Proposal to Encode Additional Cyrillic Characters Used in Early Church Slavonic Printed Books
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Images of Devotion
IMAGES OF DEVOTION Russian Icons from the DePauw University Art Collection INTRODUCTION Initially conceived in the first century, religious icons have a long history throughout the Christian world.1 The icon was not simply created to mirror the physical appearance of a biblical figure, but to idealize him or her, both physically and spiritually.2 Unlike Western Christianity where religious art can be appreciated solely for its beauty and skill alone, in the Orthodox tradition, the icon becomes more than just a reflection – it is a vehicle for the divine essence contained within.3 Due to the sacred nature of the icon, depictions of biblical figures became not only desirable in the Orthodox tradition, but an absolute necessity. Religious icons were introduced to Russia during the official Christianization of the country under Vladimir, the Great Prince of Kiev, in 988. After this period, many regional schools developed their own indigenous styles of icon painting, such as: Pokov, Novgorod, Moscow, Suzdal, and Jaroslavl.4 Upon Moscow’s emergence as Christ with Twelve Apostles the religious and political capital of Russia in the Russian Artist, Date Unknown Tempura Paint on Panel sixteenth century, it cemented its reputation as DePauw Art Collection: 1976.31.1 the great center for icon painting. Gift of Earl Bowman Marlatt, Class of 1912 The benefactor of this collection of Russian This painting, Christ with Twelve Apostles, portrays Jesus Christ iconography, Earl Bowman Marlatt (1892-1976), reading a passage from the Gospel of Matthew to his Apostles.7 was a member of the DePauw University class Written in Old Church Slavonic, which is generally reserved of 1912. -
Fifty Years of the Renewal of the Macedonian Orthodox Church •Fi
Occasional Papers on Religion in Eastern Europe Volume 37 Issue 2 Article 3 3-2017 United Bible Societies and the Macedonian Bible: Fifty Years of the Renewal of the Macedonian Orthodox Church – Ohrid Archbishopric Aco A. Girevski State University in Skopje, Macedonia Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Girevski, Aco A. (2017) "United Bible Societies and the Macedonian Bible: Fifty Years of the Renewal of the Macedonian Orthodox Church – Ohrid Archbishopric," Occasional Papers on Religion in Eastern Europe: Vol. 37 : Iss. 2 , Article 3. Available at: https://digitalcommons.georgefox.edu/ree/vol37/iss2/3 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. UNITED BIBLE SOCIETIES AND THE MACEDONIAN BIBLE Fifty Years of the Renewal of the Macedonian Orthodox Church – Ohrid Archbishopric By Aco A. Girevski Aco Girevski is a professor at St. Clement of Ohrid Faculty of Orthodox Theology, State University in Skopje. His research and pedagogical interests include Macedonian translation of the Bible, church administration, Orthodox agiology, and homiletics. Bible Societies are voluntary societies of various Christian denominations that are locally organized, and mostly of national and sometimes international character. There are several main functions allotted to Bible Societies: a) translation and revision of Biblical texts; b) printing; c) distribution and, d) animation of the Bible usage. -
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Journal of the International Society for Orthodox Church Music Vol. 4 (1), Section II: Conference papers, pp. 83-97 ISSN 2342-1258 https://journal.fi/jisocm Stifling Creativity: Problems Born out of the Promulgation of the 1906 Tserkovnoje Prostopinije Fr Silouan Sloan Rolando [email protected] At the beginning of the twentieth century, the Greek Catholic Bishop of the city of Mukačevo in what is now Ukraine promulgated an anthology of Carpatho- Rusyn chant known as the Церковноє Простопѣніє (hereafter, the Prostopinije) or Ecclesiastical Plainchant. While this book follows in the tradition of printed Heirmologia found throughout the Orthodox and Greek Catholic churches of Belarus, Ukraine, and Russia starting in the sixteenth century, this book presents us with a number of issues that affect the quality and usability of this chant in both its homeland and abroad as well as in the original language, Old Church Slavonic, and in modern languages such as Ukrainian, Hungarian and English. Assuming that creativity is more than just producing new music out of thin air, the problems revealed in the Prostopinije can be a starting point the better to understand how creativity can be unintentionally stifled and what can be done to overcome these particular obstacles. A Brief History Heirmologia in this tradition are anthologies of traditional chant that developed in the emergence of the Kievan five-line notation in place of the older Znamenny neums. With the emergence of patterned chant systems variously called Kievan, Galician, Greek and Bulharski, each touting unique melodies for each tone and each element of liturgy, the Heirmologia would be augmented with these chants often replacing the older Znamenny, especially for the troparia, stichera and prokeimena of the Octoechos. -
Old Cyrillic in Unicode*
Old Cyrillic in Unicode* Ivan A Derzhanski Institute for Mathematics and Computer Science, Bulgarian Academy of Sciences [email protected] The current version of the Unicode Standard acknowledges the existence of a pre- modern version of the Cyrillic script, but its support thereof is limited to assigning code points to several obsolete letters. Meanwhile mediæval Cyrillic manuscripts and some early printed books feature a plethora of letter shapes, ligatures, diacritic and punctuation marks that want proper representation. (In addition, contemporary editions of mediæval texts employ a variety of annotation signs.) As generally with scripts that predate printing, an obvious problem is the abundance of functional, chronological, regional and decorative variant shapes, the precise details of whose distribution are often unknown. The present contents of the block will need to be interpreted with Old Cyrillic in mind, and decisions to be made as to which remaining characters should be implemented via Unicode’s mechanism of variation selection, as ligatures in the typeface, or as code points in the Private space or the standard Cyrillic block. I discuss the initial stage of this work. The Unicode Standard (Unicode 4.0.1) makes a controversial statement: The historical form of the Cyrillic alphabet is treated as a font style variation of modern Cyrillic because the historical forms are relatively close to the modern appearance, and because some of them are still in modern use in languages other than Russian (for example, U+0406 “I” CYRILLIC CAPITAL LETTER I is used in modern Ukrainian and Byelorussian). Some of the letters in this range were used in modern typefaces in Russian and Bulgarian. -
Dositheos Notaras, the Patriarch of Jerusalem (1669-1707), Confronts the Challenges of Modernity
IN SEARCH OF A CONFESSIONAL IDENTITY: DOSITHEOS NOTARAS, THE PATRIARCH OF JERUSALEM (1669-1707), CONFRONTS THE CHALLENGES OF MODERNITY A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Christopher George Rene IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser Theofanis G. Stavrou SEPTEMBER 2020 © Christopher G Rene, September 2020 i Acknowledgements Without the steadfast support of my teachers, family and friends this dissertation would not have been possible, and I am pleased to have the opportunity to express my deep debt of gratitude and thank them all. I would like to thank the members of my dissertation committee, who together guided me through to the completion of this dissertation. My adviser Professor Theofanis G. Stavrou provided a resourceful outlet by helping me navigate through administrative channels and stay on course academically. Moreover, he fostered an inviting space for parrhesia with vigorous dialogue and intellectual tenacity on the ideas of identity, modernity, and the role of Patriarch Dositheos. It was in fact Professor Stavrou who many years ago at a Slavic conference broached the idea of an Orthodox Commonwealth that inspired other academics and myself to pursue the topic. Professor Carla Phillips impressed upon me the significance of daily life among the people of Europe during the early modern period (1450-1800). As Professor Phillips’ teaching assistant for a number of years, I witnessed lectures that animated the historical narrative and inspired students to question their own unique sense of historical continuity and discontinuities. Thank you, Professor Phillips, for such a pedagogical example. -
The Ukrainian Weekly 1934
UKRUHUSupplement to the SVOBODAN , UkrainiaWEEKLn Daily Y •#r— II fjT.|li РиЬВДЙЙ by the junk* Department of tb* -Ukrainian-Hational АмосЬ&ми *r„ n. <HTti І 'іптірмйгШ No. 30. Joriey City, N. J, Friday, Jtdy 27, 1934. П. Y. L. of N. A. ISSUES CALL . LfiVE EABLfc TO PARTICIPATE IN YOUTH WMINIJIlf flWTH MOVEMEW ІГШАВРШГ . By Tare* Sbevcheoko CONGRESS In a previous issue mention was mj.de of Pidkarpat- Every American-Ukrainian youth Love each other, early, children.! ska RUB, the official name for the westernmost section of There're many In tme world to club-, whether it be cultural, social, Ukrainian ethnographic. territories, known also as Pid or sport, which intends to take •• .-love— - part in the forthcoming Secohd karpatya. As we learned thenrfittat is the Ukrainian laud. Though not for gate} Luck un- Ukrainian Youth's Congress of which during the heyday of the Austrian-Hungarian bestairchefl America,—which will be held un- Empire was the object of unmitigated Hungarian ^per And willing, Meet from up above ... dcr the auspices of .the Ukrainian ІГІІЯІІ)ІІ«Й >1IJ і|Імя"ІІІІ Viiljj(tl ВІИііТіу secution. The Hungarians sought with all means possible . Add during life and strife will be Youth's League of N. A. Septem tp denationalize out people; to make them even beHete- ber 1st and 2nd in Mew York City, Yonr one.companion on toe road— at the International Institute, 341 that they were Russians, anything to make them forget Tten and' after.' East 17th Street,—should send its their Ukrainian nationality. To that end they even seized •••• TransUtted by #. -
The Use of Books in 16Th-Century Vilnius
TERMINUS t. 15 (2013), z. 2 (27), s. 167–184 doi:10.4467/20843844TE.13.013.1570 www.ejournals.eu/Terminus THE USE OF BOOKS IN 16TH-CENTURY VILNIUS JAKUB NIEDźWIEDź Uniwersytet Jagielloński, Kraków Abstract The main goal of the paper is to answer the question of what was unique about the use of books in Vilnius between 1522 and 1610. The reason to take a closer look at the capital of the Grand Duchy of Lithuania is the fact that it has always been a multi-cultural, multi-ethnic and multi-religious city. This observation allows the author to assume that the use of books there could have been different than in other European cities of the time. To find possible answers to the question posed, the author traces the changes in production, distribution and reading of books in the city. The research is based on sev- eral sorts of sources, such as printed books, manuscripts and documents from Vilnius archives (mainly the municipal archive, the Catholic chapter, the castle court etc.). He was supported by contemporary studies about early modern Vilnius scriptoria and printing houses (Kawecka-Gryczowa, Topolska, Nikalaieu), bookbinders (Laucevičius), book writing (Ulčinaitė, Narbutienė, Narbutas) and the history of the city (Frick). At the beginning of the paper the author recalls the main facts about Vilnius in the 16th century. The city had increasingly grown in importance as a political, economical and cultural centre of the Jagiellonian monarchy. The central part, divided in four chronologically arranged chapters, focuses on several problems, among them: the beginnings of Cyrillic prints and Skaryna’s print- ing house, languages and alphabets of books (Latin, Ruthenian, Polish, Lithuanian, German, Hebrew, Yiddish and Arabic), book production, dissemination, storage and reading. -
Pages 141 to 145 of the Rcumenical Synods of the Orthodox Church By
Father James Thornton 141 Calendar.... This calendar, in fact, corresponds to the Gregorian Calendar until the year 2800, when a difference of one day will oc- cur in leap years, which, nonetheless, will even out in the year 2900. What an amazing discovery! Thus, it becomes possible to “celebrate the major Christian Feast Days” simultaneously with the hetero- dox; at the same time, tradition-minded Orthodox can be assured that they have not adopted the Papist Calendar.43 The Synod of 1593 is also noteworthy for confirming the -el evation of the See of Moscow to the rank of Patriarchate (which Patriarch Jeremiah had effected in 1589) and for placing it in fifth position of honor after the ancient Patriarchates of Constantino- ple, Alexandria, Antioch, and Jerusalem, respectively. Saint Job of Moscow was the first to serve the Russian Church as Patriarch. The Synod of Iași of 1642 andthe Synod of Jerusalem of 1672 n their methods and goals, the Synod of Iași (Jassy) of 1642 and Ithe Synod of Jerusalem of 1672 were closely related and thus be- long together conceptually. These Synods sought to defend East- ern Orthodoxy vis-à-vis Western Christianity, and, to do so, both adopted the tactic of “fighting fire with fire,” viz., of counteract- ing the doctrinal errors of Roman Catholicism and Protestantism by presenting Orthodoxy in the theological language of the West. Unfortunately, the subtleties, nuances, and paradoxes of Patristic thought cannot be fully captured in the theological language of the West, so that, while recognizing their valuable contribution to the defense of the Faith, Orthodox generally view these Syn- ods with much less enthusiasm than Western Christians do. -
Russian Copper Icons Crosses Kunz Collection: Castings Faith
Russian Copper Icons 1 Crosses r ^ .1 _ Kunz Collection: Castings Faith Richard Eighme Ahlborn and Vera Beaver-Bricken Espinola Editors SMITHSONIAN INSTITUTION PRESS SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Stnithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsoniar) Contributions to Anthropology Smithsonian Contributions to Astrophysics Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the worid of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the worid. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where tfie manuscripts are given substantive review. -
ABSTRACT Orthographic Reform and Language Planning in Russian
ABSTRACT Orthographic Reform and Language Planning in Russian History Sylvia Conatser Segura Director: Adrienne Harris, Ph.D. An oft-neglected topic of book history and culture, both in histories of writing development and in cultural histories of Russia and Eastern Europe, is the rich history of orthographic reform and language planning in Russian and Slavic history. Even more neglected are the cultural, religious, and political drivers of language planning and the relationship of identity to writing systems. This thesis aims to correct this oversight by synthesizing histories on the development of written Russian until its codification by Peter the Great in the early 18th century as well as the language reforms accomplished under the Bolsheviks in the 20th century. It will present analysis on motivations for these two periods of language reform as well as impulses behind resistance thereof; the resulting evidence will demonstrate the close ties of political and cultural, particularly religious, identity to the use of written systems as illustrated by the relationship of Eastern Orthodoxy to the Cyrillic alphabet. APPROVED BY DIRECTOR OF HONORS THESIS _________________________________________ Dr. Adrienne Harris, Department of Modern Languages and Culture APPROVED BY THE HONORS PROGRAM ___________________________________ Dr. Elizabeth Corey, Director DATE: ____________________ ii ORTHOGRAPHIC REFORM AND LANGUAGE PLANNING IN RUSSIAN HISTORY A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Sylvia Conatser Segura Waco, Texas May 2020 TABLE OF CONTENTS Acknowledgements . iii. Introduction . 1 Chapter One: Peter I and the Rise of Russian Print Culture . 7 Chapter Two: The 20th Century and the Maturation of a Writing System . -
The Slavic Akathistos Hymn
Slavistische Beiträge ∙ Band 224 (eBook - Digi20-Retro) Antonina F. Gove The Slavic Akathistos Hymn Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Sl a v is t ic h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER• JOSEF SCHRENK REDAKTION PETER REHDER Band 224 VERLAG OTTO SAGNER MÜNCHEN Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 ANTONINA FILONOV GOVE THE SLAVIC AKATHISTOS HYMN Poetic Elements of the Byzantine Text and Its Old Church Slavonic Translation VERLAG OTTO SAGNER • MÜNCHEN 1988 Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access Ваувгіз^в Staatsbibliothek Mönchen ISBN 3-87690-393-9 ©Verlag Otto Sagner, München 1988 Abteilung der Firma Kubon & Sagner, München Antonina F. Gove - 9783954792160 Downloaded from PubFactory at 01/10/2019 04:06:36AM via free access 00060849 Dedicated to the memory of my parents Aleksandr Filonov (1901-1975) and Klavdija Andreeva Filonova (1913-1964) Antonina F. -
NEWSLETTER of Course in Ukraine2
Integration of Music - Speech - Movement - Dance as a Process of Intercultural Understanding 22nd International Summer Course of Encounter „Orff – Schulwerk“ From Monday, July 29th till Saturday, August 3rd 2019 in Ostrog / Ukraine Theme of the 5 days Seminar “Elemental Music and Dance Education inspired by the musical style and form of the Baroque” The goals of the seminary are the deepening and further development of the principles of holistic and elemental Music and Dance Pedagogy (for schools, music schools and other educational establishments). Introduced and transmitted by international Orff-Schulwerk Experts, this seminary is open for participants (students, teachers, educators, therapists) from all over the world. The official teaching language is English. Since 1996 this project permanently works out successful cooperations between Central and Eastern European countries. Changing themes build the bridge between elemental Music and Dance Education and the Arts. This time the course focuses on the music and dance from Baroque. Art-Teacher with special emphasis to the Orff-Pedagogy will create exciting opportunities to put the sophisticated music of the Baroque in an elemental and holistic context. Demonstrating ways, how music of artistic level can be implemented for an experience-oriented playful way already with small children. Cooperation and support: This international Master Class Course of Encounter 2019 is carried out in cooperation with the Ukrainian Orff Association and the National University of Ostroh Akademy. The course is supported by the Carl Orff Foundation and Studio49 - Orff-Instrumente Builder in Munich. The artistic and organizational team of this course is looking forward to welcome participants from all over the world at this International Orff-Master Class.