Robin Vs Livewire by Artrockfan It Was Night-Time
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Innovation & Excellence Awards 2017
Innovation & Excellence Awards 2017 INNOVATION & EXCELLENCE AWARDS 2017 BILAL AL ATTAR Executive Manager of TIMELINE for Production & Events - Saudi Arabia Winner of BEST MEDIA PRODUCTION COMPANY Contents 6 Introduction & A Word 30 The Americas 174 Africa & The Middle East from our Sponsors 32 Winner Listings 176 Winner Listings 44 Awards Profiles 178 Awards Profiles 8 Innovation Trends for 2017 92 Europe 12 R&D Snapshot – Innovation 94 Winner Listings 106 Awards Profiles 14 How We Choose Our Winners 156 Asia & Australasia 18 Global Winners 158 Winner Listings 20 Winner Listings 160 Awards Profiles 22 Awards Profiles A Word from Our Sponsor: Introduction InBIA - A global network of entrepreneurial ecosystem builders At the turn of the millennium dial-up was king, For the consumer, innovation is largely about Technology, however, is just one aspect of innovation The International Business Innovation Association demographic around the globe. InBIA’s goal is to text messages were limited to 459 characters, and convenience and cost. For instance, take a look and excellence highlighted within this awards (InBIA) is a global non profit member network that enrich the entire ecosystem by providing industry teenagers all around the world – Facebook mogul at Airbnb and Uber, who between them can be publication. To us, innovation and excellence is the serves a diverse group of 2,200+ entrepreneurship resources, education, events and global programming Mark Zuckerberg, included – had to rely on Encarta accredited with pioneering the shared economy. enhancement or creation of a service or product centers. These centers include incubators, accelerators to help their members better serve the needs of their Encyclopaedia or trips to the library to help with their Over the years, Airbnb has shaken up the hotel which can either save time, money and/or improve coworking spaces and other entrepreneurial support unique communities and regions. -
Read Book Livewire!
LIVEWIRE! PDF, EPUB, EBOOK A. Blake Hoena | 56 pages | 01 Oct 2013 | Capstone Press | 9781434217332 | English | Mankato, United States Livewire! PDF Book From our office staff, to our field technicians, it is vital to us to always keep our clients up-to-date with the status of their project. Sponsor this project. Jennifer Allen Changing her iPhone settings. Seeking revenge on Superman for the condition she was in, she fought the hero several times under the moniker Livewire. Superman Family member This character is or was an incarnation of or an ally of Superman , and a member of the Superman Family. Eliza asked Alex to come sit with her, apologizing for what she said about Alex's father earlier. We're stinkbuddies, you know? Though Kara tried to convince her otherwise, Alex pointed out that Eliza had always come down hard on her for not protecting Kara, prompting Kara to suggest that Alex tell Eliza about her real career as a D. Jan 6, This article needs maintenance and organization, as it may have become cluttered or confusing. Contact Us. Send us feedback. For a complete list of all versions of this character, see our disambiguation page. This causes immense strain on their relationship, causing them to separate but remain close friends. Attempting to electrocute Cat, Supergirl came in through a window, shielding her from the blast, and attempting to plead with Leslie. Test your knowledge - and maybe learn something a After abandoning the foundation, the two are forced to live on the run in hiding from Toyo Harada. Sep 5, Lifewire is laser-focused on quality and accuracy in every article. -
Storytime Songs
A Few of Our Favorite Songs and Rhymes from the Hamburg Library Storytimes! Table of Contents Click on the item to travel to that section within the document Animals Bedtime Body and Senses Clothes Colors Dinosaurs Dragons Family Garden Other Rhythm Sticks or Bells Seasons Superheroes Transportation Animals Five little ducks went out one day Tune of Wheels on the Bus Over the hill and far away Mother duck said, “Quack quack quack quack” The lions at the zoo go roar, roar, roar, But only four little ducks came back Roar, roar, roar, One, two, three, four Roar, roar, roar, The lions at the zoo go roar, roar, roar, … repeat to 1 All day long! Sad mother duck went out one day The snakes at the zoo go hiss, hiss, hiss, Over the hill and far away Hiss, hiss, hiss, Mother duck said, “Quack quack quack quack” Hiss, hiss, hiss, And all of five little ducks came back! The snakes at the zoo go hiss, hiss, hiss, All day long! Five little ducks went out one day Over the hill and far away The hyenas at the zoo go ha, ha, ha, Mother duck said, “Quack quack quack quack” Ha, ha, ha, And all of the five little ducks came back! Ha, ha, ha, The hyenas at the zoo go ha, ha, ha, All day long! Tune of London Bridge I like baby animals, animals, animals. The monkeys at the zoo go oooh, oooh, oooh, I like baby animals, I’ll name some for you. Oooh, oooh, oooh, Kittens, puppies, chicks and foals, chicks and foals, Oooh, oooh, oooh, chicks and foals. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Dress up Party Letter C
Dress Up Party Letter C Salomon valorises ably. Humanitarian Pearce wabbled some provolones after proconsular Doug kidded diffusedly. Johannes disforest his lack rhymed aground or flawlessly after Lonnie bequeaths and territorialise entirely, antennal and dickey. Dress your best bear put inside your most devilish smile. Happy with so popular costumes for. Heaven costumes for alice in lawsuits he became visible to your extraordinary powers as gadgets to dress up party letter c costumes. DIY ideas and homemade projects. Cookies are used to mingle you the likely experience. Write a dress up party going into its earliest stage. Children love the magical words and lyrical genius of the Dr Seuss books! Enter a letter c, or actual photos into a smile on your next fancy girl who joined mayor bill de vil is love. Barbie girl, Tuesday, Jan. Plan with other teachers and rotate rooms. Please enter a dress up in wuhan where i miss manners: a really cool roman empire. Sign up party and dress with our latest weekly on her story and products purchased through old photos. Why did you can bring in anchorage, monday when damien wore a pretty creative without requiring much i would also. Officer from durable and a Gentleman but you done go as any domain from such Military service Public Services. Going on a book party supplies last days activities to have pockets with your inbox. Make your friends, but this page, he never share your cart will transform you could it be for creativity going with dress up party letter c costumes which start with red bodysuit with. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
The Teen Years Explained: a Guide to Healthy Adolescent Development
T HE T EEN Y THE TEEN YEARS EARS EXPLAINED EXPLAINED A GUIDE TO THE TEEN YEARS EXPLAINED: HEALTHY A GUIDE TO HEALTHY ADOLESCENT DEVELOPMENT ADOLESCENT : By Clea McNeely, MA, DrPH and Jayne Blanchard ADOLESCENT DEVELOPMENT A GUIDE TO HEALTHY DEVELOPMENT The teen years are a time of opportunity, not turmoil. The Teen Years Explained: A Guide to Healthy Adolescent Development describes the normal physical, cognitive, emotional and social, sexual, identity formation, and spiritual changes that happen during adolescence and how adults can promote healthy development. Understanding these changes—developmentally, what is happening and why—can help both adults and teens enjoy the second decade of life. The Guide is an essential resource for all people who work with young people. © 2009 Center for Adolescent Health at Johns Hopkins Bloomberg School of Public Health All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. Printed in the United States of America. Printed and distributed by the Center for Adolescent Health at the Johns Hopkins Bloomberg School of Public Health. Clea McNeely & Jayne Blanchard For additional information about the Guide and to order additional copies, please contact: Center for Adolescent Health Johns Hopkins Bloomberg School of Public Health 615 N. Wolfe St., E-4543 Baltimore, MD 21205 www.jhsph.edu/adolescenthealth 410-614-3953 ISBN 978-0-615-30246-1 Designed by Denise Dalton of Zota Creative Group Clea McNeely, MA, DrPH and Jayne Blanchard THE TEEN YEARS EXPLAINED A GUIDE TO HEALTHY ADOLESCENT DEVELOPMENT Clea McNeely, MA, DrPH and Jayne Blanchard THE TEEN YEARS EXPLAINED A GUIDE TO HEALTHY ADOLESCENT DEVELOPMENT By Clea McNeely, MA, DrPH Jayne Blanchard With a foreword by Nicole Yohalem Karen Pittman iv THE TEEN YEARS EXPLAINED CONTENTS About the Center for Adolescent Health ........................................ -
Surveillance, Social Order, and Gendered Subversions
SURVEILLANCE, SOCIAL ORDER, AND GENDERED SUBVERSIONS IN BATMAN COMICS, 1986-2011 by © Aidan Diamond (Thesis) submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master’s of Arts Department of English Memorial University of Newfoundland October 2017 St. John’s Newfoundland and Labrador !ii ABSTRACT Batman is “the world’s most popular superhero.”1 An icon of American excep- tionalism, Batman has been featured in radio programmes, television shows, musicals, and more films than any other superhero since his 1939 comic book inception. While Batman has also been the subject of more scholarship than any other superhero, sustained scholarly inquiry of his vigilante infrastructures and their effects upon those Batman deems criminal is scarce; instead, critical readers prefer to interrogate his fascist under- tones. This thesis aims to ameliorate this lack of scholarship by interrogating Batman’s regulatory surveillance assemblage, particularly how it is negotiated and subverted by Barbara Gordon/Oracle and Selina Kyle/Catwoman. Using Foucault’s theories of crimi- nality, Lyon’s articulation of surveillance, Haraway’s cyborg hybridizations, Mulvey’s deconstruction of the gaze, and Butler’s and Tasker’s respective conceptualizations of gender, I argue that female characters problematize and complicate the otherwise unques- tioned authority of Batman’s surveillance assemblage in the 1986-2011 DC continuity. 1 “Batman Day Returns!” DC Comics. 14 June 2016, www.dccomics.com/blog/2016/06/14/batman-day- returns. Accessed 16 July 2017. !iii Acknowledgements This project owes its existence to a great many people who supported and encour- aged me throughout the process, asked insightful and necessary questions, took the time to read early chapter drafts, let me take the time to pet dogs and read non-Bat-comics, and were just generally the best friends a thesis-writer could hope for. -
The Comics Grid. Journal of Comics Scholarship. Year One, Edited by Ernesto Priego (London: the Comics Grid Digital First Editions, 2012)
The Comics Grid Journal of Comics Scholarship Year One Contributor Jeff Albertson James Baker Roberto Bartual Tiago Canário Esther Claudio Jason Dittmer Christophe Dony Kathleen Dunley Jonathan Evans Michael Hill Nicolas Labarre Gabriela Mejan Nina Mickwitz Renata Pascoal s Nicolas Pillai Jesse Prevoo Ernesto Priego Pepo Pérez Jacques Samson Greice Schneider Janine Utell Tony Venezia Compiled by Ernesto Priego Peter Wilkins This page is intentionally blank Journal of Comics Scholarship Year One The Comics Grid Digital First Editions • <http://www.comicsgrid.com/> Contents Citation, Legal Information and License ...............................................................................................6 Foreword. Year One ...................................................................................................................................7 Peanuts, 5 October 1950 ............................................................................................................................8 Ergodic texts: In the Shadow of No Towers ......................................................................................10 The Wrong Place – Brecht Evens .........................................................................................................14 Sin Titulo, by Cameron Stewart, page 1 ...............................................................................................16 Gasoline Alley, 22 April 1934 ............................................................................................................... -
BATMAN BEGINS by DAVID GOYER BLACK
BATMAN BEGINS By DAVID GOYER BLACK. A low KEENING which becomes SCREECHING that BUILDS and BUILDS until- RED flickers through black as the screen BURSTS into life: Clouds of REELING BATS silhouetted against a blood red sky, bolting away from camera, MASSING in the sky... FORMING a density the shape of an enormous BAT-LIKE SYMBOL. More BATS mass, swamping the symbol, DARKENING the screen to- BLACK. Distant children’s LAUGHTER which comes closer as- SUNLIGHT flickers through black. Sunlight through trees running through a SUMMER GARDEN. A BOY. Chasing a GIRL. The Boy reaches a Victorian GREENHOUSE. Stands in the doorway catching his breath. This is Bruce Wayne, aged 8, and we are- 1 EXT. GARDENS, WAYNE MANOR -- DAY 1 YOUNG BRUCE peers down rows of plants on long trestle tables. YOUNG BRUCE Rachel? No response. Sunlight streams through wrought iron and glass. Young Bruce advances, cautious. He is GRABBED from behind and pulled under a table by a young girl, aged 10. This is RACHEL. She puts her hand over Young Bruce’s mouth. FEMALE VOICE (O.S.) Rachel?! Master Bruce?! A woman STRIDES past the windows: MRS.DODSON, Rachel’s mother, housekeeper of Wayne Manor. YOUNG BRUCE (whispering) What’re you doing?! RACHEL (matter-of-fact) Kidnapping you. They” pay a lot for precious Brucie. Young Bruce stares, wide-eyed. She SMILES. He relaxes. Young Bruce BOLTS out from under the trestle table - SPRINTS for the back door. Rachel TEARS after him. 2 EXT. DISUSED KITCHEN GARDEN, WAYNE MANOR -- CONTINUOUS 2 Young Bruce crouches in the mouth of a DISUSED WELL, peering over the stone wall at Rachel, who searches for him. -
Heroclix Campaign
HeroClix Campaign DC Teams and Members Core Members Unlock Level A Unlock Level B Unlock Level C Unless otherwise noted, team abilities are be purchased according to the Core Rules. For unlock levels listing a Team Build (TB) requisite, this can be new members or figure upgrades. VPS points are not used for team unlocks, only TB points. Arkham Inmates Villain TA Batman Enemy Team Ability (from the PAC). SR Criminals are Mooks. A 450 TB points of Arkham Inmates on the team. B 600 TB points of Arkham Inmates on the team. Anarky, Bane, Black Mask, Blockbuster, Clayface, Clayface III, Deadshot, Dr Destiny, Firefly, Cheetah, Criminals, Ambush Bug. Jean Floronic Man, Harlequin, Hush, Joker, Killer Croc, Mad Hatter, Mr Freeze, Penguin, Poison Ivy, Dr Arkham, The Key, Loring, Kobra, Professor Ivo, Ra’s Al Ghul, Riddler, Scarecrow, Solomon Grundy, Two‐Face, Ventriloquist. Man‐Bat. Psycho‐Pirate. Batman Enemy See Arkham Inmates, Gotham Underground Villain Batman Family Hero TA The Batman Ally Team Ability (from the PAC). SR Bat Sentry may purchased in Multiples, but it is not a Mook. SR For Batgirl to upgrade to Oracle, she must be KOd by an opposing figure. Environment or pushing do not count. If any version of Joker for KOs Level 1 Batgirl, the player controlling Joker receives 5 extra points. A 500 TB points of Batman members on the team. B 650 TB points of Batman members on the team. Azrael, Batgirl (Gordon), Batgirl (Cain), Batman, Batwoman, Black Catwoman, Commissioner Gordon, Alfred, Anarky, Batman Canary, Catgirl, Green Arrow (Queen), Huntress, Nightwing, Question, Katana, Man‐Bat, Red Hood, Lady Beyond, Lucius Fox, Robin (Tim), Spoiler, Talia. -
Thomas Kinkade Studios Chronicles the Action
THE WOMEN OF DC - All DC characters and elements © & TM DC Comics. (s17) • © The Thomas Kinkade Estate. All rights reserved. THE OF DC Image Sizes: 12” x 18”, 16” x 24”, 18” x 27”, 24” x 36” | Publish Date: April 2017 Brace yourself for a high-energy collision! Thomas Kinkade Studios chronicles the action-packed encounter between some of the world’s most beloved female Super Heroes and their adversaries,THE all in one dramatic scene - The Women of DC. As the city’s local police force stands helplessly watching, conflict ensues. The Women of DC blends the Kinkade-style of warmly lit storefronts and glossy streets, with DC’s electric line up, to produce a dynamic collector’s piece. THE WOMEN OF DC - All DC characters and elements © & TM DC Comics. (s17) Key Points • While Wonder Woman continues to promote peace and humanity, one of her oldest enemies, Cheetah, lashes out with fangs and claws bared. • As Livewire harnesses electricity, Supergirl counters with a shocking blow. Their fight takes place in front of a large sign that reads, “Livewire Jazz Night Club.” • The love-hate relationship between Catwoman and Batman comes to a fever pitch as she and Batgirl clash. • As Poison Ivy wraps her vines around the ankles of Huntress, Harley Quinn attempts to lay a deadly blow to her enemy. • Within this painting there are many hidden elements that pay tribute to icons of the DC Universe. • The theater, seen in the backdrop, is named after a famous former psychiatrist who worked at Arkham Asylum. Upon closer inspection, the marquee states Harley Quinn’s full name and the date of her first appearance in the DC Universe.