ordinario di Psicologia del lavoro, Università Cattolica del Sacro Cuore, Milano; Michele Tiraboschi, Ordinario di Diritto del lavoro, Università di Modena e Reggio Emilia. CONSIGLIO SCIENTIFICO DI REFERAGGIO Anna Alaimo, Associato di Diritto del lavoro, Università di Catania; Giuditta Alessandrini, Ordinario di Pedagogia Sociale e del Lavoro, Università degli studi di Roma Tre; Henar Álvarez Cuesta, Profesora Titular de Derecho del Trabajo y de la Seguridad Social, Universidad de León (España); Marco Azzalini, Associato di Diritto Privato, Università di Bergamo; Gabriele Ballarino, Ordinario di Sociologia del lavoro, -
Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Theatre Company in the Misanthrope and Feydeau's Where There's a Will
ELAINE PAIGE ––– biography Elaine Paige, as an actress, recording artist, producer and broadcaster, has made a major contribution to the modern musical that ensures her own chapter in the entertainment world and justifies the title “The First Lady of Musical Theatre”. She has starred in numerous West End productions and on Broadway and in concert internationally, sweeping to fame when she created her award winning performance as Eva Peron in Evita . Shortly afterwards she created the role of Grizabella in the original production of Cats and the classic song Memory became one of Elaine's many hit records. Further theatre productions: Hair , Jesus Christ Superstar , Grease , Billy , Chess (with her record breaking number one hit I Know Him So Well with Barbara Dickson), Anything Goes , Piaf , Sunset Boulevard in London and Broadway, The King and I, Sweeney Todd (New York City Opera). She has worked twice with Sir Peter Hall's Theatre Company in The Misanthrope and Feydeau’s Where There’s A Will. Elaine has performed in concert worldwide from The White House to The Great Hall of the People in Beijing, from the Bolshoi to Sydney Opera House. She has appeared in many television roles including her own TV specials and Royal Variety Shows. She has recorded 18 solo albums (4 multi Platinum and 9 consecutive Gold) and 6 cast albums and has been honoured with a number of awards: Society of West End Theatre Award for Best Actress in a Musical and Variety Club Award for Show Business Personality of the year (1978); Variety Club Award for Musical Artiste (1986) and Variety Club Award for Best Actress (1995); Gold Badge of Merit from the British Academy of Songwriters, Composers and Authors (1994); HMV Lifetime Achievement Award (1996); Lifetime Achievement Award from the National Operatic and Dramatic Association (1999); Order of the British Empire for services to Musical Theatre (1995), Drama Desk Award nomination for Outstanding Actress in a Musical (2004) and Variety Club Special Presentation for 40 Years on Stage (2009).