UCLA UCLA Entertainment Law Review Title Copyright, Digitization of Images, and Art Museums: Cyberspace and Other New Frontiers Permalink https://escholarship.org/uc/item/34s442ws Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Appel, Sharon Publication Date 1999 DOI 10.5070/LR862026984 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Copyright, Digitization of Images, and Art Museums: Cyberspace and Other New Frontiers Sharon Appel* "[W]hile I shall think myself bound to secure every man in the enjoyment of his copy-right, one must not put manacles upon science." Lord Ellenborough, Carey v. Kearsley, 4 Esp. 168, 170, 170 Eng.Rep. 679, 681 (K.B.1803) I. IN TR O DU CTIO N .......................................................................... 151 II.THE LAW OF COPYRIGHT ......................................................... 154 A. Historical Origins of Copyright Law ................................. 154 B. Constitutional and Philosophical Underpinnings of C opyright Law ................................................................... 157 C. The Copyright Act of 1790 ................................................. 158 D. The Copyright Act of 1909 ................................................ 159 E. The Copyright Act of 1976 ................................................. 161 1. Threshold Requirements for Copyright Protection. 162 B.A. University of Wisconsin-Madison; J.D. Brooklyn Law School; Certificate, Graduate Program in Museum Studies, George Washington University. Former staff attorney and hearing officer, Telecommunications, Vermont Public Service Board. E-mail:
[email protected]. Many thanks to Ralph Oman for his encouragement, enthusiasm, and advice. Thanks also to Jeffrey Hannigan, Ildiko P. DeAngelis, and Ellen Zavian for their comments upon earlier drafts, and to Craig Rutenberg for his flexibility and humor. I dedicate this article to my parents, Rose and Carl Appel. UCLA ENTERTAINMENT LAW REVIEW [Vol 6:2 2.