90'S-2000'S Ballads 1. with Open Arms
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ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and Music by Bill Campbell) If You Want to Be Loved, Baby, You've Got to Love Me, Too
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and music by Bill Campbell) If you want to be loved, Baby, you've got to love me, too. If you want to be loved, Baby, you've got to love me, too. Oh yeah, 'cause I ain't for no one-sided love affair. If you wanna be kissed, Well, you've gotta kiss me, too. Oh yeah, if you wanna be kissed, Well, you gotta kiss me, too. 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Well, you've gotta hug me, too. Yeah, 'cause I ain't for no one-sided love affair. If you know you can't take it, Baby, why try to give it? If you know you can't take it, Then baby, why try to give it? 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Baby, you gotta hug me, too. 'Cause I ain't for no one-sided love affair. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
1 Introduction, Elvis Presley and the Beatles
Learning and Teaching of Local and Western Popular Music (Re-run) Introduction, Elvis Presley and the Beatles 3 May 2016 What is popular music? Having wide appeal to large audiences Commodity – a product of music industry Produced and stored in non-written form Difference between popular music and pop music? Pop music refers to a specific musical genre. What are the important features in popular music? Social and cultural contexts, lyrics, musical characteristics Four focuses: harmony, rhythm utilisation, instrumentation, structure (melody, tempo, tone colour, duration) Structure: Why we love REPETITION in music? “The Mere Exposure Effect” Duration – 2 to 3 mins Melody – step, repeated notes, leaps, Riff (fill) (repeated chord progression) , Lick (single-note melodic lines) Groove is the sense of propulsive rhythmic “feel” or sense of “swing Hook (主題句?) is a musical idea, a passage or phrase repeats several times Don’t Take the Girl – Tim McGraw 1994 – His first No.1 single on the Hot Country Songs chart Rhythm – syncopations Harmony – I, IV, V (ii, iii, vi) Treatment of Melody, Rhythm & Harmony in relation to Tempo Lyrics – question & answer, contrast, descriptive, repetition with variations Contexts – social, economic and cultural background: Blowing’ in the Wind – Bod Dylan, May 1963 Drum set / Drum kit Bass drum with the right-foot pedal, provides the basic beat Snare drum provides the strongest regular accents Hi-hat stand and cymbals provide finer rhythms, mark the change from one passage to another One or more tom-tom drums provide drum fills and solos One or more cymbals provide strong accent marker and musical effect What were the social and cultural contexts in the 1950s? 4 M immigrants to the States after WWII (after 1946) USA was one of the countries that benefited from the WWII Baby boom 1946-1964 about 78 M people 1950s America was a wealthy and powerful nation, but a troubled one; racial prejudice Respectable, middle-class White teenagers didn’t listen to race music. -
WE RODE ALONE, of COURSE a Collection of Short Stories RYAN T
WE RODE ALONE, OF COURSE A Collection of Short Stories RYAN T. MERRIMAN Bachelor of Arts in English Education Baldwin-Wallace University May 2009 submitted in partial of requirements for the degree MASTER OF FINE ARTS at the CLEVELAND STATE UNIVERSITY May 2020 We hereby approve this thesis for RYAN MERRIMAN Candidate for the Master of Fine Arts in Creative Writing degree for the Department of English, the Northeast Ohio MFA Program and the CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by _________________________________________________________________ Thesis Chairperson, Eric Wasserman _____________________________________________ Department & Date _________________________________________________________________ Thesis Committee Member, Imad Rahman _____________________________________________ Department & Date _________________________________________________________________ Thesis Committee Member, Robert Pope _____________________________________________ Department & Date Student’s Date of Defense: March 20, 2020 ACKNOWLEDGEMENTS Warmest thanks to Imad Rahman, coordinator for the NEOMFA program at Cleveland State University. He took a chance on me and endured some of my roughest stories, especially during my first semester, where I realized that I had a lot of work to do. He was instrumental in my growth as a reader and writer. Warmest thanks to Robert Pope, professor emeritus from the University of Akron. He is, without question, one of happiest professors and individuals I have ever known. His contagious personality and encouragement went a long way in my first few semesters, as well as his honest feedback and suggestions. He once said I wrote a “beautiful essay” about a story we had read, and that comment meant so much. He has meant so much. Warmest thanks Eric Wasserman, professor at the University of Akron, as well as my thesis director. -
Top 40 Singles Top 40 Albums
18 November 1984 CHART #452 Top 40 Singles Top 40 Albums I Just Called To Say I Love You Hard Habit To Break The Unforgettable Fire Under A Blood Red Sky 1 Stevie Wonder 21 Chicago 1 U2 21 U2 Last week 1 / 6 weeks Gold / POLYGRAM Last week 32 / 3 weeks WEA Last week 1 / 3 weeks Platinum / ISLAND/POLYGRAM Last week 18 / 38 weeks Platinum / ISLAND/POLYGRAM Ghostbusters Dancing In The Dark Heartbeat City Pleasure Victims 2 Ray Parker Jnr 22 Bruce Springsteen 2 The Cars 22 Berlin Last week 2 / 8 weeks FESTIVAL Last week 20 / 21 weeks CBS Last week 2 / 32 weeks Platinum / WEA Last week 15 / 29 weeks Gold / POLYGRAM Careless Whisper Freedom Born In The U.S.A. Can't Slow Down 3 George Michael 23 Wham 3 Bruce Springsteen 23 Lionel Richie Last week 3 / 9 weeks CBS Last week - / 1 weeks CBS Last week 3 / 22 weeks Platinum / CBS Last week 31 / 44 weeks Platinum / POLYGRAM We're Not Gonna Take It She Bop The Woman In Red This Island 4 Twisted Sister 24 Cyndi Lauper 4 Stevie Wonder 24 Eurogliders Last week 13 / 3 weeks WEA Last week 21 / 10 weeks CBS Last week 5 / 6 weeks Gold / POLYGRAM Last week 27 / 6 weeks CBS Pride Smooth Operator See Ya Round An Innocent Man 5 U2 25 Sade 5 Split Enz 25 Billy Joel Last week 4 / 8 weeks FESTIVAL Last week 25 / 6 weeks CBS Last week 9 / 2 weeks Gold / FESTIVAL Last week 28 / 58 weeks Platinum / CBS The War Song No More Lonely Nights Stop Making Sense Rebel Yell 6 Culture Club 26 Paul McCartney 6 Talking Heads 26 Billy Idol Last week 5 / 4 weeks VIRGIN Last week 28 / 3 weeks EMI Last week 4 / 4 weeks EMI Last week 33 / 31 weeks Platinum / FESTIVAL Cover Me Dancin' In Berlin The Optimist Legend 7 Bruce Springsteen 27 Berlin 7 D.D. -
Marygold Manor DJ List
Page 1 of 143 Marygold Manor 4974 songs, 12.9 days, 31.82 GB Name Artist Time Genre Take On Me A-ah 3:52 Pop (fast) Take On Me a-Ha 3:51 Rock Twenty Years Later Aaron Lines 4:46 Country Dancing Queen Abba 3:52 Disco Dancing Queen Abba 3:51 Disco Fernando ABBA 4:15 Rock/Pop Mamma Mia ABBA 3:29 Rock/Pop You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:30 Rock You Shook Me All Night Long AC/DC 3:31 Rock AC/DC Mix AC/DC 5:35 Dirty Deeds Done Dirt Cheap ACDC 3:51 Rock/Pop Thunderstruck ACDC 4:52 Rock Jailbreak ACDC 4:42 Rock/Pop New York Groove Ace Frehley 3:04 Rock/Pop All That She Wants (start @ :08) Ace Of Base 3:27 Dance (fast) Beautiful Life Ace Of Base 3:41 Dance (fast) The Sign Ace Of Base 3:09 Pop (fast) Wonderful Adam Ant 4:23 Rock Theme from Mission Impossible Adam Clayton/Larry Mull… 3:27 Soundtrack Ghost Town Adam Lambert 3:28 Pop (slow) Mad World Adam Lambert 3:04 Pop For Your Entertainment Adam Lambert 3:35 Dance (fast) Nirvana Adam Lambert 4:23 I Wanna Grow Old With You (edit) Adam Sandler 2:05 Pop (slow) I Wanna Grow Old With You (start @ 0:28) Adam Sandler 2:44 Pop (slow) Hello Adele 4:56 Pop Make You Feel My Love Adele 3:32 Pop (slow) Chasing Pavements Adele 3:34 Make You Feel My Love Adele 3:32 Pop Make You Feel My Love Adele 3:32 Pop Rolling in the Deep Adele 3:48 Blue-eyed soul Marygold Manor Page 2 of 143 Name Artist Time Genre Someone Like You Adele 4:45 Blue-eyed soul Rumour Has It Adele 3:44 Pop (fast) Sweet Emotion Aerosmith 5:09 Rock (slow) I Don't Want To Miss A Thing (Cold Start) -
(I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Ar
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 (I Can't Get No) Satisfaction Rolling Stones 1965 4 Open Arms Journey 1982 5 Yesterday The Beatles 1965 6 American Pie Don McLean 1972 7 Imagine John Lennon 1971 8 Jailhouse Rock Elvis Presley 1957 9 Ebony And Ivory Paul McCartney & Stevie Wonder 1982 10 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 11 Start Me Up Rolling Stones 1981 12 Centerfold J. Geils Band 1982 13 I Want To Hold Your Hand The Beatles 1964 14 I Love Rock And Roll Joan Jett & The Blackhearts 1982 15 Hotel California The Eagles 1977 16 Do You Believe In Love Huey Lewis & The News 1982 17 The House Of The Rising Sun The Animals 1964 18 Don't Talk To Strangers Rick Springfield 1982 19 Won't Get Fooled Again The Who 1971 20 867-5309/Jenny Tommy Tutone 1982 21 Bridge Over Troubled Water Simon & Garfunkel 1970 22 '65 Love Affair Paul Davis 1982 23 Help! The Beatles 1965 24 Don't Stop Believin' Journey 1981 25 Endless Love Diana Ross & Lionel Richie 1981 26 Brown Sugar Rolling Stones 1971 27 Let It Be The Beatles 1970 28 Free Bird Lynyrd Skynyrd 1975 29 Woman John Lennon 1981 30 Nights In White Satin Moody Blues 1972 31 She Loves You The Beatles 1964 32 The Sounds Of Silence Simon & Garfunkel 1966 33 The Twist Chubby Checker 1960 34 Jumpin' Jack Flash Rolling Stones 1968 35 Jessie's Girl Rick Springfield 1981 36 Born To Run Bruce Springsteen 1975 37 A Hard Day's Night The Beatles 1964 38 California Dreamin' The Mamas & The Papas 1966 39 Lola The Kinks 1970 40 Lights Journey 1978 41 Proud -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
Artist List the Following Is a List of Some of the International Musical Recording Artists We Have Worked With
Artist List The following is a list of some of the international musical recording artists we have worked with. Festivals Classical Rock Sierra Nevada World Music Festival Itzhak Perlman Sublime Silver Dollar Fair North State Symphony Long Beach Dub All-stars Redwood Jazz Festival James Galway Fleetwood Mac Blues By The Bay Pepe Romero Huey Lewis and the News Spirit West Coast Emerson String Quartet Ratt Joshua Festival Lynn Harell ICP Mustard Festival Barbara Streisand Aerosmith Stand and Be Counted Dudley Moore Floater Rock of Ages William Bolcom ZZ Top Tehema District Fair Garison Keeler Air Supply Grand Funk Railroad Jazz/Swing Tower of Power Blues Chris Botti Gwar BB King Miles Davis Rob Zombie Tommy Emmanuel Carl Denson Rick Derringer Maceo Parker Earl Hines Pat Travers Far and Away Brothers Kenny G Jefferson Starship Rod Piaza Eddie Daniels Allman Brothers Ron Thompson and The Resistors Clark Terry Iron Butterfly Terry Hank and The Souls Rockers Maynard Ferguson Tesla Norton Buffalo Cherry Poppin’ Daddies Foghat Roy Rogers Big Bad Voodoo Daddies The Tubes Smokin’ Joe Cubecki Bobby McFerrin The Guess Who Joe Lewis Walker George Shearing Flock of Seagulls Sista Monica Oscar Peterson Kid Rock Maria Muldaur Judy Collins The Lovin’ Spoonful Pete Anderson Leon Russel Tommy Castro Band Country Suicidal Tendencies Paul deLay Taylor Swift Creed The James Harmon Band Dwight Yokem The Fixx Lloyd Jones Charlie Daniels Band Papa Roach Chris Cain Band Tanya Tucker Quiet Riot Coco Montoya Lyle Lovitt Chicago Peter Welker Billy Ray Cirus Anthrax Paul Mitchell Chris LeDoux MXPX Elvin Bishop Bucky Covington Motorhead Earl Thomas Chad Brock Chavelle David Zasloff Clint Black Coal Chamber The Commitments Neal McCoy Flogging Molly The Drifters Amy Grant A.F.I. -
April 27- MA Y 3, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • TICKETS on SALE NOW!
APRIL 27- MAY 3, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM TICKETS ON SALE NOW! TICKETS ON SALE NOW! MORE COWBELL! FROM GRAND FUNK RAILROAD 2 ----------------------------------------------------------------------------------- www.whatzup.com ---------------------------------------------------------------- April 27, 2017 whatzup Volume 21, Number 37 e’ve only got room for two full features on upcoming shows, but both of them are shows most of our readers are going to want to see. Both, as it happens, are at C2G Music Hall which is not just a great room for Wmusic but is easy to get to as well. Located on the south edge of downtown, all you’ve got to do is turn east from Fairfield or west from Calhoun or Lafayette (or whatever) and you can’t miss it. Even the parking situation is a breeze. So, if your appetite has been sufficiently whetted, we encourage you to read up on Toronzo Cannon, the headliner for The League’s annual Blues Bash benefit, and those other lads from Liverpool, the Mersey Beatles, on pages four and five, respectively. Mark Hunter and Deborah Kennedy wrote the features, so you’ll find these stories nearly (but not quite) as entertaining as the shows themselves. As we like to say, there’s more, including reviews and previews of several com- munity theater productions, a preview of the Embassy’s upcoming Under the SUNDAY, MAY 7 Streetlamp show, Nick Braun’s Out and About column, Chris Hupe’s Road Notez column, a couple of record reviews and the best, most extensive art and entertain- Friday, May 5 • 7:30pm • $30-$50 8-11PM ment calendars you’re ever going to find. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.