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Rethinking Arboreal Heritage for Twenty-First-Century Aotearoa New Zealand
NATURAL MONUMENTS: RETHINKING ARBOREAL HERITAGE FOR TWENTY-FIRST-CENTURY AOTEAROA NEW ZEALAND Susette Goldsmith A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2018 ABSTRACT The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’. -
2002 New Zealand Botanical Society
NEW ZEALAND BOTANICAL SOCIETY NEWSLETTER NUMBER 67 MARCH 2002 New Zealand Botanical Society President: Anthony Wright Secretary/Treasurer: Doug Rogan Committee: Bruce Clarkson, Colin Webb, Carol West Address: c/- Canterbury Museum Rolleston Avenue CHRISTCHURCH 8001 Subscriptions The 2002 ordinary and institutional subscriptions are $18 (reduced to $15 if paid by the due date on the subscription invoice). The 2002 student subscription, available to full-time students, is $9 (reduced to $7 if paid by the due date on the subscription invoice). Back issues of the Newsletter are available at $2.50 each from Number 1 (August 1985) to Number 46 (December 1996), $3.00 each from Number 47 (March 1997) to Number 50 (December 1997), and $3.75 each from Number 51 (March 1998) onwards. Since 1986 the Newsletter has appeared quarterly in March, June, September and December. New subscriptions are always welcome and these, together with back issue orders, should be sent to the Secretary/Treasurer (address above). Subscriptions are due by 28th February each year for that calendar year. Existing subscribers are sent an invoice with the December Newsletter for the next years subscription which offers a reduction if this is paid by the due date. If you are in arrears with your subscription a reminder notice comes attached to each issue of the Newsletter. Deadline for next issue The deadline for the June 2002 issue (68) is 25 May 2002. Please post contributions to: Joy Talbot 23 Salmond Street Christchurch 8002 Send email contributions to [email protected] Files can be in WordPerfect (version 8 or earlier), MS Word (Word 97 or earlier) or saved as RTF or ASCII. -
Obituary for Evan Graham Turbott M.Sc., Q.S.O. (1914–2014)
Auckland, New Zealand, 2015. RECORDS OF THE AUCKLAND MUSEUM ISSN 1174-9202 (Print) ISSN 2422-8567 (Online) In continuation of Records of the Auckland Institute and Museum Volume 1, Number 1 (June 1930) Published by Order of the Trust Board Roy CLARE C.B.E., Director [Vol. 49 was published on 14 December 2014] Editors J.W. EARLY and P.F. PEREIRA Production L. FUREY The Auckland War Memorial Museum has a statutory role to advance and promote cultural and scientific scholarship and research that is met in part by publication of the Records of the Auckland Museum. The Records have been published continuously since 1930. Issues are annual. The Records contain the results of original research dealing with material in the collections of Auckland Museum, and research carried out by Museum staff members in their particular subjects. All papers are refereed. Instructions for authors are given at the end of this, or recent volumes. The Records are distributed, largely by exchange, to libraries at about 250 academic institutions-throughout the world. Proposals for exchange agreements should be addressed to the Auckland Museum Library Manager. The contents of the Records are reported in Index New Zealand, Anthropological Index (Royal Anthropological Institute, London), Anthropological Literature (Harvard University), Biological Abstracts, Kew Record of Taxonomic Literature, Zoological Record and GeoRef (American Geological Institute). Vol. 34 contained indexes to the contents of volumes 1-33. Monographs are produced occasionally in the series Bulletin of the Auckland Museum (see website: Library Services/Museum Publications). © 2015, Auckland War Memorial Museum. Private Bag 92018, Auckland, New Zealand www.aucklandmuseum.com Cover image: Detail from sampler sewn by Martha Gibbons showing New Zealand and the use of Te Reo placenames. -
Embodied Pedagogy: Examples of Moral Practice from Art Education
EMBODIED PEDAGOGY: EXAMPLES OF MORAL PRACTICE FROM ART EDUCATION Ruth Boyask University of Canterbury, New Zealand Educators operate today in a climate that favours instrumental means to achieve economically rational ends. This emphasis conflicts with the moral purpose of education, which is concerned ostensibly with widening participation and increasing personal liberty. Framed by this potential conflict is an investigation into the activity of historical figures in New Zealand art education to reveal how their deliberate activities negotiated the dominant discourses of their times, and how they shifted cultural production and understandings towards divergent social ends. These historical cases provide insight into possibilities for contemporary educators. Teaching and learning occur both within and outside of educational institutions, policies and sectors. Whilst this premise may not appear particularly innovative or surprising, taken seriously it has the potential to destabilise existing orders of educational practice. It indicates that the creation of knowledge as it is experienced does not necessarily conform to generalised policies nor does it occur within the formal institutions and educational sectors that we have constructed for its legitimation and continuance. However, this premise conflicts with basic assumptions operating currently within the discipline of education, where educational knowledge is positioned in relation to specific and discrete epistemological constructions. This article is developed from a fundamentally phenomenological position, whereby social discourses are constructed through embodied interaction and dialogue, resulting in social practices such as pedagogy, which are ritualised and re-enacted throughout our institutions. The discussion claims that pedagogies have moral implications in that they expand or inhibit social participation and personal liberty, and therefore they encourage educators, when determining a course of action, to deliberate on how their practices intersect with educational structures. -
Pinehaven Stream Improvements Archaeological Assessment of Pinehaven Stream Floodplain Management
Pinehaven Stream Improvements Archaeological assessment of Pinehaven Stream Floodplain Management July 2017 Archaeological assessment of Pinehaven Stream Floodplain Management for Jacobs Ltd Kevin L. Jones Kevin L. Jones Archaeologist Ltd 6/13 Leeds Street WELLINGTON 6011 [email protected] Wellington 15 July 2017 Caption frontispiece: Pinehaven c. 1969 viewed from the north. Trentham camp mid-left, St Patricks (Silverstream) College at right. Pinehaven Stream runs across the centre of the photograph. Source: Hutt City Library. 2 EXECUTIVE SUMMARY This assessment reviews the risk of there being archaeological sites as defined in the Heritage NZ Pouhere Taonga Act 2014 in the vicinity of the works proposed for the Pinehaven Stream. The geomorphology of the area has been reviewed to determine whether there are older land surfaces that would have been suitable for pre-European or 19th C settlement. Remnant forest trees indicate several areas of older but low-lying (flood-prone) surfaces but field inspections indicate no archaeological sites. A review of earlier (1943) aerial photographs and 19th C survey plans indicate no reasonable cause to suspect that there will be archaeological sites. A settlement established in 1837 by Te Kaeaea of Ngati Tama in the general area of St Patricks College Silverstream is more or less on the outwash plain of the Pinehaven Stream. The fan north of the college is heavily cut into by the edge of the Hutt valley flood plain. This is the only historically documented 19th C Maori settlement on the Pinehaven Stream fan but it is outside the area of proposed works. Another broad class of archaeological site may be earlier forms of infrastructure on the stream such as dams, mills, races, bridges, abutments, and logging and rail infrastructure. -
The Journ Al of the Polynesian Society
THE JOURNAL OF THE POLYNESIAN SOCIETY THE POLYNESIAN OF THE JOURNAL VOLUME 128 No.1 MARCH 2019 Special Issue TE AO HOU: WHAKAPAPA AS PRACTICAL ONTOLOGY VOLUME 128 No.1 MARCH 2019 VOLUME “IMAGES STILL LIVE AND ARE VERY MUCH ALIVE”: WHAKAPAPA AND THE 1923 DOMINION MUSEUM ETHNOLOGICAL EXPEDITION NATALIE ROBERTSON Auckland University of Technology ABSTRACT: The first major photofilmic record of the Waiapu River region of Aotearoa New Zealand occurred over a three-week period in March–April 1923, when the filmmaker and photographer James McDonald documented local cultural activities on the East Coast. McDonald was a member of the fourth Dominion Museum ethnological expedition from Wellington, invited to Waiapu by Apirana Ngata to record ancestral tikanga ‘practices’ that he feared were disappearing. Despite the criticism of ethnographic “othering” in the resulting film He Pito Whakaatu i te Noho a te Maori i te Tairawhiti—Scenes of Māori Life on the East Coast, this paper suggests that the fieldwork, from a Ngāti Porou perspective, was assisted and supported by local people. It addresses the entanglements of this event and delineates the background, purpose and results of the documentary photographs and film in relation to Ngata’s cultural reinvigoration agenda. This article also reveals the various relationships, through whakapapa ‘kin networks’ hosting and friendship, between members of the team and local people. Drawing on the 1923 diary kept by Johannes Andersen and on other archival and tribal sources, the author closely analyses these relationships, what Apirana Ngata calls takiaho ‘relational cords’, which are brought to light so that descendants can keep alive these connections through the remaining film fragments and beyond the frame. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
Report of Ministerial Committee of Inquiry Into Violence
If you have issues viewing or accessing this file contact us at NCJRS.gov. CIC~r S~:2. -9Y i;, ~: Report of Ministerial Committee of Inquiry into Violence 108665 U.S. Department of Justice National Institute of Justice This documenl has been reproduced exactly as received from the person or organization originating it. Points 01 view or opinions stated In this document are those of the authors and do not necessarily represent the official posilion or pOlicies 01 the National Institute of Justice. Permission to reproduce this copyrightetl material has been granted by Department of Justice, Wellington, New Zealand .. to the National Criminal Justice Reference Service (NCJRS). Further reproduction outside of the NCJRS system requires permis· sian of the copyright owner. Presented to the Minister of Justice March 1987 iOReport of Ministerial Committee of Inquiry in~o Violence "'---, Presented to the Minister of Justice March 1987 COMMITTEE OF INQUIRY INTO VIOLENCE Chairman Sir Clinton Roper of Christchurch, Retired Judge of the High Court Members Mr M. R. D. Guest of Dunedin, Barrister and Solicitor and Dunedin City Councillor since 1977. Mrs A. Tia Q.S.M., J.P. of Auckland with a long history in community and youth social work. Dr A. P. McGeorge of Auckland, Psychiatrist and Familv therapist, Director of the Adolescent Unit of Auckland Hospital Board. Mrs B. E. Diamond of Wellington, teacher for 20 years and Senior Mistress at Wainuiomata College. Sir Norman Perry M.B.E. of Opotiki, member of the East Coast Regional Development Council and consultant to the Whakatohea Maori Tribal Authorities on rural industry and work trusts. -
AGMANZ Volume 6 Number 1 February 1975.Tif
I . N The Art Galleries & Museums ~~~~tion of New Zealand Volume 6, Number l :~L~,~~:~:» February 1975 NEW ZEALAND (04) 850-696 M HE. IY 27 JUL 1993 WELUNG10N, N.Z.,.. ·in memoriam: sir gilbert archey 1890-1974 · E.G. Turbott Gilbert Edward Archey was born in York, and com ·petent and at first wide-ranging, his earliest paper came with his parents to New Zealand at the age of being on the species of the freshwater coelenterate two. The family after a period in which they lived in Hydra found in New Zealand; he published also on various parts of the North Island finally settled in the Crustacea, Chilopoda (centipedes), fishes, birds Christchurch. Here he received the whole of his and the native frog. However, h·e gradually began to higher education - West Christchurch Boys' High devote more and more attention to the Chilopoda as School, then Canterbury University College. To both a group in need of major exploration and revision, he always retained a strong allegiance. He was very and with his two comprehensive papers (the last in much an all-rounder, a Canterbury soccer rep 1937) provided a full revision of the group in New resentative and M.A. with Honours in Zoology. Zealand. His first post was on the staff of Nelson College, yet this was followed shortly afterwards by his It may be best at this stage to complete this application for the Assistant Curatorship of account of his contributions to zoology, for after his Canterbury Museum: surely one of the principles to appointment to Auckland as will be mentioned later become outstanding in his museum career, his belief he turned his attention increasingly to Maori and in the need to integrate education and museum pro Polynesian art, culminating in his definitive cont fessional procedures at all levels, was already well ributions on this subject in the Journal of the Poly established. -
Hawkes Bay Was One of Many Absorbing Interests
Rare Books including the Library of J.G. Wilson 3 May 2017 126 150 340 146 179 133 133 244 141 141 141 154 132 161 163 164 164 139 172 RARE BOOK AUCTION Wednesday 3rd of May 2017 at 12 noon. James Gordon Wilson VIEWING: Sunday 30th April 11.00am - 4.00pm Monday 1st April 9.00am - 5.00pm Tuesday 2nd May 9.00am - 5.00pm The library of James Gordon Wilson (1882-1967) the noted farmer, historian reflects a passionate interest in the history of New Zealand, the Pacific and Hawke’s Bay province. Jim Wilson was born in Temuka, North Otago. In 1897 he moved north with his parents to Southern Hawke’s Bay when they took up land in the Dannevirke area. In 1907 Wilson brought “Nertherby” his much loved farm located At Hatuma near Waipukurau and lived there for the rest of What proved to be a long and extremely productive life. On a visit to the Dunedin Exhibition in February 1926 “I saw at Newbold’s book shop a beautiful copy of Tasman’s Journal. He wanted 10 pounds – I offered 9. Eventually in July I sent a cheque for 10 pounds and got the book. I well remember the thrill of opening the parcel – it has ever since been the ‘king of my collection’. On my way home from the Dunedin Exhibition I called at Smith’s bookshop in Wellington. On the counter were the 2 volumes in one of McKay’s Native Affairs of the South Island. I paid him 4 pounds 10 for it and was so worried about something I forgot to take it away. -
New Zealand Potter Vol 23/1 Autumn 1981
new zealand potter vol 23/1 autumn 1981 Contents Potters Symposium 2 Don Reitz 3 The New Society 4 John the potter 5 Frank Colson 6 The Raku firings 7 The National Exhibition 8 Crystal gazing 14 Saint Aubyns Potters 16 Honour for potter 22 Kelesita Tasere from Fiji 23 Baroque Politocaust 24 Build your own filter press 26 Air freighting 26 Salute to Bacchus 28 A philosophy of pottery, a standard for judging 30 Waimea Potters. The post-sales-tax Dynasty 33 Royce McGlashen 34 Bumished and primitive fired 37 New Zealand Potter is a non-profit making magazine published twice annually. Circulation is 6,500. The annual subscription is $NZ5.00, for Australia $A6.00, Canada and the United States $US7.00, Britain £4.00 postage included. New Subscriptions should include name and address of subscriber and the issues required. Please mark correspondence ”Subscriptions”. Receipts will not be sent unless asked for. A renewal form is included in the second issue each year. This should be used without delay. It is the only indication that the magazine is still required. Advertising rates Full page 180 mm wide X 250 mm high $280 Half page 180 mm X 122 mm high $154 Quarter page 88 mm wide X 122 mm high $85 Spot 88 mm wide X 58 mm high $46 Offset printing. Unless finished art work ready for camera is supplied by advertiser, the cost of preparing such copy will be added to the above rates. editor: Margaret Harris layout and design: Nigel Harris editorial committee: John Stackhouse, Nigel Harris, Audrey Brodie, Auckland correspondent Barry Brickell moving his terra cottas on the Driving Creek Pottery railway. -
Maori Cartography and the European Encounter
14 · Maori Cartography and the European Encounter PHILLIP LIONEL BARTON New Zealand (Aotearoa) was discovered and settled by subsistence strategy. The land east of the Southern Alps migrants from eastern Polynesia about one thousand and south of the Kaikoura Peninsula south to Foveaux years ago. Their descendants are known as Maori.1 As by Strait was much less heavily forested than the western far the largest landmass within Polynesia, the new envi part of the South Island and also of the North Island, ronment must have presented many challenges, requiring making travel easier. Frequent journeys gave the Maori of the Polynesian discoverers to adapt their culture and the South Island an intimate knowledge of its geography, economy to conditions different from those of their small reflected in the quality of geographical information and island tropical homelands.2 maps they provided for Europeans.4 The quick exploration of New Zealand's North and The information on Maori mapping collected and dis- South Islands was essential for survival. The immigrants required food, timber for building waka (canoes) and I thank the following people and organizations for help in preparing whare (houses), and rocks suitable for making tools and this chapter: Atholl Anderson, Canberra; Barry Brailsford, Hamilton; weapons. Argillite, chert, mata or kiripaka (flint), mata or Janet Davidson, Wellington; John Hall-Jones, Invercargill; Robyn Hope, matara or tuhua (obsidian), pounamu (nephrite or green Dunedin; Jan Kelly, Auckland; Josie Laing, Christchurch; Foss Leach, stone-a form of jade), and serpentine were widely used. Wellington; Peter Maling, Christchurch; David McDonald, Dunedin; Bruce McFadgen, Wellington; Malcolm McKinnon, Wellington; Marian Their sources were often in remote or mountainous areas, Minson, Wellington; Hilary and John Mitchell, Nelson; Roger Neich, but by the twelfth century A.D.