Early Modern India: Literatures and Images, Texts and Languages

Total Page:16

File Type:pdf, Size:1020Kb

Early Modern India: Literatures and Images, Texts and Languages Early Modern India Literatures and Images, Texts and Languages Maya Burger, Nadia Cattoni (Eds.) Early Modern India EARLY MODERN INDIA Literatures and Images, Texts and Languages Edited by Maya Burger and Nadia Cattoni Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. This book is published under the Creative Commons Attribution 4.0 License (CC-BY-SA 4.0). The cover is subject to the Creative Commons License CC-BY-ND 4.0. Published at CrossAsia-eBooks, Heidelberg University Library 2019. The electronic open access version of this work is permanently available on the website of CrossAsia-eBooks: https://crossasia-books.ub.uni-heidelberg.de/xasia urn: urn:nbn:de:bsz:16-xabooks-387-2 doi: https://doi.org/10.11588/xabooks.387 Text © 2019 by the authors. Cover illustration: Tulasidasa, Rama-carita-manasa. Miniature, Sita presenting the garland to Rama. Hindi Manuscript 395. Wellcome Collection. Published under CC BY 4.0; https://wellcomecollection.org/works/r7at9dme ISBN 978-3-946742-45-6 (Hardcover) ISBN 978-3-946742-46-3 (PDF) Contents Acknowledgements ix Note on Transliteration xi List of Tables xiii List of Figures xv Maya Burger and Nadia Cattoni General Introduction xvii PART I LITERATURE AND VISUALITY Nadia Cattoni How to Think Pictures, How to Visualize Texts? 3 John S. Hawley 1. When Blindness Makes for Sight 19 Heidi Pauwels 2. Reading Pictures: Towards a Synoptic Reading Combining Textual and Art Historical Approaches 39 Raman Sinha 3. Iconography of Tulsīdās 55 PART II PERSIAN ENCOUNTERS Allison Busch Reflections on Culture and Circulation in Early Modern India 73 Arthur Dudney 4. Persian-Language Education in Mughal India from Qaṣbah to Capital 79 Marc Tiefenauer 5. Upanikhat-i Garbha: A Mughal Translation into Persian of a Small Sanskrit Treatise on Embryology 93 v Contents PART III AROUND NĀTHS AND SANTS Maya Burger On the Nāth and Sant Traditions: Transmission, Yoga and Translationality 113 Imre Bangha 6. Shifts in Kabīr Contexts and Texts from Mughal to Modern Times 125 Minyu Zhang 7. The Making of Kabīr’s Rasa: A Case Study of North Indian Bhakti Intellectual History 173 Galina Rousseva-Sokolova 8. Female Voices and Gender Construction in North Indian Sant Poetry 191 Susanne Kempe-Weber 9. The Sabadavāṇī and its Relation to the Gorakhabāṇī: Establishing Jāmbhojī as the Supreme Yogi 205 Monika Horstmann 10. Nāthyoga in the Dādūpanth: The Ādibodhasiddhāntagrantha- yogaśāstra Attributed to Mohan Mevāṛau 219 Daniel Gold 11. To Go to Vrindavan—or Not: Refashioning Sant Tradition in the Eighteenth Century 239 PART IV JAINA AUTHORITATIVE FIGURES John E. Cort 12. ‘No one gives like the guru’: Devotion to the True Guru in Digambara Hindi Literature 255 Tillo Detige 13. ‘Guṇa kahūṃ śrī guru’: Bhaṭṭāraka Gītas and the Early Modern Digambara Jaina Saṅgha 271 vi Contents PART V QUESTIONS OF METRICS AND LOCAL LITERATURES Hiroko Nagasaki 14. The Metrical Style of Tulsīdās 289 Anne Murphy 15. Punjabi in the (Late) Vernacular Millennium 305 About the Editors and Contributors 329 vii Acknowledgements The University of Lausanne accepted to host and support the 12th International Conference on Early Modern Literatures in North India (ICEMLNI) and we are very grateful to our Alma Mater for its generous support. We also thank the Swiss National Foundation (SNF) and the Swiss Academy of Humanities and Social Sciences (SAGW) for their substantial help. The Foundation Dragon Bleu from Neuchâtel provided some bursaries to help young people to travel. We also thank the Département Interfacultaire d’Histoire et Sciences des Religions (DIHSR) for its financial contributions. Special thanks go to Jon Wilcox who harmonized the English throughout the volume and made valuable editorial comments, as well as to Rosina Pastore who assisted in the preparation of the volume. It goes without saying that the editors remain responsible for all remaining shortcomings. ix Note on Transliteration The contributions stem from different backgrounds, language horizons and scholarly approaches. We have decided to respect the different modes of trans- literation from one article to another. Though we have encouraged scholars to adhere to a unified system, preferences are strong, as well as habits. The diversity of languages also explains differences and specificity of each contribution. Most of the presentations (original script, transliteration, formatting) are proper to each article. A certain amount of standardization however seemed useful and the edi- tors chose to write Indian words that are listed in the Oxford English Dictionary without diacritics. We write for instance Upanishad, yogi instead of yogī; how- ever, if the word occurs in a compound with a word that is not in the dictionary, we use the diacritics, e. g., Nāthyogī. The English spelling rule is not applied to proper names which retain diacritics (Kṛṣṇa, Kabīr, etc.). xi List of Tables Marc Tiefenauer, Upanikhat-i Garbha: A Mughal Translation into Persian of a Small Sanskrit Treatise on Embryology Table 5.1 Translation procedures 97 Table 5.2 Combined translation procedures 98 Imre Bangha, Shifts in Kabīr Contexts and Texts from Mughal to Modern Times Table 6.1 Kumar Gandharva (Singing Emptiness) 163 Hiroko Nagasaki, Metrical Style of Tulsīdās Table 14.1 Metrical forms of major works 291 Table 14.2 Metrical forms of minor works 292 Table 14.3 Irregular stanzas in each chapter based on the Kāśīrāja edition 293 Table 14.4 Metrical forms under the category of śloka in the Rāmacaritamānasa 294 Table 14.5 The dohā by Tulsīdās according to the traditional mora grouping 298 Table 14.6 The mora grouping of dohā by ‘Bhānu’ 298 xiii List of Figures Nadia Cattoni, How to Think Pictures, How to Visualize Texts? Figure 1 ‘Asavari ragini, from a Ragamala series’ 14 John S. Hawley, When Blindness Makes for Sight Figure 1.1 ‘Just give me Gopāl for a second, my friend!’ 21 Figure 1.2 ‘I bow in praise before your lotus feet’ 23 Figure 1.3 ‘Everyone’s drenched in the mood of Govardhan Pūjā’ 26 Figure 1.4 ‘Hari—how I love, love my little Mādhav’ 27 Figure 1.5 ‘I just can’t wake him up, good woman’ 30 Figure 1.6 ‘Why, why go off to somebody else?’ 33 Figure 1.7 ‘His tiny little feet—she supports them, helps him walk’ 35 Figure 1.8 Sūrdās singing 37 Raman Sinha, Iconography of Tulsīdās Figure 3.1 Tulsīdās: A young Vaishnava Saint 57 Figure 3.2 Tulsīdās: An old Vaishnava Saint 57 Figure 3.3 Young Tulsīdās 58 Figure 3.4 Tulsīdās reciting Rāmcaritmānas in an audience 58 Figure 3.5 Tulsīdās with his disciples 59 Figure 3.6 Tulsīdās with a disciple 59 Figure 3.7 Tulsīdās on the river bank I 60 Figure 3.8 Tulsīdās on the river bank II 60 Figure 3.9 Tulsīdās in trance 62 Figure 3.10 Tulsīdās in Manikarnika Ghat 63 Figure 3.11 Tulsīdās with Rahīm 63 Minyu Zhang, The making of Kabīr’s Rasa: A Case Study of North Indian Bhakti Intellectual History Figure 7.1 An oblique type of still 177 Figure 7.2 A vertical type of still 177 xv Maya Burger and Nadia Cattoni General Introduction ‘The study of another culture must not be like the analysis and description of a piece of stone, but like listening in to a conversation.’ – F. Hardy Thinking research, delineating periods This book brings together a revised selection of the papers given at the 12th International Conference on Early Modern Literatures in North In­ dia (ICEMLNI) held at the University of Lausanne in the summer of 2015. As such, it continues the series of proceedings previously named Bhakti in Current Research (1982–2006) now referred to as Current Re- search on Early Modern Literatures in North India (since 2013). We speak of early modern in the sense adopted by the editors of the pre­ vious volume (Text and Tradition in Early Modern North India, 2018, see Introduction, p. xxvii–xxix), as a period with distinct and specific characteristics. Scholarship on the early modern period has emerged as one of the most aston­ ishing fields of research in recent years. Research interests have expanded to include as a characteristic the increasing complexity of circulation, mobility, and transcultural fertilization, responding to the notion of ‘connected histories’ coined by Sanjay Subrahmanyam and others. Larger projects, such as Sheldon Pollock’s Literary Cultures in History, invite us to connect specific and spe­ cialized research situated in the period to larger pictures of the literary and intellectual histories of India in a dynamic and interactive process. Looking even briefly at the historiography of research in the field reveals many drastic changes over the years, some of which have turned out to be very productive and stimulating. This volume, like the previous ones, is testimony to research conducted in a field best seen as a mosaic of cultures and languages. Between the ancient world and modern idioms, the early modern creates research perspectives by looking back at Sanskrit and previous literatures and constructing comparative issues, as well as looking forward into modern literary productions. This is, of course, not to introduce a mere historical development, since literatures relate past and pre­ xvii Maya Burger and Nadia Cattoni sent in more intricate ways than linear development.1 The research in the field has expanded to include more investigations into connected histories, especially, but not only, with Islamicate cultures. The expansion of the field’s horizons, and the inclusion of new questions that go with that, account for the growing interest in the period and demand more collaboration among specialists.2 Bhakti, manuscript search, editing, and philology were among the keywords of the early publications of the research group (starting in 1979).
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • ZEYLANICA a Study of the Peoples and Languages of Sri Lanka
    ZEYLANICA A Study of the Peoples and Languages of Sri Lanka Asiff Hussein Second Edition: September 2014 ZEYLANICA. A Study of the Peoples and Languages of Sri Lanka ISBN 978-955-0028-04-7 © Asiff Hussein Printed by: Printel (Pvt) Ltd 21/11, 4 th Lane, Araliya Uyana Depanama, Pannipitiya Published by: Neptune Publications CONTENTS Chapter 1 Legendary peoples of Lanka Chapter 2 The Veddas, the aboriginal inhabitants of Lanka and their speech Chapter 3 The Origins of the Sinhalese nation and the Sinhala language Chapter 4 The Origins of the Sri Lankan Tamils and the Tamil language Chapter 5 The Sri Lankan Moors and their language Chapter 6 The Malays of Sri Lanka and the local Malay language Chapter 7 The Memons, a people of North Indian origin and their language Chapter 8 Peoples of European origin. The Portuguese and Dutch Burghers Chapter 9 The Kaffirs. A people of African origin Chapter 10 The Ahikuntaka. The Gypsies of Sri Lanka INTRODUCTORY NOTE The system of transliteration employed in the text, save for citations, is the standard method. Thus dots below letters represent retroflex sounds which are pronounced with the tip of the tongue striking the roof of the mouth further back than for dental sounds which are articulated by placing the tip of the tongue against the upper front teeth. Among the other sounds transliterated here c represents the voiceless palato-alveolar affricate (as sounded in the English church ) and ś the palatal sibilant (as sounded in English sh ow ). The lingual which will be found occurring in Sanskrit words is similar in pronunciation to the palatal .
    [Show full text]
  • 'The Apish Art': Taste in Early Modern England
    ‘THE APISH ART’: TASTE IN EARLY MODERN ENGLAND ELIZABETH LOUISE SWANN PHD THESIS UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE JULY 2013 Abstract The recent burgeoning of sensory history has produced much valuable work. The sense of taste, however, remains neglected. Focusing on the early modern period, my thesis remedies this deficit. I propose that the eighteenth-century association of ‘taste’ with aesthetics constitutes a restriction, not an expansion, of its scope. Previously, taste’s epistemological jurisdiction was much wider: the word was frequently used to designate trial and testing, experiential knowledge, and mental judgement. Addressing sources ranging across manuscript commonplace books, drama, anatomical textbooks, devotional poetry, and ecclesiastical polemic, I interrogate the relation between taste as a mode of knowing, and contemporary experiences of the physical sense, arguing that the two are inextricable in this period. I focus in particular on four main areas of enquiry: early uses of ‘taste’ as a term for literary discernment; taste’s utility in the production of natural philosophical data and its rhetorical efficacy in the valorisation of experimental methodologies; taste’s role in the experience and articulation of religious faith; and a pervasive contemporary association between sweetness and erotic experience. Poised between acclaim and infamy, the sacred and the profane, taste in the seventeenth century is, as a contemporary iconographical print representing ‘Gustus’ expresses it, an ‘Apish Art’. My thesis illuminates the pivotal role which this ambivalent sense played in the articulation and negotiation of early modern obsessions including the nature and value of empirical knowledge, the attainment of grace, and the moral status of erotic pleasure, attesting in the process to a very real contiguity between different ways of knowing – experimental, empirical, textual, and rational – in the period.
    [Show full text]
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • 2016-17 B.Com. First Year
    UNIVERSITY COLLEGE OF COMMERCE & MANAGEMENT STUDIES MOHANLAL SUKHADIA UNIVERSITY, UDAIPUR. ELECTORAL LIST- 2016-17 B.COM. FIRST YEAR S. No. Name of Applicant Father Name ADDRESS 1 AAFREEN ARA ASHFAQ AHMED 113 nag marg outside chandpol 2 AAFREEN SHEIKH SHAFIQ AHMED SHEIKH 51 RAJA NAGAR SEC 12 SAVINA 3 AAISHA SIDDIKA MR.ABDUL HAMEED NAYA BAJAR KANORE THE-VALLABHNAGER DIS-UDAIPUR 4 AAKANKSHA KOTHARI PRAVEEN KUMAR KOTHARI 5, KANJI KA HATTA, GALI NO.1, OPP. SH DIG JAIN SCHOOL 5 AAKASH RATHOR ROSHAN LAL RATHOR 17 RAMDAWARA CHOWK BHUPALWARI UDAIPUR 6 AANCHAL ASHOK JAIN 61, A - BLOCK, HIRAN MAGRI SEC-14, UDAIPUR 7 AASHISH PATIDAR KAILASH PATIDAR VILL- DABOK 8 AASHRI KHATOD ANIL KHATOD 340,BASANT VIHAR,HIRAN MAGRI,SEC-5 9 AAYUSHI BANSAL UMESH BANSAL 4/543 RHB COLONY GOVERDHAN VILAS SEC. 14 UDAIPUR 10 AAYUSHI SINGH KACHAWA SHAKTI SINGH KACHAWA 1935/07 NEW RAMPURA COLONY SISARMA ROAD 11 ABHAY JAIN PRADEEP JAIN 18, GANESH GHATI, 12 ABHAY MEWARA SUBHASH CHANDRA MEWARA 874, MANDAKINIMARG BIJOLIYA 13 ABHISHEK DHABAI HEMANT DHABAI 209 OPP D E O SECOND GOVERDHAN VILLAS UDAIPUR 14 ABHISHEK JAIN PADAM JAIN HOUSE NO 632 SINGLE STORIE SEC 9 SAVINA 15 ABHISHEK KUMAR SINGH KHOOB SINGH 1/26 R.H.B. colony,Goverdhan Vilas,Udaipur(Raj.) 16 ABHISHEK PALIWAL KISHOR KALALI MOHALLA, CHHOTI SADRI 17 ABHISHEK SANADHYA DHAREMENDRA SANADHYA 47 ANAND VIHAR ROAD NO 2 TEKRI 18 ABHISHEK SETHIYA GOPAL LAL SETHIYA SADAR BAZAR RAILMAGRA 19 ABHISHEK SINGH RAO NARSINGH RAO 32-VIJAY SINGH PATHIK NAGAR SAVINA Page 1 of 187 20 ADITYA SINGH SISODIA BHARAT SINGH SISODIA 39, CHINTA MANI
    [Show full text]
  • Lottary Sleep 196.Xlsx
    Sr. No. Form No. App. Name Father's/Husband's Name Category Inc. Group Amount Subhash Nagar Awaisiya Yojana Eligible Candidates List lqHkk"k uxj vkoklh; ;kstuk esa izkIr vkosnu i=ka s dh lwph ftudh ykWVjh fnukda 26-05-2019 dks lk;a 4 cts fudkyh tkuh gSA Sr. No. Form No. App. Name Father's/Husband's Name Category Inc. Group Amount 1 46 PREM BIHARI DAKAD KALU LAL Army 1 62000 2 410 DEV LAL NAGAR PRAHLAD NAGAR Army 1 62000 3 1017 SUBODH KUMAR SUDARSHAN RAY YADAV Army 1 62000 4 1421 TARA CHAND SHARMA DHUJILAL SHARMA Army 1 62000 5 1951 MALKHAN SINGH MEENA NARAYAN SINGH MEENA Army 1 62000 6 2659 VINOD KUMAR SHIV KARAN GURJAR Army 1 62000 7 3106 LAXMI CHAND SEINI BHANWAR LAL SAINI Army 1 62000 8 3341 AJIT SINGH PREM SINGH Army 1 62000 1 11 SAMPAT BAI LAXMINARAYAN General 1 62000 2 16 RAMESH CHAND TIKUM DAS General 1 62000 3 27 BHAWANA PATIDAR BAL KISHAN PATIDAR General 1 62000 4 33 SANJAY KUMAR GULWANI SHREE CHAND GULWANI General 1 62000 5 44 LAL CHAND GAUR DEVI LAL GAUR General 1 62000 6 45 MANOJ GAUR BRIHMOHAN GAUR General 1 62000 7 49 MANGI LAL LODHA AMARA LODHA General 1 62000 8 56 DEVENDRA KUMAR SONI LALITA KUMAR SONI General 1 62000 9 57 LALIT KUMAR SONI NARAYAN LAL SONI General 1 62000 10 58 VINAY KUMAR VIJAY KUMAR General 1 62000 11 74 SURENDRA SINGH RAGUVEER SINGH General 1 62000 12 75 HIMANSHU SUMAN BRAJ MOHAN SUMAN General 1 62000 13 82 LALIT KUMAR RATHORE TEJMAL RATHORE General 1 62000 14 87 JOYTI RATHOR BANWARI LAL RATHORE General 1 62000 15 88 RAM BILAS RATHORE PRABHU LAL General 1 62000 16 94 MUKESH KUMAR MEENA RAM CHANDRA MEENA
    [Show full text]
  • Collected Works of Ananda K Coomaraswamy Series
    A. Collected Works of Ananda K. Coomaraswamy Philosophical Writings TIME AND ETERNITY Ananda K.Coomaraswamy 1990, viii+107 pp. bib., ref., index ISBN: 81-85503-00-1: Rs 110 (HB) Man's awareness of Time has been articulated in ancient and modern civilizations through cosmologies, metaphysics, philosophy, religion, theology and the arts. Coomaraswamy propounds that though we live in Time, our deliverance lies in eternity. All religions make this distinction between what is merely "everlasting" (or "perpetual") and what is eternal. To probe into this mystery Coomaraswamy provides us with a detailed account of the teachings of each of the main world religions. Present edition embodies all marginal corrections which Coomaraswamy made on the first edition published during 1947 in Ascona, Switzerland. SPIRITUAL AUTHORITY AND TEMPORAL POWER IN THE INDIAN THEORY OF GOVERNMENT Ananda K.Coomaraswamy Edited by Keshavram N. Iyengar and Rama P.Coomaraswamy 1993, x+127pp. notes., ref., ISBN: 0-19-5631-43-9: Rs 200 (HB) 2013, xii+135pp., ISBN 13 : 978-81-246-0734-3 RsÊ.360 (HB) (reprint). The Indian theory of government is expounded in this work on the basis of the textual sources, mainly of the Brāhmaṇas and te Ṛgveda. The mantra from the Aitareya Brāhmaṇa (VIII.27) by which the priest addresses the king, spells out the relation between the spiritual and the temporal power. This "marriage formula" has its analogous applications in the cosmic, political, family and individual spheres of operation, in each by the conjunction of complementary agencies. The welfare of the community in each case depends upon a succession of obediences and loyalties; that of the subjects to the dual control of king and priest, that of the king to the priest, and that of all to the principle of an eternal law (dharma) as king of kings.
    [Show full text]
  • Smart Cities Mission
    Before Before After SMART CITIES MISSION Weekly Update After Issue 3 13 February 2018 Hon’ble Minister Shri Hardeep S Puri at the National Orientation Workshop PROJECT IN FOCUS Minister Flags Off India m2m + IoT Liveability Index Forum Held in Delhi The Liveability Index is a landmark initiative 5th Annual National m2m + IoT Forum by MoHUA to evaluate liveability of 116 was held on 30 – 31 January 2018, at Indian cities on 79 indicators in 15 categories. India Habitat Centre, New Delhi. The The ministry organised a daylong orientation forum focused on machine-to-machine workshop on 13 February at Vigyan Bhawan (m2m) and internet of things (IoT) from New Delhi. You can access the presentations the larger umbrella of the Information Communication Technology (ICT). The made in the workshop on SmartNet. Cycle Smart Bhopal forum aims at enriching the m2m and Under Smart Cities Mission Bhopal has built Tip of the Week IoT ecosystem with market intelligence, country’s first completely automated 24x7 technology trends, success stories and bicycle sharing programme. With 500 GPS Light & Seek Vibrancy capacity building, and offers opportunity tracked cycles, 50 unmanned stations linked Illumination of heritage and other buildings for branding and positioning, learning to central control system, 12 km long and 5 not only makes the entire surrounding area and sharing, connecting and networking meter wide bicycle tracks, the project costed vibrant and lively, it also boosts local with eminent peers, and industry experts. about Rs 7 crore. This project was rolled out Please visit: http://m2m2iotforum.com in PPP mode and Rs 3 Crore was spent from economy by promoting tourism.
    [Show full text]
  • Royal Rajasthan and Orchcha Khajuraho Varanasi Tour Duration
    Royal Rajasthan And Orchcha Khajuraho Varanasi Tour Duration : 20 Nights / 21 Days Destinations : Delhi - Mandawa - Bikaner - Jaisalmer - Jodhpur - Udaipur - Pushkar - Jaipur - Agra - Delhi Day 01 / Arrival Delhi Arrive Delhi , Meet assist at the airport & transfer to hotel. Day 02 / Delhi After breakfast proceed for sightseeing tour of Old & New Delhi : OLD DELHI - A sight-seeing tour of Old Delhi would entail visiting the Raj Ghat - the memorial site where Mahatma Gandhi was cremated; Jama Masjid - the largest mosque in India. NEW DELHI - An extensive sight-seeing tour of New Delhi would include a visit to the Humayun's Tomb, the Qutub Minar, a drive along the ceremonial avenue - Rajpath, past the imposing India Gate, Parliament House, the President's Residence and would end with a drive through the Diplomatic Enclave. Overnight stay in Delhi. Day 03 Delhi / Mandawa : Morning drive to mandawa. Rest of the day visit Shekhavati villages of Dundlod, Mandawa, etc. Mandawa was founded in 1755 by Thakur Nawal Singh and is still the home of his descendants. Mandawa houses a collection of armories, costumes of ancestors, canons from 1820, ancient coins, numismatic collection and many other interesting items preserved in a museum. The whole area of Shekhavati has beautiful frescoes, havelis & mansions and is called the open air gallery. Overnight stay in Mandawa. Day 04 Mandawa / Bikaner : Morning drive to Bikaner, on arrival check in hotel. Afternoon tour of this desert city. Bikaner is bolstered by imposing walls and has a 16th century fort housing old palaces, temples and a mosque. Founded by Raja Rai Singh, the fort is distinguished by its long range of 37 pavilions, a line of balconies and aerial windows of varying designs.
    [Show full text]
  • Shukteertha Brief Sketch
    a brief sketch Shukteerth Shukteerth a brief sketch Swami Omanand Saraswati SWAMI KALYANDEV JI MAHARAJ Shukteerth a brief sketch a brief ,sfrgkfld 'kqdrhFkZ laf{kIr ifjp; ys[kd % Lokeh vksekuUn ljLorh vkbZ ,l ch ,u 978&81&87796&02&2 Website: www.swamikalyandev.com Website: email: [email protected] or [email protected] or [email protected] email: Ph: 01396-228204, 228205, 228540 228205, 01396-228204, Ph: Shri Shukdev Ashram Swami Kalyandev Sewa Trust Shukratal (Shukteerth), Muzaffarnagar, U.P. (India) U.P. Muzaffarnagar, (Shukteerth), Shukratal Trust Sewa Kalyandev Swami Ashram Shukdev Shri Hindi edition of Shukteerth a brief sketch is also available. Please contact us at following address address following at us contact Please available. also is sketch brief a Shukteerth of edition Hindi The Ganges, flowing peacefully by Shuktar, reminds us of the eternal message of ‘tolerance’ for the past five thousand years. Shuktar, described in the Indian mythological scriptures as a place of abstinence, is located on the banks of the holy river, 72 kilometers away from Haridwar. Here, Ganges has, over centuries, cut a swathe through a rocky region to maintain her eternal flow. With the passage of time, Shuktar became famous as Shukratal. Samadhi Mandir of Brahmleen Swami Kalyandev ji Maharaj a brief sketch Shukteerth Shukteerth a brief sketch WRITTEN BY Swami Omanand Saraswati PUBLISHED BY Shri Shukdev Ashram Swami Kalyandev Sewa Trust Shukratal (Shukteerth), Muzaffarnagar, U.P. - 251316 (India) Shukteerth a brief sketch Edited by Ram Jiwan Taparia & Vijay Sharma Designed by Raj Kumar Nandvanshi Published by Vectra Image on behalf of Shri Shukdev Ashram Swami Kalyandev Sewa Trust Shukratal (Shukteerth), Muzaffarnagar, U.P.
    [Show full text]
  • John Cage's Entanglement with the Ideas Of
    JOHN CAGE’S ENTANGLEMENT WITH THE IDEAS OF COOMARASWAMY Edward James Crooks PhD University of York Music July 2011 John Cage’s Entanglement with the Ideas of Coomaraswamy by Edward Crooks Abstract The American composer John Cage was famous for the expansiveness of his thought. In particular, his borrowings from ‘Oriental philosophy’ have directed the critical and popular reception of his works. But what is the reality of such claims? In the twenty years since his death, Cage scholars have started to discover the significant gap between Cage’s presentation of theories he claimed he borrowed from India, China, and Japan, and the presentation of the same theories in the sources he referenced. The present study delves into the circumstances and contexts of Cage’s Asian influences, specifically as related to Cage’s borrowings from the British-Ceylonese art historian and metaphysician Ananda K. Coomaraswamy. In addition, Cage’s friendship with the Jungian mythologist Joseph Campbell is detailed, as are Cage’s borrowings from the theories of Jung. Particular attention is paid to the conservative ideology integral to the theories of all three thinkers. After a new analysis of the life and work of Coomaraswamy, the investigation focuses on the metaphysics of Coomaraswamy’s philosophy of art. The phrase ‘art is the imitation of nature in her manner of operation’ opens the doors to a wide- ranging exploration of the mimesis of intelligible and sensible forms. Comparing Coomaraswamy’s ‘Traditional’ idealism to Cage’s radical epistemological realism demonstrates the extent of the lack of congruity between the two thinkers. In a second chapter on Coomaraswamy, the extent of the differences between Cage and Coomaraswamy are revealed through investigating their differing approaches to rasa , the Renaissance, tradition, ‘art and life’, and museums.
    [Show full text]