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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14
Baghawad Gita, Class 184: Chapter 14, Verses 19 to 14 Shloka # 14. 9: 14.9 O scion of the Bharata dynasty, sattva attaches one to happiness, rajas to action, while tamas, covering up knowledge, leads to inadvertence als Continuing his teachings Swamiji said today, in the last few classes, we saw that our higher nature known as the sakshi svarupam is ever nirgunam and therefore is free from the influence of the three gunas; but our vyavaharika nature, our lower nature, which is called ahamkara is a mixture of the body-mind complex, as well as the reflected consciousness. And till the ahamkara consists of the body-mind complex and till the body-mind complex is born out of prakrti, the ahamkara can never escape from the three gunas. And therefore, our body-mind complex is made up of three gunas and the ahamkara which consists of this body-mind complex is the necessarily made up of these three gunas, and therefore, we can never escape from them. We have to live with this saguna ahamkara. And once we are forced to live with this ahamkara, it is better that we understand the ahamkara well, so that we know how to handle it properly. Science is able to handle the nature more and more only because science has been able to know nature more and more. Knowledge gives the capacity for better handling. And therefore Sri Krishna says: you have to understand your own ahamkara very well. For that, you must know what type of ahamkara you have; which guna is dominant, which guna is in middle; the second place, and which guna is the lowest; better you understand and you also know how these gunas influence your vyavaharika life; both material life, as well as the spiritual life. -
Page 01 DT June 15.Indd
[email protected] MONDAY 15 JUNE 2015 • www.thepeninsulaqatar.com • 4455 7741 LEXUS IS 350 F-SPORT: A GOOD LUXURY VALUE P | 7 INDONESIAN DIASPORA SET MEN LIGHT INDIA, CHINA EMOTIONALLY, TO OBSERVE RAMADAN IN UP LONDON AND CULTURALLY CLOSE, THEIR TRADITIONAL WAY CATWALK SHOWS SAYS AAMIR KHAN P | 2 P | 9 P | 11 QNB launched a new initiative at the start of the school year by issuing the Money Made Easy book, which aims to explain financial terms to students over 9 years old in a simplified, modern way. TEACHING THEM YOUNG P | 3 | MONDAY 15 JUNE 2015 | 02 CULTURE Indonesian diaspora set to observe Ramadan in their traditional way performing Suhoor,” said Hadi. Similarly representatives of the On the eve of Ramadan, Indonesian embassy will visit places ‘Tarhib Ramadan’ (Marhaban Ya where Indonesian workers live in Ramadan), an event organised by Al Khor, Dukhan, Mesaieed and Al the Indonesian embassy together Wakrah for Iftar, giving spiritual lec- with the Indonesian Muslim Society tures and sharing the true spirit of in Qatar (IMSQA) under the aus- Ramadan. pices of the Association of the On the Seventeenth Day Indonesian Community in Qatar of Fasting (Ramadan 17), the (PERMIQA), will be held at the Indonesian Muslim community in embassy premises in New Salata. Qatar will gather at the embassy Two Muslim scholars (Ustadz) premises to mark the Nuzulul will be invited from Indonesia in Quran 1436H. order to give spiritual lectures The Indonesian Embassy in BY FAZEENA SALEEM (tausiyah) followed by Tarawih Doha in cooperation with IMSQA- before dusk with friends or family prayer together. -
A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema
Imperial Journal of Interdisciplinary Research (IJIR) Vol-2, Issue-8, 2016 ISSN: 2454-1362, http://www.onlinejournal.in A Study on the Depiction of Substance Usage in Contemporary Malayalam Cinema. Sachin Krishna1 & Sreehari K G2 1Master of Journalism and Mass Communication 2Assistant Professor 1,2Department of Visual Media, Amrita School of Arts and Sciences, Kochi Abstract: This paper attempts to determine whether medal. The sixties was a period of an intellectual contemporary Malayalam films have an influence awakening in Malayalam cinema which made its in the increase of substance usage among the presence all over India and the world. Chemeen audience. This is precisely focused due to the fact (1965) directed by Ramu Kariat (Saran, 2012) that recent movies released in the new generation which was based on a novel of the same name by film movement of Malayalam have an increase in Thakazhi Shivashankara Pillai was immensely the onscreen depictions of alcohol and other kinds popular and became the first Malayalam film to of drugs. These movies are shot in such a way that win the National Film Award for Best Feature film. depicts the characters indulging in the use of these This was also the period when Malayalam cinema substances in a glamorized manner as if they are became much more organized and acclaimed promoting its use amongst the audiences. For this, filmmakers such as Adoor Gopalakrishnan and G. selected films released in the previous four years Aravindan began their career. that earned the biggest box office revenues were selected for analysis. This paper also tries to It was in the seventies that Malayalam cinema examine whether these onscreen depictions have entered a new phase of growth that reflected the any significant persuasion among the audiences. -
Saving Them for Posterity
QATAR TRIBUNE Publication Thursday ‘We have some wonderful female directors. It would 06.10.2016 be wonderful to work with them...’ Bollywood Saving them for posterity 0ZHILSSH+HSSH9HNPVULW\YZ\LZHWLYZVUHSTPZZPVU·ZH]PUNHUJPLU[ MY\P[[YLLZMYVTL_[PUJ[PVU·^P[OHZ[YVUNZLUZLVM\YNLUJ` COVER PGSTORY 2&3 02 Thursday, October 6, 2016 COVER STORY Almonds growing at Isabella Dalla Ragione’s farmstead in San Lorenzo di Lerchi, Italy. Dalla Ragione works to save ancient fruit trees from extinction on her farm. Forgotten fruit is grown, and a culture is preserved 0ZHILSSH+HSSH9HNPVUL»Z ELISABETTA POVOLEDO she adds. “You can’t preserve it.” Isabella Dalla Ragione, 59, began tag- NYT SYNDICATE In that race, she picked up the ging along as a child, studied agronomy PUP[PH[P]L[VWYLZLY]L baton at a young age from her father, at a university to bring technical knowl- HERE are probably few Livio Dalla Ragione, who began scour- edge to their enterprise and, after her K^PUKSPUN]HYPL[PLZPZUV[ places as tranquil as the ing the surrounding countryside dec- father died in 2007, continued to main- \UPX\LPU0[HS`I\[:HU languorous hills that sur- ades ago, searching for neglected fruit tain the orchard. round Umbria’s Città di trees that no longer satisfied changing They called their collection of old 3VYLUaVHUKP[Z Castello in Italy. But on her agricultural trends, market demands fruit varieties “arboreal archaeology.” Tfarm, Isabella Dalla Ragione pursues a and modern tastes. “When he started, people didn’t speak Z\YYV\UKPUNZOH]L personal mission — saving ancient fruit He collected branches with fresh of biodiversity or genetic erosion,” Dalla WYV]PKLKHULZWLJPHSS` trees from extinction — with a strong buds and grafted them onto rootstock to Ragione said, even though the loss of sense of urgency. -
Drishyam 2016: 2 Bokaro International Film Festival Concludes at DPS
October 23, 2016 Drishyam 2016: 2ndBokaro International Film Festival concludes at DPS Bokaro A 2 day festival of films concludes with edu-tainment “Films provide impetus to creativity of students and promote appreciation for classic films of the world of cinema” –Dr. Hemlata S. Mohan, Director & Principal, DPS Bokaro “Movies are the best source of social learning” - Mr. Atul Srivastava, ED( P&A), BSL th “Films have largely influenced the mass population in 20 century” - Mr. Prahlad Agarwal, Renowned Film Historian and Writer “Films are the best forms of art and expression” - Dr. Satyadeva Tripathi, Noted Film & Theatre Critic October 23, 2016 „Drishyam 2016‟ – The Second Edition of Bokaro International Film Festival a pioneering educational initiative in Jharkhand organized during October 22-23, 2016 in the KaliDas Kala Bhawan of the learners‟ paradise-DPS Bokaro. The festival was graced by Mr. Atul Srivastava, ED P&A, BSL, Pro-Vice Chairman, DPS Bokaro, as the Chief Guest of the occasion. The other dignitaries who were also present were - Dr. G. N. Sahoo, Director, Bokaro General Hospital, (B.G.H.) and Mr. S. K. Jha, G.M., B.S.L. Celebrities from the film fraternity participated in the ceremony. The eminent personalities present this year were - Mr. Prahlad Agarwal, the renowned film historian and the script writer, Dr. Satyadev Tripathi, creative maestro in the film world Dr. Vijay Sharma, Educationist, Author, Script and Short Story Writer and Mr. Abhishek Kashyap, Director of Bokaro International Film Festival. Mr. Prahlad Agarwal has written biographies on two great filmmakers of all time in Hindi Cinema - Raj Kapoor and Guru Dutt like ‘Raj Kapoor – Aadhi Haqeeqat Aadha Phasana’, ‘Pyaasa: Chir Atript Gurudutt’, ‘Kavi Shailendra – Zindagi ki Jeet Ka Yakeen’,' O Re Majhi: Bimal Raika Cinema,‘Reshmi Khawabonki Dhoop Chhaon: Yash Chopra ka Cinema’, ‘Baazar ke Baazigar: Ekkiswi Sadika Cinema’,‘Jug Jug Jiye Munna Bhai: Chhaviyon Ka Mayajaal’, ‘Uttaal Umang: Subhash Ghai ki Film Kala’ and ‘Hindi Cinema: Beeswi Sadi se Ekkiswi Sadi Tak’. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Films Certified in Februarty 2021.Xlsx
Feature films certified in February 2021 Certified Type Of Film Certificate Sr. No. Title Language Certificate No. Certificate Date Duration/Len (Video/Digital/Cel Producer Name Production House Type gth luloid) AWADHI GOLDMINES 1 REBEL AWADHI VIL/2/6/2021-DEL 04 February 2021 143.57 Video ULKA MANISH SHAH UA TELEFILMS PVT LTD UPPALAPATI VENKATA 2 MIRCHI AWADHI VIL/2/7/2021-DEL 12 February 2021 137.51 Video U V CREATIONS UA SATYANARAYANARA JU GOLDMINES 3 POWER Awadhi VIL/2/10/2021-DEL 26 February 2021 126.46 Video ULKA MANISH SHAH UA TELEFILMS PVT LTD Bengali GOLDMINES 1 COMALI Bengali VIL/1/9/2021-CUT 01 February 2021 133.54 Video ULKA MANISH SHAH U TELEFILMS PVT LTD High Octane Pictures, 2 ANTI MATTER Bengali VFL/2/92/2021-MUM 01 February 2021 108.02 Video - UA LLC 3 BHUTUREY GALPO Bengali DIL/2/4/2021-KOL 02 February 2021 99.53 Digital Tandra Adhikari - UA COLIN WILSON/ BELLE AVERY / 4 THE MEG Bengali VFL/2/98/2021-MUM 04 February 2021 108.31 Video LORENZO DI - UA BONAVENTURA/ WARNER BROTHERS 5 ACTION Bengali VIL/2/7/2021-CUT 04 February 2021 148.5 Video Ravindran Ramaiah M/s TRIDENT ARTS UA DISHITA TELE JAKHAN RAATRI MEDIA 6 Bengali DIL/1/13/2021-KOL 08 February 2021 130.55 Digital Yusuf Khan U NAAME ENTERTAINMENT PRIVATE LIMITED RAAT BAROTA 7 Bengali VIL/2/2/2021-KOL 10 February 2021 100.32 Video Nitesh Sharma - UA PAANCH (REVISED) THE REVENGE OF High Octane Pictures, 8 Bengali VFL/2/106/2021-MUM 11 February 2021 79.29 Video - UA ROBERT LLC M/S. -
Broadcast & Film
B R O A D C A S T - F I L M - P O S T - I N F O T A I N M E N T T E C H N O L O G Y BROADCAST GLOBAL MEDIA FOR BROADCAST, FILM, POST & INFOTAINMENT & FILM TECHNOLOGY & BUSINESS JANUARY - FEBRUARY 2021 ZER 2021 MED IA TRE NDS GLOBAL MEDIA FOR BROADCAST, FILM, POST & INFOTAINMENT 2020 TECHNOLOGY & BUSINESS Media Kit BROADCAST & FILM - Your #1 Resource to Reach Broadcast, Film, Post & Infotainment Technology Markets in India Broadcast & Film – www.broadcastandlm.com – is a leading online publication serving the broadcast, lm, post and infotainment technology markets globally. From being published since 1991, to its shift to the online platform in 2013, the magazine has established itself as a credible source for industry news, analysis and technology trends in the broadcast and entertainment technology industry. We cover the emerging new technologies and trends, including the transition to the digital phase of the ever-evolving media and entertainment sector. Helping You Stay A Step Ahead of the Competition If your company wants MAXIMUM visibility in the broadcast, post-production market, then Broadcast & Film is your #1 Resource. Broadcast & Film will provide your company with an effective package of advertising via our industry leading online digital media, E-newsletter, broadcast e-mail service, mailing lists, and website to reach the broadcast markets. Broadcast & Film features the most widely circulated digital online media and E-newsletter and provides the best-quality editorial coverage of the trends, events, and happenings in the market. Suppliers of broadcast products and services who want to stimulate sales growth in an increasingly competitive environment advertise in Broadcast & Film to help their business thrive! GLOBAL MEDIA FOR BROADCAST, FILM, POST & INFOTAINMENT TECHNOLOGY & BUSINESS The Largest circulation of any online media in the industry, reaching dealers and industry professionals across India, Broadcast & Film expands your visibility to worldwide markets as your ad is seen online with direct links to your website. -
Audio | Sound | Digital Film | Gaming
mix with the best Audio | Sound | Digital Film | Gaming Mumbai | Chennai | Bengaluru Learning & skills In their journey with AAT, our students get exposure to technology both from a theoretical and hands-on practical aspect. Our emphasis on skilling along with formal higher education makes us stand apart from our peers in the industry. Technology is a rapidly changing landscape; at AAT we ensure that skilling fuses basics of learning with adaptability to emerging technologies. This ensures that Reskilling taken up at various point of one's career is easy to adapt from a technology and Industry requirement point of view. The 4th Industrial revolution recognizes the demand for non cognitive skills as in leadership, enterprise awareness, creativity deployment, resilience to change and current skillsets. At AAT we have inculcated this approach for a few years now and continue to do so with a more adaptive approach. Audio | Sound | Digital Film | Gaming two decades 11000+ 20 years of Alumni expertise in Audio, Globally Film, Media Business & Gaming International Oscar, Filmfare, Student production Education academic National , New York, partnerships for Dubai International of over 20000+ Multiple campuses & Film award winners Content Undergraduate and international presence Masters study Over 81% successful placement record SAE, University of Wolverhampton Audio | Sound | Digital Film | Gaming academic partnership AAT enjoys a progreesion agreement with the University of AAT enjoys a progreesion Wolverhampton, UK. Students sucessfullly completting agreement with SAE. Post AAT’s Diploma curriculum in completion of One -year Sound Production and Digital Diploma studies in Audio Film & Video Production for One Engineering or Digital Film or Two years can apply for final Making students can use the year admission to Degree studies diploma certificate to apply for at the University campus in UK admission to year 2&3 of Degree studies at Australia or New Zealand campuses. -
“PVR Limited Q2 FY-16 Earnings Conference Call”
“PVR Limited Q2 FY-16 Earnings Conference Call” November 04, 2015 MANAGEMENT: MR. AJAY BIJLI – CHAIRMAN & MANAGING DIRECTOR MR. SANJEEV KUMAR – JOINT MANAGING DIRECTOR MR. NITIN SOOD –CHIEF FINANCIAL OFFICER MR. GAUTAM DUTTA- CHIEF EXECUTIVE OFFICER MODERATOR: MR. NIKET SHAH – MOTILAL OSWAL SECURITIES LIMITED Page 1 of 16 PVR Limited. November 04, 2015 Moderator: Ladies and gentlemen good day and welcome to the PVR Limited Q2 FY16 Earnings Conference Call hosted by Motilal Oswal Securities Limited. As a reminder all participant lines will be in the listen-only mode and there will be an opportunity for you to ask questions after the presentation concludes. Should you need assistance during the conference call, please signal an operator by pressing ‘*’ then ‘0’ on your touchtone phone. Please note that this conference is being recorded. I would now like to hand the conference over to Mr. Niket Shah from Motilal Oswal Securities. Thank you and over to you sir. Niket Shah: Thanks so much. We at Motilal Oswal are extremely pleased to hold this Q2 FY16 Earnings Con-call on behalf of PVR. We have Mr. Ajay Bijli – Chairman-Managing Director, Mr. Sanjeev Kumar – Joint Managing Director and Mr. Nitin Sood – CFO of the company. I will hand it over to Ajay for his opening remarks post that we can open the floor for a Q&A session. Over to you Ajay. Ajay Bijli: Thanks. Even Gautam Dutta-CEO of the Company is here as well. Good afternoon everyone, thank you all for taking the time out. We will give you the snapshot of the Q2 results for this year. -
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PSYCHOLOGY AND EDUCATION (2021) 58(4): 2130-2135 Article Received: 08th October, 2020; Article Revised: 15th February, 2021; Article Accepted: 20th March, 2021 Power of Men and Violence against Women in Commercial Malayalam Movies Jinda Jose1, dr. Anita virgin2 1Student, Department of English, Karunya Institute of Technology and Sciences, Coimbatore - 641 114, Tamilnadu, S. India 2Associate Professor, Department of English, Karunya Institute of Technology and Sciences, Coimbatore – 641 114, Tamilnadu, S. India ABSTRACT Malayalam cinema is different from other Indian film industries in stories and narration, but misogyny is not an exception in Malayalam film industry also. Depiction of women in Malayalam cinema roots for the patriarchal thoughts in the society. This article discusses the depiction of women and misogyny in Malayalam cinema. Keywords Misogyny, Male chauvinism, Patriarchy, Offensive jokes, Stereotyping, Rape, Stalking, Bachdel test, Ideal wife Article Received: 10 August 2020, Revised: 25 October 2020, Accepted: 18 November 2020 Introduction then become silent will get raped and at last cries in the corner of the room. Women who are in wet clothes or just a Misogyny in movies is not a new thing. It was always there change in the position of her dress are the common reasons [2] in Indian films and still continues to remain. “Malayalam for rape . For instance in Oru CBI Diary Kurippu (1988) cinema has had its distant uniqueness in terms of selection the character Johny rapes and kills his unconscious sister-in- of stories, tackling of issues and narration, right from the law Omana tempted by seeing her waist because of the start to the present day.