修復 RESTORED CLASSIC : Practice Films 利維特短片習作 經典

France 法國 | 1949 | Silent France 法國 | 1950 | Silent DCP | B&W | 20min DCP | B&W | 40min Director Jacques Rivette Director Jacques Rivette Scriptwriter Jacques Rivette Scriptwriter Jacques Rivette Cinematographer Guy Lessertisseur, Cinematographer Gérard Lamy Francis Bouchet, Jacques Rivette Cast Liliane Litvin, Anne-Marie Cast Francis Bouchet, Cazalis, François Nithart, Monique Guèvallo Jean-Luc Godard Production Les Films du Veilleur Producer Jean-Luc Godard Aux quatre coins World Sales L'Agence du court Le quadrille Production Les Films du Veilleur métrage World Sales L'Agence du court 四角 斗室暗湧 métrage

France 法國 | 1952 | Silent France 法國 | 1956 | French DCP | B&W | 45min 35mm | B&W | 28min Director Jacques Rivette Director Jacques Rivette Scriptwriter Jacques Rivette Scriptwriter Jacques Rivette, Cinematographer Charles Bitsch Claude Chabrol, Charles Bitsch Cast Olga Waren, Sacha Briquet, Cinematographer Charles Bitsch Alain Mac Moy Editor Denise De Casabianca Production Les Films du Veilleur Music Francois Couperin World Sales L'Agence du court Cast Virginie Vitry, Anne Doat, Le divertissement métrage Le coup du berger Etienne Loinod, Jean-Claude Brialy Producer Pierre Braunberger, 偷閒時光 棋高一着 Claude Chabrol Production Les Films de la Pléiade World Sales Les Films du Jeudi

In March 2016, shortly after Jacques Rivette passed away, his [背景簡介] first three silent films – neatly kept with many archives – were 2016 年 3 月，利維特去世後不久，他妥善保存起來的 rediscovered. 首三部無聲短片被發現。 …a novel draft written approximately in 1946 connects in many ways 他開始拍《四角》時，得到一群好友支持，攝影機亦 with the themes of his first short film [Aux quatre coins]: the complex 是朋友父親所借。劇本至今仍找不到，但從一份寫於 relationship between two couples, “a work set on two levels, dream 1946 年的初稿，可隱見首部短片的主題：兩對男女之 and life, without connecting them, but adopting both of them and 間的複雜關係，「建基於夢想與現實兩個層次，互不關 their assets.” The surrealist inspiration is openly claimed... 連，但皆以為用」，可見超現實靈感啟發其創作。

From then [Le quadrille] on, Jacques [would] lead a cinematographic 1949 年春天他來到巴黎，結識了一群年輕電影愛好者， exploration built from daily discoveries of films as well as the 包括杜魯福、盧馬和高達，後來一同成為新浪潮中流砥 development of critical thinking intimately linked to practical 柱。高達以年輕監製身份為《斗室暗湧》注資，並參與 creation. 合編及演出。從此利維特開始其光影探索，每日發現新 With Le divertissement, his third and last work [in this collection], the 電影，同時磨煉對創作的批判思維。 main challenges consist in extending the psychological construction 第三部短片《偷閒時光》的主要挑戰是建構人物心理， of a character and in mastering the arts of shooting script and 掌握分鏡及剪接。 editing. 三部習作都有共通之處。三種不同的探索，同樣源自不 These three cinematographic experiences share something in 斷「纏繞」作者的深入問題：導演的角色是演員與觀眾 common. They are three kinds of exploration, yet come from deep 之間的中間人，審視欲望、友誼或浪漫關係，指揮並平 questions which will keep “nagging” their author: interrogating 衡工作人員及演員的參與，讓他們將訊息傳遞給觀眾。 desire, friendships or romantic relationships, the role of the director, 維羅尼卡利維特 the mediator between actors and spectators, who orchestrates and offers an evenly shared role to the crew and the actors, on set then to the spectators, in the movie theater or in front of their screen. Véronique Rivette (Jacques Rivette’s wife)

Jacques RIVETTE (1928-2016) was born in Rouen, France. He made his debut feature in 61, and served as editor-in-chief of Cahier du cinema from 63-65. Selected Filmography: La religieuse (66), L’amour fou (69), (71), Celine and Julie Go Boating (74), (81), (85), (91), : The Battles (94), Joan the Maid: The Prisons (94), Secret Defense (98), The Story of Marie and Julien (03), (09). He died in Paris in 2016. 積葵利維特 (1928-2016) 生於法國盧昂，法國電影新浪潮主將，拍電影全靠自學，50 年代開始在《電影筆記》撰寫影評，拍攝了數部 16 及 35 米厘短片後，56 年正式執導首部長片，歷四年才拍出《巴黎是我們的》(60)。其他作品：《狂戀》(68)、《莎蓮與茱莉浪遊記》(74) 、《 北 橋》(81)、《真幻之愛》(84)、《四人幫》(88)、《不羈的美女》(91)、《六個尋找愛情的角色》(01)、《幻愛鐘情》(03)、《別碰斧頭》(07)、《小 山 36 景》(09)。2016 年 1 月病逝於巴黎。