The Comment, February 26, 1981
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Starr-Waterman American Popular Music Chapter 11: the 1970S: Rock Music, Disco, and the Popular Mainstream Student Study Outline
Starr-Waterman American Popular Music Chapter 11: The 1970s: Rock Music, Disco, and the Popular Mainstream Student Study Outline I. The “Me” Decade a. Tom Wolfe’s label b. Music industry reached new heights of consolidation II. Singer-Songwriters: Carole King, Joni Mitchell, James Taylor a. Carole King (b. 1942): career illustrates the central prominence of singer- songwriters in this period i. Tapestry (1971): album whose success made King a major recording star b. Joni Mitchell (b. 1943): began career as songwriter, started recording on her own in 1968 i. Blue (1971): best-known album; cycle of songs about complexity of love c. James Taylor (b. 1948): perhaps the most successful long-running career of the 1970s era singer-songwriters i. Sweet Baby James (1970): hugely successful album with many hit singles, including number three hit “Fire and Rain.” III. Country Music and the Pop Mainstream a. Country-pop crossover accomplished by a new generation of musicians: i. Glen Campbell (b. 1936) ii. Charlie Rich (b. 1932) iii. Olivia Newton-John (b. 1948) iv. Dolly Parton (b. 1946) v. John Denver (1943‒1997) IV. Box 11.1: Hardcore Country: Merle Haggard and the Bakersfield Sound a. Merle Haggard (b. 1937) V. Country Rock: The Eagles a. The Eagles: influential band who epitomized the culture of Southern California i. Ambitious saga “Hotel California” cashed in on this association VI. Rock Comes of Age a. Pop rock and soft rock i. Elton John (b.1947): continued trend of long-running “British occupation” of the American pop charts 1. “Crocodile Rock” and nostalgia b. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Toto's Shannon Forrest
WORTH WIN A TAMA/MEINL PACKAGE MORE THAN $6,000 THE WORLD’S #1 DRUM MAGAZINE 25 GR E AT ’80s DRUM TRACKS Toto’s Shannon ForrestThe Quest For Excellence NEW GEAR REVIEWED! BOSPHORUS • ROLAND • TURKISH OCTOBER 2016 + PLUS + STEVEN WOLF • CHARLES HAYNES • NAVENE KOPERWEIS WILL KENNEDY • BUN E. CARLOS • TERENCE HIGGINS PURE PURPLEHEARTTM 12 Modern Drummer June 2014 CALIFORNIA CUSTOM SHOP Purpleheart Snare Ad - 6-2016 (MD).indd 1 7/22/16 2:33 PM ILL SURPRISE YOU & ILITY W THE F SAT UN VER WIL HE L IN T SP IR E Y OU 18" AA SICK HATS New Big & Ugly Big & Ugly is all about sonic Thin and very dry overall, 18" AA Sick Hats are 18" AA Sick Hats versatility, tonal complexity − surprisingly controllable. 28 holes allow them 14" XSR Monarch Hats and huge fun. Learn more. to breathe in ways other Hats simply cannot. 18" XSR Monarch With virtually no airlock, you’ll hear everything. 20" XSR Monarch 14" AA Apollo Hats Want more body, less air in your face, and 16" AA Apollo Hats the ability to play patterns without the holes 18" AA Apollo getting in your way? Just flip ‘em over! 20" AA Apollo SABIAN.COM/BIGUGLY Advertisement: New Big & Ugly Ad · Publication: Modern Drummer · Trim Size: 7.875" x 10.75" · Date: 2015 Contact: Luis Cardoso · Tel: (506) 272.1238 · Fax: (506) 272.1265 · Email: [email protected] SABIAN Ltd., 219 Main St., Meductic, NB, CANADA, E6H 2L5 YOUR BEST PERFORMANCE STARTS AT THE CORE At the core of every great performance is Carl Palmer's confidence—Confidence in your ability, your SIGNATURE 20" DUO RIDE preparation & your equipment. -
Smash Hits Volume 17
25p TLY. July 26- August 8 1979 **r w*- Silly Games ere Comes The Summer Disco ABBA and STING in colour Stay With Me Till Dawn By Judie Tzuke on Rocket Records Is this a game you're playing I don't understand what's going on I can't see through your frown First you're up then you're down You're keeping me from someone I want to know But I need you tonight (need you tonight) Yes I need you tonight (need you tonight) And I'll show you a sunset if you'll stay with me till down It's the same old situation Every word so finely placed Running around my concentration Is the feeling that I've just got to break out and say Oh I need you tonight (need you tonight) Yes I need you tonight (need you tonight) And I'll show you a sunset if you'll stay with me till dawn Is this a game you're playing Playing with my heart (need you tonight) Ooh stop playing with my heart (need you tonight) And I'll show you a sunset if you'll stay with me till dawn Yes I'll I show you a sunset if you'll stay with me till dawn 1 ^. ^sssk —.lirt. ~ -* ~~- f** W-3 Reproduced by permission Consortway/Unit Artists Music Ltd. 2 SMASH HITS i^illiiPt0 l?**,-, SQ:Y2^W^|^& Arties^^i^^flopd^^« «*? ^dies «nsgH#i ^BWfeW27- 23$Si»«Sr«"gHK8j8»rV 'pa9e ^ IsSgissfe?. Sits i WW Soo^XO^° Ta9® «ot*ssi5 eS \CaV pa9 \0 v\et age ?m Ja g0^ ~pa§® z \d go^S 80^ e Qav 8U# uVce ~pa§ - •v* ?o^\c tt^9? 3o?S Ssco SSN? pag® A3 \0£mss*^SS§E W de^i pag® ?veten pav>5. -
Understanding Pat Conroy Carol Walker Jordan University of North Carolina at Greensboro
The Southeastern Librarian Volume 63 | Issue 3 Article 9 Fall 10-10-2015 Understanding Pat Conroy Carol Walker Jordan University of North Carolina at Greensboro Follow this and additional works at: https://digitalcommons.kennesaw.edu/seln Part of the Library and Information Science Commons Recommended Citation Jordan, Carol Walker (2015) "Understanding Pat Conroy," The Southeastern Librarian: Vol. 63 : Iss. 3 , Article 9. Available at: https://digitalcommons.kennesaw.edu/seln/vol63/iss3/9 This Book Review is brought to you for free and open access by DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Southeastern Librarian by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Understanding Pat Conroy. Catherine Seltzer. Columbia Music”, “My Losing Season”, and “South of Broad”. : University of South Carolina Press, Columbia, 2015. Notes, Bibliography and Index cover pages 119 to 135. ISBN 978-1-61117-517-2 (hard), 978-1-61117-546-2 Recommended for school and college libraries. (pbk), 978-1-61117-517-2 (ebook). 160 p., $39.95. (hard) Carol Walker Jordan, Ph.D University of North Carolina Greensboro Eighty-Eight Years: The Long Death of Slavery in the United States 1777-1865. Patrick Rael. Athens: University of Georgia Press, 2015. ISBN 978-0-8203- 3395-3 (hard), 978-0-82-3-4839-1 (paper). 400 p. $89.95 (hard). Catherine Seltzer introduces us to young Pat Conroy: As a high school student Conroy accompanies his teacher, Eugene Norris, to Thomas Wolfe’s home in Asheville, North Carolina. Seltzer recounts the story that Norris took an apple from one of the trees on the grounds and said, “Eat it boy.” (p.1) Reflecting on taking the first bite, Conroy said, “I was given the keys to go out and try to write.” Conroy’s explanation of Norris’ comment goes on to show Often a title will grab attention and produce a moment of how “from the very beginning I wrote to explain my own disbelief. -
The Great Santini Free Ebook
FREETHE GREAT SANTINI EBOOK Pat Conroy | 512 pages | 26 Mar 2002 | Random House USA Inc | 9780553381559 | English | New York, United States The Great Santini Summary | SuperSummary By dallasnews Administrator. In his novel, The Great SantiniPat Conroy spilled all the beans that a good son is never supposed to spill: He wrote about his brutal father, his cowed mother, his frightened and abused siblings, and his own defiant and terrorized young self, all thinly disguised, of course, as fiction. Like Bull Meecham in the novel, Donald Conroy really was a Marine fighter The Great Santini, really did beat and terrorize his wife and kids, really did drink to excess, really did swagger around and call himself the Great Santini. The book was a best-seller, and it was later made into a blockbuster movie starring Robert Duvall. His grandparents, aunts and uncles were horrified at the airing of family secrets, and they picketed his book events, urging people to stay away. And what of his father? What was the reaction of the brutal and sneering The Great Santini Santini? Pat Conroy, 68, lives in Beaufort, S. He's the author of 11 books — novels, memoirs and a cookbook — most of which are about that brutal upbringing. He started dropping by Conroy's apartment every morning to read the newspaper and chat. He turned into the world's most attentive grandfather. The metamorphosis didn't happen immediately, of course, nor did Donald Conroy love The Great The Great Santini right off the bat. When he first read it, he was furious. Then he wept. -
Rock the Blues Away
ROCK THESE BLUES AWAY. The Recordings of John Lee Hooker since 1981 ROCK THESE BLUES AWAY The Recordings Of John Lee Hooker Since 1981 By Gary Hearn (Feb. 2006) Introduction In 1992 Les Fancout’s sessionography of John Lee Hooker – “Boogie Chillen” – was published in booklet form by Blues & Rhythm magazine (ed. Tony Burke). This pamphlet is intended to update Les’ work with all the known Hooker sessions since 1981. Though details on other, earlier, sessions have come to light through recent releases, I have excluded them from the scope of my research and it is left to others to publish those corrections and additions elsewhere. The recordings listed here come from the final phase of John’s career during what is known as the Rosebud era, the name of his management company. To my imperfect mind, the best – and darkest – of them found release on the “Boom Boom” album put out by Pointblank in 1993. This was also a period when blues artists were called upon to provide benevolent cameos to artists better known in the mainstream. John took part in many such sessions with varying degrees of success; whatever the finished product, his contributions were immediately recognisable. The compact discs in this survey are, as far as I can tell, the first UK issue shown listed in order of catalogue number for ease of cross-reference to the sessionography. Because record companies re-issue, re-package and licence their recordings, subsequent issues are not considered. None of the cd-singles listed are still available and are shown merely in evidence of the penetration of the “John Lee Hooker” brand. -
Talento Sharona
Talento Sharona THE KNACK: IL FENOMENO “SHARONA” THE KNACK, “IL TALENTO”: questo è il nome della band di Los Angeles capitanata da Doug Fieger (chitarra e voce) e Berton Averre (chitarra) che ha segnato il mondo della musica a partire dalla fine degli anni settanta! A completare il quartettoPrescott Niles (basso) e Bruce Gary (batteria). Una delle band meno prolifiche del panorama Rock, ma sicuramente tra le più incisive. Una sola canzone che ha reso THE KNACK immortali: My Sharona! Con questo capolavoro THE KNACK del compianto Fieger (Doug Fieger è morto nel 2010 all’età di 57 anni per un tumore cerebrale; n.d.a.) hanno scalato le vette delle classifiche di quasi tutti i paesi del mondo rimanendoci fino ai giorni nostri. My Sharona è infatti la canzone più ascoltata da intere generazioni. Sono disposto a sfidare chiunque abbia più di 12 anni a non conoscere questo simbolo del Rock targato anni settanta… ottanta, novanta, duemila, duemilaedieci e pure venti! Moltissimi sono i musicisti che hanno adorato le canzoni di Doug & Co. ed alcuni hanno continuato a suonare la cover di My Sharona nei loro concerti, ricordo solo questi mostri sacri del Rock: METALLICA, FOO FIGHTERS, NIRVANA e ci metto pure i TIMORIA dell’amico Omar Pedrini. THE KNACK sono stati spesso sottovalutati, nonostante abbiano prodotto pezzi di grandissimo valore come Good Girls Don’t e Baby Talks Dirty. Solo My Sharona però ha tributato al Combo californiano un successo strabiliante. Il riff iniziale è uno dei più celebri e riconoscibili del Rock, forse anche più famoso dell’intro di Smoke on the Water dei DEEP PURPLE. -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
On Location: Filming the Great Santini
Atlanta Magazine October 1979 On Location: Filming the Great Santini By Frank O Smith “And for the flight-jacketed boy on the road to Atlanta, he filled up for the first time, he filled up even though he knew the hatred would return, but for now, he filled up as if he would burst. Ben Meecham filled up on the road to Atlanta with the love of his father, with the love of Santini.” closing paragraph The Great Santini The last week in September 1978, Bing the local citizens, however, in comparison Crosby Productions comes to Beaufort, to the luster generated by the thought of South Carolina, to film The Great Santini, Beaufort as the setting of a movie, the closely adapted from Pat Conroy’s novel. residence of movie stars for nine weeks. “We chose Beaufort,” Life in this picturesque seacoast screenwriter/director Lewis John Carlino community continues with the same says, “because it was all here. It was all regularity and adherence to ritual it authentic, all real: the air station, the always had. people, the place.” He says Louisiana and But life in Beaufort is altered with Savannah were considered; but with the presence of Hollywood. There is a approval and support from the Marine vibrancy, a detectible charge of electricity Corps, Beaufort became the obvious in the air, a current that all but choice. transforms their world in to something Carlino (who wrote the screenplay no one can possess. and directed The Sailor Who Flew From Grace with the Sea) was attracted, too, by At eight o’clock this crisp November an intangible that registered sharply in morning, the sleek transport buses, his mind the first time he visited.