Quantum Leap Stormdrum 3 Handbuch
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WREK Grabs Top Honor in Creative Loafing
Friday, OctoberNEWS 5, 2007 Technique • Friday, October 5, 2007 • 1 “The South’s Liveliest College Newspaper” After much antici- pation, Halo 3 is worth the wait. Volume 93, Issue 11 28 pages Page 15 ONLINE www.nique.net TECHNIQUEServing Georgia Tech since 1911 WREK grabs top honor in Creative Loafi ng By Denisse Gonzalez at all. Usually a radio station of for Best Overall Radio Station than the in-your-face popular Contributing Writer our caliber just goes for best non- in Atlanta. stations. Listeners are thankful commercial radio station, but To Th omas Shanks, a fi fth- for our eff orts to provide diverse Taped to the door leading out to step up and year Computer and interesting music, sports and of the WREK radio station offi ces go above and Science and community affairs program- is a sign that reads “What did you beyond 99X, “...to step up E l e c t r i c a l ming,” Shanks said. do today to make WREK awe- Project 96.1, and go beyond... Engineering In addition to sports and some?” On Sept. 26, the 110 staff and all these major, win- public affairs programming, members who work to make the other commer- all these other ning the title WREK broadcasts rock, rhythm station “awesome” were rewarded cial radio sta- commercial radio was overdue. and blues, classical music, jazz by Creative Loafi ng critics, who tions is really Shanks, who and a number of specialty shows, named WREK Best Overall monumental,” stations is really has been an including Indian Masala, featur- Radio Station in the newspaper’s Petrick said. -
Scheherazade Plan of Action
Alonzo King LINES Ballet presents an extraordinary new collaboration between three celebrated artists - choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart Alonzo King LINES Ballet Spring Season April 15-24, 2011 Novellus Theater at Yerba Buena Center for the Arts 700 Howard Street, San Francisco www.linesballet.org Michael Montgomery and Keelan Whitmore featured with one of Christopher Haas’ original sets, photo by RJ Muna SAN FRANCISCO, CA—February xx, 2011—Alonzo King LINES Ballet is pleased to present a groundbreaking new collaboration bringing together a trio of celebrated artists: choreographer Alonzo King, architect Christopher Haas, and percussionist Mickey Hart. This new work will have its world premiere during Alonzo King LINES Ballet’s 2011 Spring Home season, at the Novellus Theater at Yerba Buena Center for the Arts, April 15-24, 2011. King, Haas and Hart join together to create a new piece that explores our relationship with space – physical space and infinite space. The original soundscore by the Grammy-award winning Hart, is based on his recent collaborations with Nobel Laureate George Smoot, draws on the harmonics of the cosmos itself, gathering light waves from the vibrations of heavenly bodies and converting them into layers of sound. Architect Haas, formerly a collaborator with world-renown Swiss architects Herzog &de Meuron, and one of the lead architects of San Francisco’s MH deYoung Museum, has created an interactive built environment, partnering the dancers with transformable architectural surroundings crafted from inexpensive, ordinarily overlooked materials such as recycled cardboard and elastic chord, his sets strike an intriguing kinetic balance between linear and organic forms, and the extraordinary dancers of Alonzo King LINES Ballet grace the stage with incomparable physical artistry. -
Quantum Leap Stormdrum 3 Manual
Quantum Leap Stormdrum 3 Virtual Instrument Users’ Manual QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2013. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com ii QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT 1. Welcome 2 About EastWest and Quantum Leap 3 Producer: Nick Phoenix 4 Percussionist: Mickey Hart 5 Credits 6 How to Use This and the Other Manuals 7 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 QUANTUM LEAP STORMDRUM 3 VIRTUAL INSTRUMENT Welcome About EastWest and Quantum Leap Founder and producer Doug Rogers has over 35 years experience in the audio industry and is the recipient of many recording industry awards including “Recording Engineer of the Year.” In 2005, “The Art of Digital Music” named him one of “56 Visionary Artists & Insiders” in the book of the same name. -
124720 Aaron Read Lowres
Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions. -
Bobi Céspedes Band in Concert with Pellejo Seco with Special Guest John Santos
For immediate release: July 18, 2018 Media contact: [email protected] Brava presents Bobi Céspedes Band in Concert with Pellejo Seco with special guest John Santos Saturday, August 18, 2018 Brava Theater Center Tickets $20 – $50 VIP reception – 6:30pm Doors open – 7:00pm Concert – 8:00pm A sonera of the classic Cuban style and a priestess of the Yorùbán diaspora, Gladys “Bobi” Céspedes has been at the forefront of representing and promoting Cuban music in the Bay Area and the United States for over 40 years. Bobi first won international recognition as director and lead singer for Conjunto Céspedes, which was recognized as an early exponent of world music for their unique approach to Cuban dance music, incorporating jazz elements and folkloric idioms with the Cuban son. Bobi Céspedes’ electrifying ensemble features some of the Bay area’s finest Latin Jazz musicians: Musical director, Marco Díaz on piano, trumpet and vocals; bassist Saúl Sierra-Alonso; Julio Pérez on bongos and percussion; José Roberto Hernández on guitar and vocals; Lichi Fuentes on vocals, chekeré, and guiro, and special guest John Santos on Joining Bobi Céspedes on the bill is one of the Bay Area’s most inventive Cuban bands Pellejo Seco, which draws on Afro-Cuban folklore and the latest Havana dance music, Latin jazz and flamenco, bossa nova and jazz/rock fusion. A portion of the theater will be cleared for a dance floor, so come ready to groove to the sounds of Afro-Cuba and beyond! “A Cuban powerhouse of a woman who demonstrates on record and in concert that she is the worthy successor to the throne of Celia Cruz.” – LA Times -- Orisha Oyá Workshop with Bobi Céspedes Sunday, August 19 – 2pm Brava Cabaret Drawing on sacred songs and stories from Yoruba mythology, Bobi Céspedes, will lead a workshop exploring the mystery and significance of Orisha Oyá, who represents the wind. -
Alumni, Students Come Together for Homecoming 2007
INSIDE GSPH to host forum on aging......................… 2 Pitt pitches in for United Way.................… 5 PittNewspaper of the University of PittsburghChronicle Volume VIII • Number 28 • October 15, 2007 AAAC to Honor Five During Sankofa Weekend By Patricia Lomando White The University of Pittsburgh African American Alumni Council (AAAC) will host the annual Sankofa Weekend this Friday, Saturday, and Sunday to welcome home alumni and honor five distinguished graduates during the University’s Home- coming 2007. Honorees are Ysaye M. Barnwell (FAS ’75), Charlene Mickens Dukes (EDUC ’87G, ’92G), Henry “Model T” Ford (CBA ’55), Margaret D. Garner (CAS ’86), and Ludwick Hayden Jr. (CAS ’66, EDUC ’68G). The AAAC Sankofa weekend begins at 9 a.m. Friday with the Apple Seed Project, a community service initiative that gives alumni the opportunity to share their time and talents with students in the Pittsburgh Public Schools. A Sankofa Marketplace from 5 to 11 p.m. and the AAAC Welcome reception, “It Ain’t Nothin’ but a House Party!” from 8 p.m. to 1 a.m., will be held at the Omni William Penn Hotel, Down- town. The AAAC Sankofa Awards Reception Alumni, Students Come Together and Banquet, “Honoring our Partners in Progress” at 6 p.m. Saturday at the Omni William Penn, will include the AAAC Distinguished Alumni Awards presenta- For Homecoming 2007 tion, honoring the five outstanding African American alumni who have achieved recog- nition in their chosen profession and have Festivities kick off Wednesday; reunions, fireworks, live performances among highlights demonstrated support for the University By Patricia Lomando White and the AAAC. -
Zakir Hussain & Masters of Percussion
CAL PERFORMANCES PRESENTS Sunday, March 23, 2014, 7pm Zellerbach Hall Zakir Hussain & Masters of Percussion with Zakir Hussain tabla Selvaganesh Vinayakram kanjira & ghatam Steve Smith Western drums Niladri Kumar sitar Dilshad Khan sarangi Deepak Bhatt dhol Vijay Chavan dholki and special guest Antonia Minnecola Kathak dancer PROGRAM Tonight’s program will be announced from the stage. There will be one intermission. Cal Performances’ – season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS The foremost disciple of his father, the leg- endary Ustad Allarakha, Mr. Hussain was a child prodigy who began his professional career at the age of twelve and had toured internation- ally with great success by the age of 18. He has been the recipient of many awards, grants and honors, including Padma Bhushan (2002), Padma Shri (1988), the Sangeet Natak Akademi Award (1991), Kalidas Samman (2006), the 1999 National Heritage Fellowship Award, the Bay Area Isadora Duncan Award (1998–1999), and Grammy Awards in 1991 and 2009 for Best World Music Album for Planet Drum and Global Drum Project, both collaborations with Mickey Hart. His music and extraordinary con- tribution to the music world were honored in April 2009, with four widely heralded and sold- out concerts in Carnegie Hall’s “Perspectives” series. Also in 2009, Mr. Hussain was named a Susana Millman Susana Member in the Order of Arts and Letters by AKIR HUSSAIN (tabla) is today appreciated France’s Ministry of Culture and Commun - Zboth in the field of percussion and in the ication. Most recently, the National Symphony music world at large as an international phe- Orchestra with Christoph Eschenbach com- nomenon. -
Sides Taken in Poster Controversy
Colonials Weekend Guide 2007 | B section ALWAYS ONLINE: WWW.GWHATCHET.COM Your guide to events in Foggy Bottom and in Washington @ BILLY CRYSTAL Thursday The GW PAGE B4 October 11, 2007 Check out his Vol. 104 • Iss. 16 Hatchet Facebook profi le AN INDEPENDENT STUDENT NEWSPAPER - SERVING THE GW COMMUNITY SINCE 1904 Sides taken in poster controversy 7 students take Conservatives responsibility call for retribution by Eric Roper by Andrew Ramonas Metro News Editor and Eric Roper Hatchet News Editors Conservative groups and national activists are calling for the expulsion of Seven students signed confessions seven students for hanging controversial with the University Police Depart- posters Monday morning, as campus ment Wednesday morning, admitting groups begin to take sides on Islamo-Fas- to their involvement in a controversial cism Awareness week. poster campaign that offended a slew The students, who said they felt the of members of the GW community. planned week was anti-Muslim, hung The students said they hung the posters around campus early Monday fl iers – which contained the text “Hate morning. The fl iers invoked the name of Muslims? So do we!!!” – to exemplify the week’s organizers – the Young Amer- the racism of an upcoming conser- ica’s Foundation. Many people said they vative event called Islamo-Fascism thought the act was intended as an attack Awareness Week. The event’s orga- on the Muslim community, until students nizers, the Young America’s Founda- calling themselves the Students for Con- tion, were falsely named as contacts servativó Fascism Awareness group took on the poster. responsibility for the act Tuesday night. -
The Daily Gamecock, TUESDAY, FEBRUARY 10, 2009
University of South Carolina Scholar Commons February 2009 2-10-2009 The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, FEBRUARY 10, 2009" (2009). February. 14. https://scholarcommons.sc.edu/gamecock_2009_feb/14 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, FEBRUARY 10, 2009 VOL. 102, NO. 92 ● SINCE 1908 Weather Have questions for your Student Government TODAY Debate nets poor turnout candidates? Send them to The Daily Gamecock HIGH 75° at gamecockeditor@ Two of 12 candidates last week in academics sc.edu to be submitted committee to get teachers for the SG debates discuss platforms, to work more with students Wednesday and TONIGHT on their book lists.” Thursday. Questions LOW 52° argue qualifi cations If elected to student directed to senatorial senate, Kevin Burke , a fi rst- candidates in the Josh Dawsey year undecided student, said College of Arts and STAFF WRITER he would look to implement Sciences, as well TOMORROW a business learning as candidates for HIGH 76° Of the 12 candidates community executive offi ce, running for the business similar to should be submitted school district (district 5) that of the by Tuesday at 5 p.m. of student senate, only two pre-med, Attend the next two Inside showed up to debate the pre-law and debates and if you miss merits of their platform in engineering them, check out our coverage the day after. -
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 Pm
Advance Program Notes Zakir Hussain and Masters of Percussion Monday, March 31, 2014, 8 pm These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. ZAKIR HUSSAIN and Masters of Percussion with Selvaganesh Vinayakram (kanjira and ghatam) Steve Smith (western drums) Niladri Kumar (sitar) Dilshad Khan (sarangi) Deepak Bhatt (dhol) Vijay Chavan (dholki) The preeminent classical tabla virtuoso of our time, Zakir Hussain delivers brilliant performances that have established him as a national treasure in his native India and as one of the world’s most esteemed and influential musicians, renowned for his genre-defying collaborations. His playing is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable knowledge and study. Masters of Percussion, an outgrowth of Hussain’s memorable tours with his father, the legendary Ustad Allarakha, has enjoyed successful tours in the West since 1996. Joining the 2014 tour will be Selvaganesh Vinayakram (kanjira and ghatam), Steve Smith (western drums), Niladri Kumar (sitar), Dilshad Khan, (sarangi), Deepak Bhatt (dhol), and Vijay Chavan (dholki). Zakir Hussain appears by arrangement with IMG Artists 152 W. 57th Street, 5th Floor, New York, N.Y. 10019 For more information, please visit www.zakirhussain.com. Artist Biographies Zakir Hussain Zakir Hussain is appreciated both in the field of percussion and in the music world at large as an international phenomenon. A classical tabla virtuoso of the highest order, his consistently brilliant and exciting performances have not only established him as a national treasure in his own country, India, but gained him worldwide fame. -
Béla Fleck, Zakir Hussain & Edgar Meyer
Jim McGuire BÉLA FLECK, ZAKIR HUSSAIN & EDGAR MEYER With Rakesh Chaurasia Béla Fleck Banjo Zakir Hussain Tabla Edgar Meyer Double Bass Rakesh Chaurasia Bansuri PROGRAM There will be an intermission. Sunday, November 11 @ 7 PM Zellerbach Theatre 18/19 SEASON 45 PROGRAM NOTES There’s a bit of the sorcerer in Béla Fleck (banjo), Zakir Hussain (tabla), Edgar Meyer (double bass) and their special guest, Rakesh Chaurasia (bansuri – Indian flute). Most musicians hope at most for proficiency in their chosen form, but these gentlemen move from bluegrass to Western classical to Indian classical to jazz, transmuting genres into something uniquely their own as though they’d gotten hold of the alchemist’s tools that legendarily changed lead into gold. In any case, it’s music that transcends description; ineffable, indefinable and very beautiful. The story begins around 1980 when Meyer’s friends Sam Bush and John Cowan told him about a guy they thought he’d enjoy playing with, Béla Fleck. “We first played together in Aspen, just busking, but we were pretty close pretty early. The thing we had in common was that both of us were completely comfortable talking about music 24/7 – playing, instruments, technology, the machinations of human beings involved, and any part of music” says Meyer. They played even more. “As players,” he adds, “we were at a formative stage, so to some degree, we were shaped by each other. Béla’s inventive, he cares about the details, and he’s willing to put rhythm above other things, to prioritize it.” And rhythm led to the next step. -
Vol. 8. No. 1, Winter 2019
Impact About Us ....................................................................................................................................................................... 3 Editorial Statement ....................................................................................................................................................... 4 About This Issue’s Authors ........................................................................................................................................... 5 Announcements ............................................................................................................................................................ 6 Impact Essay Competition ............................................................................................................................................ 7 Essays: Diagnosing the American Dream: Trouble in the Vibrations of The Great Gatsby By Peter W. Wakefield ……………………………………………………………………………………………….8 Incarcerated Students' Perceptions of Correctional Education By Stephanie Cage ……………………………………………………………………………………………………..16 Review Essay: The Birth of an Interdisciplinary Area: Studying the Grateful Dead By Christopher K. Coffman……………………………………………………………………………………………..27 Book Reviews: Booth, Michael. Shakespeare and Conceptual Blending: Cognition, Creativity, Criticism. Reviewed by Shaun Stiemsma ………………………………………………………………………………………..33 McKinney, Kathleen, ed. The Scholarship of Teaching and Learning in and across the Disciplines. Reviewed by Nicholas