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Atari Teenage Riot Sick to Death EP Mp3, Flac
Atari Teenage Riot Sick To Death E.P. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Sick To Death E.P. Country: UK & Europe Released: 1997 Style: Hardcore, Downtempo, Breakcore MP3 version RAR size: 1753 mb FLAC version RAR size: 1889 mb WMA version RAR size: 1290 mb Rating: 4.9 Votes: 431 Other Formats: MOD ASF VOC MP2 AC3 AU VQF Tracklist 1 Sick To Death 3:44 2 We've Got The Fucking Power 4:44 3 Sick To Death (Remix) 6:00 4 Waves Of Disaster 5:11 Companies, etc. Marketed By – Intercord Record Service Distributed By – Intercord Record Service Licensed To – Intercord Record Service Phonographic Copyright (p) – Digital Hardcore Recordings Ltd. Copyright (c) – Digital Hardcore Recordings Ltd. Published By – Digital Hardcore Music Credits Artwork [Video Pix] – Phillip Virus* Cover [From] – Hell* Engineer [Assistant] – Janek S.* (tracks: 1, 2) MC – Carl Crack Producer, Programmed By, Vocals [Shouts] – Alec Empire Vocals – Hanin Elias Written-By – Alec Empire, Carl Crack (tracks: 2) Notes All tracks produced at Empire Studios, Berlin 1996. Vocal recordings on track 1 and 2 at MK Audio, Berlin. ©+℗ 1997 DHR Ltd. All tracks published by Digital Hardcore Music. Marketed and distributed by Intercord Record Service, Licensee. Barcode and Other Identifiers Barcode (Scanned): 724388359320 Barcode (Printed): 7 24388 35932 0 Label Code: LC 4396 Rights Society: bel BIEM Other versions Category Artist Title (Format) Label Category Country Year Atari Sick To Death Digital Hardcore DHR 12 DHR 12 Germany 1997 Teenage Riot E.P. (12", EP) Recordings (DHR) Atari Sick To Death Digital Hardcore none none 1997 Teenage Riot E.P. -
The Flaming Lips Space Oddity Mp3, Flac, Wma
The Flaming Lips Space Oddity mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Space Oddity Country: US Released: 2017 Style: Indie Rock, Experimental MP3 version RAR size: 1625 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1954 mb Rating: 4.4 Votes: 846 Other Formats: MOD MP4 WMA MMF APE VQF FLAC Tracklist A Space Oddity 5:12 B Jest (There Is...) 4:13 Companies, etc. Record Company – Warner Music Group Licensed To – Warner Bros. Records Inc. Copyright (c) – The Flaming Lips Phonographic Copyright (p) – The Flaming Lips Published By – Tro-Essex Music International, Inc. Published By – Lovely Sorts Of Death Music Mastered At – Tarbox Road Studios Credits Lacquer Cut By – ᶜB* Mastered By – Dave Fridmann Performer [The Flaming Lips] – Derek Brown , Jake Ingalls, Matt Duckworth, Michael Ivins, Nicholas Ley, Steven Drozd, Wayne Coyne Producer – Dave Fridmann, Scott Booker, The Flaming Lips Recorded By, Mixed By – Dave Fridmann, Dennis Coyne, The Flaming Lips Written-By – David Bowie (tracks: A), The Flaming Lips (tracks: B) Notes Indie store exclusive green 7". Space Oddity (David Bowie) Tro-Essex Music International, Inc. (ASCAP) Jest (There Is...) (The Flaming Lips) Lovely Sorts of Death Music (BMI) ©℗ 2017 The Flaming Lips under exclusive license to Warner Bros. Records, Inc. Printed in USA. Manufactured in The Netherlands. Barcode and Other Identifiers Barcode (Printed): 0 54391 96013 9 Barcode (Scanned): 0054391960139 Matrix / Runout (Side A, Stamped): 17993 1A Matrix / Runout (Side A, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-A ᶜB Matrix / Runout (Side B, Stamped): 17993 1B Matrix / Runout (Side B, Etched): PRS-557926 P̷R̷-̷5̷5̷6̷5̷4̷3̷-B ᶜB Rights Society: ASCAP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year The Flaming Space Oddity (File, none Warner Bros. -
Music and Identity Ofthe Cultural Renaissance of Hawai·I A
-022.\ CONNECT BACK TO DIS PIACE: Music and Identity ofthe Cultural Renaissance ofHawai·i A '!HESIS SUBMITTED TO '!HE GRADUATE DIVISION OF '!HE UNIVERSI1Y OF HAWAI·I IN PARTIAL FULFILLMENT OF '!HE REQUIREMENTS FOR '!HE DEGREE OF MASTER OF ARTS IN PACIFIC ISLAND STUDIES MAY 2005 By Andrea A Suzuki Thesis Conunittee: Kater1na Teaiwa. Chairperson George Teny Kanalu Young Jonathan K. 050110 Acknowledgements First and foremost I have to thank my parents. especIally Daddy MIke for the opJX>rtun1ties that they have gtven me and their sUpJX>rt gtven to my endeavors. I have to also thank Daddy Mitch for hIs sUPJX>rt and h1s stortes about "h1s days". I want to especIally thank my mom, an AM.A 1n her own rtght, for all ofher devoted time and sUPJX>rt. Secondly, I would l1ke to gIve my deepest thanks to Mel1nda Caroll wIthout whom th1s jOurney would have been a lot more d1ff1cult. Thankyou for your suggestions, your help, and your encouragement. I would also l1ke to thank my comm11tee, Katertna Tea1Wa, Kanalu Young, and John Osorto for their sUpJX>rt and theIr efforts 1n the completion ofth1s project. I'd l1ke to thank all ofthose that gave their time to me, tell1ng me their stortes. and allowtng me to share those stortes: Jeny Santos, Owana Salazar, Aunty CookIe, Uncle Cyr11. Hemy KapollO, John Demello. Gaylord Holomal1a, Keaum1k1 Akut. Peter Moon, and Joe Atpa. I'd l1ke to gIve my appreciation to the Pac1ftc Island StudIes Program that guIded me every' step ofthe way. F1nallly. I'd 11ke to thank all my frIends for their encouragement and tolerance ofmy 1nsan1ty, espec1ally Kamuela Andrade, for gJ.1nn1ng and beartng It and Kau1 for beIng my personal cheering section. -
Boyd Rice Is a Putz in My Book, but Examining His Politics, You'll Find a More Compelling and Compelled Point of View Than Many Other Cultural Commentators
Regarding Evil by Ross B. Cisneros B.F.A The Cooper Union School of Art, 2002 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN VISUAL STUDIES AT THE_____ __ ATMTSSACHUSETTS INSTRTUT MASSACHUSETTS INSTITUTE OF TECHNOLOG OF TECHNOLOGY JUNE 2005 JUN 28 2005 c 2005 Ross B. Cisneros, All rights reserved. LIBRARIES The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic ROTCH copies of this thesis document in whole or in part. Signature of Author: Degrtmei't Aehitecture '-M~y 6, 2005 Certified by: Krzy'sztof Wodiczko Professor of Visual Arts Thesis Supervisor Accepted by: Ad6le Naud6 Santos Chair, Committee on Graduate Students Acting Head, Department of Architecture Dean, School of Architecture and Planning 2 REGARDING EVIL By ROSS B. CISNEROS Submitted to the Department of Architecture On May 6, 2005 in partial fulfillment of the Requirements for the Degree of Master of Science in Visual Studies ABSTRACT The transnational summit, Regarding Evil, was called to assembly with the simultaneous sounding of the trumps in six sites around the world, projected simulcast. In collaboration with the six individuals who were issued the instruments, each announced their particular state of emergency and converged at the Massachusetts Institute of Technology with a seventh blast. Scotsman Kenneth Smith assumed the role of 7th piper. Artists and scholars of international reputation had been invited to present visual and discursive material confronting the elusive and immeasurable subject of Evil, its transpolitical behaviors, charismatic aesthetic, and viral disbursement in the vast enterprise of simulation, symbolic power, and catastrophe. -
The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks As Source Identifiers for Expressive Works*
YAQUINTO.TOPRINTER (DO NOT DELETE) 2/8/2017 11:25 AM The Social Significance of Modern Trademarks: Authorizing the Appropriation of Marks as Source Identifiers for * Expressive Works Dieuson Octave is a nineteen-year-old rapper from Florida that recently signed a deal with Atlantic Records. His YouTube videos have millions of views. He releases his music under the name Kodak Black. Some graffiti writers use stickers in addition to spray paint. In San Francisco, a writer named Ther had stickers appropriating the The North Face logo. Instead of reading The North Face in stacked type, Ther’s stickers read “Ther Norco Face.” Norco is a brand of prescription painkiller. Vaporwave is an obscure genre of music. Largely sample-based, it is characterized by an obsession with retro aesthetics, new technology, and consumerism. Songs range from upbeat to hypnogogic. They sometimes incorporate sound marks. Vaporwave musicians have monikers like Saint Pepsi and Macintosh Plus. Gucci Mane is a rap star and actor from Atlanta. All nine of his studio albums have placed on the Billboard Top 200. In 2013, he starred alongside James Franco and Selena Gomez in Spring Breakers, which competed for the Golden Lion award at the sixty-ninth Venice International Film Festival. Stuart Helm is an artist who formerly used the moniker King VelVeeda. Until the early 2000s, he operated cheeseygraphics.com, a website that sold his bawdy-themed art and advertised commercial art services. Horst Simco is a recording artist from Houston who goes by Riff Raff. His collection of tattoos includes the NBA logo, the MTV logo, and the BET logo. -
Catholics and Lutherans Has Intprmpdiatp Court Hinged on the Doctrine of Justification
love lessons Spicy_Hot A student writes about her younger brother, Red Hot Chili Peppers sizzled in their April 8 Tuesday who recently died of meningitis, and concert. according to music critic Dave Fulton. encourages everyone to embrace life as he did. APRIL 18, Scene + page 10 Viewpoint+ page 9 2000 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL XXXIII NO. 124 HTTP://OBSERVER.ND.EDU NEWS ANALYSIS Theologians Bauer: Microsoft could face 01ore lawsuits been absolutely what I expected," discuss By COLLEEN McCARTHY Bauer said. Associate News Editor The third ruling, which Bauer Highlights of the expects could come this summer, justification Tlw April 3 ruling by a federal judge would deal with remedies to the situa Microsoft Case that t~omputnr giant Microsoft violated tion, since Jackson declared Microsoft By ERIN PIROUTEK U.S. antitrust laws dons not mean that in violation of antitrust laws. Associate News Editor tlw ease is ovPr. "The range of remedies extends to the breakup of Microsoft to ending dif In fact. appeals by For centuries the disagreement \1irrosort to the ferent kinds of conduct to changing May 1998 contracts it has with competitors and between Catholics and Lutherans has intPrmPdiatP court hinged on the Doctrine of Justification. of appnals in eustomt'rs," Bauer said. "The ruling Judge Thomas Penfield could also deal with Microsoft's licens Traditionally Lutherans have empha Washington, D.C. Jackson rules Microsoft sized that salvation is by faith alone, and tlwn possibly to ing codes regarding placement of their Web browser. while Catholics maintained that good thP U.S. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
HOW BLACK IS BLACK METAL [JOURNALISMUS] Nachrichten Von Heute
HOW BLACK IS BLACK METAL [JOURNALISMUS] nachrichten von heute Kevin Coogan - Lords of Chaos (LOC), a recent book-length examination of the “Satanic” black metal music scene, is less concerned with sound than fury. Authors Michael Moynihan and Didrik Sederlind zero in on Norway, where a tiny clique of black metal musicians torched some churches in 1992. The church burners’ own place of worship was a small Oslo record store called Helvete (Hell). Helvete was run by the godfather of Norwegian black metal, 0ystein Aarseth (“Euronymous”, or “Prince of Death”), who first brought black metal to Norway with his group Mayhem and his Deathlike Silence record label. One early member of the movement, “Frost” from the band Satyricon, recalled his first visit to Helvete: I felt like this was the place I had always dreamed about being in. It was a kick in the back. The black painted walls, the bizarre fitted out with inverted crosses, weapons, candelabra etc. And then just the downright evil atmosphere...it was just perfect. Frost was also impressed at how talented Euronymous was in “bringing forth the evil in people – and bringing the right people together” and then dominating them. “With a scene ruled by the firm hand of Euronymous,” Frost reminisced, “one could not avoid a certain herd-mentality. There were strict codes for what was accept- ed.” Euronymous may have honed his dictatorial skills while a member of Red Ungdom (Red Youth), the youth wing of the Marxist/Leninist Communist Workers Party, a Stalinist/Maoist outfit that idolized Pol Pot. All who wanted to be part of black metal’s inner core “had to please the leader in one way or the other.” Yet to Frost, Euronymous’s control over the scene was precisely “what made it so special and obscure, creating a center of dark, evil energies and inspiration.” Lords of Chaos, however, is far less interested in Euronymous than in the man who killed him, Varg Vikemes from the one-man group Burzum. -
Está Tudo Em Suas Mãos”: O Desenvolvimento Do Movimento Vaporwave Na Internet1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XIX Congresso de Ciências da Comunicação na Região Nordeste – Fortaleza - CE – 29/06 a 01/07/2017 “Está Tudo Em Suas Mãos”: O Desenvolvimento do Movimento Vaporwave na Internet1 Gabriel Holanda MONTEIRO2 Liana Viana do AMARAL3 José Riverson Araújo Cysne RIOS4 Universidade Federal do Ceará, Fortaleza, CE Resumo O seguinte artigo pretende analisar o Vaporwave enquanto movimento artístico (por meio de suas nuances musicais, estéticas e ideológicas) e fenômeno cibercultural através de uma análise de seu histórico, levando ao seu recente declínio ocasionado por diversos fatores, dentre eles a apropriação pela emissora MTV, que utilizou a estética do movimento em sua nova identidade visual de marca em 2015. A fundamentação teórica do trabalho abordará conceitos de indústria cultural, democratização da produção cultural e remediação midiática, entre outros. Foram usados autores como Bolter, Anderson, Tanner, Ramos, Duarte e Kellner, de suma importância para a estruturação da pesquisa. Palavras-Chave: Vaporwave; MTV; Cibercultura; Indústria Cultural; Remediação Midiática. Introdução No ciberespaço surgem as tendências mais improváveis possíveis. Desde os memes até as obras de arte digitais, de teorias conspiratórias a tutoriais inusitados, tudo pode acontecer. No meio disso, eis que no início da década surge uma tendência estética e musical que mais tarde se configuraria como um movimento artístico denominado Vaporwave, com suas esculturas de cabeças sobrevoando em fundos degradês junto a garrafas de água Fiji e personagens do jogo Sonic rodando, em um visual que poderia ser facilmente categorizado como “brega”, além de suas músicas desconcertantes que invocam desde sons de sistemas operacionais com vozes robóticas até a voz de uma apresentadora de infomercial. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Archivio Decibel
Vinilos Decibel Pulgadas Número Usado/Nuevo Artista Título 12" 205 USADO AL DI MEOLA SPLENDIDO HOTEL 7" 143 USADO ALABAMA LOVE IN THE FIRST DEGREE 12" 63 USADO ALAN PARSONS PROJECT, THE PYRAMID 12" 405 NUEVO ALANIS MORISSETTE JAGGED LITTLE PILL 7" 166 USADO ALICE AND JOHN DAVID A LOVE TRILOGY 12" 352 NUEVO ALOE BLACC LIFT YOUR SPIRIT 12" 359 NUEVO AMY WINEHOUSE LIONESS: HIDDEN TREASURES 12" 369 NUEVO AMY WINEHOUSE BACK TO BLACK 7" 132 USADO ANDY GIBB & OLIVIA NEWTON JOHN I CAN'T HELP IT 12" 345 NUEVO ARCADE FIRE THE SUBURBS 12" 340 NUEVO ASTRUD GILBERTO THE ASTRUD GILBERTO ALBUM 12" 82 USADO B-52'S, THE THE B-52'S 12" 192 USADO BARBRA STREISAND GUILTY 12" 194 USADO BARBRA STREISAND MEMORIES 12" 226 USADO BARRY WHITE CAN'T GET ENOUGH 12" 73 USADO BAUHAUS IN THE FLAT FIELD 12" 177 USADO BEACH BOYS, THE 20 GOLDEN GREATS 12" 394 NUEVO BEASTIE BOYS PAUL'S BOUTIQUE 12" 75 USADO BEATLES, THE SGT. PEPPER'S LONELY HEARTS CLUB BAND 12" 106 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 107 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 108 USADO BEATLES, THE THE BEATLES (WHITE ALBUM) 12" 208 USADO BEATLES, THE SGT. PEPPER'S LONELY HEARTS CLUB BAND 12" 297 USADO BEATLES, THE A HARD DAY'S NIGHT 12" 307 USADO BEATLES, THE REVOLVER 12" 358 NUEVO BEN HARPER DIAMONDS ON THE INSIDE 12" 296 USADO BESSIE SMITH THE WORLD'S GREATEST BLUES SINGER 12" 203 USADO BILL EVANS THE VILLAGE VANGUARD SESSIONS 12" 234 USADO BILLY IDOL REBEL YELL 12" 309 USADO BLACK SABBATH PARANOID 12" 398 NUEVO BLACKALICIOUS IMANI VOL.