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See Fox-Trot Medley No 3 WYMAN, Addison P, SILVERY WAVES

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See Fox-Trot Medley No 3 WYMAN, Addison P, SILVERY WAVES WRUBEL & DOWNEY ZAMECNIK, J, s, NOW YOU'RE IN MY ARMS: see Fox-Trot Medley no 3 102875 LOVE COME CALLING (bId sr)--Ohman (3/26) 0574 NEOPOLITAN NIGHTS (Oh, Nights Of Splendor) ("movie WYMAN, Addison P, theme song") (wtz sr)--Maddon (11/28) 73288 SILVERY WAVES (Theme and Variations)--Pitot (6/29) 104175 REDSKIN fr "Redskin" (b1d sr)--Waldron (5/29) do: see Bulletin roll (June) ZUCCA, Mana 5887 FUGATO-HUMORESQUE (On the Theme of "Dixie")-- YELLEN & AGER see: Ager & Yellen, Zucca (5/17) 0551 IF YOU DON'T LOVE ME (ft sr)--Norstrom (9/28) 5875 SCENE DE BALLET (A Graceful Dance For Piano), op 5 (composed for MIle, Rosina Galli, the Premiere YELLEN, AGER & POLLACK Danseuse of the Metropolitan Opera House)-­ 713236 I WISH I HAD MY OLD GAL BACK AGAIN (wtz sr)-- Zucca (3/17) Mering & Milne (6/26) 5867 VALSE BRILLANTE, op 20--Zucca (2/17) YELLEN, BIGELOW & BATES 713028 HARD-HEARTED HANNAH, THE VAMP OF SAVANNAH fr "Innocent Eyes" ("blues" ft sr)---Baker (10/24) br 0651 do (ft)--Baker (2/25) YOUMANS, Vincent "FLYING DOWN TO RIO" 0964 Carioca (ft-rumba sr?)--Ohman & Arden (4/34) br 01181 ddo--Ohman & Arden ddo: see Rumba Medley Flying Down To Rio: see Outstanding Hits no 18 (2nd) "HIT THE DECK" 7133a9 Hallelujahl (ft sr)--Rich (7/27) br 0820 ddo--Rich (12/27) 713421 Nothing Could Be Sweeter (ft sr)--Ohman (10/27) br 0828 ddo--Ohman (1/28) 713387 Sometimes I'm Happy (ft sr)--Ohman (7/27) br 0829 ddo (ft)--Ohman (1/28) 713326 I KNOW THAT YOU KNOW fr "Oh, Pleasel" (ft sr)-­ Alpert (2/27) "NO, NO, NANETTE" 713015 I Want To Be Happy (ft sr)--Hess & Leith (10/24) br 0668 ddo (ft)--Hess & Leith (5/25) 713049 Tea For Two (ft sr)--Rich (12/24) br 0667 ddo (ft)--Rich (5/25) ddo: see Dinner Music Series no 14 0908 RISE'N SHINE fr "Take A Chance" (ft sr)--Leith (3/33) 0614 THE ONE GIRL fr "Rainbow" (ft sr)--Moran (2/29) do: see Musical Comedy Medley no 2 0847 TIME ON MY HANDS (You In My Arms) fr "Smiles" (ft sr)--Addison (1/32) 19815 TOODLE-OO fr "Mary Jane McKane" (ft sr)-­ Perkins (5/24) "TWO LITTLE GIRLS IN BLUE" 1729 Dolly (ft sr in E-flat)--Banta (7/21) 1740(5) Oh Mel Oh My! (ft sr in C)--Ohman (9/21) YOUMANS & STOTHART "The WILDFLOWER" 18685 Bambalina (ft sr)--Banta (5/23) br 0719 do (ft)--Banta (4/26) 18835 Wildflower (ft sr)--Perkins (6/23) YOUNG, Francis 67666 BEAU BRUMMEL MlNUET--Armbruster (6/24) YOUNG, Joe BECAUSE OF ONCE UPON A TIME: see Outstanding Hits no 30 YOUNG, Victor see: Lewis & Young; Lombardo & Young, CAN'T WE TALK IT OVER: see Popular Melodies Of the Moment (2nd) GIVE ME A HEART I CAN SING TO: see Outstanding Hits no 27 0869 LAWD, YOU MADE THE NIGHT TOO LONG (ft sr)-- Kerr (6/32) br 01081 do (ft)--Kerr (by12/32) SWEET MADNESS: see Outstanding Hits no 18 YOUNG & AGER br 01140 THERE'S A NEW DAY COMING (ft)--Norman YOUNG & SIRAS 0797 I'M ALONE BECAUSE I LOVE YOU (wrz sr)--Milne (3/31) br 01055 do (valse)--Milne YOUNG, ALTMAN & LAWRENCE STOLEN HARMONY: see Outstanding Hits no 32 YOUNG, BURKE & SPINA SHADOWS ON THE SWANEE: see Outstanding Hits no 13 (2nd) YOUNG, LITTLE & SIRAS 0885 IN A SHANTY IN OLD SHANTY TOWN fr "The Crooner" (wtz sr)--Addison (10/32) br 01093 do (valse)--Addison (by2/33) YOUNG. TOBIAS & COOTS TWO TICKETS TO GEORGIA: see Outstanding Hits no 13 YRADIER, Sebastian 6169(7) La PALOMA (The Dove)--Berumen (7/19) 104457 do ("special" sr, Spanish & Eng1ish)-- Berumen (1/30) YVAIN Mauric'e 1808(~) J'EN AI MARRE (It's Up To You) (ft sr)--Milne (9/22) br 0526 do (ft)--Milne (by9/23) 713373 LONELY (Jai Pas Su y Faire) (ft sr)--Moran (5/27) 1739(5) MON HOMME (My Man) fr "Ziegfeld Follies of 1921" (ft sr in G)--Ohman (9/21) 160 161 February, Igz4 With the great Pianists of the World-the 8VIost entrancing 'Dance 8VIusic-the DUO-ART REPRODUCING PIANO entertains Your guests " HAT kind of a party to give! How politan tastes-it can he dramatic or gay­ . to entertain those non,bridge play~ thrilling or frivolous as occasion warrants. W, ing guests after dinner! HO\\' to fill N'o other musical instrument ever had so intervals between arrivals or until dinner is much to offer. ser'ved - puzzling, ' q)ancing isn't it often - and Duo-Art dallce music A Suggested Program for an Hour or so ofM"s;c difficult? Yet you is wOllderful. Played by can make your home I. LA CAMPANELLA , ,,,, Liszt Played' b" FRIEDMAN leading artists in their so memora hly at­ SONATA, Op, 27. NO.'2 (Adagio. field, it plays with a A lIegretto. Presto A gitato) •. Becthoven tractive that every Played by HOFMANN sparkle, and rhythm person you entertain (I. VIOLIN SOLO which is irresistible. Thais (Meditation) , JlIasscnet from the cultured in­ Liebesfreud . Kreisler Think of summoning tellectual to the air­ Souvenir, ..., VrdJu III. L1EBESTRAUM, No. J, Lisz! six or more of the great iest butterfly of Played b" GANZ pianists for one even­ VALSE IN A·MINOR .. Ch(lpiu your acquaintance Played b" NIKISCH ing's entertainment­ will acclaim YOU the MELODIE (Chant du Voyageur) PClderewski think of an instrument PI.y.d by PADEREWSKI most succcs~ful of IV, SOPRANO SOLO which will play these hostesses! Yeslernay and Today . SpfIISS great, thrilling da&.~ics Like a Rosebud . LaFurgr -accompany your solo­ Everybody is in­ To'a Messenger, .,,,., LaForge V. RHAPSODIE HONGROISE, No. 12 Liszl ists with taste' and Sylll­ trigued by music in P'.y.d by GRAINGER ' pathy-then finish the MARCHE MILITAJRE, Op. 51. No.' Sdlllbert some form or other. , Played bylI,\UER aud GABRILOWITS<,:H e'l.'ening with dance mu­ You cannot imagine sic that wills!'t every what an asset a Duo- foot a-tapping! Art Piano will be to you, With its artis­ Come to Aeolian Hall or one of its I3rdllch!'s when tic perfection, its almost unbelievable next you are in the vicinity and learn how conveniently versatility, it appeals to the most cosmo- you may OWI~ one of these marvelous instruments, For d."ripti•• liuralu", of T~ 'Duo-Art Piano, add,,,, Vrpt, NG, 'T~ A.olian Comp3ny,A.olian Hall, N.-w York CI{epresCltati,'es in All Leading Cities THE AEOLIAN COMPANY NEW YORK LONDON PARIS l\IADRlD SYDNEY lvlELBOURNE ::Maleers ofthe cAeolian·Vocalion - the 'Phonograph Supreme THE ClASSIC SERIES (5500 through 7520x) For the first two and a half years, all Duo-Art rolls were issued in the 5500 series only, irrespective of type or style of music. Only a few numbers apart one may find "Desecration Rag" and "Hungarian Rhapsody No.2"; "Liebestraum No.3" and "Thanks For the Lobster"; "Rondo Capriccioso" and "Too Much Mustard". In June of 1916, the popular songs of the day were generally issued in a new 1500 Dance series, leaving the 5500 series to highlight notable classic and popular salon selections. Over the years, however, some "special" rolls do appear in this classic instrumental series as do odd accompaniment and dance or word rolls on occasion. Finally, as the piano roll market began to wane in the 1930s, the 5500 series became a popular instrumental medley series, with a few notable exceptions. Itis agai n stressed that aJ I rolls Iisted without a price code in parenthesis were dropped from factory production at some time prior to 1923 and the introduction of the coding system. SQme rolls were discontinued shortly after release: sometimes being dropped entirely but at other times replaced by a newer recording. One example: the "original" Hesitation Waltz, no. 5533, was not listed in even the 1915 catalog but seems to have disappeared almost immediately, to be replaced by no. 5557. Many examples exist of such drops and changes. Early discontinued rolls (no price codes) may be of lesser musical or artist value but most are collectible nonetheless due to their general rarity. It is much easier to locate those recordings which remained available long after date of issue and thus achieved a wider circulation. The divisions in the 5500 Series are by the compiler. Part 1: Preliminary Catalog, December, 1914. Part 2: January, 1914 to Dance Series, April, 1916. Part 3: May, 1916 to end of World War, November, 1918. Part 4: December, 1918 through December, 1922. Part 5: January, 1923 (Price Codes) through December, 1929. Part 6: January, 1930 (Depression) through Summer, 1939. • 163 Part 1: Classic, Popular Salon, and Popular (Medley) 5564 DESECRATION RAG (no 1), based upon familiar classic From Preliminary Catalog, December 1914 compositions: Humoreske: Second Hungarian Rhapsody: The Rustle Of Spring: A-Major Polonaise: Funeral 5501(8) LOVE'S LAST WORD (Quad 1 'amour meurt)-- March (Chopin) (one-step "for dancing")-­ Cremieux/Arndt (11/14) Arndt/Arndt (18/14) 5502(6) The ROSARY--Nevin/Arndt (11/14) 5565 BALLADE (Third), op 47 in A-flat-­ 5503(7) SERENADE MELANCOLIQUE--Putz/Putz (11/14) Chopin/Ariani (19/14) 5504 Le PAPILLON (The Butterfly), op 43, no 1 fr "Lyric 5566 NOCTURNE, op 27, no 2 in D-flat-­ Pieces" ("made from the Metrostyle interpretation")-­ Chopin/Arini (19/14) Grieg/Grieg (11/14) 5567 POLONAISE, op 26, no 1 in C-sharp minor-­ 5505 PRELUDE, op 3, no 2 in C-sharp minor-­ Chopin/Ariani (19/14) Rachmaninoff/Putz (?1/14) 5568 VALSE, op 64, no 2 in C-sharp minor-- 5506(6) I KNOW A LOVELY GARDEN--d/Hardelot/Arndt (11/14) Chopin/Ariani (19/14) 5507(8) MY HERO fr "The Chocolate Soldier"-- 5569 PRELUDE, act 2 fr "Cyrano"--Damrosch/Damrosch (19/14) O.
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