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DEPARTMENT OF MUSIC MASTER’S THESIS THE DFENDERS: An Analysis of the Studio Production Process NAME: Adon Christian Michael Moskal PAPER: Master of Music, Composition (Studio Production) SUPERVISORS: Dr. Graeme Downes, Mr. John Egenes DUE: February 26, 2008 ABSTRACT A brief discussion of recording concepts as proposed by composer/producer Brian Eno prefaces an in-depth examination of the recording techniques used to produce The DFenders, an album of original ‘Eighties-esque’ pop songs. Drawing on a number of notable pop/rock musicians from the Eighties, particularly New Wave artists, The DFenders utilises vintage equipment and recording techniques to produce a ‘retro’ pop album in the modern day recording studio. ACKNOWLEDGEMENTS I would like to thank the following people for their invaluable support throughout the undertaking of this thesis: For assistance during the recording process: Rob Burns, Marcel Rodeka, Luke Herlihy, Mike Carter, Matt Taine, Paul Young, John Egenes, Philippa Greer, Chris Ashton, Mike Holland (technical support), Lou Kewene (technical support), and Mary-Jane Campbell. For assistance with the written component: Graeme Downes, John Egenes, Henry Johnson, Nancy McGuire and Mike Moskal. Also, thank you to Hannah Green and Jenna Todd for their assistance in shooting the album cover. TABLE OF CONTENTS FOREWORD 1 - The Studio as Compositional Tool 2 THE DFENDERS 7 - ‘Eighties-esque’ 8 - New Wave 8 - Digital Technology and MIDI 9 NOTABLE INFLUENCES 11 - “The Cars” 11 - “Huey Lewis & The News” 12 - “The Knack” 12 - Comparison
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