in Many Cases, the Location of the Shoot

Total Page:16

File Type:pdf, Size:1020Kb

in Many Cases, the Location of the Shoot p , • R o D u c I o N • 1985 PRODUCTION GUIDE Compiled by Jamie Gaetz, Linda Gorman, . Gillian Robinson and Connie Tadros HENRI Canadian Theatrical The following is a list of live·action film and video productions shot in Canada in 1985. p.c. Les Films Vision 4 Inc. Features The categories are theatrical features, television features, one· hour TV programs and series p. Claude Bonin of one-half hour segments or more (Canadian and foreign). Although the list is as com­ d. Fran~ois Labonte Oct.-Nov. 5 plete as we were able to make it, we realise that there may be some omissions, especially ac, Ste.·Marie de Beauce in the "series" category where production is more difficult to follow. Nor, given the in· 90 min. ABDUCTED tricacies of multi·partner financing, has it always been possible to determine with com· TF p.c. Erin Films Ltd. plete accuracy whether a feature is indeed for theatrical or television release. HIGH STAKES * p. Harry Cole The information given on the various productions is as follOWS: Title, name ofproduc­ p.c. Bullies Productions Jnc./ d. Boon Collins tion company (p.c.), producer (p.). Due to space and time limitations, associate pro· Simcom Producitons Sept. 4·30 p. Peter Simpson BC, Vancouver duce1's, executive producers and various other qualified producers are not mentioned. Di­ d. Larry Kent rector (d.). Dates of the shoot, and, in many cases, the location of the shoot. A budget BC, Vancouver ADRAMELECH estimate of the production, when available. 2,500,000 p.c. Polux Films, Main Film The final line contains notes on the production's sources offunding, whether an invest­ TF p. Pierre Gregoire ment, a pre-sale, a broadcasting license, etc. Common abbreviations are as follows: d. Pierre Gregoire AMPDC - Alberta Motion Picture Development Corp., CBC - Canadian Broadcasting Cor­ HOLD-UP 1984·85 p.c. Cinevideo Inc. (Can .) ac, Montreal poration, RQ - Radio·Quebec, SGC - Societe Generate du Cinema, RC - Societe Radio­ Les Films Ariane(Fr.), Ceritos Films 80 min . Canada, TF - Telefilm. The word "co-production" is used for treaty co·productions only. (Fr.) ONF An asterisk * following the title of the production indicates certification (either pending p. Denis Heroux, Alexandre or granted) at the Canadian Film and Video Certification Office, department ofCommuni­ Mnouchkine, Alain Belmondo ANNE TRISTER cations. d. Alexandre Arcady p.c. Les Films Vision 4 Inc. IONF May·July 28 p. Roger Frappier, Claude Bonin QC, Montreal d. Lea Pool 120 min. Mar. ·May CELUI QUI VOlT LES HEURES DECL/NDE L'EMPIRE ELVIS GRATTON - LE KING 8,000,000 ac, Israel, Switzerland p.c. Les Films Anastasie Inc. AMERICAIN, LE DES KINGS TF, Canada-France co·production 90 min. p. Pierre Goupil, Michel LaVeaux p.c. Corp. Image M & M Inc'/ONF p.c. ACPAV 1,377,000 d. Pierre Goupil p. Roger Frappier, Rene Malo p. Bernadette Payeur HUGGERS (w.t.) * Ra, SGC, TF 1984·85 d. Denys Arcand d. Pierre Falardeau, Julien Poulin p.c. Les Films Allegro Inc.!NFB ac, Montreal Sept.16· Oct. April ' p. Tom Berry, Stefan Wodoslawsky 72 min. ac, Magog, Montreal ac, Montreal BIRDIES d. Allen Eastman 2 h. 90 min. p.c. VOS Productions (Century Aug. 4-Sept. 16 1,885,000 470,000 ONE) CLAIRE .•• CETTE NUIT ET ac, Montreal SGC, TF RC , Ra, SGC, TF p. Dale Falconer DEMAIN 120 min. d. Brad Turner p.c. Cleo 24 Inc. 1,650,000 Feb. p. Arnie Gelbart, Charles Ohayon DERNIER HAVRE, LE * EQUINOXE CFCF·TV, TF ON, Toronto d. Nardo Castillo p.c. ACPAV p.c. Les Ateliers Audio·Visuels du June·July p. Marc Daigle auebec JEUNE MAGICIEN,LEI ac, Montreal d. Denise Benoit p. Nicole Lamothe THE WONDROUS CHILD BLUE MAN, THE * 145 min. July- Aug. d. Arthur Lamothe p.c. Filmline International p.c. Les Productions la Fete Inc. 635,000 ac, Gaspesie Aug. 5 ·31 Jacek Szeligowski p. Pieter Kroonenburg p. RC, SGC, TF 90 min. ac, Sorel d. Waldemar Dziki d. George Mihalka SGC, TF 84 min. Dec./85-Feb.l86 July·Aug. RC, SGC, TF Poland ac, Montreal . CONFIDENTIAL 90 min. 90 min p.c. Confidential Productions DOWNTIME TF 1,600,000 p. Tony Kramreither p.c. Greg Hanec FEAR STALKER, THE Global TV, New Century Prods. d. Bruce Pittman p. Greg Hanec p.c. Video Impact Productions Inc. Robert Bouvier (LA),TF Dec. 9·30 d. Greg Hanec p. JUDGEMENT IN STONE Robert Bouvier ON,Toronto April d. p.c. Rawifilm/Schulz Productions MB, Winnipeg Dec. 9·21 p. Harve Sherman, Jim Cole BULLIES * 62 min. ON , Toronto d. Ousama Rawi p.c. Bullies Productions Inc. CRIME WAVE 15,000 Mar.l85, Jan.·Feb/86 p. Peter Simpson p.c. Favorite Pictures Canada Council, Manitoba Arts ON, Woodbridge d. Paul Lynch p. John Paisz CounCil, Winnipeg Film Group GRAVEYARD SHIFT 120 min. Sept.·Nov. p.c. Lightshow Communications for d. John Paisz Global TV, TF BC 1985·86 Cinema Ventures Inc. 2,500,000 MB, Winnipeg DU POlL AUX PATTES COMME p. Michael Bockner 85 min. LESCWAC'S d. Gerard Ciccoritti KEEPING TRACK * p.c. Les Films Stock Ltee p.c. Telesceme Productions Inc. BUSTED UP 157,000 Oct.·Nov. p. Richard Sadler p. Jamie Brown, Robin Spry p.c. Rose and Ruby Productions CC, Manitoba Arts Council, ON, Toronto d. Daniel Roussel d. Robin Spry p. Damian Lee, David Mitchell Manitoba Film Group, NFB 90 min. May-June Oct. 31·Dec. d. Conrad Palmisano ac, Montreal ac, Montreal Nov. 20·Dec. 23 DANCING IN THE DARK 90 min. CBC, SGC, TF ON, Toronto GUARANTEED WAY, THE p.c. Dancing Productions Inc. 350,000 2,100,000 p.c. Kay Studios Inc. p. Tony Kramreilher RC, SGC, TF d. Leon Marr p. Earl Kay, Marcel Lehrer Nov. 6·Dec. 2 d. Randy Bradshaw ON, Toronto To April 15 797,000 ac, Montreal CBC 90 min. April 1986 - Cinema Canada/29 p , • R o D u c I o N • LAST SONG, THE NO SURRENDER QUI A TIRE SUR NOS DIFFERENCE, THE p.c. Filmline International Inc. p.c. Lauron Productions HISTOIRES D'AMOUR? Canadian Television p.c. NFB d. Eveline July(Fr.), Nicholas p. William Johnston, Ronald Lillie p.c. La Maison des Quatre Inc. Features p. William Brind Clermont (Cnd) d. Peter Smith p. Louise Carre d. Pierre Lasry p. Dennis Berry March-May d. Louise Carre (over 75 min.) Apr. 8- July 18 Aug. ON , Toronto Aug . 8-Sept. 15 QC , Montreal QC, Montreal Dumbarton Films (U .K.), TF QC , Montreal, Sorel 90 min . 90 min . 288,976 1 :400,000 LOST o PICASSO p.c. ONF/ACPAV TF DU GRAMOPHONE AU LASER p.c. Rosebud Films Ltd. BABY JOHN DOE * p.c. Spectel Video p. Peter Rowe p. Jacques Vallee , Franyois p.c. Gerretsen Productions Ltd . Dupuis, Marc Daigle p. Daniel Harvey, Alain Simard d. Peter Rowe RECRUITS p. Don Haig d . Gilles Carle d. Bernard Picard Sept. 16-0ct. p.c. Crazy Wheels Film d. Peter Gerretsen QC, Montreal May BC, NS, ON Productions Ltd Nov. 27-Dec. 30 80 min . CBC, TF p. Maurice Smith ON , Toronto QC, Montreal 675,677 d. Rafal Zielinski 95 min . 112 min . Aug .-Sept. RQ, TF LOVE ME AND DIE ON p.c. Taurus 7 Film Corp. ONE MAGIC CHRISTMAS * 84 min. BIG DEAL, THE p. Claude Castravelli p.c. The Northpole Picture Com­ * 444 DAYS TO FREEDOM 1,000,000 p.c. Alliance Entertainment Corp. d . Michel Wachnuic pany of Canada Inc. p.c. Canamedia Productions Ltd. p. Andras Hamori Oct. 22- Nov. 26 p. Peter O'Brian p. Les Harris d . Barry Healy QC, Montreal, NY d . Phillip Borsos REMEMBERING MEL: d. Les Harris Mar.-April PORTRAIT OF A LOSER Jan.-Feb. 1983, Dec./85 ON, Toronto p.c. Taurus 7 Film Corp. ON, Toronto ON , Toronto, Ottawa LOYALTIES 120 min. p. Claude Castravelli 90 min . 100 min. p.c. Lauron Productions 8,000,000 d. Doug Harris 1,000,000 p. William Johnston TF, Walt Disney Dec./84-June/85 GILLES VIGNEAULT: 25 ANS d. Anne Wheeler QC, Montreal BLACK TEENAGERS DE CHANSON July 8 -Aug. 90 min . p.c. NFB p.c. Spectel Video AB, Lac La Biche OVERNIGHT * 350,000 2,500,000 p.c. Exile Productions Ltd. p. John N. Smith p. Daniel Harvey, Alain Simard AMPDC, TF p. Jack Carcus, John Board d . John N. Smith d. J.J. Shetoyan SCALP d. Jack Darcus * Apr.-Dec Oct. p.c. Les Productions Via Ie Monde/ July 15-Aug. 2 QC QC, Montreal LUNE DE MIELJHONEYMOON Franyois Floquet Inc'/Films Gilles 90 min. 90 min . p.c. Corporation Image M & M ON, Toronto Carle 120 min . 421 ,045 RQ, TF Ltee! Hugo Film SAR.L. p. Franyois Floquet, Gilles Carle 3,500,000 p. Rene Malo, Xavier Gelin d. Gilles Carle TF HIJACKING OF STUDIO 4 d. Patrick Jamain Nov.7-Dec. 14 BROTHERS BY CHOICE * p.c. Visual Productions April-June QC, Montreal, France p.c. Atlantis Films Limited! lronstar p. Beverly Burrow QC, Montreal, N.Y.,Paris PASSIFLORA 120 min . Communications d. Joseph Williams 3,300,000 p.c. NFB 2,063,000 p. Seaton McLean July TF, Ca'nada-France Co-Production p. Jacques Vallee RC , SGC, TF d. William Fruet d. Fernand Belanger, Dagmar Sept. 25- Nov. 8 ON , Hamilton, Caribbean Guiessaz BC, Vancouver 96 min. MARK OF CAIN SEPARATE VACATIONS Sept.l1 /84-Mar. 28/85 * 95 min . TF p.c. Brightstar Film Inc. p.c. R.S.L. Entertainment QC, Montreal 1,800,000 p. Tony Kramreither p. Robert Lantos, Stephen J.
Recommended publications
  • The Films of John Korty, Feb 24—26
    MEDIA ALERT BAMcinématek presents Fog City Maverick: The Films of John Korty, Feb 24—26 Korty in person! Co-presented by Cinema Conservancy “A man of taste, intelligence, and high aspirations who refuses to make conventional films.”—The New York Times The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Jan 21, 2015—From Tuesday, February 24 through Thursday, February 26, BAMcinématek presents Fog City Maverick: The Films of John Korty, a three-day tribute to one of American independent cinema’s most distinctive, unsung voices. The Oscar- and Emmy-winning San Francisco director/animator has quietly carved out a one-of-a-kind career over the past five decades. Praised by Pauline Kael as one of the most “gifted, intelligent men outside the industry… attempting to make inexpensive feature-films as honestly and independently as they can,” Korty has forgone mainstream Hollywood ambitions despite his early Bay Area associations with George Lucas and Francis Ford Coppola. Instead he chose to pursue uncompromisingly original, refreshingly offbeat indie projects across narrative, documentary, animation, and television that reflect his boundless visual imagination and humanistic outlook. Opening the series on Tuesday, February 24 is an exceedingly rare 35mm screening of the eye- popping cult animation masterpiece Twice Upon A Time (1983), barely seen on the big screen in New York since its tragically limited original release. Other highlights include Funnyman (1967— Feb 25), a stop-motion animation/live-action hybrid featuring legendary San Francisco comedy troupe the Committee; Korty’s feature debut The Crazy-Quilt (1966—Feb 25), part of the 1979 New York Film Festival’s seminal American Independents survey alongside classics The Cool World, Badlands, Sweet Sweetback’s Badasssss Song, and Northern Lights; and Korty’s Academy Award-winning documentary, Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977—Feb 26).
    [Show full text]
  • Michael John Bateman Cce Editor Canadian and Uk Citizenship / Bc Resident / Iatse 891 / Acfc Online Reel
    MICHAEL JOHN BATEMAN CCE EDITOR CANADIAN AND UK CITIZENSHIP / BC RESIDENT / IATSE 891 / ACFC ONLINE REEL TELEVISION NETWORK/CO DIRECTOR PRODUCERS MALIBU RESCUE Netflix Savage Steve Holland P: Amy Sydorick (Movie/Pilot) PROJECT MC2 S3 Netflix Various P: Mary Sparacio, (Series) Sadaf Cohen Muncy, Shauna Phelan THE CHRISTMAS CONSULTANT Lifetime Movie Network John Bradshaw P: Raymond Massey (Movie) GOOD MORNING KILLER (Movie) RPI Group Productions Maggie Greenwald EP: Frank Von Zerneck for TNT HICCUPS (Comedy Pilot) Penflo Production Inc. David Storey EP: Brent Butt, David Storey for CTV DO YOU KNOW ME? (Movie) Hallmark Ent/ Penelope Buitenhuis P: Robert Halmi Sr., Shan Tam, Lifetime Matthew O’Connor,Lisa Richardson LUNA: THE WAY HOME (Movie) CTV/ Screen Siren Don McBrearty P: Trish Dolman, Anne Marie LaTraverse A GIRL LIKE ME: Lifetime/Braun Ent/ Agnieszka Holland P: Zev Braun, Philip Krupp, THE GWEN ARAUJO STORY Sony Pictures Fran Rosati (Movie) FINAL DAYS: PLANET EARTH Hallmark Entertainment Rob Lieberman P: Robert Halmi Sr., (Mini Series) Matthew O’Connor KINGDOM HOSPITAL (Series) Sony Pictures/ Craig Baxley EP: Mark Carliner, Stephen King, Drama Fantasy Horror ABC Network Lars von Trier TOM STONE (Series) CBC Television Various P: Tom Cox, Doug McLeod Comedy THE OVERCOAT (Movie) Alliance/CBC Morris Panych P: Lael McCall, Richard Craven THE IMMORTAL (Series) Space Various P: Michael Grais Time Travel Sci Fi NOTHING TOO GOOD Alliance/CBC Various P: Charles Glazer, FOR A COWBOY (Series) Davie Barlow One hour Period Comedy DEAD MAN'S GUN S2 (Series, 22 ep) MGM/Showtime Various P: Larry Sugar, Henry Winkler Western Action Anthology **Winner American Heritage Award SO WEIRD (Series Pilot) Disney Channel Shawn Levy P: Larry Sugar, Henry Winkler Shawn Levy DEAD MAN'S GUN S1 (Series, 22 ep) Buena Vista/Showtime Various P: Larry Sugar, Henry Winkler Western Action Anthology **Winner American Heritage Award Represented by Barbara J.
    [Show full text]
  • MUS LISTE CHANSONS-9 Juillet P1
    MUSIQUE Le Québec de Charlebois à Arcade Fire MUSIC Quebec: From Charlebois to Arcade Fire Crédits partiels des chansons et des productions audiovisuelles Partial credits for songs and audiovisual productions L’INSOLENCE DE LA JEUNESSE Welcome Soleil, Jim et Bertrand, © 1976 INSOLENCE OF YOUTH (Bertrand Gosselin) Comme un fou, Harmonium, © 1976 Le Ya Ya, Joël Denis, © 1965 (Serge Fiori, Michel Normandeau) (Morris Levy, Clarence Lewis, adaptation française / french La maudite machine, Octobre, © 1973 adaptation: Joël Denis) (Pierre Flynn) Le p’tit popy, Michel Pagliaro (Les Chanceliers), © 1967 La bourse ou la vie, Contraction, © 1974 (Lindon Oldham, Dan Penn) (Georges-Hébert Germain, Robert Lachapelle, Yves Laferrière, Tu veux revenir, Gerry Boulet (Les Gants blancs), © 1967 Christiane Robichaud) (Robert Feldman, Gerald Goldstein, Richard Gottehrer) Les saigneurs, Opus 5, © 1976 Tout peut recommencer, Ginette Reno, © 1963 (Luc Gauthier) (Jerry Reed) Beau Bummage, Aut’chose, © 1976 Ces bottes sont faites pour marcher, Dominique Michel, © 1966 (Jacques Racine, Jean-François St-Georges, Lucien Francoeur) (Lee Hazlewood) Dear Music, Mahogany Rush, © 1974 (Frank Marino) Yéyé partout, Jenny Rock, Jeunesse Oblige (Radio-Canada), Ma patrie est à terre, Offenbach, © 1975 1967 (Roger Belval, Gérald Boulet, Jean Gravel, Pierre Harel, Michel Ton amour a changé ma vie, Les Classels, Copain Copain Lamothe) , Plume Latraverse, © 1978 (Radio-Canada), 1964 Le rock and roll du grand flanc mou (Michel Latraverse) , 20 ans Express (Radio- Le short trop court interdit à Verdun Closer Together, The Box, © 1987 Canada), 27 juillet 1963 / July 27, 1963 (Guy Pisapia, Jean-Pierre Brie, Luc Papineau, Jean Marc Pisapia) Cash City, Luc De Larochellière, © 1990 RÊVER DE MONDES DIFFÉRENTS (Luc De Larochellière, Marc Pérusse) DREAMING OF OTHER WORLDS Les Yankees, Richard Desjardins, © 1992 (Richard Desjardins) J’ai souvenir encore, Claude Dubois, © 1964 Modern Man, Arcade Fire, © 2010 (Claude Dubois) (Edwin F.
    [Show full text]
  • Maailman Elokuvan Historia III
    Maailman elokuvan historia III Kanada, Australia, Uusi Seelanti Kanada: puitteet • Canadian Pacific Railroad:n tuottamia dokumentteja • Tarinaelokuva pääasiassa USA:sta, osa UK:sta • Ensimmäinen oma tarinaelokuva, Evangeline (1913) oli sekä kriittinen että yleisömenestys, mutta seuraavat elokuvat eivät olleet → tuottajayhtiö lopetti 1915 • Hieman tuotantoa 1920-luvulla, mutta äänielokuvan läpimurto tyrehdytti taas tuotannon • Docudraamoja ja muita tarinaa ja dokumentaaria sekoittavia lajityyppejä • Tarinaelokuva rajoittui pitkään "quota quickies” - tuotantoon National Film Board of Canada perustettiin 1939 Canadian Co-operation Project (1948-58) Luovat lahjakkuudet emigroituivat Hollywoodin tai UK:an Canadian Film Development Corporation perustetaan 1967 koordinoimaan investointeja, lainoja ja tukia Taloudelliset kannustimet ja verohelpotukset 1974 alkaen lisäävät massiivisesti sijoittamista Kanadalaiseen tuotantoon ”Tax-shelter era” johtaa pian kulttuurielokuvista suuren budjetin tuotantoihin National Film & Video Policy heijastaa taiteellisesti kunnianhimoisempaa suuntausta, mutta myös television roolia julkaisukanavana – CFDC:stä tulee Telefilm Canada Pienen budjetin itsenäistä tuotantoa syntyy kaikissa provinsseissa ja territorioissa Canadian Film Centre (CFC) perustetaan 1988 – osa rahoitusta hankitaan ei-valtiollisista lähteistä 1980-90 luvuilla ohjaajat kuten Denys Arcand, Patricia Rozema ja Gail Singer sekä maahanmuuttajat kuten Atom Egoyan (Egypt) ja Deepa Mehta (Intia) tekevät kv. läpimurtonsa ”Toronto New Wave” Kanadan
    [Show full text]
  • Film Reference Guide
    REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld.
    [Show full text]
  • The Field Guide to Sponsored Films
    THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House.
    [Show full text]
  • Strike Closes Down Campus
    Strike closes down campus ^11 campus functions were to ‘play into the hands of those halted yesterday as the city’s who will smash our heads, ar­ police tactical squad took con­ rest us and take our freedoms s o l of SF State following an away.’ Invasion of classrooms by When the meeting ended triking members of the Black shortly after noon, about 100 Students Union. black students broke up into The campus was closed short­ small groups and dispersed a- ly before 2 p.m. by adminis­ cross the campus, particularly tration officials, though most the BSS, HLL and Science activities had stopped earlier buildings. jjue to the black students’ One group entering the HLL action. building was led by Nathan The shutdown order was en­ Hare, chairman of the college’s forced by the tactical unit, black studies department. yhich had assembled at 1:30 The classroom invasion lasted at the corner of Holloway and about an hour. Barela across from the campus. While the classroom invasion At 1:40 two squads of 16 was in process Students For a policemen each marched a - Democratic Society, been sup­ cross Holloway to the campus porting the BSU strike, held a administration building where rally near the Commons and- they were directed by Ferd then marched to the adminis­ R.eddell, dean of students, tration building. to close the BSS and HLL As they crowded the stairway buildings. to the building’s main entrance The invasion of classrooms college President Robert Smith by black students followed a appeared and spoke to them BSU strategy session in the main through a bullhorn.
    [Show full text]
  • Master Class with Andrea Martin: Selected Filmography 1 the Higher
    Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A.
    [Show full text]
  • News Release. Tiff Unveils Top Ten Canadian Films of 2017
    December 6, 2017 .NEWS RELEASE. TIFF UNVEILS TOP TEN CANADIAN FILMS OF 2017 The Canada’s Top Ten Film Festival™ illuminates the nation with public screenings, free events, and special guests Alanis Obomsawin, Evan Rachel Wood and Jeremy Podeswa TORONTO — TIFF® is toasting the end of Canada’s sesquicentennial with its compelling list of 2017’s best Canadian films for the 17th annual Canada’s Top Ten Film Festival™. Established in 2001, the festival is one of the largest and longest-running showcases of Canadian film. From January 12 to 21, 2018 at TIFF Bell Lightbox in Toronto, the 10-day event boasts a rich offering of public screenings, Q&A sessions and a special Industry Forum, followed by a nationwide tour stopping in Vancouver, Montreal, Regina, Edmonton, Winnipeg, Ottawa and Saskatoon. Cameron Bailey, Artistic Director of TIFF, says the Canada’s Top Ten Film Festival is a vibrant celebration of diversity and excellence in contemporary Canadian cinema. “Our filmmakers have proven that they are among the best in the world and all Canadians should feel incredibly proud to get behind them and celebrate their achievements. Wrapping up Canada’s year in the global spotlight, we are thrilled to present this uniquely Canadian list, rich not only in talent but also in its diversity of perspectives, stories, and voices that reflect our nation’s multiculturalism," said Bailey. Steve Gravestock, TIFF Senior Programmer, says the number of exciting new voices alongside seasoned masters in this year’s lineup is a testament to the health of the Canadian film industry. "With a top ten that includes five first- or second-time feature directors, there is much to celebrate in Canadian cinema this year," said Gravestock.
    [Show full text]
  • Chapter 15 Reconstruction 1865–1877
    Chapter 15 Reconstruction 1865–1877 Teaching Resources 4. As some African Americans began to agi- tate for political rights, congressional Re- Chapter Instructional Objectives publicans proposed the Wade-Davis Bill, a stricter substitute for Lincoln’s Ten Percent After you have taught this chapter, your students Plan, which laid down, as conditions for should be able to answer the following questions: the restoration of the rebellious states to 1. How did Presidents Lincoln and Johnson envision the Union, an oath of allegiance by a ma- Reconstruction? jority of each state’s adult white men, new state governments formed only by those 2. How and why did Republicans in Congress take who had never carried arms against the control of Reconstruction? Union, and permanent disfranchisement 3. What did African Americans expect after the Civil of Confederate leaders. War? What were the realities they encountered 5. The Wade-Davis Bill served notice that during Reconstruction? congressional Republicans were not going to turn Reconstruction policy over to the 4. What was the southern response(s) to Reconstruc- president. tion? 6. Rather than openly challenge Congress, 5. Why did a political crisis emerge in 1877? How did Lincoln executed a pocket veto of the it shape Reconstruction? Wade-Davis Bill by not signing it before Congress adjourned. 6. What were the successes and failures of Recon- 7. Lincoln also initiated informal talks with struction? congressional leaders aimed at finding common ground; Lincoln’s successor An- Chapter Annotated Outline drew Johnson, however, held the view that Reconstruction was the president’s prerog- I. Presidential Reconstruction ative.
    [Show full text]
  • Production Shot Incanada in 1983
    • PRuDUCTIUM • 1983 Canadian film and video edited by Connie Tadros researchers: Del Mehes, Linda Gorman, Leslie Goodson LE JOUR "S" Canadian tbeabtcal features Thefollowing is a list offilm and video production shot inCanada in 1983. The p.c. Cinak (over 75 mnl categories are theatrical features, television features, one-hour TV programs p. Yves Rivard and series of one-half hour segments or Tore (Canadian and foreign). d. Jean-Pierre Lefebvre Although the list is as complete as we were able 'to make it, we realize that $340,000 11-24 Oct., QC AND WHEN THEY SHALL ASK there may be some omissions, especially in the "series" category where IQC p.c. Dueck Productions production is more difficult to follow. p. David Dueck The information given on the various productions is as follows: Title - LOOSE ENDS d. John Morrow followed by working title (w.t.) ifnecessary. Name of production company p.c. Loose Ends Productions MN (p.c.) - followed by name of the production company with which the p. David Mitchell, Damian Lee documentary in release, sponsored by production is usually associated (in parenthesis), if appropriate. Producer d. John Blanchard the Memmonite community (p.). Due to space and time limitations, associate producers, executive IS Aug.-17 Sept., ON producers and various other qualified producers are not mentioned. Direc­ $1 .5 M ANNEES DE REVE tor (d.). (In the case ofseveral series, a great variety of directors were used p.c. Les Films Vision 4 Inc. and the producer declined to provide us with all the names.) Dates of the LA LOUISIANE/LOUISIANA p.
    [Show full text]
  • Conddun Funrieuis Photo: Greg Hulbert Canada Couircil Announces New Program to Help Independent Filmmakers
    condDun FunriEuis Photo: Greg Hulbert Canada Couircil announces new program to help independent filmmakers Ms. Penni Jaques, recently appointed film Officer of the Canada Council, came to Toronto in late October to ex­ plain the Council's tentative Aid to Film and Video Artists program, which is al­ ready accepting applications. Her visit coincided with the Council's series of open meetings held in this area, designed to gauge response to its pro­ grams from the art and academic com­ munities across Canada. Director Andre Michael Spencer of the CFDC and Penni Jaques of the Canada Council at the S.F. U. Forum in Fortier revealed that the Canada Coun­ British Columbia cil gives away $45 million annually to the arts, humanities and social sciences, 36 per cent of it in Ontario. Film, photography and video might get up to one million dollars of this production grants: up to $25,000, up to buy time to pursue a program of Ap­ amount during the coming year. We sus­ $10,000, and up to $5,000 will be given prenticeship Research or Advanced pect that this is still disproportionate to out to cover partial or total production Study in their respective fields, may also what other art forms are getting, but costs. Ms. Jaques cautioned potential apply for a Senior or regular Art Grant, then certain staunch classicists refuse to applicants against assuming that asking or a Short Term Grant. Finally, Project recognize them as such. No comparable for the highest amount is the wisest Cost grants of up to $2,000 are available grants are planned in film, for instance, course; in fact the $25 thousand grant to the professional artist to help defray to the huge amounts of money given to will be the hardest one to get, with the cost of a particular project, with the estabhshed theatre, music, literature, chances progressively improving as the exception of film or video production.
    [Show full text]