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Black Soldiers in Liberal Hollywood
Katherine Kinney Cold Wars: Black Soldiers in Liberal Hollywood n 1982 Louis Gossett, Jr was awarded the Academy Award for Best Supporting Actor for his portrayal of Gunnery Sergeant Foley in An Officer and a Gentleman, becoming theI first African American actor to win an Oscar since Sidney Poitier. In 1989, Denzel Washington became the second to win, again in a supporting role, for Glory. It is perhaps more than coincidental that both award winning roles were soldiers. At once assimilationist and militant, the black soldier apparently escapes the Hollywood history Donald Bogle has named, “Coons, Toms, Bucks, and Mammies” or the more recent litany of cops and criminals. From the liberal consensus of WWII, to the ideological ruptures of Vietnam, and the reconstruction of the image of the military in the Reagan-Bush era, the black soldier has assumed an increasingly prominent role, ironically maintaining Hollywood’s liberal credentials and its preeminence in producing a national mythos. This largely static evolution can be traced from landmark films of WWII and post-War liberal Hollywood: Bataan (1943) and Home of the Brave (1949), through the career of actor James Edwards in the 1950’s, and to the more politically contested Vietnam War films of the 1980’s. Since WWII, the black soldier has held a crucial, but little noted, position in the battles over Hollywood representations of African American men.1 The soldier’s role is conspicuous in the way it places African American men explicitly within a nationalist and a nationaliz- ing context: U.S. history and Hollywood’s narrative of assimilation, the combat film. -
WARM WARM Kerning by Eye for Perfectly Balanced Spacing
Basic typographic principles: A guide by The Typographic Circle Glossary of basic terms Typeface The overall design of a type family Gill Sans Univers Georgia Gill Sans, Univers & Georgia are all typefaces. Font Referring back to when type was cast in molten You’ll see that a typeface can come in various metal using a mould, or font. A font is how a types of digital font; such as OpenType, TrueType typeface is delivered. So you can have both a metal and Postscript fonts. Each have different reasons handmade font and a digital font file of the same for being, but they are essentially just different typeface, e.g Times or Futura. ways of delivering the same typeface. Serif Short strokes at the ends of horizontal and vertical Times strokes of characters. Generally considered to be Hoefler Text easier to read for large quantities of text, and often, Baskerville but not always, associated with more traditional Minion and older themes. Georgia Sans Serif Taken from the French word sans, meaning Akzidenz Grotesk ‘without’, sans serif simply means without serifs. Helvetica Generally, but not always, considered to be Univers associated with modern themes. Gotham Slab Serif A typeface with weightier, ‘slab-like’ serifs. Rockwell Lubalin Graph Uppercase CAPITAL LETTERS ABCDEFGH Lowercase non-capital letters abcdefgh Mixed-case A mix of the two above, that conforms to Great, it’ll be sunny on Saturday. the standard rules of a normal sentence. Sometimes called sentence-case. Title-case Capitalising all of the major words in a sentence. Improving your Typography: Easy with Practice There are various schools of thought as to what defines a ‘major’ word, but it tends to looks neater when connecting words like and, the, to, but, is & my remain lowercase. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
The Antelope Special Edition
page1 9/7/05 12:07 AM Page 1 (Cyan plate) The Antelope Special Edition Awareness news: Pages 4-7 Hurricane Katrina: Pages 8-9 Summer features: Pages 10-12 Loper sports: Pages 13-15 Vol. 2, No. 1 Sept. 8, 2005 page16 9/7/05 1:34 AM Page 1 (Cyan plate) 1200 Minutes $3999 Try to find a better deal. Plus, Add A Line for just $9.95 more. Up to 3 lines. New activation and 2-year service agreement required. LG-3200 $19 95 FREE BUY 1 FOR $19.99 GET 3 FREE NO REBATES NEEDED With 2-year agreement. 15-DAY SATISFACTION GUARANTEE To take advantage of these great deals, come by your local Cellular One store listed below. Promotional Offer: $9.95 additional line offer is available for a limited time when added to Local calling plans $40.00 or high er, and is subject to change without notice. New activation and 2-year service agreement required. $16.95 additional line offer is available for a limited time when added to 21-state Home and National calling plans $45 or higher, and is subject to change without notice. New activation and 2-year service agreement required. Maximum 4 lines per account. Equipment available while supplies last. Mobile-to-mobile minutes apply to calls between Cellular One customers while on the 19-State network (i.e., Cellular One Coverage Area as designated on Calling Plan and Coverage Brochures). Night minutes apply to calls made from 8:00 p.m. to 5:59 a.m. Monday through Friday. -
Connecticut College Alumni Magazine, Spring 1987 Connecticut College
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Spring 1987 Connecticut College Alumni Magazine, Spring 1987 Connecticut College Follow this and additional works at: http://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumni Magazine, Spring 1987" (1987). Alumni News. Paper 242. http://digitalcommons.conncoll.edu/alumnews/242 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. The Connecticut College . Alumni Magazine And Justice For All? - ConneclcuThe t- t Coll~ AlumnI MC(pzine Volume 64, No.3, Spring 1987 Editorial Board: Vivian Segall '73, Editor (12 DOINGjUSTICLA CAREER IN THE LAW Smith Court, Noank, CT 06340) / Margaret By Patricia McGowan Wald '48 Stewart Van Patten '87, Editorial Assistant / Katherine Gould '81/ wayne Swanson / THE FUTURE OF SOCIAL SECURITY Susan Baldwin Kietzman '82/ Marilyn By Dorcas R. Hardy '68 4 Ellman Frankel '64 / Louise Stevenson Andersen '41, Class Notes Editor / Ellen Hcfheimer Beumann '66 and Kristin TV JUSTICE FOR CHILDREN Stahlschmidt Lambert '69, ex officio / By Peggy Walzer Chorren. '49 7 William Van Saun, Designer. THE SEARCH FOR SHELTER The Connecticut College Alumni Magazine By Nora Richter Greer '75 II (USPS 129-140). Official publication of the Connecticut College Alumni Association. All publication rights reserved. Contents CLASS NOTES 14 reprinted only by permission of the editor. -
The Home of the Brave MCSOL Salutes Our Students and Alumni in the Military
Non-Profit Organization U.S. Postage PAID Jackson, MS Permit #967 A CHRISTIAN UNIVERSITY MISSISSIPPI COLLEGE SCHOOL OF LAW MISSISSIPPI COLLEGE SCHOOL OF LAW / SUMMER 2009 151 EAST GRIFFITH STREET amıcus JACKSON, MS 39201 THE HOME OF THE BRAVE MCSOL SALUTES OUR STUDENTS AND ALUMNI IN THE MILITARY Mark Your Calendar FIRST FRIDAY ALUMNI AND IS NOW FIRST REUNION WEEKEND WEDNESDAY April 30 – May 1, 2010 Join us for lunch with Location TBA Dean Jim Rosenblatt 11:30 a.m. – 12:30 p.m. AREA ALUMNI in the MCSOL GATHERINGS Student Center To find out when Dean Rosenblatt will be in your area, August 5 visit http://law.mc.edu/alumni/ September 2 upcoming_events.htm October 7 TO RSVP OR FOR November 4 MORE INFORMATION December 2 ABOUT THESE EVENTS, CONTACT: FAMILY DAY Whitney Whittington, February 19, 2010 Director of Annual Giving and MCSOL Alumni Relations at 601.925.7175 Campus or [email protected] The Heritage Society The MCSOL Heritage Society honors those who make planned gifts to the law school, including provisions for MCSOL in wills, life insurance policies, and other types of gifts that become effective at the end of a donor’s lifetime. • Mark Sledge ’80, a partner in the Jackson- based firm of Grenfell, Sledge and Stevens, is one of the Heritage Society’s newest members. • On the Cover: Sledge made a gift of $100,000 to MCSOL through life insurance. “By using the money that MCSOL honors the men I was gifting to MCSOL on an annual basis and purchasing a life insurance policy benefitting and women who serve the law school, I was able to substantially increase the overall value of my gift,” Sledge in the courtroom and explains. -
Major Milestones in Academic Excellence
The magazine of the first law school in the Pacific Northwest | Fall 2009 Symeon C. Symeonides Becomes Dean 1984 1999 Carlton J. Snow Helps Establish the Center for 1959 Dispute Resolution WUCL Wins National Moot Court Championship First Willamette Law Journal Created Major Milestones in Academic Excellence On the Cover On the heels of the school’s 125th anniversary celebration, the College of Law marks four more recent milestones in its rich history. Willamette Lawyer | Fall 2009 Major Milestones in Academic Excellence 14 | CDR Silver Anniversary 16 | National Moot Court Championship Richard Birke reflects on recent innovations and what The Class of 1960 looks back on the National Moot lies ahead for the Center for Dispute Resolution Court Championship, when Willamette came seemingly out of nowhere to take highest honors 5 | Robin Morris Collin Honored The director of the Sustainability Law Program is recognized for her civic engagement 10, 26 | Profiles in Leadership The law school community welcomes the newest member of the faculty and recognizes a few of its outstanding alumni and students 8 | 25 Years in China WUCL celebrates the 25-year anniversary of its summer exchange program in Shanghai, China 4 | 123rd Commencement Ceremony A new generation of Willamette lawyers graduates and enters the profession Fall 2009 • Vol. IX, No. 2 Dean In This Issue … Symeon C. Symeonides Departments Editor Anne Marie Becka A Message From the Dean 2 Major Events Graphic Designer Willamette Again Surpasses Peers on Bar Exam 3 Michael A. Wright National Jurist Ranks WUCL a ‘Best Value’ 3 Class Action Editor Commencement 2009 4 Cathy McCann Gaskin JD’02 WUCL Welcomes Class of 2012 5 Morris Collin Receives Civic Engagement Award 5 Contributors International Law Weekend–West 6 Linda Alderin News Briefs 7 Candace Bolen Class Action 29 Mike Bennett BA’70 Alumni Events Richard Birke Greek Cruise 35 Richard Breen Salt Lake City and Seattle Receptions 36 David A. -
John Cassavetes, Director De Cinc Capítols
bobila.blogspot.com el fanzine del “Club de Lectura de Novel·la Negra” de la Biblioteca la Bòbila # 119 Biblioteca la bòbila. L’hospitalet / esplugues L'H Confidencial 1 Johnny Staccato és un pianista de jazz frustrat criat a Little Italy, bressol de la màfia italoamericana de Nova York. Es guanya la vida exercint de detectiu privat, però no té oficina. Rep els seus clients al Waldo’s, un club de jazz del Greenwich Village, habitual centre de reunió de la Beat Generation i de la bohemia novaiorquesa de finals dels cinquanta i començaments dels seixanta. Sèrie realitzada el 1959-60, Johnny Staccato està protagonitzada pel llegendari John Cassavetes, director de cinc capítols. Combina la bona música, violencia i intrigues policíaques en un còctel únic, tractat sense embuts temàtiques tant agosarades (per John Cassavetes a l’època) com el sexe, la religió, les drogues, el tràfic d’infants o l’anticomunisme. La sèrie va plegar després de 27 capítols, John Cassavetes nace el 9 de diciembre de 1929 en Nueva York, en una alguns judicats “massa controvertits” per la productora. familia de origen griego. A principio de los años cincuenta ingresa en la Ara, per primera vegada a Espanya es pot veure la única Academy of Dramatic Arts en Nueva York, fuertemente influida por el temporada completa d’aquesta sèrie d’alta qualitat técnica, estilo del Actor's Studio. En marzo de 1954 se casa con una joven artística i narrativa, amb actors de la talla de John Cassavetes, actriz, Gena Rowlands, que le acompañará toda su vida. Tras Elisha Cook Jr., Cloris Leachman, Gena Rowlands, Elizabeth numerosos pequeños papeles en telefilmes y películas de segunda fila Montgomery, Michael Landon i Dean Stockwell, i dirigida per rueda en 1956 sus dos primeras películas como protagonista, Crime in respectats directors com John Cassavetes, Boris Sagal, John the Streets, de Don Siegel y Edge of the City, de Martin Ritt. -
March 30, 2010 (XX:11) Stanley Kubrick, the SHINING (1980, 146 Min)
March 30, 2010 (XX:11) Stanley Kubrick, THE SHINING (1980, 146 min) Directed by Jules Dassin Directed by Stanley Kubrick Based on the novel by Stephen King Original Music by Wendy Carlos and Rachel Elkind Cinematography by John Alcott Steadycam operator…Garrett Brown Jack Nicholson...Jack Torrance Shelley Duvall...Wendy Torrance Danny Lloyd...Danny Torrance Scatman Crothers...Dick Hallorann Barry Nelson...Stuart Ullman Joe Turkel...Lloyd the Bartender Lia Beldam…young woman in bath Billie Gibson…old woman in bath Anne Jackson…doctor STANLEY KUBRICK (26 July 1928, New York City, New York, USA—7 March 1999, Harpenden, Hertfordshire, England, UK, natural causes) directed 16, wrote 12, produced 11 and shot 5 films: Eyes Wide Shut (1999), Full Metal Jacket (1987), The Shining Lyndon (1976); Nominated Oscar: Best Writing, Screenplay Based (1980), Barry Lyndon (1975), A Clockwork Orange (1971), 2001: A on Material from Another Medium- Full Metal Jacket (1988). Space Odyssey (1968), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Lolita (1962), Spartacus STEPHEN KING (21 September 1947, Portland, Maine) is a hugely (1960), Paths of Glory (1957), The Killing (1956), Killer's Kiss prolific writer of fiction. Some of his books are Salem's Lot (1974), (1955), The Seafarers (1953), Fear and Desire (1953), Day of the Black House (2001), Carrie (1974), Christine (1983), The Dark Fight (1951), Flying Padre: An RKO-Pathe Screenliner (1951). Half (1989), The Dark Tower (2003), Dark Tower: The Song of Won Oscar: Best Effects, Special Visual Effects- 2001: A Space Susannah (2003), The Dark Tower: The Drawing of the Three Odyssey (1969); Nominated Oscar: Best Writing, Screenplay Based (2003), The Dark Tower: The Gunslinger (2003), The Dark Tower: on Material from Another Medium- Dr. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Manchester Parkade / DON't MISS
M - MANCHESTER HERALD, Friday. April 15. 1983 Hay looks ahead ‘Shoot to kill’ Wilcox misses to his old classes order pays off perfect game L- ... page 3 ... page 4 page 15 Cloudy today Manchester, Conn. and Sunday Saturday, April 16, 1983 Tom orrow — See page 2 illanrli^atfr Mmlb Single copy: 25$ /m\ Feldstein says m . • k f economy now J*5,SV"w ft ■ on solid footing WASHINGTON (U PI) - In a stronger than I expected.” double dose of good news for the The decline in wholesale prices nation's economic recovery, the was bigger in the January-March f government reported Friday that quarter than in any three-month wholesale prices dropped 0.1 per period since the end of 1952, Labor m i cent and factory production made Department economists said F ri April l6th a strong 1.1 percent gain in March. day. It was the first quarterly The decline in wholesale prices decline of any size since 1976. from January to March, as mea The recovery reached through sured by the government’s Pro the supply pipeline to raise raw ducer Price Index, was the steep materials prices by 0.6 percent. est for any quarter in more than But the combination of busier . " d three decades, the Labor Depart factories and declining business ment said. prices overall was especially fa- At the same time, a sharp surge vtTrable, economist Sinai said. in factory production of construc “ It’s a double dose of good news" tion supplies, and even furniture that typically only happens “ in the and carpeting, was triggered by a early stages of the recovery,” he housing boom that lifted Febru said.