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Japan Japan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Japan Country: Indonesia Style: New Wave, Synth-pop MP3 version RAR size: 1118 mb FLAC version RAR size: 1907 mb WMA version RAR size: 1818 mb Rating: 4.4 Votes: 594 Other Formats: WMA XM RA AA AIFF MP2 VQF Tracklist A1 The Art Of Parties A2 Talking Drum A3 Ghosts A4 Gentlemen Take Polaroids A5 Cantonese Boy B1 Still Life In Mobile Homes B2 Visions Of China B3 Taking Islands In Africa B4 Swing Notes Indonesian unofficial cassette compilation. It is titled 'Tin Drum' but this is incorrect; it is a copy of the compilation which was released in USA titled 'Japan'. The tracks on this unofficial cassette has been manufactured with a different running order. Tracks as printed on sleeve: A1 The Art Of Parties A2 Talking Drum A3 Ghosts A4 Gentlemen Take Polaroids A5 Still Life In B1 Mobile Homes B2 Visions Of China B3 Taking Islands In Africa B4 Swing Whilst A5 is printed as 'Still Life' the actual track on the tape is 'Cantonese Boy' which cuts off before the end of the track. Other versions Category Artist Title (Format) Label Category Country Year ARE 37914 Japan Japan (LP, Comp) Epic, Virgin ARE 37914 US 1982 UFO 4355 Japan Japan (Cass, Comp, Unofficial) UFO UFO 4355 Unknown ARE 37914 Japan Japan (LP, Comp, Ter) Epic, Virgin ARE 37914 US 1982 AET 37914 Japan Japan (Cass, Comp) Epic, Virgin AET 37914 US 1982 ES 1091 Japan Japan (Cass, Comp, Unofficial) Peacock ES 1091 Thailand Unknown Related Music albums to Japan by Japan Eighteen Visions - Eighteen Visions Life! Beats - Planet Earth Japan - Exorcising Ghosts Japan - The Art Of Parties = ジ・アート・オブ・パーティーズ Makoto Kubota & Sunset Gang - Made In Islands Vol.2 -Jakarta Champur- Japan - Gentlemen Take Polaroids Japan - Yebi - Sons Of Pioneers Japan - Visions Of China / Canton Japan - Canton (Live) Japan - Tin Drum Japan - Instant Pictures Japan - Oil On Canvas.

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Japanese Hermeneutics
JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA JAPANESE HERMENEUTICS JAPANESE HERMENEUTICS CURRENT DEBATES ON AESTHETICS AND INTERPRETATION EDITED BY MICHAEL F. MARRA University of Hawai‘i Press Honolulu © 2002 University of Hawai‘i Press All rights reserved Printed in the United States of America 07 06 05 04 03 02 654321 Library of Congress Cataloging-in-Publication Data Japanese hermeneutics : current debates on aesthetics and interpretation / edited by Michael F. Marra. p. cm. Includes index. ISBN 0-8248-2457-1 (cloth : alk. paper) 1. Aesthetics, Japanese. 2. Hermeneutics. 3. Japanese literature— History and criticism. I. Marra, Michele. BH221.J3 J374 2000 111Ј.85Ј0952—dc21 2001040663 University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Carol Colbath Printed by The Maple-Vail Book Manufacturing Group Volano gli angeli in Paradiso Che adornano con il sorriso Nel ricordo di Gemmina (1960 –2000) CONTENTS Acknowledgments ix Abbreviations xi Introduction Michael F. Marra 1 HERMENEUTICS AND JAPAN 1. Method, Hermeneutics, Truth Gianni Vattimo 9 2. Poetics of Intransitivity Sasaki Ken’ichi 17 3. The Hermeneutic Approach to Japanese Modernity: “Art-Way,” “Iki,” and “Cut-Continuance” O¯ hashi Ryo¯suke 25 4. Frame and Link: A Philosophy of Japanese Composition Amagasaki Akira 36 5. The Eloquent Stillness of Stone: Rock in the Dry Landscape Garden Graham Parkes 44 6. Motoori Norinaga’s Hermeneutic of Mono no Aware: The Link between Ideal and Tradition Mark Meli 60 7. Between Individual and Communal, Subject and Object, Self and Other: Mediating Watsuji Tetsuro¯’s Hermeneutics John C.
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Archivio Decibel
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The Korean Diaspora
HAUNTING the Korean Diaspora HAUNTING the Korean Diaspora Shame, Secrecy, and the Forgotten War Grace M. Cho UNIVERSITY OF MINNESOTA PRESS Minneapolis • London The University of Minnesota Press gratefully acknowledges the financial assistance provided for the publication of this book from the Office of the Dean of Humanities and Social Sciences at College of Staten Island–City University of New York. A portion of chapter 4 was published as “Prostituted and Vulnerable Bodies,” in Gendered Bodies: Feminist Perspectives, ed. Judith Lorber and Lisa Jean Moore (Cary, N.C.: Roxbury Publishing, 2007), 210–14; reprinted by permission of Oxford University Press, Inc. Portions of chapters 4 and 5 have been previously published as “Diaspora of Camp - town: The Forgotten War’s Monstrous Family,” Women’s Studies Quarterly 34, nos. 1–2 (2006): 309–31. A shorter version of chapter 6 was published as “Voices from the Teum: Synesthetic Trauma and the Ghosts of Korean Diaspora,” in The Affective Turn: Theorizing the Social, ed. Patricia Clough with Jean Halley (Durham, N.C.: Duke University Press, 2007), 151–69. Portions of chapter 6 were published by Sage Publications as Grace M. Cho and Hosu Kim, “Dreaming in Tongues,” Qualitative Inquiry 11, no. 3 (2005): 445–57, and as Grace M. Cho, “Murmurs in the Storytelling Machine,” Cultural Studies—Critical Methodologies 4, no. 4 (2004): 426–32. Portions of chapter 6 have been performed in “6.25 History beneath the Skin,” a performance art piece in Still Present Pasts: Korean Americans and the “Forgotten War.” In chapter 2, the poem “Cheju Do” by Yong Yuk appears courtesy of the author.
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Japan the Final Show Mp3, Flac, Wma
Japan The Final Show mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Final Show Country: Japan Released: 1991 Style: Synth-pop, Ambient MP3 version RAR size: 1946 mb FLAC version RAR size: 1789 mb WMA version RAR size: 1708 mb Rating: 4.2 Votes: 434 Other Formats: MP2 AC3 AIFF ASF AUD AAC VOX Tracklist The Final Show - Nagoya, Japan, 6 December 1982 1 Sons Of Pioneers 5:07 2 Alien 5:20 3 Gentlemen Take Polaroids 6:32 4 Swing 5:38 5 Cantonese Boy 3:56 6 Visions Of China 3:37 7 Nightporter 7:05 8 Canton 5:29 9 Ghosts 5:44 10 Still Life In Mobile Homes 5:43 11 Methods Of Dance 6:11 12 Quiet Life 5:01 13 European Son 4:25 14 The Art Of Parties 5:25 Notes ℗ 1991 'The Final Show' was recorded at Nagoya, Japan, 6 December 1982 which was the last ever show for Japan. The quality is not bad, but rather annoyingly to fit onto one CD the last two songs from the show have been cut: Life In Tokyo Fall In Love With Me If you want the finale you need to find the Japanese 2LP bootleg titled 'Yebi'. The track listing printed on the sleeve is slightly incorrect with track listings & timings. Track 8 is listed as 'Canton/ Ghosts' - this is 'Canton' only. Track 9 is listed as 'Instrumental' - this is 'Ghosts'. Track 12 'Quiet Life' is listed as 5:01 - the length of the track is 4:37. Note of interest: David Sylvian sings an alternative melody during the latter half of 'Ghosts'.
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Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
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Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art
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