Blues We're Goin' to Memphis !
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Various the Womeximizer 09 Mp3, Flac, Wma
Various The Womeximizer 09 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: The Womeximizer 09 Country: Germany Released: 2009 Style: Folk, Neofolk, African MP3 version RAR size: 1434 mb FLAC version RAR size: 1489 mb WMA version RAR size: 1790 mb Rating: 4.7 Votes: 631 Other Formats: VOC AAC TTA DXD AC3 MMF VOX Tracklist 1 –Staff Benda Bilili Je T'aime 5:00 2 –Ale Möller Band Bail 4:41 3 –Ahilea Cafe Svetlana 4:00 4 –Boris Malkovsky Introduction 2:55 5 –Watcha Clan Balkan Quolou 3:49 6 –Chet Nuneta Ayazin 3:09 7 –Oreka TX Lauhazka 4:11 8 –Kayhan Kalhor & Brooklyn Rider Parvaz 4:32 9 –Hasna El Becharia Smaa Smaa 4:43 10 –Gilzene & The Blue Light Mento Band Wings Of A Dove 4:03 11 –Victor Démé Djon' Maya 4:09 12 –Deolinda Fado Toninho 2:06 13 –Lepistö & Lehti Vainajalan Tango 4:25 14 –Mógil Litla Prump 3:32 15 –Hanggai Wuji 2:35 16 –Dulsori Drum Sinawi 4:33 17 –Parno Graszt Rávágok A Zongorára 2:44 18 –Cedric Watson Cedric Zydeco 2:55 19 –Orchestra Popolare Italiana Sia Beneduttu Chi Fichi Lu Munnu 2:29 20 –Yves Lambert Et Le Bébert Orchestra La Fille Du Vigneron/Qui Aurait Cru 4:10 Companies, etc. Phonographic Copyright (p) – Piranha WOMEX AG Copyright (c) – Piranha WOMEX AG Mastered At – Traumton Studios Credits Artwork – www.elephant-castle.de* Barcode and Other Identifiers Label Code: LC 07717 Related Music albums to The Womeximizer 09 by Various Pompeo Stillo - Li Cose Do Munnu Blue Glaze Mento Band - We Will Wait Eugen Cicero, Munich Philharmonic Orchestra, Cedric Dumont - Love's Dream Cedric Phillips - Calypsos Queen Ida And Her Zydeco Band - Caught In The Act! Sonic Options - BB Suite Chet Baker - Big Band Ahilea - Cafe Svetlana Zydeco Party Band - Dancin' On The Levee T-Lou And His Los Angeles Zydeco Band - T-Lou And His Los Angeles Zydeco Band. -
Nick Gaitan Interviewer's Name: Mary Manning Date
Interviewee: Nick Gaitan Interviewer’s Name: Mary Manning Date: August 9, 2015 Length of Interview: 1:23:48 Transcription Conventions: “ . ” after a phrase that is not completed. Repeated words/short phrases and fillers such as “uh”, “um,” and “ah” are usually not transcribed. Pauses and laughter are not noted or transcribed. [0:01] Mary: These numbers will start moving, and they're moving. Today is August 9th 2015, and I'm Mary Manning with the Houston Arts Alliances, Folk Life, and Traditional Arts program. I'm at the home of bass player Nick Gaitan of Umbrella Man, who has kindly agreed to share his knowledge and expertise about different genres of music he performs. Now, did I say your last name right? [0:22] Nick: Yes. [0:26] Mary: Alright, so first question. Describe your first memory of hearing music. [0:32] Nick: My first memory of hearing music, growing up in my house there was a lot of music. There was what would be soul music. Motown. There was country because growing up as a kid in the 80s, we still had a lot of the great 70s country players and some from before that were still around, but you had Willie, you had Waylon, you had George Jones, you still had Emmett. Everybody was there, and then you had these huge ... Not only country music, but the pop music of the time because I was also growing up in the MTV generation. We got to see things like Michael Jackson's stardom after Jackson 5. We got to see all the 80s music be created. -
Howlin' Wolf, Muddy Waters, Bo Diddley
Howlin' Wolf The Super Super Blues Band mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: The Super Super Blues Band Country: Europe Released: 1992 Style: Chicago Blues MP3 version RAR size: 1262 mb FLAC version RAR size: 1907 mb WMA version RAR size: 1900 mb Rating: 4.3 Votes: 300 Other Formats: DMF XM MMF WMA ASF RA DXD Tracklist Hide Credits Long Distance Call 1 9:15 Written-By – McKinley Morganfield Ooh Baby / Wrecking My Love Life 2 Written By – Ellas McDaniel / Clifton James-Kay McDanielWritten-By [Ooh Baby] – Ellas 6:34 McDanielWritten-By [Wrecking My Love Life] – Clifton James, Kay McDaniel Sweet Little Angel 3 6:38 Written-By – Robert McCollum Spoonful 4 4:13 Written-By – Willie Dixon Diddley Daddy 5 5:12 Written By – Ellas McDaniel-Harvey FuquaWritten-By – Ellas McDaniel, Harvey Fuqua The Red Rooster 6 7:25 Written-By – Willie Dixon Goin' Down Slow 7 4:49 Written-By – James B. Oden Companies, etc. Distributed By – BMG Credits Bass – Buddy Guy Drums – Clifton James Guitar – Hubert Sumlin Liner Notes [Original Lp Release] – Richard Meltzer Liner Notes [Reissue Note] – A.M.* Other [Cd Reissue Coordination] – Andy McKaie Other [Digitally Transferred By] – Robert Stroughton Piano – Otis Spann Vocals, Guitar – Bo Diddley, Muddy Waters Vocals, Harmonica, Acoustic Guitar – Howlin' Wolf Vocals, Tambourine – Cookie Vee Notes Recorded in Chicago, September, 1967 Originally released January 26, 1968 Digitally transferred from original masters MCA Studios, No. Hollywood, CA Made & printed in Germany Barcode and Other Identifiers -
"World Music" and "World Beat" Designations Brad Klump
Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. -
Can You Sing Or Play Old-Time Music?': the Johnson City Sessions Ted Olson East Tennessee State University, [email protected]
East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 2013 'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2013. 'Can You Sing Or Play Old-Time Music?': The oJ hnson City Sessions. The Old-Time Herald. Vol.13(6). 10-17. http://www.oldtimeherald.org/archive/back_issues/volume-13/13-6/johnsoncity.html ISSN: 1040-3582 This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. 'Can You Sing Or Play Old-Time Music?': The ohnsonJ City Sessions Copyright Statement © Ted Olson This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1218 «'CAN YOU SING OR PLAY OLD-TIME MUSIC?" THE JOHNSON CITY SESSIONS By Ted Olson n a recent interview, musician Wynton Marsalis said, "I can't tell The idea of transporting recording you how many times I've suggested to musicians to get The Bristol equipment to Appalachia was, to record Sessions—Anglo-American folk music. It's a lot of different types of companies, a shift from their previous music: Appalachian, country, hillbilly. -
Chicago Blues Guitar
McKinley Morganfield (April 4, 1913 – April 30, 1983), known as Muddy WatersWaters, was an American blues musician, generally considered the Father of modern Chicago blues. Blues musicians Big Bill Morganfield and Larry "Mud Morganfield" Williams are his sons. A major inspiration for the British blues explosion in the 1960s, Muddy was ranked #17 in Rolling Stone magazine's list of the 100 Greatest Artists of All Time. Although in his later years Muddy usually said that he was born in Rolling Fork, Mississippi in 1915, he was actually born at Jug's Corner in neighboring Issaquena County, Mississippi in 1913. Recent research has uncovered documentation showing that in the 1930s and 1940s he reported his birth year as 1913 on both his marriage license and musicians' union card. A 1955 interview in the Chicago Defender is the earliest claim of 1915 as his year of birth, which he continued to use in interviews from that point onward. The 1920 census lists him as five years old as of March 6, 1920, suggesting that his birth year may have been 1914. The Social Security Death Index, relying on the Social Security card application submitted after his move to Chicago in the mid '40s, lists him as being born April 4, 1915. His grandmother Della Grant raised him after his mother died shortly after his birth. His fondness for playing in mud earned him the nickname "Muddy" at an early age. He then changed it to "Muddy Water" and finally "Muddy Waters". He started out on harmonica but by age seventeen he was playing the guitar at parties emulating two blues artists who were extremely popular in the south, Son House and Robert Johnson. -
Artist List the Following Is a List of Some of the International Musical Recording Artists We Have Worked With
Artist List The following is a list of some of the international musical recording artists we have worked with. Festivals Classical Rock Sierra Nevada World Music Festival Itzhak Perlman Sublime Silver Dollar Fair North State Symphony Long Beach Dub All-stars Redwood Jazz Festival James Galway Fleetwood Mac Blues By The Bay Pepe Romero Huey Lewis and the News Spirit West Coast Emerson String Quartet Ratt Joshua Festival Lynn Harell ICP Mustard Festival Barbara Streisand Aerosmith Stand and Be Counted Dudley Moore Floater Rock of Ages William Bolcom ZZ Top Tehema District Fair Garison Keeler Air Supply Grand Funk Railroad Jazz/Swing Tower of Power Blues Chris Botti Gwar BB King Miles Davis Rob Zombie Tommy Emmanuel Carl Denson Rick Derringer Maceo Parker Earl Hines Pat Travers Far and Away Brothers Kenny G Jefferson Starship Rod Piaza Eddie Daniels Allman Brothers Ron Thompson and The Resistors Clark Terry Iron Butterfly Terry Hank and The Souls Rockers Maynard Ferguson Tesla Norton Buffalo Cherry Poppin’ Daddies Foghat Roy Rogers Big Bad Voodoo Daddies The Tubes Smokin’ Joe Cubecki Bobby McFerrin The Guess Who Joe Lewis Walker George Shearing Flock of Seagulls Sista Monica Oscar Peterson Kid Rock Maria Muldaur Judy Collins The Lovin’ Spoonful Pete Anderson Leon Russel Tommy Castro Band Country Suicidal Tendencies Paul deLay Taylor Swift Creed The James Harmon Band Dwight Yokem The Fixx Lloyd Jones Charlie Daniels Band Papa Roach Chris Cain Band Tanya Tucker Quiet Riot Coco Montoya Lyle Lovitt Chicago Peter Welker Billy Ray Cirus Anthrax Paul Mitchell Chris LeDoux MXPX Elvin Bishop Bucky Covington Motorhead Earl Thomas Chad Brock Chavelle David Zasloff Clint Black Coal Chamber The Commitments Neal McCoy Flogging Molly The Drifters Amy Grant A.F.I. -
Fifty-Second National Folk Festival
FIFTY-SECOND NATIONAL FOLK FESTIVAL PRODUCED BY THE NATIONAL COUNCIL FOR THE TRADITIONAL ARTS, JOHNSTOWN AREA HERITAGE ASSOCIATION, CITY OF JOHNSTOWN, AND THE NATIONAL PARK SERVICE. 'f DEARFRIENDS: -1-----�¥e.te0me t:oti'l�REI -NawR-a-1-Fe-HrFest-iva-l. -J:i·i fes·H-va-1-i-s-ar>f>ea· r-+ftg-f-e>-· t-h fi-rs-t-Hme-rn1-:tcmn-stc)Wlr,-----t+---,,---1 A common theme running through the lyrics of a recent popular song proclaimed, "love in any language, Pennsylvania, but its heart has long been connected to the values and heritage reflected in this town. fluently spoken here." During the days and nights of the 1990 National Folk Festival in Johnstown, that's As the first multi-ethnicfestival, the first National and all its successors have been well acquainted exactly what you'll hear, because here in Johnstown and throughout Pennsylvania, we have retained a vi with the diversity of expressions of culture among the members of communities. Johnstown, with its brant love for the rich legacy of traditions we have inherited from hundreds of diverse national cultures. stunning array of ethnic groups, offers fertile ground for the harvesting of music and dance that have We are intensely proud of our multiethnic heritage and delight in this opportunity to showcase and been kept alive by succeeding generations. The men and women who came here to work brought share those unique gifts with visitors from across the country and, indeed, from around the world. with them the culture of lands from all over the world, and their children now have the opportunity to Founded by German settlers in the early 1800s, Johnstown soon became home to thousands of immi share their music, dance, crafts, and foodways with their neighbors and with neighbors from around grants from all parts of the globe. -
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to The
BOB DYLAN 1966. Jan. 25. Columbia Recording Studios According to the CD-2 “No Direction Home”, Michael Bloomfield plays the guitar intro and a solo later and Dylan plays the opening solo (his one and only recorded electric solo?) 1. “Leopard-skin Pill-box Hat” (6.24) (take 1) slow 2. “Leopard-skin Pill-box Hat” (3.58) Bloomfield solo 3. “Leopard-skin Pill-box Hat” (3.58) Dylan & Bloomfield guitar solo 4. “Leopard-skin Pill-box Hat” (6.23) extra verse On track (2) there is very fine playing from MB and no guitar solo from Uncle Bob, but a harmonica solo. 1966 3 – LP-2 “BLONDE ON BLONDE” COLUMBIA 1966? 3 – EP “BOB DYLAN” CBS EP 6345 (Portugal) 1987? 3 – CD “BLONDE ON BLONDE” CBS CDCBS 66012 (UK) 546 1992? 3 – CD “BOB DYLAN’S GREATEST HITS 2” COLUMBIA 471243 2 (AUT) 109 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 - COLUMBIA C2K 93937 (US) 529 Alternate take 1 2005 1 – CD-2 “NO DIRECTION HOME – THE SOUNDTRACK” THE BOOTLEG SERIES VOL. 7 – COL 520358-2 (UK) 562 Alternate take 1 ***** Febr. 4.-11, 1966 – The Paul Butterfield Blues Band at Whiskey a Go Go, LA, CA Feb. 25, 1966 – Butterfield Blues Band -- Fillmore ***** THE CHICAGO LOOP 1966 Prod. Bob Crewe and Al Kasha 1,3,4 - Al Kasha 2 Judy Novy, vocals, percussion - Bob Slawson, vocals, rhythm guitar - Barry Goldberg, organ, piano - Carmine Riale, bass - John Siomos, drums - Michael Bloomfield, guitar 1 - John Savanno, guitar, 2-4 1. "(When She Wants Good Lovin') She Comes To Me" (2.49) 1a. -
Various Electric Blues Mp3, Flac, Wma
Various Electric Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Electric Blues Country: Germany Released: 1969 MP3 version RAR size: 1173 mb FLAC version RAR size: 1480 mb WMA version RAR size: 1324 mb Rating: 4.7 Votes: 207 Other Formats: AHX MP1 MP4 VOC DTS MP3 APE Tracklist A1 –John Lee Hooker Sugar Mama A2 –John Lee Hooker Walkin'The Boogie A3 –Little Walter Blues With A Feeling A4 –Little Walter Juke A5 –'Baby Face' Willette Roll 'Em Pete A6 –'Baby Face' Willette Amen B1 –Sonny Boy Williamson Don't Start Me To Talking B2 –'Baby Face' Willette Keep It To Yourself B3 –Memphis Minnie Me And My Chauffeur B4 –Willie Mabon Seventh Son B5 –Lowell Fulson Check Yourself B6 –Jimmy Nelson Free And Easy Mind C1 –Muddy Waters Got My Mojo Working C2 –Muddy Waters I Feel So Good C3 –Muddy Waters Hoochie Coochie Man C4 –Muddy Waters Screamin' And Cryin' C5 –Memphis Slim Rockin' The Pad C6 –Memphis Slim Mother Earth D1 –The Super Super Blues Band Spoonful D2 –Howlin' Wolf Ooh Baby, Hold Me D3 –Howlin' Wolf Killing Floor D4 –Little Walter My Baby D5 –Super Blues You Don't Love Me D6 –Eddie Boyd Third Degree E1 –Super Blues I'm A Man E2 –Buddy Guy Worried Blues E3 –Buddy Guy Goin' Home E4 –Lowell Fulson Trouble Trouble E5 –Chuck Berry Right Of Rampart Street E6 –Chuck Berry Ain't That Just Like A Woman F1 –Howlin' Wolf Tail Dragger F2 –'Baby Face' Willette Dad's Theme F3 –Little Milton I Can't Quit You Baby F4 –Little Milton Hard Luck Blues F5 –The Super Super Blues Band Goin' Down Slow F6 –Super Blues Band Who Do You Love Notes Packaged in a 12" film can-style metal box. -
September-October 2018 from the Editor: Welcome to the September/October Edition of the 2018 AAA Newsletter
AMERICAN ACCORDIONISTS’ ASSOCIATION A bi-monthly publication of the AmericanNewsletter Accordionists’ Association September-October 2018 From the Editor: Welcome to the September/October edition of the 2018 AAA Newsletter. As we reflect on the outstanding success of the 80th Anniversary Festival in Alexandria, VA, the summer draws to a close bringing with it a sense of great pride and accomplishment. The array of talent fea- tured during our gala Anniversary festival showcased the accordion at its finest, in a variety of genres and settings. A wonderful review with pictures and videos can be found online at www.ameraccord.com and serves as a lasting souvenir of the spectacular gathering. As always, I would like to offer my sincere thanks to the AAA Past- President, Linda Reed and Board of Director, Rita Davidson for their kind assistance with the AAA Newsletter. We invite you to submit your news items for publication so that your fellow members can see the incredible array of accordion activities happening throughout the country. Items for the 2018 November/December Newsletter can be sent to me at [email protected] or to the official AAA e-mail address at: [email protected]. Please include ‘AAA Newsletter’ in the subject box, so that we don’t miss any items that come in. Text should be sent within the e-mail or as a Word attach- ment. Pictures should be sent as a high quality .jpg file, and the larger the file size the better. We can always reduce/crop the picture if necessary, however we are unable to increase the quality from smaller pictures. -
90'S-2000'S Ballads 1. with Open Arms
90’s-2000’s Ballads 14. Fooled Around And Fell In Love - Elvin Bishop 1. With Open Arms - Creed 15. I Just Wanna Stop - Gino Vannelli 2. Truly Madly Deeply - Savage Garden 16. We've Only Just Begun - The Carpenters 3. I Knew I Loved You - Savage Garden 17. Easy - Commodores 4. As Long As You Love Me - Backstreet Boys 18. Three Times A Lady - Commodores 5. Last Kiss - Pearl Jam 19. Best Of My Love - Eagles 6. Aerosmith - Don't Wanna Miss A Thing 20. Lyin' Eyes - Eagles 7. God Must Have Spent A Little More Time - N'Sync 21. Oh Girl - The Chi-Lites 8. Everything I Do - Bryan Adams 22. That's The Way Of The World - Earth Wind & Fire 9. Have I Told You Lately - Rod Stewart 23. The Wedding Song - Paul Stokey 10. When A Man Loves A Woman - Michael Bolton 24. Wonder Of You - Elvis Presley 11. Oh Girl - Paul Young 25. You Are The Sunshine Of My Life - Stevie Wonder 12. Love Will Keep Us Alive - Eagles 26. You've Got A Friend - James Taylor 13. Can You Feel The Love Tonight - Elton John 27. Annie's Song - John Denver 14. I Can't Fight This Feeling Anymore - R.E.O. 28. Free Bird - Lynyrd Skynyrd 15. Unforgettable - Natalie Cole 29. Riders On The Storm - Doors 16. Endless Love - Luther Vandross 30. Make It With You - Bread 17. Forever In Love - Kenny G 31. If - Bread 18. Butterfly Kisses - Bob Carlisle 32. Fallin' In Love - Hamilton, Joe Frank & Reynolds 19. Unforgettable - Nat King & Natalie Cole 33.