Scholarly Commons @ UNLV Boyd Law Scholarly Works Faculty Scholarship 2020 Public Art, Public Space, and the Panorama Right Mary LaFrance University of Nevada, Las Vegas -- William S. Boyd School of Law Follow this and additional works at: https://scholars.law.unlv.edu/facpub Part of the Intellectual Property Law Commons Recommended Citation LaFrance, Mary, "Public Art, Public Space, and the Panorama Right" (2020). Scholarly Works. 1321. https://scholars.law.unlv.edu/facpub/1321 This Article is brought to you by the Scholarly Commons @ UNLV Boyd Law, an institutional repository administered by the Wiener-Rogers Law Library at the William S. Boyd School of Law. For more information, please contact
[email protected]. PUBLIC ART, PUBLIC SPACE, AND THE PANORAMA RIGHT Mary LaFrance* When art is installed in public spaces in the United States, the public's right to capture and share images for commercial or non- commercial purposes is not clearly defined by federal copyright law. This has led to both actual and threatened litigation. In the absence of a specific copyright rule designed to address these disputes, they must be resolved under a patchwork of other doctrines that are uncertain in scope, including fair use, de minimis use, and the statutory exception for images of architecturalworks, but none of these provide predictable results. In contrast, many foreign jurisdictions have enacted 'freedom of panorama"legislation. Although these laws address the issue more directly, they often have their own ambiguities, and due to a lack of internationalharmonization, they vary widely in their scope. This Article examines the current treatment of public art under federal copyright law, compares the approaches taken by a number of foreign jurisdictions, and considers the possible contours of a federal panorama right that would protect the interests of copyright owners as well as the public interest in enabling access to images of public art and the public spaces where it resides.