DOCSLIB.ORG

Mystery Road Movie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mystery Road Movie You are invited to a preview screening of Join Radio Adelaide at a preview screening for the new Australian thriller Mystery Road You are invited to a preview screening of OPENING NIGHT FILM – THE SYDNEY FILM FESTIVAL 2013 Toronto International Film Festival selection, Melbourne International Film Festival selection, Pusan International Film Festival selection Mystery Road A film by Ivan Sen OPENING NIGHT FILM – THE SYDNEY FILM FESTIVAL 2013 Toronto InternationalNational Film Festival release selection, date October Melbourne International 17 Film Festival selection,Special Pusan Preview International Screening Film Festival selection Tuesday October 8 6.30pm Palace NovaA film Cinema by 8 251 Rundle Ivan Sen Street TICKETS ONLY $10 In advanceNational from release Radio Adelaide date October only 17 phone 8313 5000 or drop in to 228 North Terrace during business hours FROM THE ACCLAIMED DIRECTOR IVAN SEN (BENEATH CLOUDS, TOOMELAH) STARRING AARON PEDERSEN, HUGO WEAVING, RYAN KWANTEN, JACK THOMPSON, TASMA WALTON, ROY BILLING, DAMIEN WALSHE-­‐HOWLING, DAVID FIELD, BRUCE SPENCE FROM THE ACCLAIMED DIRECTOR IVAN SEN (BENEATH CLOUDS, TOOMELAH) A STRIKING AND ORIGINAL MYSTER MURDER THRILLER STARRING AARON PEDERSEN, HUGO WEAVING, RYAN KWANTEN, JACK THOMPSON, TASMA WALTON, ROY BILLING, DAMIEN WALSHE-­‐HOWLING, DAVID FIELD, BRUCE SPENCE A A stunning STRIKING and AND original ORIGINAL murder MYSTER mystery MURDER THRILLER You are invited to a preview screening of Myst ery Road SYNOPSIS: OPENING NIGHT FILM – THE SYDNEY FILM FESTIVAL 2013 Toronto International Film Festival selection, Melbourne International Film In an outback Festival selection, town, Pusan Indigenous International Film Festival cowboy selection detective Jay Swan returns home to solve the murder of a teenage SYNOPSIS: A film by Ivan Sen Indigenous girl, whose body is found under the highway trucking route out National of town. release date October 17 In an outback town, Indigenous cowboy detective Jay Alienated Swan returns from both home the to solve white the dominated murder police force of a teenage and Indigenous the Indigenous girl, whose community, body is including found his teenage under the highway daughter trucking route who out he of discovers town. is connected with the murdered girl, Jay stands alone in his determination to fight Alienated back from for both his town and his the people. white dominated police force and the Indigenous community, including his teenage PREVIEW daughter SCREENING: who he discovers is connected with the murdered girl, Jay stands alone in his determination to Tuesday fight back 8th October for his town and his people. 6:30pm Palace PREVIEW Nova SCREENING: Eastend cinema 251 Rundle St, Adelaide. th Tuesday 8 October Running 6:30pm time: 111 minutes Classification: Palace FROM Nova THE TBC ACCLAIMED Eastend cinema DIRECTOR IVAN SEN (BENEATH CLOUDS, TOOMELAH) 251 Rundle STARRING St, AARON Adelaide. PEDERSEN, HUGO WEAVING, RYAN KWANTEN, JACK THOMPSON, TASMA WALTON, ROY BILLING, -­‐ DAMIEN WALSHE HOWLING, Running time: 111 minutesDAVID FIELD, BRUCE SPENCE Please Classification: RSVP TBCA with STRIKING your AND preferred ORIGINAL MYSTER preview time to: MURDER THRILLER Special Preview Screening [email protected] or Ph: 02 8333 9067 Tuesday October 8 6.30pm Palace Nova Cinema 8 251 Rundle Street Please RSVP with your preferred preview time to: [email protected] or Ph: TICKETS 02 8333 9067 ONLY $10 HERE’S In advance WHAT THE from Radio CRITICS Adelaide ARE only ALREADY SAYING: phone 8313 5000 or drop in to 228 North Terrace during business hours “Pedersen carries every scene of Mystery Road … stoic performance anchors writer-­‐ director HERE’S Ivan Sen's WHAT amazingly tense Mystery THE CRITICS Road… projects of ARE the ALREADY kind SAYING: rarely attempted in Australia” Neala Johnson, Sunday Herald Sun “Pedersen carries every scene of Mystery Road … stoic performance anchors writer-­‐ director Ivan Sen's amazingly tense Mystery Road… projects of the kind rarely “the best cinematography I have ever seen in an Australian film” twitch.com attempted in Australia” Neala Johnson, Sunday Herald Sun “Pedersen is commanding on screen” Alice Tynan, Thevine “the best cinematography I have ever seen in an Australian film” twitch.com “Ivan Sen is a truly accomplished filmmaker...proving himself to be a true artisan of the craft – 4 STARS” Larissa Behrendt, The Guardian “Pedersen is commanding on screen” Alice Tynan, Thevine “The charismatic Aaron Pedersen…is superb” Megan Lehmann, The Hollywood “Ivan Sen is a truly accomplished filmmaker...proving himself to be a true artisan of Reporter the craft – 4 STARS” Larissa Behrendt, The Guardian “The charismatic Aaron Pedersen…is superb” Megan Lehmann, The Hollywood Reporter .
Load more

Recommended publications
  • David Stratton's Stories of Australian Cinema
    David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor
    [Show full text]
  • Appeared in - the Australian Adelaide Film Festival Shedding Light and Casting Shadows
    8 March 2002 Cinematic Focus Richly Rewarded Appeared in - The Australian Adelaide Film Festival Shedding Light and Casting Shadows. Australian films commissioned by Adelaide Festival and SBS Independent. Her Majesty’s Theatre, Adelaide. Until 7 March. Regional South Australian tour until 14 March. The Adelaide Festival films have always been one of Peter Sellars’ pet ideas, and they have turned out to be among his best. With various fund- ing, including $1.5m from the Festival, Shedding Light Director and SBS Independent executive, Bridget Ikin produced four features which pre- miered this week. Three of the four have Indigenous perspectives focusing on Truth and Reconciliation - as does the fifth in the series, Beneath Clouds, not a commission, but a debut feature by Ivan Sen, also shown for the first time. Before the season began there was concern that the films would sit uneas- ily with the rest of the program, adrift from the live performance menu. The reverse has been the case. Because the Indigenous themes of the Festi- val have been so ubiquitous, events interact in chain reactions. Whether visiting Ian Abdulla’s evocative paintings at Flinders University’s Grote Street Gallery, seeing The Tracker a hundred metres further down at Her Majesty’s Theatre, or walking back to the square at night in time to see women from the Anangu Pitjantjatjara lands dancing beside the statue of Queen Victoria, the experiences reverberate. But they also need grounding, something which the strong discourses in the films provide. Rolf de Heer said of The Tracker that he made the film with the context of a Festival premiere in mind.
    [Show full text]
  • What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
    What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs.
    [Show full text]
  • Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013
    Ruth Harley 37° South address, Melbourne International Film Festival 2013 ‘The Power of Australian Film’ Dr Ruth Harley, CEO Screen Australia Address to 37° South, Melbourne International Film Festival 2013 Thursday 25 July 2013 I am very pleased to be here for the fifth year in a row to address the 37° South market. As many of you know, this will be my last as CEO of Screen Australia as my term ends in November. Now then, is an opportunity to reflect and to look forward. I will take you through some of the things I’ve learned in my time with the agency and some thoughts for the future. There is much to be proud of in Australian screen production over the last five years. We’ve seen the successful introduction of the Producer Offset and concurrent increase in overall film and TV production, up 58% to just under $3 billion according to ABS data released last month. We’ve seen an increase in employment in the sector of 23% to 13,414 people. 1 Ruth Harley 37° South address, Melbourne International Film Festival 2013 We’ve seen an increase of local box office of 64% compared to the previous five year average. And we’ve seen some amazing screen stories. I’d like to share with you now a reel of some of the Screen Australia slate from the past five years, with some familiar faces from our sector describing Australian content matters. The Power of Australian Storytelling clip [CLIP] We’ve also seen, in the last five years a shift in some of the commentary about Australian screen stories.
    [Show full text]
  • Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
    Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE
    [Show full text]
  • Sydney Film Festival Announces 10 Finalists for Dendy Awards for Australian Short Films
    MEDIA RELEASE SYDNEY FILM FESTIVAL ANNOUNCES 10 FINALISTS FOR DENDY AWARDS FOR AUSTRALIAN SHORT FILMS The 63rd Sydney Film Festival announces the 10 finalists in the Dendy Awards for Australian Short Films. The Festival’s short-film competition – now in its 47th year – has been sponsored by Dendy Cinemas for 28 of those years. These ground-breaking awards have kick-started the careers of many prominent filmmakers, with past competitors Warwick Thornton, Ariel Kleiman, Cate Shortland, Jane Campion, Phillip Noyce and Ivan Sen among Dendy Awards among the alumni. This year’s 10 finalists will be screened twice, on Saturday 18 June and again on Sunday 19 June, in two sessions. The winners will be announced at the Festival’s Closing Night Gala on Sunday 19 June, at the State Theatre. The 10 finalists compete for three prizes: the Dendy Live Action Short Award, which provides a $5000 cash prize; the Yoram Gross Animation Award, which carries a $5000 cash prize; and the Rouben Mamoulian Award for Best Director, which offers a $5000 cash prize. In addition, each finalist (and all of the Australian shorts in the Festival) qualifies for the Event Cinemas Australian Short Screenplay Award. “The Dendy Shorts Award is such an important opportunity for talented filmmakers to get exposure in the local film industry,” said Dendy Cinemas National Film, Content and Programming Manager, Claire Gandy. “Dendy takes immense pride in providing local talent with such a prestigious platform as Sydney Film Festival to showcase their visions to a diverse and receptive audience.” The competition for Australian Short Films was established by the Festival in 1970.
    [Show full text]
  • Layout 1 (Page 2)
    ACTION THRILLER DRAMA KIDS COMEDY HORROR MARTIAL ARTS SPECIAL INTEREST DVD CATALOG TABLE OF CONTENTS FAMILY 3-4 ANIMATED 4-5 KID’S SOCCER 5 COMEDY 6 STAND-UP COMEDY 6 COMEDY TV DVD 7 DRAMA 8-11 TRUE STORIES COLLECTION 12-14 THRILLER 15-16 HORROR 16 ACTION 16 MARTIAL ARTS 17 EROTIC 17-18 DOCUMENTARY 18 MUSIC 18 NATURE 18-19 INFINITY ROYALS 20 INFINITY ARTHOUSE 20 INFINITY AUTHORS 21 DISPLAYS 22 TITLE INDEX 23-24 Josh Kirby: Trapped on Micro-Mini Kids Toyworld Now one inch tall, Josh Campbell has his Fairy Tale Police Department The lifelike toy creations of a fuddy-duddy work cut out, but being tiny has its perks. (FTPD) tinkerer rally to Josh's cause. Stars CORBIN Stars COLIN BAIN AND JOSH HAMMOND There’s trouble in Fairy Tale Land! For some reason, the ALLRED, JENNIFER BURNES AND DEREK 90 Minutes / Not Rated world’s best known fairy tales aren’t ending the way they WEBSTER Johnny Mysto Cat: DH9013 / UPC: 844628090131 should. So it’s up to the team at the Fairy Tale Police Department to put An enchanted ring transports a young 91 Minutes / Rated PG the Fairy Tales back on track, and assure they end they way they’re magician back to thrilling adventures in Cat: DH9081 / UPC: 844628090810 supposed to... Happily Ever After! Ancient Britain. Stars TORAN CAUDELL, FTPD: Case File 1 AMBER TAMBLYN AND PATRICK RENNA PINOCCHO, THE THREE LITTLE PIGS, 87 Minutes / Rated PG SNOW WHITE & THE SEVEN DWARFS, THE Cat: DH9008 / UPC: 844628090087 FROG PRINCE, SLEEPING BEAUTY 120 Minutes / Not Rated Cat: TE1069 / UPC: 844628010696 Josh Kirby: Human Pets Kids Of The Round Table Josh and his pals have timewarped to For Alex, Excalibur is just a legend, that is 70,379 and the Fatlings are holding them until he tumbles into a magic glade where hostage! Stars CORBIN ALLRED, JENNIFER the famed sword and Merlin the Magician BURNS AND DEREK WEBSTER appear.
    [Show full text]
  • Australian Cinematographers Society V2.1 Now Releasedfirmware
    australian cinematographer ISSUE #60 DECEMBER 2013 RRP $10.00 Quarterly Journal of the Australian Cinematographers Society www.cinematographer.org.au V2.1 Now ReleasedFirmware shootingHigh &frame much rate more! The future, ahead of schedule Discover the stunning versatility of the new F Series Shooting in HD and beyond is now available to many more content creators with the launch of a new range of 4K products from Sony, the first and only company in the world to offer a complete 4K workflow from camera to display. PMW-F5 PMW-F55 The result of close consultation with top cinematographers, the new PMW-F5 and PMW-F55 CineAlta cameras truly embody everything a passionate filmmaker would want in a camera. A flexible system approach with a variety of recording formats, plus wide exposure latitude that delivers superior super-sampled images rich in detail with higher contrast and clarity. And with the PVM-X300 monitor, Sony has not only expanded the 4K world to cinema applications but also for live production, business and industrial applications. Shoot, record, master and deliver in HD, 2K or 4K. The stunning new CineAlta range from Sony makes it all possible. PVM-X300X300 For more information, please email us at [email protected] pro.sony.com.au MESM/SO130904/AC CONTENTS BY DEFINITION of the Australian Cinematographers Society’s Articles of Association “a cinematographer is a person with technical expertise who manipulates light to transfer visual information by the use of a camera into aesthetic moving 38 images on motion picture film
    [Show full text]
  • LESLEY VANDERWALT Make-Up and Hair Designer
    LESLEY VANDERWALT Make-Up And Hair Designer FILM PROMETHEUS 2 Make-Up and Hair Designer Filming Begins April 2016 Director: Ridley Scott 20th Century Fox GODS OF EGYPT Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas MAD MAX: FURY ROAD Make-Up and Hair Designer Village Roadshow Pictures Director: George Miller Winner: Academy Award for Best Make-Up and Hairstyling Winner: BAFTA for Best Make-up and Hair Winner: Critics’ Choice Award for Best Hair & Make-Up Winner: Make-Up Artists & Hair Stylists Guild Awards for Best Period and/or Character Make-Up THE GREAT GATSBY Make-Up and Hair Supervisor – Additional Design Warner Bros. Director: Baz Luhrmann Winner of the M.A.C Austrailia APDG Award for Make-up shared with Kerry Warn and Maritzio Silvi. Nominated for Hollywood Make-up Artists and Hairstylists Guild Award Best Character Make-Up SLEEPING BEAUTY Make-Up and Hair Designer / Make-Up Department Head Magic Films Director: Julia Leigh Cast: Emily Browning, Rachael Blake, Ewen Leslie, Eden Falk, Mirrah Folks, Chris Haywood, Hugh Keays-Byrne, Tammy Macintosh, Tracy Mann, Sarah Snook, Matthew Whittet Winner of the M.A.C Austrailia APDG Award for Make-up KNOWING Make-Up and Hair Designer Summit Entertainment Director: Alex Proyas Cast: Rose Byrne, Ben Mendelsohn AUSTRAILIA Make-Up and Hair Supervisor – Additional Design 20th Century Fox Director: Baz Lurmann Cast: Jack Thompson, Ben Mendelsohn, Jacek Koman, Sandy Gore, Wah Yuen, Ursula Yovich, GHOST RIDER Make-Up and Hair Designer Columbia Pictures Director: Mark Stephan
    [Show full text]
  • SFFS Library
    SFFS Release Film Title Director Stars Tags Program Synopsis year length year Amelie 2001 Jean-Pierre Audrey Tautou, Mathieu French, Comedy, 2h 2m 2016 A glorious joy ride! Jeunet Kassovitz, Rufus Romance, Blu-ray, Amelie is an innocent and naive girl in Paris with her own M sense of justice. She decides to help those around her and, along the way, discovers love. Nominated for 5 Academy Awards. Angels' Share 2012 Ken Loach Paul Brannigan, John UK, Comedy, 1h 46m 2015 Hilarious and uplifting! Henshaw, Roger Allam Drama, Crime, A visit to a whisky distillery inspires Robbie and his mates to DVD, MA15+ seek a way out of their hopeless lives. A surprisingly delightful, uplifting comedy that successfully blends a charming story of redemption with bits of dark humour and a social message. As It Is In 2004 Kay Pollack Michael Nyqvist, Frida Sweden, Music, 2h 13m 2018 A successful conductor returns to his childhood village for Heaven Hallgren, Helen Sjöholm Drama, M remedial solace, but when the local choir asks his advice he is reluctantly drawn into their lives. Through the darkness and light of their humanity he eventually finds connection and love. Babette's Feast 1987 Gabriel Axel Stephane Audran, Bodil Foreign, Drama, 1h 44m 2015 Powerful, beautiful, and incredibly memorable. Kjer, Birgitte Federspiel Blu-ray, G, A tale of a Parisian political refugee, Babette, who takes Denmark refuge in a small Danish village. She is taken in by two sisters who have forsaken their chance of romance and fame, instead choosing to take refuge in religion. Babette brings a quiet revolution to this starkly pious village, in the form of one exquisite meal.
    [Show full text]
  • © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
    © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.
    [Show full text]
  • Critical and Creative Approaches Ed. Jan Shaw, Philippa Kelly, LE Semler
    Published in Storytelling: Critical and Creative Approaches ed. Jan Shaw, Philippa Kelly, L. E. Semler (Basingstoke: Palgrave, 2013), pp. 83-113. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann’s Australia. Meaghan Morris What are the links between stories and the wider social world—the contextual conditions for stories to be told and for stories to be received? What brings people to give voice to a story at a particular historical moment? … and as the historical moment shifts, what stories may lose their significance and what stories may gain in tellability? (Plummer 25). The vantage points from which we customarily view the world are, as William James puts it, ‘fringed forever by a more’ that outstrips and outruns them (Jackson 23-24). Poetry from the future interrupts the habitual formation of bodies, and it is an index of a time to come in which what today exists potently—even if not (yet) effectively— but escapes us will find its time. (Keeling, ‘Looking for M—’ 567) 1 The first time I saw Baz Luhrmann’s Australia I laughed till I cried. To be exact, I cried laughing at dinner after watching the film with a group of old friends at an inner suburban cinema in Sydney. During the screening itself I laughed and I cried. As so often in the movies, our laughter was public and my tears were private, left to dry on my face lest the dabbing of a tissue or an audible gulp should give my emotion away. The theatre was packed that night with a raucously critical audience groaning at the dialogue, hooting at moments of high melodrama (especially Jack Thompson’s convulsive death by stampeding cattle) and cracking jokes at travesties of history perceived on screen.
    [Show full text]