Final Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
518-0002 USAID/Quito OPG Rural Community Health Dec. 82 Y R3 1 E
.I\- - - - , - CLASSIFICATION Report Contol '&A 3 PROJFCT EVALUATION SUMMARY (PES) - PART I Symbol U447 OFFICE 1. PROJECT TITLE 2.PROJECT NUMBER MISSION/AID/W 518-0002 USAID/Quito 4.EVALUATION NUMBER (Enter the number maIntalnel by the OPG Rural Community Health reporting unit e.g., Country or AID/W Admnistrative Code, Fiscal Year, Serial No. bcginning with No. 1 each FY) E0P r REGULAR EVALUATION 03 SPECIAL EVALUATION 5.KEY PROJECT IMFLEMENTATION DATES 6.ESTIMATED PROJECT 7. PERIOD COVERED BY EVALUATION A. First B. Final C. Final FUNDING Fo mnhy. C- 7 PRO-AG or Obligation Inpu t A. Total $ 800 .000 From (month/yr,) flt" 78 Eqivatni Ept Dell$r4,y0 To (month/yr.) Dec. 82 Dec. 82 - Maly R3 FY I0 FVYi-hFY_2 M B. U.S. 244,000 I__ReviewDate of Evaluation . .. y 3 8. ACTION DECISIONS APPROVED BY MISSION OR AID/W OFFICE DIRECTOR A. List decisions and/or unresolved Isues; cite those Items needing further study. 0.NAME OF 1. DATE ACTION (NOTE: Mission decisions which anticipate AID/W or regional office action should RESPONSIBLE COMPLETED specify type of document, e.g., airgram, SPAR, PIOwhich will present dtalled request.) FOR ACTION No unresolved issues. An End of Project Eva luation was carried out on Nov. 82 - March 83 as reported in following documents: a) Consultant Report - Patrick Marname, Nov. 82 on OPG-0002. ,) A PVO's Experience - End of Project Repor: by HCJB,.May 83. 9.INVENTORY OF DOCUMENTS TO BE REVISED PER ABOVE DECISIONS 10.ALTERNATIVE OECISIONS ON FUTURE OF PROJECT A. PojecT Project Paper 1 e.,IIm plemCPIentation Network Plan , Other fSpaol,¥I A. -
At the Margins of the Habsburg Civilizing Mission 25
i CEU Press Studies in the History of Medicine Volume XIII Series Editor:5 Marius Turda Published in the series: Svetla Baloutzova Demography and Nation Social Legislation and Population Policy in Bulgaria, 1918–1944 C Christian Promitzer · Sevasti Trubeta · Marius Turda, eds. Health, Hygiene and Eugenics in Southeastern Europe to 1945 C Francesco Cassata Building the New Man Eugenics, Racial Science and Genetics in Twentieth-Century Italy C Rachel E. Boaz In Search of “Aryan Blood” Serology in Interwar and National Socialist Germany C Richard Cleminson Catholicism, Race and Empire Eugenics in Portugal, 1900–1950 C Maria Zarimis Darwin’s Footprint Cultural Perspectives on Evolution in Greece (1880–1930s) C Tudor Georgescu The Eugenic Fortress The Transylvanian Saxon Experiment in Interwar Romania C Katherina Gardikas Landscapes of Disease Malaria in Modern Greece C Heike Karge · Friederike Kind-Kovács · Sara Bernasconi From the Midwife’s Bag to the Patient’s File Public Health in Eastern Europe C Gregory Sullivan Regenerating Japan Organicism, Modernism and National Destiny in Oka Asajirō’s Evolution and Human Life C Constantin Bărbulescu Physicians, Peasants, and Modern Medicine Imagining Rurality in Romania, 1860–1910 C Vassiliki Theodorou · Despina Karakatsani Strengthening Young Bodies, Building the Nation A Social History of Child Health and Welfare in Greece (1890–1940) C Making Muslim Women European Voluntary Associations, Gender and Islam in Post-Ottoman Bosnia and Yugoslavia (1878–1941) Fabio Giomi Central European University Press Budapest—New York iii © 2021 Fabio Giomi Published in 2021 by Central European University Press Nádor utca 9, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 E-mail: [email protected] Website: www.ceupress.com An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched (KU). -
Is God an American?
IS GOO AN AMERICAN? An Anthropological Perspective on the Missionary Work of the Summer Institute of Linguistics Edited by S11ren Hvalkof and Peter Aaby IWGINSI IS GOD AN AMERICAN? This is a joint publication by the following two organizations: INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS (IWGIA) Fiolstrrede I 0, DK- 1171 Copenhagen K, Denmark. SURVIVAL INTERNATIONAL 36 Craven Street, London WC2N 5NG, England. Copyright 1981 by S~ren Hvalkof, Peter Aaby, IWGIA and Survival International. All rights reserved. No part of this publication may be. reproduced or transmitted, in any form or by any means without permission of the editors. ISSN 0105-4503 ISBN 87-980717-2-6 First published 1981 by IWGIA and Survival International. Printed in Denmark by Vinderup Bogtrykkeri A/S. Front cover by H. C. Poulsen. IS GOD AN AMERICAN? An Anthropological Perspective on the Missionary Work ofthe Summer Institute ofLinguistics EDITED BY &tren Hvalkof and Peter Aaby INTERNATIONAL WORK GROUP FOR INDIGENOUS AFFAIRS Objectives IWGIA is a politically independent, international organization concerned with the oppression of indigenous peoples in many countries. IWGIA's objective is to secture the future of the indigenous peoples in concurrence with their own efforts and desires: 1. By examining their situation, and publishing information about it. 2. By furthering international understanding, knowledge and involvement in the indigenous peoples' situation. 3. By fighting racism and securing political, economic and social right, as well as establishing the indigenous peoples' right to self-determination. 4. By arranging humanitarian projects and other forms of support of in digenous peoples and ethnic groups with a view of strengthening their social, cultural and political situation. -
Bosnian Muslim Reformists Between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina
Empire, Nation, and the Islamic World: Bosnian Muslim Reformists between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Harun Buljina All rights reserved ABSTRACT Empire, Nation, and the Islamic World: Bosnian Muslim Reformists between the Habsburg and Ottoman Empires, 1901-1914 Harun Buljina This dissertation is a study of the early 20th-century Pan-Islamist reform movement in Bosnia-Herzegovina, tracing its origins and trans-imperial development with a focus on the years 1901-1914. Its central figure is the theologian and print entrepreneur Mehmed Džemaludin Čaušević (1870-1938), who returned to his Austro-Hungarian-occupied home province from extended studies in the Ottoman lands at the start of this period with an ambitious agenda of communal reform. Čaušević’s project centered on tying his native land and its Muslim inhabitants to the wider “Islamic World”—a novel geo-cultural construct he portrayed as a viable model for communal modernization. Over the subsequent decade, he and his followers founded a printing press, standardized the writing of Bosnian in a modified Arabic script, organized the country’s Ulema, and linked these initiatives together in a string of successful Arabic-script, Ulema-led, and theologically modernist print publications. By 1914, Čaušević’s supporters even brought him to a position of institutional power as Bosnia-Herzegovina’s Reis-ul-Ulema (A: raʾīs al-ʿulamāʾ), the country’s highest Islamic religious authority and a figure of regional influence between two empires. -
Theatrs Thears Theatrs
THE EVENING STAR, Washington, D. C. AMUSEMENTS. MONDAY,MAT 2«. 1952 AMUSEMENTS. A-14 Where and When Stage Dancer - The Passing Show Current Theater Attractions In Second Film As brutally outspoken as And Time of Showing HOLLYWOOD. the words Allyn Stage. McLerie, dancing Broad- way actress who I this betrayed iKerima Is Conrad's Girl, National—“ Call Me Madam”; makes her screen wt *jm 8:30 p.m. bow in Warner Bros.’ “Where’s Charley?” has been assigned b> husband hurls But Screen. to portray She's Also Herself Ambassador —“The San Fran- Jack L. Warner the sultry harem girl, Azuri. in “The mkm, his • By Jay Carmody 3:20, 5:25, Yf at wife... cisco Story”: 1:15, 7:30 Desert Song,” Technicolor mmf- and 9:40 p.m. musi- Growing up, a book-wormy kid back there in Illinois, the words cal. in Ahoy!”; Vs lU, the fury of .of Josepji Conrad seemed gospel true—although naturally quite dif- Capitol—“Skirts 11 a.m. Miss McLerie, contracted by the 1:45, 4:30, 7:15 and 10 p.m. Stage: ¦'uSP-'U’ VI f%- fferent. Burbank studio following her per- $lB discovery! There was his description of Aissa In “Outcast of the Islands,” 12:55, 3:40, 6:25 and 9:10 p.m. formance opposite Ray Bolger in RUtHT 51~i «or example: Columbia “Bingin’ in the both the stage and film versions “Even in repose it is impossible not to be aware of the sinuous Rain”; 11 a.m., 1:10, 3:20, 5:30, of “Where’s Charley?” has re- JERRY WALD l NORMAN XRASNA oi ner Doay, tne strange 7:40 and 9:50 p.m. -
Beykovsky Juraj, Jirko, Jorge, George
Juraj, Jirko, Jorge, George... My Story By George Beykovsky Introduction This document is an updated chapter from the book My Name is Jirko, published last year. The book is available on Amazon, and covers a great deal of my family’s history, information that I have researched on my father’s side of the family. It is addressed to my immediate family, but I hope it will be of interest to the more extended family. I have become good friends with many other Fröhlich descendants over these past decades, and I hope this memoir will explain to them a bit more about how my life experience has made me the person I am today. Juraj, Jirko, Jorge, George - My Story (January 2019) 1 Early years in Slovakia Born Juraj Harry Beykovský in 1931, I lived in Slovakia for seven years and eleven months on Sabatka (Sabbatical) Pusta, a farm near the town of Rimavska Sobota, which bordered Hungary. For many summers, our family farm in Slovakia was a vacation haven to various cousins that came from as far as Zagreb, Bohemia and Moravia. It also hosted the children of migrant workers, including gypsies from Hungary, who crossed over the border to work on the farm. They arrived in carriages with the whole family, including their children and pets. Some pitched tents and some lived in dormitories provided by the farm, and others lived in their own carriages. By the time I learned to talk, I understood German because my mother was born in Innsbruck, Tyrol and my father went to University in Germany to obtain his degree in Agronomy. -
The Jim Elliot Story Table of Contents
Companion Guide for the DVD, The Torchlighters: The Jim Elliot Story Table of Contents Information for the Leader Introduction to the Torchlighters Series . 3 Torchlighters Episode 1: The Jim Elliot Story . 4 The Main Players in the Jim Elliot Story . 5-6 The World of Jim Elliot . 7 Chronology of Jim’s Story . 8 Classroom/Home Resources for this Program . 9-10 Reproducible Handouts for Students Missionary Check-Up . 11 Dig into the Story! . 12 Dig Deeper . 13 Missionary Interview . 14 Jim’s Missionary Suitcase . 15 Story Mix-Up . .16 Matching Game . 17 Hidden Quote . .18 Values to Value . .19 Color the Scene . 20-22 More for the Leader Letter to Parents . .23 Answers to Puzzles . 24 The Rest of the Story . 25 Additional Materials . 26 Torchlighter Episodes . .27 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Companion Guide for the DVD, The Torchlighters: The Jim Elliot Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have many kinds of heroes thrust upon them. From Hollywood celebrities to music artists and sports figures, it would seem that there are plenty of heroes to go around. The heroes offered up by popular culture often influence children to assume that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented by these heroes are often in direct opposition to the stan- dards parents want to pass on to their children. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Jim Elliot Leader's Guide and Student Handouts
Companion Guide for the DVD, The Torchlighters: The Jim Elliot Story Table of Contents Information for the Leader Introduction to the Torchlighters Series . 3 Torchlighters Episode 1: The Jim Elliot Story . 4 The Main Players in the Jim Elliot Story . 5-6 The World of Jim Elliot . 7 Chronology of Jim’s Story . 8 Classroom/Home Resources for this Program . 9-10 Reproducible Handouts for Students Missionary Check-Up . 11 Dig into the Story! . 12 Dig Deeper . 13 Missionary Interview . 14 Jim’s Missionary Suitcase . 15 Story Mix-Up . .16 Matching Game . 17 Hidden Quote . .18 Values to Value . .19 Color the Scene . 20-22 More for the Leader Letter to Parents . .23 Answers to Puzzles . 24 The Rest of the Story . 25 Additional Materials . 26 Torchlighter Episodes . .27 © Christian History Institute Learn more about The Torchlighters: Heroes of the Faith programs at www.torchlighters.org.2 Companion Guide for the DVD, The Torchlighters: The Jim Elliot Story Introduction to the Torchlighters Series Torchlighter: One who commits to serving God and passing on the light of the Gospel, even if the going gets tough. Kids today have many kinds of heroes thrust upon them. From Hollywood celebrities to music artists and sports figures, it would seem that there are plenty of heroes to go around. The heroes offered up by popular culture often influence children to assume that physical perfection, financial success, and fame are the most important goals in life. The morals and values presented by these heroes are often in direct opposition to the stan- dards parents want to pass on to their children. -
Visions of the Ecuadorian Amazon Matthew Ford State University Of
Vol. 18, Num. 2 (Winter 2021): 63-91 Indelible Divides and the Creation of Myths: Visions of the Ecuadorian Amazon Matthew Ford State University of New York—Stoney Brook Indelible Divides and the Creation of Myths: Visions of the Ecuadorian Amazon In 2018, the late anthropologist Stephen Nugent noted that Amazonia, “perhaps more than any other region of the globe, has consistently been idealized and mythologized. This is true both of its societies, often envisioned as ‘lost tribes in the forest,’ and the ‘raw green hell’ of its environment.”1 In many ways, we all know the common mythical images associated with the Amazon: the region that time left behind; the place where stone-age people continue to live; the green heart and hell of South America where western civilizing missions go to die. This mythic vision is strong and reeks of colonialist obsessions with the “backward” racial Other. Nugent went on to argue that, despite rigorous historical research, the Amazon “is so well known through an apparatus of mythic redundancy and hyperbolic, naturalistic excess that attempts to dismantle the stereotypes are largely ineffective.”2 Indeed, despite the countless efforts 1 Stephen Nugent, “Stop Mythologizing the Amazon—It Just Excuses Rampant Commercial Exploitation,” The Conversation, 15 February 2018. https://theconversation.com/stop-mythologising-the-amazon-it-just-excuses-rampant- commercial-exploitation-91343. [accessed 14 November 2018]. 2 Stephen L. Nugent, The Rise and Fall of the Amazon Rubber Boom: An Historical Anthropology (New York: Routledge, 2018), 1. Ford 64 to historicize Amazonia and its people, images of timelessness persist in both popular and academic constructs of the region. -
1 ECUADORIANIZING the ORIENTE: STATE FORMATION and NATIONALISM in ECUADOR's AMAZON, 1900-1969 by WILLIAM THOMPSON FISCHER
ECUADORIANIZING THE ORIENTE: STATE FORMATION AND NATIONALISM IN ECUADOR’S AMAZON, 1900-1969 By WILLIAM THOMPSON FISCHER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2015 1 © 2015 William Thompson Fischer 2 To my parents 3 ACKNOWLEDGMENTS I would like to thank my adviser, Dr. Mark Thurner, for his support and advice throughout the process of writing this dissertation and in my entire graduate school career. The other members of my committee, Dr. Ida Altman, Dr. Carmen Diana Deere, Dr. Philip Williams, and Dr. Mitchell Hart, all provided valuable support and were influential in helping to shape the scope of my research and scholarly interests. Dr. Steve Noll was an important source of support and advice throughout graduate school, as was Dr. Jeffrey Needell. Dr. Teodoro Bustamante, Dr. Robert Wasserstrom, and Maria Eugenia Tamariz were valuable colleagues in research while I was in Ecuador, and their suggestions helped make my research period productive. The Fulbright Commission of Ecuador and Susana Cabeza de Vaca supported me logistically during my research period. The Center for Latin American Studies at the University of Florida also provided research funding critical to shaping my dissertation prospectus. My fellow students in Latin American History, particularly Roberto Chauca, Rob Taber, Erin Zavitz, Chris Woolley and Andrea Ferreira were excellent friends and colleagues. Dr. Jessica Clawson provided valuable feedback and encouragement. My parents, Harold and Billie Fischer, were unflinchingly supportive and patient during this long odyssey. My sister, Katie Fischer Ziegler, brother-in-law, Nicholas Ziegler, and nephew Roland provided needed support and distraction, as did my friends, particularly Peter Zimmerman, Matthew Mariner, Josh Tolkan, Andrew Tolan, and Annaka Larson. -
Notes and References
Notes and References CHAPTER 1 To provide an intellectual and cultural framework for examining Carol Reed's films, a history of the British cinema from its origins through to the Second World War is offered in this chapter. Although Reed began directing in 1935, 1939 seemed a tidier, more logical cut-off point for the survey. All the information in the chapter is synthesized from several excellent works on the subject: Roy Armes's A Critical History of the British Cinema, Ernest Betts' The Film Business, Ivan Butler's Cinema in Britain, Denis Gifford's British Film Catalogue, Rachel Low's History of the British Film, and George Perry's The Great British Picture Show. CHAPTER 2 1. Michael Korda, Charmed Lives (New York, 1979) p. 229; Madeleine Bingham, The Great Lover (London, 1978). 2. Frances Donaldson, The Actor-Managers (London, 1970) p. 165. 3. Interview with the author. Unless otherwise identified, all quota tions in this study from Max Reed, Michael Korda and Andrew Birkin derive from interviews. 4. C. A. Lejeune, 'Portrait of England's No.1 Director', New York Times, 7 September 1941, p. 3. 5. Harvey Breit, ' "I Give the Public What I Like" " New York Times Magazine, 15January 1950, pp. 18-19. 6. Korda, Charmed Lives, p. 244. 7. Kevin Thomas, 'Director of "Eagle" Stays Unflappable', The Los Angeles Times, 24 August 1969. CHAPTER 3 1. Michael Voigt, 'Pictures of Innocence: Sir Carol Reed', Focus on Film, no. 17 (Spring 1974) 34. 2. 'Midshipman Easy', The Times, 23 December 1935. 271 272 Notes and References 3.