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The Films of John Korty, Feb 24—26
MEDIA ALERT BAMcinématek presents Fog City Maverick: The Films of John Korty, Feb 24—26 Korty in person! Co-presented by Cinema Conservancy “A man of taste, intelligence, and high aspirations who refuses to make conventional films.”—The New York Times The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Jan 21, 2015—From Tuesday, February 24 through Thursday, February 26, BAMcinématek presents Fog City Maverick: The Films of John Korty, a three-day tribute to one of American independent cinema’s most distinctive, unsung voices. The Oscar- and Emmy-winning San Francisco director/animator has quietly carved out a one-of-a-kind career over the past five decades. Praised by Pauline Kael as one of the most “gifted, intelligent men outside the industry… attempting to make inexpensive feature-films as honestly and independently as they can,” Korty has forgone mainstream Hollywood ambitions despite his early Bay Area associations with George Lucas and Francis Ford Coppola. Instead he chose to pursue uncompromisingly original, refreshingly offbeat indie projects across narrative, documentary, animation, and television that reflect his boundless visual imagination and humanistic outlook. Opening the series on Tuesday, February 24 is an exceedingly rare 35mm screening of the eye- popping cult animation masterpiece Twice Upon A Time (1983), barely seen on the big screen in New York since its tragically limited original release. Other highlights include Funnyman (1967— Feb 25), a stop-motion animation/live-action hybrid featuring legendary San Francisco comedy troupe the Committee; Korty’s feature debut The Crazy-Quilt (1966—Feb 25), part of the 1979 New York Film Festival’s seminal American Independents survey alongside classics The Cool World, Badlands, Sweet Sweetback’s Badasssss Song, and Northern Lights; and Korty’s Academy Award-winning documentary, Who Are the DeBolts? And Where Did They Get Nineteen Kids? (1977—Feb 26). -
Stirling Silliphant Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/tf2f59n87r No online items Finding Aid for the Stirling Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Finding aid prepared by Processed by UCLA Library Special Collections staff; machine-readable finding aid created by D.MacGill UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 14 August 2017 Finding Aid for the Stirling PASC.0134 1 Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Title: Stirling Silliphant papers Identifier/Call Number: PASC.0134 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 27.0 linear feet65 boxes. Date (inclusive): ca. 1950-ca. 1985 Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Stirling Silliphant Papers (Collection Number PASC 134). -
BILL COSBY Biography
BILL COSBY Biography Bill Cosby is, by any standards, one of the most influential stars in America today. Whether it be through concert appearances or recordings, television or films, commercials or education, Bill Cosby has the ability to touch people’s lives. His humor often centers on the basic cornerstones of our existence, seeking to provide an insight into our roles as parents, children, family members, and men and women. Without resorting to gimmickry or lowbrow humor, Bill Cosby’s comedy has a point of reference and respect for the trappings and traditions of the great American humorists such as Mark Twain, Buster Keaton and Jonathan Winters. The 1984-92 run of The Cosby Show and his books Fatherhood and Time Flies established new benchmarks on how success is measured. His status at the top of the TVQ survey year after year continues to confirm his appeal as one of the most popular personalities in America. For his philanthropic efforts and positive influence as a performer and author, Cosby was honored with a 1998 Kennedy Center Honors Award. In 2002, he received the Presidential Medal of Freedom, America’s highest civilian honor, was the 2009 recipient of the Mark Twain Prize for American Humor and the Marian Anderson Award. The Cosby Show - The 25th Anniversary Commemorative Edition, released by First Look Studios and Carsey-Werner, available in stores or online at www.billcosby.com. The DVD box set of the NBC television hit series is the complete collection of one of the most popular programs in the history of television, garnering 29 Emmy® nominations with six wins, six Golden Globe® nominations with three wins and ten People’s Choice Awards. -
Spectacle, Masculinity, and Music in Blaxploitation Cinema
Spectacle, Masculinity, and Music in Blaxploitation Cinema Author Howell, Amanda Published 2005 Journal Title Screening the Past Copyright Statement © The Author(s) 2005. The attached file is posted here with permission of the copyright owner for your personal use only. No further distribution permitted. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/4130 Link to published version http://www.latrobe.edu.au/screeningthepast/ Griffith Research Online https://research-repository.griffith.edu.au Spectacle, masculinity, and music in blaxploitation cinema Spectacle, masculinity, and music in blaxploitation cinema Amanda Howell "Blaxploitation" was a brief cycle of action films made specifically for black audiences in both the mainstream and independent sectors of the U.S. film industry during the early 1970s. Offering overblown fantasies of black power and heroism filmed on the sites of race rebellions of the late 1960s, blaxploitation films were objects of fierce debate among social leaders and commentators for the image of blackness they projected, in both its aesthetic character and its social and political utility. After some time spent as the "bad object" of African-American cinema history,[1] critical and theoretical interest in blaxploitation resurfaced in the 1990s, in part due to the way that its images-- and sounds--recirculated in contemporary film and music cultures. Since the early 1990s, a new generation of African-American filmmakers has focused -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
State of the Blues PAST, PRESENT and FUTURE by JACK HADLEY
BIMONTHLY NEWS OF THE COLORADO BLUES SCENE • VOL. 24, NO. 4 • AUG. - SEPT. 2018 • [email protected] 2013 KBA WINNER BLUES SOCIETY STATE OF THE BLUES PAST, PRESENT AND FUTURE BY JACK HADLEY Most Americans growing up in the age of pop music never listened to the blues. It wasn’t played on commercial radio and, sadly, not much has changed. I realize that any roots music in 2018 is hidden in plain sight. It’s out there if you look for it. I was at a blues jam re- cently and I was surprised at the music I heard. It was uniformly real blues mu- sic. There were no reggae covers or pop tunes played under the guise of blues. The most telling part of the night for me was a band of young people who hit the stage. A standard lineup of guitar, bass, drums and a lead vocalist. I have to admit they didn’t look like they knew any- thing about the music. I was dead wrong. These kids (anyone under 30 is a kid to me now) hit it real hard. It was on the blues rock end of the scale and more blues than I expected. Howlin’ Wolf and a few other classic covers. It was well done and I felt the blues coming from the stage. No, they didn’t sound like any of the artists on this page (Sonny Boy Williamson, Rick Estrin & The Nightcats and Christone “Kingfish” Ingram, clockwise from left to right). They sounded like themselves. And it’s still called the blues. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Strike Closes Down Campus
Strike closes down campus ^11 campus functions were to ‘play into the hands of those halted yesterday as the city’s who will smash our heads, ar police tactical squad took con rest us and take our freedoms s o l of SF State following an away.’ Invasion of classrooms by When the meeting ended triking members of the Black shortly after noon, about 100 Students Union. black students broke up into The campus was closed short small groups and dispersed a- ly before 2 p.m. by adminis cross the campus, particularly tration officials, though most the BSS, HLL and Science activities had stopped earlier buildings. jjue to the black students’ One group entering the HLL action. building was led by Nathan The shutdown order was en Hare, chairman of the college’s forced by the tactical unit, black studies department. yhich had assembled at 1:30 The classroom invasion lasted at the corner of Holloway and about an hour. Barela across from the campus. While the classroom invasion At 1:40 two squads of 16 was in process Students For a policemen each marched a - Democratic Society, been sup cross Holloway to the campus porting the BSU strike, held a administration building where rally near the Commons and- they were directed by Ferd then marched to the adminis R.eddell, dean of students, tration building. to close the BSS and HLL As they crowded the stairway buildings. to the building’s main entrance The invasion of classrooms college President Robert Smith by black students followed a appeared and spoke to them BSU strategy session in the main through a bullhorn. -
Paradoxes of the Heart and Mind: Three Case Studies in White Identity, Southern Reality, and the Silenced Memories of Mississippi Confederate Dissent, 1860-1979
The University of Southern Mississippi The Aquila Digital Community Master's Theses Summer 8-2021 Paradoxes of the Heart and Mind: Three Case Studies in White Identity, Southern Reality, and the Silenced Memories of Mississippi Confederate Dissent, 1860-1979 Billy Loper Follow this and additional works at: https://aquila.usm.edu/masters_theses Part of the Cultural History Commons, and the Military History Commons Recommended Citation Loper, Billy, "Paradoxes of the Heart and Mind: Three Case Studies in White Identity, Southern Reality, and the Silenced Memories of Mississippi Confederate Dissent, 1860-1979" (2021). Master's Theses. 825. https://aquila.usm.edu/masters_theses/825 This Masters Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Master's Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. PARADOXES OF THE HEART AND MIND: THREE CASE STUDIES IN WHITE IDENTITY, SOUTHERN REALITY, AND THE SILENCED MEMORIES OF MISSISSIPPI CONFEDERATE DISSENT, 1860-1979 by Billy Don Loper A Thesis Submitted to the Graduate School, the College of Arts and Sciences and the School of Humanities at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by: Susannah J. Ural, Committee Chair Andrew P. Haley Rebecca Tuuri August 2021 COPYRIGHT BY Billy Don Loper 2021 Published by the Graduate School ABSTRACT This thesis is meant to advance scholars understanding of the processes by which various groups silenced the memory of Civil War white dissent in Mississippi. -
Press Release 12 January 2016
Press Release 12 January 2016 (For immediate release) SIDNEY POITIER TO BE HONOURED WITH BAFTA FELLOWSHIP London,12 January 2016: The British Academy of Film and Television Arts will honour Sir Sidney Poitier with the Fellowship at the EE British Academy Film Awards on Sunday 14 February. Awarded annually, the Fellowship is the highest accolade bestowed by BAFTA upon an individual in recognition of an outstanding and exceptional contribution to film, television or games. Fellows previously honoured for their work in film include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench, Vanessa Redgrave, Christopher Lee, Martin Scorsese, Alan Parker and Helen Mirren. Mike Leigh received the Fellowship at last year’s Film Awards. Sidney Poitier said: “I am extremely honored to have been chosen to receive the Fellowship and my deep appreciation to the British Academy for the recognition.” Amanda Berry OBE, Chief Executive of BAFTA, said: “I’m absolutely thrilled that Sidney Poitier is to become a Fellow of BAFTA. Sidney is a luminary of film whose outstanding talent in front of the camera, and important work in other fields, has made him one of the most important figures of his generation. His determination to pursue his dreams is an inspirational story for young people starting out in the industry today. By recognising Sidney with the Fellowship at the Film Awards on Sunday 14 February, BAFTA will be honouring one of cinema’s true greats.” Sir Sidney Poitier’s award-winning career features six BAFTA nominations, including one BAFTA win, and a British Academy Britannia Award for Lifetime Contribution to International Film. -
Chapter 15 Reconstruction 1865–1877
Chapter 15 Reconstruction 1865–1877 Teaching Resources 4. As some African Americans began to agi- tate for political rights, congressional Re- Chapter Instructional Objectives publicans proposed the Wade-Davis Bill, a stricter substitute for Lincoln’s Ten Percent After you have taught this chapter, your students Plan, which laid down, as conditions for should be able to answer the following questions: the restoration of the rebellious states to 1. How did Presidents Lincoln and Johnson envision the Union, an oath of allegiance by a ma- Reconstruction? jority of each state’s adult white men, new state governments formed only by those 2. How and why did Republicans in Congress take who had never carried arms against the control of Reconstruction? Union, and permanent disfranchisement 3. What did African Americans expect after the Civil of Confederate leaders. War? What were the realities they encountered 5. The Wade-Davis Bill served notice that during Reconstruction? congressional Republicans were not going to turn Reconstruction policy over to the 4. What was the southern response(s) to Reconstruc- president. tion? 6. Rather than openly challenge Congress, 5. Why did a political crisis emerge in 1877? How did Lincoln executed a pocket veto of the it shape Reconstruction? Wade-Davis Bill by not signing it before Congress adjourned. 6. What were the successes and failures of Recon- 7. Lincoln also initiated informal talks with struction? congressional leaders aimed at finding common ground; Lincoln’s successor An- Chapter Annotated Outline drew Johnson, however, held the view that Reconstruction was the president’s prerog- I. Presidential Reconstruction ative. -
Production Shot Incanada in 1983
• PRuDUCTIUM • 1983 Canadian film and video edited by Connie Tadros researchers: Del Mehes, Linda Gorman, Leslie Goodson LE JOUR "S" Canadian tbeabtcal features Thefollowing is a list offilm and video production shot inCanada in 1983. The p.c. Cinak (over 75 mnl categories are theatrical features, television features, one-hour TV programs p. Yves Rivard and series of one-half hour segments or Tore (Canadian and foreign). d. Jean-Pierre Lefebvre Although the list is as complete as we were able 'to make it, we realize that $340,000 11-24 Oct., QC AND WHEN THEY SHALL ASK there may be some omissions, especially in the "series" category where IQC p.c. Dueck Productions production is more difficult to follow. p. David Dueck The information given on the various productions is as follows: Title - LOOSE ENDS d. John Morrow followed by working title (w.t.) ifnecessary. Name of production company p.c. Loose Ends Productions MN (p.c.) - followed by name of the production company with which the p. David Mitchell, Damian Lee documentary in release, sponsored by production is usually associated (in parenthesis), if appropriate. Producer d. John Blanchard the Memmonite community (p.). Due to space and time limitations, associate producers, executive IS Aug.-17 Sept., ON producers and various other qualified producers are not mentioned. Direc $1 .5 M ANNEES DE REVE tor (d.). (In the case ofseveral series, a great variety of directors were used p.c. Les Films Vision 4 Inc. and the producer declined to provide us with all the names.) Dates of the LA LOUISIANE/LOUISIANA p.