Ostry Dyżur O Kultowym Dramacie Medycznym

Total Page:16

File Type:pdf, Size:1020Kb

Ostry Dyżur O Kultowym Dramacie Medycznym Ostry Dyżur o kultowym dramacie medycznym Poziom trudności: Średni 1. Którego dnia i roku serial rozpoczął emisję w USA? A - 29 września 1994 B - 22 września 1994 C - 19 września 1994 2. Czy serial "Ostry Dyżur" zakończył już swoją emisję? A - tak B - nie 3. w któym sezonie serialu z obsady odszedł George Clooney A - 4 B - 5 C - 6 4. serialowy Dr Mark Greene zmarł w końcówce 8 sezonu na A - tętniaka mózgu B - białaczki C - nowotwór mózgu 5. dr Kerry Weaver była orientacji: A - homoseksualnej B - heteroseksualnej C - biseksualnej 6. Kto z lekarzy miał psedonium "rakieta"? A - dr Greene B - dr Carter C - dr Romano D - dr Corday Copyright © 1995-2021 Wirtualna Polska 7. Szpital w którym toczyła się akcja serialu to... A - County General Hospital B - Vista Community Hospital C - Mercy Hospital D - Seattle Grace Hospital 8. Głównym producentem Ostrego Dyżuru był... A - Michael Crichton B - John Wells C - Christopher Chulach 9. Która postać pojawiła się we wszystkich sezonach? (od 12 sezonu gościnnie w 2-3 odcinkach serii) A - dr Kerry Weaver (Laura Innes) B - dr John Crater (Noah Wyle) C - dr Peter Benton (Eriq la Selle) 10. dr Luka Kovac jest z pochodzenia A - Gruzinem B - Chorwatem C - Serbem D - Bośniakiem 11. ostatnim szefem Izby Przyjęć była... A - dr Cate Banfield B - dr Susan Lewis C - dr Kerry Weaver 12. Akcja serialu toczy się w A - Nowym Jorku B - Detroit C - Chicago D - Waszyngtonie Copyright © 1995-2021 Wirtualna Polska 13. Dr Deb Chen odeszła w sezonie 11 ( odcinek „Twas In the Night") ponieważ A - uśmierciła pacjenta proszącego o eutanazję B - uśmierciła własnego nieuleczalnie chorego ojca C - nieświadomie podała pacjentowi śmiertelną dawkę leku 14. dr Romano zginął w sezonie 10 w (odcinek Freefall) w wyniku A - katastrofy śmigłowca B - zawału serca C - wypadku karetki 15. Czy dr Gregory Pratt był afroamerykaninem? A - tak B - nie 16. pielęgniarka Carol Hathway zwolniła się z pracy w sezonie 6 (odcinek „Such Sweet Sorrow") ponieważ A - została przełożoną pielęgniarek w innej placówce B - postanowiła rozpocząć studia medyczne w Seatte C - wróciła do ojca swoich dzieci dr Douga Rossa 17. pielęgniarka Sam Taggart miała syna o imieniu A - Alex B - John C - Ray D - Mark 18. Chirurg wystepujący w serialu od 11 sezonu ma na nazwisko A - dr Dubenko B - dr Dabienek C - dr Dubranko 19. Ile sal urazowych było na Izbie Przyjęć? Copyright © 1995-2021 Wirtualna Polska A - 1 B - 5 C - 2 20. Żoną dr Kovaca została A - dr Abby Lockhart B - siostra Sam Taggart C - dr Neela Rasgotra 21. każdy sezon "Ostrego Dyżuru" miał A - 18 odcinków B - 23 odcinki C - 22 odcinki D - 27 odcinków 22. Czy piosenki Metallicy były wykorzystywane w serialu? A - tak w 5, 10 i 15 sezonie B - tak w 5 i 15 sezonie C - nie D - tak w 5 sezonie 23. kto jest autorem tłumaczenia na polski dialogów z serialu? A - Ewa Anna Fiszer B - Elżbieta Gałązka-Salamon C - Andrzej Jagodziński 24. dr Archie Morris jest A - brunetem B - rudy C - blondynem 25. recepcjonista na Izbie Przyjęć - Frank Martin był wczesniej... A - sprzedawcą Copyright © 1995-2021 Wirtualna Polska B - rehabilitantem C - policjantem D - farmaceutą Copyright © 1995-2021 Wirtualna Polska Ostry Dyżur o kultowym dramacie medycznym Poziom trudności: Średni Karta odpowiedzi 1. C 2. A 3. B 4. C 5. A 6. C 7. A 8. A 9. B 10. B 11. A 12. C 13. B 14. A 15. A 16. C 17. A 18. A 19. C 20. A 21. C 22. D 23. B 24. B 25. C Copyright © 1995-2021 Wirtualna Polska.
Recommended publications
  • ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
    ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D.
    [Show full text]
  • 1.19 Excerpt]
    The West Wing Weekly 1:19: Let Bartlet Be Bartlet Guest: Under Secretary of the Army, Patrick Murphy [Intro Music] JOSH: Well hello. You’re listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. Today we’re talking about season one, episode nineteen of The West Wing : “ Let Bartlet Be Bartlet ”. And coming up later, the United States Under Secretary of the Army, the honorable Patrick Murphy, is going to be joining us to talk about this episode. JOSH: It first aired on April 26th, 2000. The story is by Peter Parnell and Patrick Caddell, which rhymes and that’s cute. The teleplay is by Aaron Sorkin and the episode was directed by Laura Innes, whom you know as an actor from her work as Kerry Weaver in 249 episodes of ‘ER’ and all sorts of other things. HRISHI: Part of the John Wells family then. JOSH: That is true. I have a ‘Laura Innes Directs’ anecdote- HRISHI: From a later episode. JOSH: Yes. It’s not a spoiler of any kind, except that I’ll probably tell the story again two years from now when we get to it. HRISHI: Sure, let’s hear it. JOSH: ok. So she directed an episode that I acted in, seasons after this one, and she’s a very serious director and I’m a not very serious actor and so Laura came up to me to discuss a scene we were about to shoot and she had really thought it through, all the different beats and psychologically where the characters were at, and she kind of talked me through it and said “This is my take and I think what you’re thinking here is this and that sort of reflects on - remember what happened last season - and I think what you’re trying to accomplish here...” and this and that and she kinda gave a five minute spiel and then I said “So..
    [Show full text]
  • Ms.Smith Across 36 Gin Flavor Down 33 Kramer, to Yale 1 Statue’S Modesty 37 Home St
    Ms.Smith Across 36 Gin flavor Down 33 Kramer, to Yale 1 Statue’s modesty 37 Home st. of 1 Some O.C.S. grads 34 Film maker Frank protector Harper Lee 2 Antidiscrimination 37 Climb Ev’ry Mountain 5 Has sex on a carpet? 39 “All’s Well That letters peak 10 Benefit ___ Well” 3 Weight loss product 38 Rest atop 14 He shot a fruit on 41 More of the quote 4 Ventriloquist Wayland 40 Like the Divine his son’s head 46 AARP concern 5 Alfred Kinsey’s tool Miss M, morally? 15 One fit for paddling 48 Emulate Dr. Kildare 6 Well of Loneliness author 42 Silver compounds 16 Alice’s Restaurant 49 Dr. Kerry Weaver’s 7 At once, to Byron 43 Toward the side patron helpers 8 Come out, perhaps 44 WNBA player, e.g. 17 Like sex for one 50 Teaching deg. 9 One who does it 45 Affirmation to a 18 Over one’s head 52 Swear words doggie style? drag queen 19 Narrow opening 53 Ms. Smith...and the 10 Home, to Dave Pallone 47 Uey from NNW 20 Start of a quote from end of the quote 11 Virginia Woolf novel 50 ___ sign (HRC logo) Ms. Smith 57 One with limbs 12 Oscar winner for 51 On account of 23 Hydrocarbon ending spread wide Hamlet 53 Prefix with sphere 24 Stephen of 58 Peace Nobelist Wiesel 13 Place for a 54 Cumming on Breakfast on Pluto 59 Napped leather shorthand job The L Word 25 Playful bite 60 Part of BART 21 Laura of ER 55 Big initials in fashion 26 Nut from Oak Lawn 61 Apples with chips 22 Tony Randall’s 56 Shout at an open call 29 Elroy Jetson stroked 62 Condom material 7 Faces of Dr.
    [Show full text]
  • DESPITE the FEAR a Trans Woman’S Battle to Avenge Her APRIL 25, 2019 VOL
    PRIDESOURCE.COM Federal Court Ruled Local Govts Can Exclude Foster Agencies That Discriminate Against LGBTQ People PAGE 13 MOLLY SHANNON, Queering a Literary Icon ‘SNL’ Alum Reflects on LGBTQ Following FIGHTING PAGE 14 DESPITE THE FEAR A Trans Woman’s Battle to Avenge Her APRIL 25, 2019 VOL. 2717 | FREE Friend’s Death Turns Toward Advocacy VOL. 2717 • APRIL 25, 2019 • ISSUE 1108 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL Editor in Chief 26 Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] Feature News Editor Kate Opalewski, 734.293.7200 x 108 [email protected] Editorial Assistant Eve Kucharski, 734.293.7200 x 105 8 24 [email protected] News & Feature Writers Emell Derra Adolphus, Michelle Brown, Ellen Knoppow, Jason Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith Cartoonists Paul Berg Contributing Photographers 14 10 Andrew Potter, Andrew Cohen ADVERTISING & SALES Director of Sales Jan Stevenson, 734.293.7200 x 101 [email protected] NEWS Sales Representatives 4 History Wheel Ann Cox, 734.293.7200 x 103 LIFE [email protected] 6 Fighting Despite the Fear 14 Molly Shannon: Queering a Literary Icon National Advertising Representative Rivendell Media, 212.242.6863 8 From
    [Show full text]
  • Convenient Fictions
    CONVENIENT FICTIONS: THE SCRIPT OF LESBIAN DESIRE IN THE POST-ELLEN ERA. A NEW ZEALAND PERSPECTIVE By Alison Julie Hopkins A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2009 Acknowledgements I would like to acknowledge those people who have supported me in my endeavour to complete this thesis. In particular, I would like to thank Dr Alison Laurie and Dr Lesley Hall, for their guidance and expertise, and Dr Tony Schirato for his insights, all of which were instrumental in the completion of my study. I would also like to express my gratitude to all of those people who participated in the research, in particular Mark Pope, facilitator of the ‘School’s Out’ programme, the staff at LAGANZ, and the staff at the photographic archive of The Alexander Turnbull Library. I would also like to acknowledge the support of The Chief Censor, Bill Hastings, and The Office of Film and Literature Classification, throughout this study. Finally, I would like to thank my most ardent supporters, Virginia, Darcy, and Mo. ii Abstract Little has been published about the ascending trajectory of lesbian characters in prime-time television texts. Rarer still are analyses of lesbian fictions on New Zealand television. This study offers a robust and critical interrogation of Sapphic expression found in the New Zealand television landscape. More specifically, this thesis analyses fictional lesbian representation found in New Zealand’s prime-time, free-to-air television environment. It argues that television’s script of lesbian desire is more about illusion than inclusion, and that lesbian representation is a misnomer, both qualitatively and quantitively.
    [Show full text]
  • 2009 TV Land Awards' on Sunday, April 19Th
    Legendary Medical Drama 'ER' to Receive the Icon Award at the '2009 TV Land Awards' on Sunday, April 19th Cast Members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman Among the Stars to Accept Award LOS ANGELES, April 8 -- Medical drama "ER" has been added as an honoree at the "2009 TV Land Awards," it was announced today. The two-hour show, hosted by Neil Patrick Harris ("How I Met Your Mother," Harold and Kumar Go To White Castle and Assassins), will tape on Sunday, April 19th at the Gibson Amphitheatre in Universal City and will air on TV Land during a special presentation of TV Land PRIME on Sunday, April 26th at 8PM ET/PT. "ER," one of television's longest running dramas, will be presented with the Icon Award for the way that it changed television with its fast-paced steadi-cam shots as well as for its amazing and gritty storylines. The Icon Award is presented to a television program with immeasurable fame and longevity. The show transcends generations and is recognized by peers and fans around the world. As one poignant quiet moment flowed to a heart-stopping rescue and back, "ER" continued to thrill its audiences through the finale on April 2, which bowed with a record number 16 million viewers. Cast members Alex Kingston, Anthony Edwards, Linda Cardellini, Ellen Crawford, Laura Innes, Kellie Martin, Mekhi Phifer, Parminder Nagra, Shane West and Yvette Freeman will all be in attendance to accept the award.
    [Show full text]
  • Guidelines for Television Criticism
    09-O’Donnell.qxd 2/13/2007 10:27 AM Page 199 9 Guidelines for Television Criticism Introduction Now that you understand the various aspects of television as a business, pro- duction procedures, television style, narrative, genre, elements of rhetoric and cultural studies, representation, and postmodernism, you are ready to do an in-depth analysis of a television program or an episode from a series. Whether you select fiction or nonfiction programming is entirely up to you. Select a program that you can record and will not mind viewing several times because you will need to examine several aspects of it. Select a program that you want to question or one with which you are familiar. As stated in Chapter 1, it is perfectly acceptable to analyze a favorite program or one that suits your inter- ests and tastes. Your goals are to understand the various elements of a televi- sion program, to analyze it, to interpret possible meanings, to judge the quality of the program, and to communicate your assessment in writing. This chapter brings together the elements of the previous chapters into eight sections: (1) critical orientation; (2) story and genre; (3) organization; (4) demographics; (5) context; (6) the look of the program and its codes; (7) analysis; and (8) judgment. Each category includes questions that you can ask about a television program. Depending on what you want to know about the program, you can select a few or all of the categories. Not all the questions will be relevant to the program you have selected, so you can 199 09-O’Donnell.qxd 2/13/2007 10:27 AM Page 200 200—— Chapter 9 choose the questions that are most pertinent.
    [Show full text]
  • The Confusion of Conditions a Sociological Look at the Television Series E.R.*
    The Confusion of Conditions A Sociological Look at the Television Series E.R.* By Sabine Chalvon-Demersay Translated from the French by Teresa Lavender Fagan E.R. is an American television series that portrays the daily activities of a medical team in the emergency room of a hospital located in Chicago. The pilot episode was broadcast on NBC in September 1994. The series was bought by France 2, which aired the first episodes in July 1996, and has presented a new season every fall. Michael Crichton created E.R. He wrote the pilot episode, which was produced by John Wells and directed by Rod Holcomb; he continues to supervise the writing of subsequent episodes which are directed by different people. A graduate of Harvard, the author of 22 best-selling books, he has a medical degree, but has never practiced medicine. It was during medical school that Crichton thought of the original screenplay for E.R., which was produced twenty years later. He needed the authority that was granted to him by the success of his books and his film scripts (notably Disclosure, Jurassic Park, Congo, Rising Sun), as well as the support of Steven Spielberg, in order to be in a position to propose an original screenplay that in many respects went against much of what people expected in a television series, and concerning which he was not willing to make any concessions. The Research What is most striking when one questions viewers of the series is their sense of a true powerful relationship that is immediately established between the series and its audience and which develops throughout the seasons: violent rejection, strong enthusiasm, disgust, expectation, impatience, frustration, irritation, habit, weariness, (relief).
    [Show full text]
  • 2008 Sentinel Awards Ceremony and Panel
    1 The Norman Lear Center 2008 Sentinel for Health Awards The Sentinel for Health Awards The Norman Lear Center The Sentinel for Health Awards recognize exemplary The Norman Lear Center achievements of television storylines that inform, educate is a nonpartisan research and motivate viewers to make choices for healthier and and public policy center safer lives. For many loyal viewers, television dramas and that studies the social, comedies provide both entertainment and information political, economic and about disease, injury and disability. A compelling storyline cultural impact of that demonstrates risky behavior and consequences, or entertainment on the world. The Lear Center translates shows how to avoid risk, can benefit millions of viewers its findings into action through testimony, journalism, and their loved ones. strategic research and innovative public outreach campaigns. On campus, from its base in the USC Each entry is screened by Hollywood, Health & Society Annenberg School for Communication, the Lear Center staff for eligibility. Qualifying entries are evaluated in two builds bridges between schools and disciplines whose rounds of judging. In the first round of judging, each sto- faculty study aspects of entertainment, media and ryline is reviewed for accuracy by a panel of topic experts culture. Beyond campus, it bridges the gap between who take the following into consideration: the entertainment industry and academia, and between them and the public. Through scholarship and research; * How the health problem can be prevented through its conferences, public events and publications; * How a character’s choices affect his/her health or safety and in its attempts to illuminate and repair the world, the * What causes the health problem and how it impacts the Lear Center works to be at the forefront of discussion and lives and relationships of characters practice in the field.
    [Show full text]
  • A Színek Tükrében
    korhaz_2005_12.qxd 12/6/2005 12:22 PM Page 6 MENEDZSMENT HOGYAN DÖNTSÜNK STRATÉGIAI KÉRDÉSEKBEN? A színek tükrében cióra öt potenciális jelölt, Mark Skála meghatározása A mindennapi működés során alkalma- GREENE, Doug ROSS, Peter BENTON, Túlzottan ragaszkodunk a számokhoz. zott intuitív döntési technikák, bár több- John CARTER és Kerry WEAVER közül Felejtsük el őket! Kevés dolgot tudunk nyire hatásosak, mégis ritkán hatéko- kell választanunk. pontosan számszerűsíteni, illetve a nyak, illetve optimálisak stratégiai dön- számszerűsítés következtében az agyunk tési helyzetekben. Márpedig a kórház, a A szempontok tisztázása rögtön különböző jelentéstartalmakat is kórházi osztály jövője szempontjából ko- hozzárendel a számokhoz (például ösz- rántsem mellékes, hogy milyen technoló- A választáshoz elengedhetetlen a döntési szeadhatóság, abszolút nagyság…). giákat, eljárásokat alkalmaznak és fog- szempontok előzetes tisztázása. Egyrész- Használjunk színskálát. Érdemes egy nak alkalmazni a jövőben, milyen to- ről fontos a döntés során minél több szín árnyalatait használni (jelen esetben vábbképzéseken vesznek részt alkalma- szempontot figyelembe venni, másrész- a lila), például úgy, hogy a negatív dol- zottaik, kik is egyáltalán az alkalmazot- ről törekedni kell a fontos kritériumok gokhoz világosabb színeket, míg az egy- tak és kik vezetik őket. kiválasztására. re pozitívabbnak ítélt tényezőkhöz egyre A gyakorlatban 5-7 jól kiválasztott sötétebb árnyalatot rendelünk. A döntési Döntési szituáció szempont ideális helyzetet teremt; egy- szituációk
    [Show full text]
  • Chester County Ledger
    Chester County Ledger The Newsletter of the Chester County Historic Preservation Network www.cchpn.org Volume 22 Number 1 Established 1997 March 2019 The 30th Anniversary of “Jane’s Army” Chester County Ledger www.cchpn.org Page 2 March 2019 Chester County Ledger www.cchpn.org Page 3 March 2019 THE PRESIDENT’S LETTER: The President’s Letter: Becoming a Trusted Partner This year the Chester County Historic Preservation Network is celebrating its 30th Anniversary. There have been many accomplish- ments over the years from the founding to a thriving organization still sustained largely by volunteer efforts from across the County. With thir- ty years of building an ever-expanding network and developing expertise in the incredibly broad field of historic preservation, the organization has become a recognized place to go for guidance in everything from the smallest local issue to having a voice at a county and state level in preser- vation matters. In the field of professional services, reputation has to be earned. James B. Garrison A good reputation brings credibility and a place at the table where deci- sions are made. The group effort that has gone into making the reputa- tion of the Network is truly inspirational. It shows that a combination of Table of Contents enthusiasm, interest, and a diverse set of skills can come together with a Pg. Article and Author strong message. Historic preservation does not always have a happy or 3. President’s Letter—James B. easy message to deliver, but few issues that arise are really unique or oc- Garrison curring for the first time.
    [Show full text]
  • Diplomarbeit
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Eat. Drink. Talk. Zur Funktion von fictional bars in US-amerikanischen Fernsehserien.“ Verfasserin Sabine Baumgartner angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Dr. Ulrich Meurer, M.A. Sabine Baumgartner – 2 – Sabine Baumgartner Ein großes DDaannkke,e …euch allen, die ihr stets für mich da wart und mich auf meinem Weg durch das Studium und vor allem durch den Prozess dieser Diplomarbeit begleitet haben! …vor allem Herrn Professor Meurer, für seine Unterstützung, Anregungen und die engagierte Betreuung. …meiner lieben Familie, die mich geistig, emotional – und zeitweise sogar räumlich - unterstützt hat, ohne euch wäre ich heute nicht hier! ….Maxi Ratzkowski für den geistigen Austausch und die zahlreichen Gespräche. …Steffi, dass du immer an mich geglaubt und mir die nötige Kraft gegeben hast! – 3 – Sabine Baumgartner – 4 – Sabine Baumgartner 1. Einleitung .............................................................................................................. 7 2. Räume .................................................................................................................. 8 3. Sozialer Raum ...................................................................................................... 9 3.1 Raumsoziologie (nach Löw)
    [Show full text]