Origins and Usage of Ge'ez
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ISO Basic Latin Alphabet
ISO basic Latin alphabet The ISO basic Latin alphabet is a Latin-script alphabet and consists of two sets of 26 letters, codified in[1] various national and international standards and used widely in international communication. The two sets contain the following 26 letters each:[1][2] ISO basic Latin alphabet Uppercase Latin A B C D E F G H I J K L M N O P Q R S T U V W X Y Z alphabet Lowercase Latin a b c d e f g h i j k l m n o p q r s t u v w x y z alphabet Contents History Terminology Name for Unicode block that contains all letters Names for the two subsets Names for the letters Timeline for encoding standards Timeline for widely used computer codes supporting the alphabet Representation Usage Alphabets containing the same set of letters Column numbering See also References History By the 1960s it became apparent to thecomputer and telecommunications industries in the First World that a non-proprietary method of encoding characters was needed. The International Organization for Standardization (ISO) encapsulated the Latin script in their (ISO/IEC 646) 7-bit character-encoding standard. To achieve widespread acceptance, this encapsulation was based on popular usage. The standard was based on the already published American Standard Code for Information Interchange, better known as ASCII, which included in the character set the 26 × 2 letters of the English alphabet. Later standards issued by the ISO, for example ISO/IEC 8859 (8-bit character encoding) and ISO/IEC 10646 (Unicode Latin), have continued to define the 26 × 2 letters of the English alphabet as the basic Latin script with extensions to handle other letters in other languages.[1] Terminology Name for Unicode block that contains all letters The Unicode block that contains the alphabet is called "C0 Controls and Basic Latin". -
PDF, Accessible Ebook Guidelines for Self-Publishing Authors
Accessible eBook Guidelines for Self-Publishing Authors Written by Dave Gunn Published by the Accessible Books Consortium, in conjunction with the International Authors Forum. January 2016 Foreword No matter if you are thinking of self-publishing your first book or you are a seasoned author with existing publications, this guide is designed for you. It will introduce you to the ways people with print disabilities like sight loss, dyslexia or a physically limiting disability can read using eBook technologies. It will highlight some of the potential challenges and walk you through the steps you can take to make your next publication more accessible to this global audience of people with print disabilities. An estimated one billion people worldwide have some form of disability, many of whom will be unable to read conventional publications. There are so many people in this group that you probably have friends or family members who are unable or struggle to read conventional print. More importantly, as globally people are living longer, the ageing population is predicted to significantly increase the number of people with print disabilities. By considering accessibility in the self-publication of your eBook, you not only help to create a more equal world for people with print disabilities but you also enable a much wider population to enjoy the result of your work. In this guide you will: Be introduced to the key terms and concepts in eBook accessibility Understand how people with print disabilities can read eBooks Discover how to create a manuscript which supports accessibility Learn about accessibility in the major eBook formats Explore how the primary self-publishing retailers support accessibility Investigate some of the challenges in accessible eBook publishing Towards the end of this guide a checklist is provided for you to work through the key accessibility considerations for your publication, reviewing the key points made throughout the document. -
519 Ethiopia Report With
Minority Rights Group International R E P O R Ethiopia: A New Start? T • ETHIOPIA: A NEW START? AN MRG INTERNATIONAL REPORT AN MRG INTERNATIONAL BY KJETIL TRONVOLL ETHIOPIA: A NEW START? Acknowledgements Minority Rights Group International (MRG) gratefully © Minority Rights Group 2000 acknowledges the support of Bilance, Community Aid All rights reserved Abroad, Dan Church Aid, Government of Norway, ICCO Material from this publication may be reproduced for teaching or other non- and all other organizations and individuals who gave commercial purposes. No part of it may be reproduced in any form for com- financial and other assistance for this Report. mercial purposes without the prior express permission of the copyright holders. For further information please contact MRG. This Report has been commissioned and is published by A CIP catalogue record for this publication is available from the British Library. MRG as a contribution to public understanding of the ISBN 1 897 693 33 8 issue which forms its subject. The text and views of the ISSN 0305 6252 author do not necessarily represent, in every detail and in Published April 2000 all its aspects, the collective view of MRG. Typset by Texture Printed in the UK on bleach-free paper. MRG is grateful to all the staff and independent expert readers who contributed to this Report, in particular Tadesse Tafesse (Programme Coordinator) and Katrina Payne (Reports Editor). THE AUTHOR KJETIL TRONVOLL is a Research Fellow and Horn of Ethiopian elections for the Constituent Assembly in 1994, Africa Programme Director at the Norwegian Institute of and the Federal and Regional Assemblies in 1995. -
Early-Alphabets-3.Pdf
Early Alphabets Alphabetic characteristics 1 Cretan Pictographs 11 Hieroglyphics 16 The Phoenician Alphabet 24 The Greek Alphabet 31 The Latin Alphabet 39 Summary 53 GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS 1 / 53 Alphabetic characteristics 3,000 BCE Basic building blocks of written language GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 2 / 53 Early visual language systems were disparate and decentralized 3,000 BCE Protowriting, Cuneiform, Heiroglyphs and far Eastern writing all functioned differently Rebuses, ideographs, logograms, and syllabaries · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 3 / 53 HIEROGLYPHICS REPRESENTING THE REBUS PRINCIPAL · BEE & LEAF · SEA & SUN · BELIEF AND SEASON GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 4 / 53 PETROGLYPHIC PICTOGRAMS AND IDEOGRAPHS · CIRCA 200 BCE · UTAH, UNITED STATES GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 5 / 53 LUWIAN LOGOGRAMS · CIRCA 1400 AND 1200 BCE · TURKEY GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 6 / 53 OLD PERSIAN SYLLABARY · 600 BCE GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 7 / 53 Alphabetic structure marked an enormous societal leap 3,000 BCE Power was reserved for those who could read and write · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 8 / 53 What is an alphabet? Definition An alphabet is a set of visual symbols or characters used to represent the elementary sounds of a spoken language. –PM · GDT-101 / HISTORY OF GRAPHIC DESIGN / EARLY ALPHABETS / Alphabetic Characteristics 9 / 53 What is an alphabet? Definition They can be connected and combined to make visual configurations signifying sounds, syllables, and words uttered by the human mouth. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
The Origins of the Alphabet but Their Numbers Tally Into of Greeks and Later Through Their Manuscripts
1 ORIGINS OF THE ALPHABET gchgchgchgchgchgchgchgcggchgchgchgchgchgchggchch disadvantages to this system: not the development of the alphabet, letters developed as a natural result of only were the symbols complex, for it was through the auspices the use of the fl exible reed pen for writing The origins of the alphabet but their numbers tally into of Greeks and later through their manuscripts. Lowercase letters for the begin within the shadowy realms of the tens of thousands, making cultural admirers, the Romans, most part require fewer strokes for their prehistory. At some time within that learning diffi cult and writing slow. that the alphabet was to fi nally formation, allowing the scribes to fi t more shadowed prehistory, humankind An early culture that take on a distinct resemblance letters in a line of type. The combination began to communicate visually. inspired to innovate a simpler, to the modern Western alphabet. of speed and space conservation was Motivated by the need to communicate more effi cient writing system was important to monks writing lengthy facts about the environment around the Phoenicians. The Phoenicians manuscripts on expensive parchment, them, humans made simple drawings v were a wide-fl ung trading people When the Romans adopted and the use of lowercase letters was widely of everyday objects such as people, of great vitality, with complex the Greek alphabet, along with adopted in animals, weapons and so forth. These business transactions that other aspects of Greek culture, a relatively object drawings are called pictographs. required accurate record keeping. they continued the development short time It was through their need for and usage of the alphabet. -
Old Cyrillic in Unicode*
Old Cyrillic in Unicode* Ivan A Derzhanski Institute for Mathematics and Computer Science, Bulgarian Academy of Sciences [email protected] The current version of the Unicode Standard acknowledges the existence of a pre- modern version of the Cyrillic script, but its support thereof is limited to assigning code points to several obsolete letters. Meanwhile mediæval Cyrillic manuscripts and some early printed books feature a plethora of letter shapes, ligatures, diacritic and punctuation marks that want proper representation. (In addition, contemporary editions of mediæval texts employ a variety of annotation signs.) As generally with scripts that predate printing, an obvious problem is the abundance of functional, chronological, regional and decorative variant shapes, the precise details of whose distribution are often unknown. The present contents of the block will need to be interpreted with Old Cyrillic in mind, and decisions to be made as to which remaining characters should be implemented via Unicode’s mechanism of variation selection, as ligatures in the typeface, or as code points in the Private space or the standard Cyrillic block. I discuss the initial stage of this work. The Unicode Standard (Unicode 4.0.1) makes a controversial statement: The historical form of the Cyrillic alphabet is treated as a font style variation of modern Cyrillic because the historical forms are relatively close to the modern appearance, and because some of them are still in modern use in languages other than Russian (for example, U+0406 “I” CYRILLIC CAPITAL LETTER I is used in modern Ukrainian and Byelorussian). Some of the letters in this range were used in modern typefaces in Russian and Bulgarian. -
The Secret of NIMAS Opportunities with XML-Based Accessibility Specifications for Pre K-12 and Higher Education Content
The Secret of NIMAS Opportunities With XML-Based Accessibility Specifications for Pre K-12 and Higher Education Content by John Parsons A white paper from ABOUT US Cenveo Publisher Services provides content and technology solutions and services to publishers. Serving the publishing industry for more than 125 years, CONTENTS Cenveo delivers a full-range of technology, content, and delivery 3 One Source; Many Outcomes solutions that escalate revenue 3 Enter NIMAS and streamline workflows while ensuring editorial integrity. Cenveo 4 Creating NIMAS File Sets Publisher Services is an industry 5 Long-Term Benefits for Publishers leader in XML-early workflow solutions, content development, 5 Collaboration project and author management, 6 A Continuing Journey editorial, production, automated 6 Conclusion transformations, delivery services for print and on-line products, and 7 What About EPUB? so much more. 8 Resources To learn more about Cenveo and schedule a personal consultation with a publishing specialist, please visit cenveopublisherservices.com. John Parsons ([email protected]) is a writer and consultant based in Seattle, WA. Formerly the Editorial Director of The Seybold Report, he is the author of numerous articles, white papers, and research reports on publishing and digital media. ince the early nineteenth century invention of text-to-speech variety—is third, followed by “digital braille, the concept of making written content text,” a general category encompassing any text and Savailable to the blind or visually impaired has image descriptions that can be rendered by specialized been a noble aspiration of civilized society. Making or even general-purpose digital devices. that concept a practical reality is another matter. -
Proquest Dissertations
Social organization and the technology of communication: A case study of the association between character transformation and bureaucratic expansion in ancient China Item Type text; Thesis-Reproduction (electronic) Authors Aoyagi, Hiroshi, 1963- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 02/10/2021 21:47:29 Link to Item http://hdl.handle.net/10150/291505 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in ^ewriter face, while others may be from any type of computer printer. The quality of this reprodactlon is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if imauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Sacred Concerto No. 6 1 Dmitri Bortniansky Lively Div
Sacred Concerto No. 6 1 Dmitri Bortniansky Lively div. Sla va vo vysh nikh bo gu, sla va vo vysh nikh bo gu, sla va vo Sla va vo vysh nikh bo gu, sla va vo vysh nikh bo gu, 8 Sla va vo vysh nikh bo gu, sla va, Sla va vo vysh nikh bo gu, sla va, 6 vysh nikh bo gu, sla va vovysh nikh bo gu, sla va vovysh nikh sla va vo vysh nikh bo gu, sla va vovysh nikh bo gu, sla va vovysh nikh 8 sla va vovysh nikh bo gu, sla va vovysh nikh bo gu sla va vovysh nikh bo gu, sla va vovysh nikh bo gu 11 bo gu, i na zem li mir, vo vysh nikh bo gu, bo gu, i na zem li mir, sla va vo vysh nikh, vo vysh nikh bo gu, i na zem 8 i na zem li mir, i na zem li mir, sla va vo vysh nikh, vo vysh nikh bo gu, i na zem i na zem li mir, i na zem li mir 2 16 inazem li mir, sla va vo vysh nikh, vo vysh nikh bo gu, inazem li mir, i na zem li li, i na zem li mir, sla va vo vysh nikh bo gu, i na zem li 8 li, inazem li mir, sla va vo vysh nikh, vo vysh nikh bo gu, i na zem li, ina zem li mir, vo vysh nikh bo gu, i na zem li 21 mir, vo vysh nikh bo gu, vo vysh nikh bo gu, i na zem li mir, i na zem li mir, vo vysh nikh bo gu, vo vysh nikh bo gu, i na zem li mir, i na zem li 8 mir, i na zem li mir, i na zem li mir, i na zem li, i na zem li mir,mir, i na zem li mir, i na zem li mir, inazem li, i na zem li 26 mir, vo vysh nikh bo gu, i na zem li mir. -
The Beneventan Script : a History of the South Italian Minuscule
US i. THE BENEVENTAN SCRIPT A HISTORY OF THE SOUTH ITALIAN MINUSCULE BY E. A. LOEW, Ph.D. RESEARCH ASSOCIATE OF THE CARNEGIE INSTITUTION OF WASHINGTON OXFORD AT THE CLARENDON PRESS 1914 OXFORD UNIVERSITY PRESS LONDON EDINBURGH GLASGOW NEW YORK TORONTO MELBOURNE BOMBAY HUMPHREY MILFORD M.A. PUBLISHER TO THE UNIVERSITY TO JAMES LOEB PATRON OF LIBERAL LEARNING AT HOME AND ABROAD THIS BOOK IS DEDICATED IN GRATITUDE AND DEVOTION Absit tamen ut hac in re magisterii partes mihi arro- gem. Quippe in republica litteraria omnes liberi sumus. Leges ac regulas proponere omnibus licet, imponere non licet. Praevalent istae, si veritate ac recto judicio ful- ciantur: sin minus, ab eruditis et recte sentientibus merito reprobantur. J. Mabillon. PREFACE The present work is an essay in regional palaeography. Its inception goes back to my student days at the University of Munich. My master, Ludwig Traube, had proposed to me the thesis ' Monte Cassino as a centre for the transmission of Latin classics \ After spending some time on this subject it became clear that adequate treatment of it would be possible only after acquiring such a knowledge of the peculiar script used at Monte Cassino as would enable me to make sound and independent judgements with regard to the dates of Monte Cassino MSS., that is, MSS. written in the Beneventan or South Italian minuscule. Thus I conceived the idea of making a careful study of the script employed throughout the lower half of the Italian peninsula. Traube made no objection to my working on a subject of my own choice ; but with characteristic generosity put at my disposal his entire library, his very large collection of facsimiles, and even some of his own notes. -
Newsletter IFLA Libraries Serving Persons with Print Disabilities Section
Newsletter IFLA Libraries Serving Persons with Print Disabilities Section 2013/1 The IFLA/LPD Newsletter is Content issued twice a year. Welcome from Chair 2 Editor: Minna von Zansen “Let’s Read! Reading and Print Joint Information Coordinator, Disabilities in Young People“ IFLA IFLA LPD WLIC 2012 Preconference 3 Celia Library, Finland LPD session at the Helsinki Congress [email protected] in 2012 7 Two awards to the Estonian Library The Newsletter is available at for the Blind 9 www.ifla.org/en/lpd Transforming Braille Project 10 IFLA Guidelines for Library Services to Persons with Dyslexia 11 DAISY Multimedia in Japan 13 Make reading fun again; the Yoleo project in the Netherlands 15 1 representatives in our home Welcome from Chair countries to start the ratification process. My hope here is that through the work of our section we In the last Newsletter, now more can make a difference and than a year ago, I wrote on the stimulate this process. Remember: power of dreams and the pleasures the real benefits of sharing our and/or pains of waking up. We collection can only happen between have experienced both in the last countries which have ratified the year. The ups and downs Treaty! surrounding the roadmap to a workable Treaty at UN level to lend Much of the debate leading up to and borrow Daisy and Braille books the Treaty was around the worldwide across borders is a good “commercial availability” of an example. accessible version in the country that likes to import the title. At the WIPO diplomatic conference Commercial availability will come last June we did make a giant step up also at the various ratifications forward into realising our dream of processes at national level.