Language Contact in the Balkan Sprachbund a Study Of
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Comparing Bulgarian and Slovak Multext-East Morphology Tagset1
Comparing Bulgarian and Slovak Multext-East morphology tagset1 Ludmila Dimitrovaa), Radovan Garabíkb), Daniela Majchrákováb) a) Institute of Mathematics and Informatics, Bulgarian Academy of Sciences 1113 Sofia, Bulgaria [email protected] b) Ľ. Štúr Institute of Linguistics, Slovak Academy of Sciences 813 64 Bratislava, Slovakia [email protected], http://korpus.juls.savba.sk Abstract We analyse the differences between the Bulgarian and Slovak languages Multext-East morphology specifica- tion (MTE, 2004). The differences can be caused either by inherent language dissimilarities, different ways of analysing morphology categories or just by different use of MTE design guideline. We describe all the parts of speech in detail with emphasis on analysing the tagset differences. Keywords: Bulgarian, Slovak, grammatical category, morphology specification, morphology tagset Introduction The EC project MULTEXT Multilingual Tools and Corpora produced linguistics resources and a freely available set of tools that are extensible, coherent and language-independent, for seven Western European languages: English, French, Spanish, Italian, German, Dutch, and Swedish (Ide, Veronis, 1994). The EC INCO-Copernicus project MULTEXT-East Multilingual Text Tools and Corpora for Central and Eastern European Languages is a continuation of the MULTEXT project. MULTEXT-East (MTE for short; Dimitrova et al., 1998) used methodologies and results of MULTEXT. MTE developed significant language resources for six Central and Eastern European (CEE) languages: Bulgarian, -
Affix Order and the Structure of the Slavic Word Stela Manova
9 Affix Order and the Structure of the Slavic Word Stela Manova 1. Introduction This article investigates the structural properties of the Slavic word in terms of affix ordering in three Slavic languages, the South Slavic Bulgarian, the East Slavic Rus- sian, and the West Slavic Polish and thus covers all three subgroups of the Slavic family.1 The discussion is with a focus on suffixation, in particular on suffixation in derivation.2 Recently much research has been carried out on affix ordering in lesser-studied languages; see the overviews in Manova and Aronoff (2010) and in Rice (2011). There has been much research on the ordering of the English derivational affixes as well, especially on the order of the suffixes, and a number of specific proposals have been formulated (in chronological order): level ordering or stratal approach (Siegel 1974; Allen 1978; Selkirk 1982; Kiparsky 1982, Mohanan 1986; Giegerich 1999); selectional restrictions (Fabb 1988; Plag 1996, 1999); the monosuffix constraint (Aronoff and Fuhrhop 2002), and the parsability hypothesis (Hay 2001, 2002, 2003) or com- plexity-based ordering (Plag 2002; Hay and Plag 2004; Plag and Baayen 2009). In this list of approaches, every following approach was formulated in response to its predecessor; that is, every following approach demonstrates that the predecessor 1The author was supported by the Austrian Science Fund (FWF), grant V64-G03, and the Eu- ropean Science Foundation (ESF), NetWordS-09-RNP-089 / Individual Grant 5566. Portions of this study were presented at the Fifth Annual Meeting of the Slavic Linguistics Society, Chicago, October 2010; the Linguistic Seminars of the Universitat Autònoma de Barcelona, December 2011; the Univer- sity of Sofia, March 2013; the Scuola Normale Superiore di Pisa, May 2013; as well as within the CogSci Talk Series of the Research Platform Cognitive Science, University of Vienna, June 2013. -
Images of Devotion
IMAGES OF DEVOTION Russian Icons from the DePauw University Art Collection INTRODUCTION Initially conceived in the first century, religious icons have a long history throughout the Christian world.1 The icon was not simply created to mirror the physical appearance of a biblical figure, but to idealize him or her, both physically and spiritually.2 Unlike Western Christianity where religious art can be appreciated solely for its beauty and skill alone, in the Orthodox tradition, the icon becomes more than just a reflection – it is a vehicle for the divine essence contained within.3 Due to the sacred nature of the icon, depictions of biblical figures became not only desirable in the Orthodox tradition, but an absolute necessity. Religious icons were introduced to Russia during the official Christianization of the country under Vladimir, the Great Prince of Kiev, in 988. After this period, many regional schools developed their own indigenous styles of icon painting, such as: Pokov, Novgorod, Moscow, Suzdal, and Jaroslavl.4 Upon Moscow’s emergence as Christ with Twelve Apostles the religious and political capital of Russia in the Russian Artist, Date Unknown Tempura Paint on Panel sixteenth century, it cemented its reputation as DePauw Art Collection: 1976.31.1 the great center for icon painting. Gift of Earl Bowman Marlatt, Class of 1912 The benefactor of this collection of Russian This painting, Christ with Twelve Apostles, portrays Jesus Christ iconography, Earl Bowman Marlatt (1892-1976), reading a passage from the Gospel of Matthew to his Apostles.7 was a member of the DePauw University class Written in Old Church Slavonic, which is generally reserved of 1912. -
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Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section II: Conference papers, pp. 83-97 ISSN 2342-1258 https://journal.fi/jisocm Stifling Creativity: Problems Born out of the Promulgation of the 1906 Tserkovnoje Prostopinije Fr Silouan Sloan Rolando [email protected] At the beginning of the twentieth century, the Greek Catholic Bishop of the city of Mukačevo in what is now Ukraine promulgated an anthology of Carpatho- Rusyn chant known as the Церковноє Простопѣніє (hereafter, the Prostopinije) or Ecclesiastical Plainchant. While this book follows in the tradition of printed Heirmologia found throughout the Orthodox and Greek Catholic churches of Belarus, Ukraine, and Russia starting in the sixteenth century, this book presents us with a number of issues that affect the quality and usability of this chant in both its homeland and abroad as well as in the original language, Old Church Slavonic, and in modern languages such as Ukrainian, Hungarian and English. Assuming that creativity is more than just producing new music out of thin air, the problems revealed in the Prostopinije can be a starting point the better to understand how creativity can be unintentionally stifled and what can be done to overcome these particular obstacles. A Brief History Heirmologia in this tradition are anthologies of traditional chant that developed in the emergence of the Kievan five-line notation in place of the older Znamenny neums. With the emergence of patterned chant systems variously called Kievan, Galician, Greek and Bulharski, each touting unique melodies for each tone and each element of liturgy, the Heirmologia would be augmented with these chants often replacing the older Znamenny, especially for the troparia, stichera and prokeimena of the Octoechos. -
The Resources for Processing Bulgarian and Serbian – the Brief Overview of Their Completeness, Compatibility, and Similarities
The Resources for Processing Bulgarian and Serbian – the brief overview of their Completeness, Compatibility, and Similarities Svetla Koeva, Cvetana Krstev, Ivan Obradovi, Duško Vitas Department of Computational Faculty of Philology Faculty of Geology and Faculty of Mathematics Linguistics – IBL, BAS University of Belgrade Mining, U. of Belgrade University of Belgrade 52 Shipchenski prohod, Bl. 17 Studentski trg 3 ušina 7 Studentski trg 16 Sofia 1113 11000 Belgrade 11000 Belgrade 11000 Belgrade [email protected] [email protected] [email protected] [email protected] furthermore presupposes the successful Abstract implementation in different application areas as cross- Some important and extensive language resources lingual information and knowledge management, have been developed for Bulgarian and Serbain cross-lingual content management and text data that have similar theoretical background and mining, cross-lingual information retrieval and structure. Some of them were developed as a part information extraction, multilingual summarization, of a concerted action (wordnet), the others were multilingual language generation etc. developed independently. The brief overview of these resources is presented in this paper, with the 2. Electronic dictionaries emphasis on the similarities and differences of the information presented in them. The special 2.1 Bulgarian Grammatical Dictionary attention is given to the similarities of problems The grammatical information included in the encountered in the course of their development. Bulgarian Grammatical Dictionary (BGD) is divided into three types [Koeva, 1998]: category information 1. Introduction that describes lemmas and indicates the words clustering into grammatical classes (Noun, Verb, Bulgarian and Serbian as Slavonic languages show Adjective, Pronoun, Numeral, and Other); similarities in their lexicons and grammatical paradigmatic information that also characterizes structures. -
Russian Copper Icons Crosses Kunz Collection: Castings Faith
Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review. -
The Slavic Akathistos Hymn
Slavistische Beiträge ∙ Band 224 (eBook - Digi20-Retro) Antonina F. Gove The Slavic Akathistos Hymn Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Sl a v is t ic h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER• JOSEF SCHRENK REDAKTION PETER REHDER Band 224 VERLAG OTTO SAGNER MÜNCHEN Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 ANTONINA FILONOV GOVE THE SLAVIC AKATHISTOS HYMN Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation VERLAG OTTO SAGNER • MÜNCHEN 1988 Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access Ваувгіз^в Staatsbibliothek Mönchen ISBN 3-87690-393-9 ©Verlag Otto Sagner, München 1988 Abteilung der Firma Kubon & Sagner, München Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Dedicated to the memory of my parents Aleksandr Filonov (1901-1975) and Klavdija Andreeva Filonova (1913-1964) Antonina F. -
Distributional Regularity of Cues Facilitates Gender Acquisition: a Contrastive Study of Two Closely Related Languages
Distributional Regularity of Cues Facilitates Gender Acquisition: A Contrastive Study of Two Closely Related Languages Tanya Ivanova-Sullivan and Irina A. Sekerina 1. Introduction Research on various languages and populations has highlighted the role of transparency that leads to perceptual salience in gender acquisition (Janssen, 2016; Kempe & Brooks, 2005; Mastropavlou & Tsimpli, 2011; Rodina, 2008; Rodina & Westergaard, 2017; Szagun, Stamper, Sondag, & Franik, 2007). Transparency is a gradient phenomenon that characterizes inflectional morphology in terms of the phonological regularity of stems or suffixes. Across gender-marked languages, such as Romance and Slavic, consistent associations between noun suffixes and gender classes “allow to set apart nouns where formal cues are highly predictive of the noun gender from nouns where gender cannot be recovered from the surface form.” (De Martino, Bracco, Postiglione, & Laudanna, 2017: 108). Studies show that learners make use of perceptual properties of noun suffixes that link items within a category and consistently identify words across different contexts as similar to one another (Reeder, Newport, & Aslin, 2013). For example, nouns ending in -a are transparent and typically categorized as feminine in Slavic and some Romance languages, such as Spanish and Italian. However, there are cases of mismatch between the phonological form of somenoun endingsand the abstract gender, thus making such endings less reliable for establishing form- meaning correlations. Despite the facilitatoryeffects of transparency ofgender-correlated noun endings in productionin various languages (Janssen, 2016; Paolieri, Lotto, Morales, Bajo, Cubelli, & Job, 2010; Rodina & Westergaard, 2017; Szagun et al., * This research was partially funded by the PSC-CUNY grant TRADB-48-172 awarded to Irina A. -
The Embodied Spirituality of Church Slavonic
Stephen Pax Leonard THE WORD AS AN ICON: THE EMBODIED SPIRitUALitY OF CHURCH SLAVONIC abstract How do Russian Orthodox Christians frame their understanding of semiotic ideologies of worship? That is to say, how do worshippers interpret liturgical language ‘signs’ and how do these interpretations colour their views as to which language is ‘right’ for the Church? There are to be found two semiotic ideologies of worship in Moscow. There are traditionalists for whom the liturgical language is embodied; it becomes the language of God through its vocalisation and enactment. Then, there are those who believe that Church Slavonic is not an indelible part of Russian Orthodox life and that in terms of its semiotic status its relation to the world it represents is an arbitrary one. Those who invoke the former, folk understandings of semiotic praxis perceive the Holy language as an icon or experiential portal that makes the presence of God more presupposable. Conceptions of language and linguistic register vary intra-culturally. Fieldwork showed how different perceptions of form map onto consciousness, raising questions of intentionality as assumptions about who is speaking (God or the priest) are bound up with the form that is used. Keywords: liturgical language, embodiment, semiotic ideology, worship, icon ‘I am interested in the power of words from an interlocutor can set the ethnographer and images over their beholders. I am off on a long journey of epistemological interested in the voice of the word, not the discovery. For this interlocutor, Church Slavonic meaning of the word’ (Husserl 1958: 242). (what he called старый русский ‘old Russian’) words spoken by a priest during a church service INTRODUCTION were experiential portals for they facilitated a closer relationship with the divinity. -
DEFACING AGREEMENT Bozhil Hristov University of Sofia
DEFACING AGREEMENT Bozhil Hristov University of Sofia Proceedings of the LFG13 Conference Miriam Butt and Tracy Holloway King (Editors) 2013 CSLI Publications http://csli-publications.stanford.edu/ Abstract This paper contributes to the debate over the number of features needed in order to offer an adequate analysis of agreement. Traditional grammar and some recent proposals, notably by Alsina and Arsenijevi ć (2012a, b, c), operate with two types – what is conventionally referred to as syntactic versus semantic agreement. Adopting Wechsler and Zlati ć’s (2000: 800, 2003, 2012) model, which envisages a division into three types of agreement (two syntactic ones, in addition to a separate, purely semantic feature), this paper argues that we need such a tripartition, because without it we cannot account for the facts in languages like Serbian/Croatian, English and Bulgarian. 1 Introduction 1 Traditional grammar has for a long time distinguished between so called syntactic (formal or grammatical) agreement/concord, (1), and semantic (or notional) agreement/concord, (2).2 (1) Even stage-shy, anti-industry Nirvana is on board. (COCA). (2) Nirvana are believed to be working on cover versions of several seminal punk tracks. (BNC) Some formal approaches, among them constraint-based ones, have called for at least three types of agreement (Wechsler and Zlati ć 2000: 800, 2003, 2012), as have researches with a more typological background (Corbett 1983a: 81, 1986: 1015). Recently there has been renewed interest in agreement features in the setting of constraint-based theories like LFG and HPSG, with some doubts expressed as to how many sets of features are really needed to account for agreement phenomena. -
Suffix Combinations in Bulgarian: Parsability and Hierarchy-Based Ordering
Suffix Combinations in Bulgarian: Parsability and Hierarchy-Based Ordering Stela Manova Department of Slavic Studies University of Vienna Universitätscampus AAKH Spitalgasse 2, Hof 3 A-1090 Vienna Austria Phone: +43-1-4277-42806 Fax: +43-1-4277-9428 Email: [email protected] URL: http://slawistik.univie.ac.at/mitarbeiter/manova-stela/ ; http://homepage.univie.ac.at/stela.manova/ Abstract This article extends the empirical scope of the most recent approach to affix ordering, the Parsability Hypothesis (Hay 2001, 2002, 2003) or Complexity-Based Ordering (CBO) (Plag 2002; Hay and Plag 2004; Plag and Baayen 2009), to the inflecting-fusional morphological type, as represented by the South Slavic language Bulgarian. In order to account properly for the structure of the Bulgarian word, I distinguish between suffixes that are in the derivational word slot and suffixes that are in the inflectional word slot and show that inflectional suffix combinations are more easily parsable than derivational suffix combinations. Derivational suffixes participate in mirror-image combinations of AB – BA type and can be also attached recursively. The order of 12 out of the 22 derivational suffixes under scrutiny in this article is thus incompatible with CBO. With respect to recursiveness and productivity, the Bulgarian word exhibits three domains of suffixation (in order of increasing productivity): 1) a non-diminutive derivational domain, where a suffix may attach recursively on non-adjacent cycles; 2) a diminutive domain, where a suffix may attach recursively on adjacent cycles; and 3) an inflectional domain, where a suffix never attaches recursively. Overall, the results of this study conform to the last revision of the Parsability Hypothesis (Baayen et al. -
Hymnographica & Liturgica
Hymnographica & Liturgica 1 Downloaded from Brill.com09/27/2021 04:01:58AM via free access . 2 Downloaded from Brill.com09/27/2021 04:01:58AM via free access Roman Krivko Moscow, Russia [email protected] A TYPOLOGY OF BYZANTINE OFFICE MENAIA OF THE NINTH — FOURTEENTH CENTURIES* I. Introduction I.1. The Research Goal and Classifi cation Criteria This article aims at describing the structure of Byzantine offi ce Menaia of the 9th–14th cc. from a historical point of view. The typo- logical classifi cation of sources will be based on a) genre content, and b) structure, i. e. the order in which the genres are arranged. The fol- lowing classifi cation criteria are taken into consideration: 1) the use of (*) This article was wri en as a part of the research project “Sprache der altkirchenslavischen liturgischen Denkmäler” carried out at the Seminar für Slavische Philologie der Georg-August-Universität Gö ingen (2009-2010) and fi nanced by the Alexander von Humboldt Foundation. For the invitation to Gö ingen and for every support provided during my research stay in Göt- tingen, I am deeply grateful to Prof. em. Dr. Dr. h.c. Werner Lehfeldt. The manuscripts from the collections of the Bibliotheca Apostolica Vaticana were consulted according to the microfi lms held by the Vatican Film Library — Center for Medieval and Renaissance Studies at St. Louis University (St. Louis, MO, USA); the research in the Vatican Film Library was supported by the NEH — National Endowment for the Humanities Fellowship (October 2008). For numerous bibliographical consultations regarding Vatican manuscripts I am obliged to Dr.