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The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information
Cambridge University Press 978-1-108-42353-3 — The Cambridge Companion to Gershwin Edited by Anna Harwell Celenza Index More Information Index Aarons, Alex, 7 Barkleys of Broadway (1949) film, 206, 214 Ager, Cecelia, 294 Bartók, Bela, 119 Ager, Milton, 294 “Battle Hymn of the Republic,” 36 Albee, Edward, 67 Bauer, Marion, 222 Alberts, Charles S., 138 “Beale Street Blues,” 238 Alda, Robert, 134 Beethoven, Ludwig van, 9, 35, 76, 225 Alexander III, Czar of Russia, 5 Rondo a Cappricio, Op. 129, 37 Allen, Gracie, 207, 212, 213 Sonata in F Minor, Op. 57 (“Appassionata”), Americana (1928) musical, 10 37 An American in Paris (1951) film, 214, 240, 262 Sonata Op. 110, 37 An American in Paris (2015) musical, 262, 264, Sonata Op. 81, 37 265, 266, 267, 269, 270 String Quartet, Op. 18, No. 4, 37 Anchors Aweigh (1945) film, 254 “ ” Anderson, Marian, 191 Symphony No. 3 ( Eroica ), 37 Antheil, George, 155–56, 229 Symphony No. 5, 248 Ballet mécanique, 155, 156 Symphony No. 7, 37 Jazz Symphony, 156 Bennett, Robert Russell, 47, 199, 201, 211, 212, Anything Goes (1936) film, 200 214, 216 Arcadelt, Jacques, 36 Bennett, Tony, 238 Arden, Victor, 93, 97, 268 Benton, Thomas Hart, 162 Arlen, Harold, 9, 47, 49, 199, 276, 277 Berg, Alban, 162, 225, 229 “Stormy Weather,” 277 Lyric Suite, 33, 162 Arlen, Michael, 154 Wozzeck, 231 Armitage, Merle, 48, 53, 291 Bergere, Valerie, 72 Armstrong, Louis, 244, 277 Berkeley, Busby, 45 Arvey, Verna, 25 Berlin, 161 Asian American Jazz Orchestra, 256 Berlin, Irving, 44, 48, 53, 61, 64, 68, 69, 93, 154, Askins, Harry, 132 225, 239, 244, -
Influences on Gershwin
Irving Berlin born Israel Isidore Baline Irving Berlin was born in Tyumen, Russia, on May 11, 1888, and immigrated to New York as a child. He would become one of the most popular songwriters in the United States, with hits like "Alexander's Ragtime Band," “God Bless America,” " Blue Skies,” “What’ll I Do" and "White Christmas." Berlin's film and Broadway musical work included Puttin’ on the Ritz, Easter Parade and Annie Get Your Gun. He died in New York City on September 22, 1989, at age 101. Irving Berlin was born Israel Baline on May 11, 1888, in the village of Tyumen, Russia. His family fled to escape the region's persecution of the Jewish community and settled in New York City in the mid-1890s. As a teen, Baline worked as a street singer, and by 1906 he had become a singing waiter in Chinatown. His first published tune was 1907's "Marie From Sunny Italy," with Nick Nicholson penning the music. As the lyricist, Baline's name was misspelled as "I. Berlin" on the sheet music. He decided to keep the name, becoming Irving Berlin • He group up in a home in lower Manhattan where Yiddish was the primary language spoken in the home • Most of his compositions were written using the 32-bar American Song Form Having a similar cultural background and upbringing, he served as a role model to both Ira and George Gershwin Musical Example: – Cheek to Cheek YIDDISH THEATRE & TIN PAN ALLEY INFLUENCES • George grew up around the Yiddish Theater District • They frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra • At the age of 15, Gershwin found his first job as a "song plugger" for Jerome H. -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................ -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
T.B. Harms and Max Dreyfus
News From VHSource, LLC Vol 7 July 2012 T.B. Harms and Max Dreyfus (1860-1906), making it the oldest firmly established The Other Behemoth American music publishing house devoted entirely to n perusing the April edition of this newsletter we popular song. You may remember that G. Schirmer realized that we had failed in June to deliver any was the oldest classical music publisher with an 1866 Idiscussion of the second giant of American founding date. Thus, in the American music history publishing - Max Dreyfus (1874-1964). This was not annuals, the big three music publishing houses were so much an oversight as it was a concern for space G. Schirmer (1866-serious music), T.B. Harms, since we had already consumed a number of pages in Inc. (1875-popular music) and M. Witmark & Sons, our discussion of M. Witmark & Sons, Inc. Inc. (1886 - theatrical). The brothers Harms did well enough for themselves that they soon had hordes of Just as M. Witmark & Sons, Inc. dominated the emulators and thus helped spawn Tin Pan Alley. publishing of operetta and musical comedy from the However, post 1886, the house was eclipsed by 1890s to the 1930s, Harms, Inc. would do the same M.Witmark & Sons, Inc., which rapidly established thing from 1920s well into the 1960s. Ergo, to skip itself as the innovator and leader of the entire over Dreyfus would be a real disservice to the industry industry. NOTE: To read more about M.Witmark & as this gentleman probably ended up accomplishing Sons, see VHS newsletter Vol 6, Jun 12. -
Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is -
Words Without Music the Ira Gershwin Newsletter No
WWM_no3_revisedlayout.qxd:Gershwin_WWM 9/10/08 8:04 AM Page 1 Words Without Music The Ira Gershwin Newsletter No. 3, 2008 ’S Wonderful...The Gershwins’ An American in Paris Inside: Ken Ludwig Interview WWM_no3_revisedlayout.qxd:Gershwin_WWM 9/10/08 8:04 AM Page 2 Words Without Music Letter from Michael Strunsky The Ira Gershwin Newsletter Welcome to the third issue of Words Without Music. As you can No 3 • 2008 ISSN 1938-4556 see from the cover montage, our main story is on the world première of The Gershwins’ An American in Paris, which recently concluded a highly successful run at Houston’s Alley Theatre. Those of us in the Gershwin world were delighted with the Alley’s production, which featured a witty, romantic book by our good friend Ken Ludwig, and a cast of energetic, engag- Contents ing singers and dancers, who made the songs of the Gershwin Letter from Michael Strunsky 2 brothers come alive in a new, full-blown musical for the first ASCAP Foundation Ira Gershwin Scholarship Winners 2 time in more than 15 years. I overheard one audience member Strike Up the Band for UCLA 3 at intermission say that the show made her want to put her tap Kevin Cole Sings the Lyrics of Ira Gershwin 4 shoes on. We hope that many more audiences will have the Park Avenue Finds Its Way to London 5 opportunity to see the show, hear these great Gershwin songs, Feature Story: An American in Houston 6-7 and dig out their tap shoes in the months and years ahead. -
Words Without Music the Ira Gershwin Newsletter No
Words Without Music The Ira Gershwin Newsletter No. 10, Fall 2016 THAT’S THE TICKET! THE GERSHWINS AND POLITICAL SATIRE Inside: Take on Washington The Ira Gershwin Newsletter, Fall 2016 1 George S. Kaufman & Morrie Ryskind Words Without Music Dear readers, Ira Gershwin’s name is, quite rightly, inextricably tied to the The Ira Gershwin Newsletter wealth of timeless songs he wrote with his brother George. But Ira’s No.10, Fall 2016 • ISSN 1938-4556 career encompassed many successes with composers who didn’t share his last name. Some of those songs, and the shows and films in which they were featured, are among his most famous and popular, while others remain ripe for rediscovery. Three years before George and Ira collaborated on Lady, Be Good! Ira—under the pseudonym Arthur Francis, which he derived from the Contents first names of his younger brother and sister—wrote his first success- Letter from Michael Strunsky 2 ful Broadway show, Two Little Girls in Blue, with composers Vincent Feature Story: Stars and Swipes 3 Youmans and Paul Lannin. (Its run in 1921 bested George’s 1920 National Recording Registry 9 edition of the George White Scandals by one performance.) Gershwin Prize to Willie Nelson 11 Even during the years George and Ira struck Broadway gold or Update: Gershwin Critical Edition 12 critical success with Strike Up the Band, Girl Crazy, Of Thee I Sing, Porgy Update: Gershwin Website 13 and Bess, and more, Ira continued to work with other writers. Two In the News / On the Horizon 14 lavish revues—Life Begins at 8:40 (1934), written with composer Harold An American in Paris tour dates Back cover Arlen and lyricist Yip Harburg, and Ziegfeld Follies of 1936, written with composer Vernon Duke—had successful runs and featured memora- Words Without Music Staff ble songs like “Fun to Be Fooled” and the classic “I Can’t Get Started.” EDITOR MANAGING EDITOR Struggling with grief and the myriad of business details that Abigail Kimball Michael Owen followed George’s death in 1937, Ira found it hard to begin to write again. -
Bibliography
BIBLIOGRAPHY PART ONE: SOUND DESIGN AND RECORDED MUSIC Alexander, Robert Charles. Inventor of Stereo: The Life and Work of Alan Daver Blumlein. Boston: Focal Press, 1999. The well-told story of the great inventor whose death was hushed up during WWII. Bill, Edward Lyman. The Talking Machine World (Jan. 15, 1905-Dec. 15, 1928). New York. This monthly periodical devoted to the trade is a storehouse of information on recordings and equipment, people in the business and every gadget invented which promised “vastly improved” sound. Available on microfilm. Chanan, Michael. Repeated Takes – A Short History of Recording and Its Effects on Music. London: Verso, 1995. An excellent read, filled with little-known facts. Craggs, Stewart R. Soundtracks: An International Dictionary of Composers for Film. Brookfield, VT: Ashgate, 1998. The title tells all. Day, Timothy. A Century of Recorded Music. Listening to Musical History. New Haven, CT: Yale University Press, 2000. Filled with some thought-provoking theories on the importance of recordings. Dearling, Robert and Celia, and Brian Rust. The Guinness Book of Recorded Sound. Enfield, Middlesex: Guinness Books, 1984. Packed with cocktail party chit-chat facts and figures. Dearling, Robert and Celia, and Brian Rust. Music Facts & Feats. Enfield, Middlesex: Guinness Books, 1984. More of the same, but covers all aspects of the music-making world. Perhaps even more than a person needs to know. Gelatt, Roland. The Fabulous Phonograph 1877–1977. 2nd ed. New York: Macmillan Publishing Co., Inc., 1977. An overview of the industry and the people in it written by an obvious enthusiast. Katz, Mark. Capturing Sound: How Technology Has Changed Music. -
Crazy for Youâ®
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 3-3-2001 Crazy for You® Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Crazy for You®" (2001). Center for Performing Arts Memorabilia. Book 170. http://opus.govst.edu/cpa_memorabilia/170 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PEftfORhlHC flftT5 Governors State University Presents Mainstage Productions, L.L.C. CRAZY FOR YOU® The New Gershwin® Musical "The worldwide copyrights in the music of George and Ira Gershwin® for this presentation are licensed by the Gershwin Family." CRAZY FOR YOU®, THE NEW GERSHWIN® MUSICAL is presented by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC. 560 Lexington Avenue, New York, New York 10022" "GERSHWIN is a registered trademark and service mark of Gershwin Enterprises." "CRAZY FOR YOU is a registered trademark and service mark of CRAZY FOR YOU Enterprises." Saturday, March 3,2001 8:OOPM 2000/2001 Season sponsored in part from a grant from the: <l o c i 1 Mainstage Productions, L.L.C. CAST presents (In order of appearance) Tess Jessica Hillman CRAZY FOR YOU® Patsy -
Nice Work If You Can Get It Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-20-1997 Nice Work If You Can Get It Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Nice Work If You Can Get It" (1997). Music Department Concert Programs. 653. https://scholarship.richmond.edu/all-music-programs/653 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. October 20, 1997 at 8pm iii Modlin Center for the Arts Camp Concert Hall Booker Hall of Music ICM Artists, Ltd. presents JOAN MORRIS WILLIAM BOLCOM Mezzo-Soprano Pianist NICE WORK IF YOU CAN GET IT: Songs to Celebrate the 100th Birthdays of George Gershwin and Vincent Youmans Ms. Morris and Mr. Bolcom will announce the program from the stage, to be chosen from the following: George Gershwin: I'll Build a Stairway to Paradise How Long Has This Been Goin' On? Fascinating Rhythm Someone to Watch Over Me They All Laughed Yankee Doodle Blues Love is Here to Stay Vincent Youmans: More Than You Know Flying Down to Rio Great Day Time on My Hands Music Makes Me Rise 'N' Shine Like He Loves Me About the Artists Bolcom & Morris Since their first appearance together Canada, and Europe. twenty-three years ago, Pulitzer-prize Highlights from recent seasons in winning composer and pianist William clude a 1993 debut in London's Wigmore Bolcom and mezzo-soprano Joan Morris Hall, a concert in honor of the Consuls have captivated audiences across the na General at Roberts College in Istanbul in tion and abroad. -
Catalog Pages
PRICE & NUMBER INFORMATION LIMITED EDITION: XP 405 - C An Elvis Christmas Prefix Indicates a Price Code specific song New Easier Price Code System: If the Roll Number is RED the price is $21.00. If it is BLACK the price $14.00, unless otherwise priced. PRICE CODE EXPLANATION Regular (No Price Code) ............................. $14.00 Code "A", "B", "C" .......................................... 21.00 2 Packs .......................................................... 39.00 3 Pack (80044) .............................................. 59.00 6 Pack (90025) .............................................. 79.00 Each Copy 9 Packs (90000 - 90014) ............................. 115.00 Christmas Party Paks .................................... 99.00 Individually Numbered! PREFIX EXPLANATION Each copy of this year's Limited Edition Christmas Roll will bear a sequential identifying number. C Indicates a Classical composition. Orders will be filled in the order received, so order CEL Indicates a live performance Celebrity Series roll. early for lowest (and most sought-after) numbers! Q Indicates a reissued roll. You'll enjoy these rollicking Elvis versions of three WF Indicates foreign lyrics. great holiday songs, arranged by Christopher T. XP Indicates a long-playing roll Sierzchula, punched on colorful paper displaying a (R & D have no meaning) Mama Polar Bear and Cub: 1. Blue Christmas; (m) (following a title) — Marimba arrangement 2. Santa Bring My Baby Back To Me; 3. Here Please Note: All prices subject to Comes Santa Claus. change without notice. (Please note: No lyrics are printed on the roll.) ©2006 QRS Music Technologies, Inc. Cat. No. XMAS2006 ................................. $29.95 QRS FACTORY TOURS The Perfect Gift For All Occasions! GIFT CERTIFICATE Two tours daily, at 10 a.m. and 2 p.m. ONLY, Monday through Friday year ’round.