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SPEAKER BIOS | in SPEAKING ORDER Greg Fairlie Broadcaster Dubai One Presenter, Broadcaster, Multi Tasked Video Journalist &
SPEAKER BIOS | IN SPEAKING ORDER Greg Fairlie Broadcaster Dubai One Presenter, Broadcaster, Multi tasked Video Journalist & Business Communications Expert with a wealth of experience in the UK, Australia, Europe & MENA region. Bringing a warm, personable, informative and friendly approach to presenting, interviewing and drawing out the best of people in many diverse fields. Fully experienced in a live studio environment and on location. Specialties: Facilitating business programming for both TV and Radio stations. Managing teams within a broadcast unit. Presenting, producing, directing, filming and editing live and recorded TV & Radio content. Experience of anchoring in a live environment. Specialist in media training and presentation on-air delivery. Moderator at events. Magazine and newspaper features writer. Voice Over artist and Voice imaging. Experienced in using AVID inews, Final Cut Pro X, Adobe Premiere, audio editing software including soundtrack pro and Twisted Wave. His Excellency Hani Al Hamli Secretary General Dubai Economic Council (DEC) H.E. Hani Rashid Al Hamli is the Secretary General of the Dubai Economic Council (DEC) since 2006. The Council envisioned acting as the strategic partner for the Government of Dubai in economic-decision making. It provides policy recommendations and initiatives that enhance the sustainable economic development in the Emirate of Dubai. Prior to his service at DEC, Mr. Al Hamli held a number of senior positions in various government and private entities in Dubai such as the Executive Council-Government of Dubai, Dubai Chamber of Commerce and Industry, Investment & Development Authority, and Emirates Bank Group. Under his management of the DEC Secretariat, Mr. Al Hamli has realized many achievements for the DEC, notably the establishment of Dubai Competitiveness Center (DCC) in 2008, and the DEC has embraced the stated center from 2008-2013. -
Destructive Pigment Characterization
Looking for common fingerprints in Leonardo’s pupils through non- destructive pigment characterization LETIZIA BONIZZONI 1*, MARCO GARGANO 1, NICOLA LUDWIG 1, MARCO MARTINI 2, ANNA GALLI 2, 3 1 Dipartimento di Fisica, Università degli Studi di Milano, , via Celoria 16, 20133 Milano (Italy) 2 Dipartimento di Scienza dei Materiali, Università degli Studi di Milano-Bicocca, via R. Cozzi 55, 20125 Milano (Italy) and INFN, Sezione Milano-Bicocca. 3 CNR-IFN,piazza L. da Vinci, 20132 Milano (Italy). *Corresponding author: [email protected] Abstract Non-invasive, portable analytical techniques are becoming increasingly widespread for the study and conservation in the field of cultural heritage, proving that a good data handling, supported by a deep knowledge of the techniques themselves, and the right synergy can give surprisingly substantial results when using portable but reliable instrumentation. In this work, pigment characterization was carried out on twenty-one Leonardesque paintings applying in situ XRF and FORS analyses. In-depth data evaluation allowed to get information on the colour palette and the painting technique of the different authors and workshops. Particular attention was paid to green pigments (for which a deeper study of possible pigments and alterations was performed with FORS analyses), flesh tones (for which a comparison with available data from cross sections was made) and ground preparation. Keywords pXRF, FORS, pigments, Leonardo’s workshop, Italian Renaissance INTRODUCTION “Tristo è quel discepolo che non ava[n]za il suo maestro” - Poor is the pupil who does not surpass his master - Leonardo da Vinci, Libro di Pittura, about 1493 1. 1 The influence of Leonardo on his peers during his activity in Milan (1482-1499 and 1506/8-1512/3) has been deep and a multitude of painters is grouped under the name of leonardeschi , but it is necessary to distinguish between his direct pupils and those who adopted his manner, fascinated by his works even outside his circle. -
WTC Milan Is Proud to Announce the New Partnership with UNA Hotels & Resorts
WTC Milan is proud to announce the new partnership with UNA Hotels & Resorts. Founded in 2000, in few years the Italian 4-star hotel Group UNA Hotels & Resorts opened structures in all the main Italian cities: Milan and Milan Malpensa Airport, Bologna, Florence, Naples, Catania, Rome, Venice. Thanks to an intensive development plan UNA now boasts an extensive presence throughout the country, with 31 hotels and more than 3000 rooms. Thanks to the important agreement recently signed with the WTC Milan, our Italian associates and the WTCA - World Trade Centers Association members will benefit from special rates for hotel rooms and restaurants in Italy from 10% discount on price list, according to the period, number of people, etc. Moreover all our members, colleagues and their families can take advantage of original packaging to discover the Italian art, culture and food & wine traditions, or just take a breath in a wellness or seaside resort. In occasion of main exhibitions in Milan, such as Boccioni, the Symbolism and Mirò, UNA Hotels & Resorts features special offers valid in different hotels downtown including the exhibition tickets. The philosophy of UNA Hotels & Resorts is offering an exclusive experience, whether it is a stay on a business or leisure trip, thanks to extensive use of cutting edge technology, attention to design, care with detail and an emphasis on the local element. UNA has always paid special attention to new trends in design and architecture in Italy, and makes a point of choosing among the most important architects in Italy, like Fabio Novembre (UNA Hotel Vittoria), Aldo Cibic (UNA Hotel Tocq), Renzo Costa (UNA Hotel Malpensa, UNA Hotel Roma) and Luca Scacchetti (UNA Hotel Napoli). -
36. Allestimento Della Pietà Rondanini Nel Museo Del Castello Sforzesco a Milano
Gruppo BBPR (Gian Luigi Banfi, Ludovico Barbiano di Belgiojoso, Enrico Peressutti, Ernesto Nathan Rogers) 36. Allestimento della Pietà Rondanini nel Museo del Castello Sforzesco a Milano a. Paolo Monti (Novara, 1908 - Milano, 1982) L’allestimento della Pietà Rondanini dello Studio BBPR nella sala degli Scarioni del Museo del Castello Sforzesco a Milano - sala XV 1956 fotografia, 240 × 180 mm Milano, collezione Alberico di Belgiojoso, foto n. 188 b. Paolo Monti L’allestimento della Pietà Rondanini dello Studio BBPR nella sala degli Scarioni del Museo del Castello Sforzesco a Milano – sala XV 1956 fotografia, 300 × 210 mm Milano, collezione Alberico di Belgiojoso, foto n. 243 c. Studio BBPR Progetto di allestimento. Vista assonometrica ante 1956 riproduzione fotografica del disegno, 220 × 165 mm Milano, collezione Alberico di Belgiojoso d. Studio BBPR Progetto di allestimento. Pianta e sezione ante 1956 riproduzione fotografica del disegno, 250 × 345 mm Milano, collezione Alberico di Belgiojoso Fu Riccardo Bacchelli a scrivere nel 1952 il testo ufficiale di benvenuto per It was Riccardo Bacchelli who wrote in 1952 the official welcome address for la Pietà Rondanini che, dalla collezione romana della famiglia dei conti Sanse- the Pietà Rondanini that arrived in Milan from the Roman collection of the verino Vimercati, giungeva a Milano per trovare poi sistemazione nel Museo family of the counts Sanseverino Vimercati to then find a home at the Museo del Castello Sforzesco. Il testo era incentrato sul valore della scultura ma anche del Castello Sforzesco. The address focused on the sculpture’s value but also sull’importanza di accogliere una così importante opera per una città come Mi- on the importance for a city like Milan – which had emerged from the ruins lano, uscita dalle rovine della guerra e avviata a un’opera di ricostruzione non of war and set out on a project of reconstruction regarding not only the city’s solo edilizia ma anche economica e culturale. -
Lezione 12 – Da Montenapoleone in Duomo (Dia 1) Lasciamo Ancora Una Volta Montenapoleone Per Entrare a Sinistra in Via S
Lezione 12 – Da Montenapoleone in Duomo (Dia 1) Lasciamo ancora una volta Montenapoleone per entrare a sinistra in via S. Andrea dove al n, 6 troviamo (Dia 2) il PALAZZO MORANDO ATTENDOLO BOLOGNINI, al cui interno si trovano la COLLEZIONE COSTUME MODA E IMMAGINE e il MUSEO DI MILANO. Pare che la contessa Bolognini fosse addirittura l'amante del re Umberto I; Edificato nel ‘500, il Palazzo fu residenza di alcune tra le più importanti famiglie milanesi, tra cui i Villa che nel corso del XVIII secolo fecero eseguire sull’edificio numerosi interventi, conferendogli l’impronta rococò, che tuttora lo caratterizza. Nei primi anni del XX secolo la dimora, che allora apparteneva alla famiglia De Cristoforis, fu acquistata dai coniugi Gian Giacomo Morando Bolognini e Lydia Caprara Morando Bolognini, che riempirono le sale con un’ampia collezione di arredi e dipinti. (dia 3) La Contessa Lydia, rimasta vedova nel 1919, morì senza eredi nel 1945 e nel testamento volle donare la sua residenza milanese, con tutto il contenuto, al Comune di Milano, che secondo l’uso dell’epoca smembrò le collezioni per unirle a quelle di altri edifici comunali. Nel 1958, dopo un lungo restauro dovuto agli ingenti danni subiti dall’edificio durante la II Guerra Mondiale, Palazzo Morando aprì le sue porte al pubblico col nome di “Museo di Milano”. Al piano nobile fu collocata la collezione Beretta (tuttora esposta), una ricca raccolta di dipinti e disegni dedicata all’iconografia urbanistica e architettonica di Milano, anch’essa divenuta di proprietà del Comune grazie a una donazione. Al pian terreno invece trovò sistemazione nel 1963 il Museo della Guerra e della Resistenza, poi denominato Museo di Storia Contemporanea. -
Welcome to Milan
WELCOME TO MILAN WHAT MILAN IS ALL ABOUT MEGLIOMILANO MEGLIOMILANO The brochure WELCOME TO MILAN marks the attention paid to those who come to Milan either for business or for study. A fi rst welcome approach which helps to improve the image of the city perceived from outside and to describe the city in all its various aspects. The brochure takes the visitor to the historical, cultural and artistic heritage of the city and indicates the services and opportunities off ered in a vivid and dynamic context as is the case of Milan. MeglioMilano, which is deeply involved in the “hosting fi eld” as from its birth in 1987, off ers this brochure to the city and its visitors thanks to the attention and the contribution of important Institutions at a local level, but not only: Edison SpA, Expo CTS and Politecnico of Milan. The cooperation between the public and private sectors underlines the fact that the city is ever more aiming at off ering better and useable services in order to improve the quality of life in the city for its inhabitants and visitors. Wishing that WELCOME TO MILAN may be a good travel companion during your stay in Milan, I thank all the readers. Marco Bono Chairman This brochure has been prepared by MeglioMilano, a non-profi t- making association set up by Automobile Club Milan, Chamber of Commerce and the Union of Commerce, along with the Universities Bocconi, Cattolica, Politecnico, Statale, the scope being to improve the quality of life in the city. Milan Bicocca University, IULM University and companies of diff erent sectors have subsequently joined. -
Parco Sempione
Sesto San Giovann FSi Cormano SESTO SAN GIOVANNI BRESSO PARCO NORD Cormano Brusuglio Sesto Rondò TANGENZIALE NORD VIALE FULVIO TESTI RHO Comasina Bruzzano NOVATE Bignami 500 m A8 MILANO LAGHI A4 TORINO MILANO 500 m Sesto Marelli Rho A.V./S.F.R. Affori FNM Ponale Affori FNM PARCO NORD Cologno Sud VIA GIUDITTA PASTA Rho Fiera Quarto Oggiaro VIALE MONZA VIA ARGANINI VIA SBARBARO BIGLIA DEI CONTI VIA BRUSUGLIOVIA CHIANCIANO VIALE ESPERIA VIALE FULVIO TESTI Villa San Giovanni VIA ZANOLI Bicocca VIA PELLEGRINO ROSSI TEATRO VIA GREGOROVIUS ARCIMBOLDI A4 TORINO MILANO VIA VOCHIERI VIA ARMELLINI VIA E. MAJORANA VIA MONETA VIA Affori Centro VIA CAMOVALI VIA RACCONIGIMONTEROTONDO VIA SEMERIA VIA CHIASSERINI VIA VIA DON CARLO PORRO VIA GILINO Greco VIA BALZAC POZZUOLI VIA VIA PASTRO VIA CISLAGHI MPANA CORRADO VIA GRIOLI CA VIA SCIALOIA VIA BETTINI VIA CIRI VIA REBORA VIA DEI VIA Pirelli VIA ZAMBRINI VIA PONTE NUOVO VIA COZZI DUMAS VIA PEDRONI È VIA DEMONTE VIA BREDA VIA RUCELLAI I ZZIN VIA GIROLAVIA SANTHIÀ Precotto VIA LINATI A VIA DON LUIGI GUANELLA COR VIA PAVESE VIA VIA VIPITENO VIA APELLE VIA BAZZARO VIA TÜKORI VIA VIGNATI VIA VIA VAL GARDENA VIA SCARSELLINI VIA FRATELLI BRESSAN VIA POMPEO VIA CIALDINI VIA VAL DI FIEMME VIA G. B. VIA SAN BASILIO PALLETTA VIA MONCALIERI VIA VAL DI NON VIA BAVENO Cascina Gobba Pero VIA VAL MARIA VIALE DELL’INNOVAZIONE VIA EMILIO DE MARCHI VIA MAMBRETTI MAIRA VIA ERODOTO PIAZZALE B. GRAZIOLI VIA SALVATORE PIANELL MARTESANA VIA VAL CAMONICA VIA DEL RICORDO VIA CANDOGLIA VIA CHERASCO VIA I VIA EMILIO N I DE MARTINO L VIA TRIBONIANO VIA BELLAZZI VIA FRACASTORO VIA DON VIA VIA BREDA VIA CARLO MORESCHI VIALE CÀ GRANDA L VIA CAROLI VIA ARISTOTELE CIRENEI VIA PALIZZI VIA DON G. -
Akaa2007 Final 01-65:Akdn 2007
AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 181 180 AKAA2007_FINAL_130-192:AKDN 2007 24/7/07 16:02 Page 182 Aga Khan Award for Architecture Aga Khan Award for Architecture Retrospective 1977 – 2007 Over the past 30 years, the Aga Khan Award has recognised outstanding architectural achievements in some 32 countries. It has held seminars, conferences and exhibitions to explore and discuss the crucial issues of the built environment, and published the proceedings to bring these subjects to a wider audience. It has brought together the architectural community and policy-makers to celebrate the prize-winning projects of 10 award cycles in important historical and architectural settings, and has invited the leading thinkers and practitioners of the day to frame the discourse 10 th on architectural excellence within the context of successive master juries and steering committees. Cycle 1st Cycle 6th Cycle Award Award Ceremony Ceremony Pakistan 1980 Indonesia 1995 2nd Cycle 7th Cycle Award Award Ceremony Ceremony Turkey 1983 Spain 1998 3rd Cycle 8th Cycle Award Award Ceremony Ceremony Morocco 1986 Syria 2001 4th Cycle 9th Cycle Award Award Ceremony Ceremony Egypt 1989 India 2004 Building for Change With an introduction by Homi K. Bhabha 5th Cycle Samir Kassir Square Beirut Lebanon 10th Cycle Award Rehabilitation of the City of Shibam Yemen Award Ceremony Central Market Koudougou Burkina Faso Ceremony 182 183 Uzbekistan 1992 University of Technology Petronas Bandar Seri Iskandar Malaysia Malaysia 2007 Restoration of the Amiriya Complex -
Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation
Harvard Graduate School of Design Department of Architecture Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation Master of Architecture Undergraduate degree outside of Architecture + 105 graduate credit hours Related pre-professional degree + 75 graduate credit hours Year of the Previous Visit: 2006 Current Term of Accreditation: At the July 2006 meeting of the National Architectural Accrediting Board (NAAB), the board reviewed the Visiting Team Report for the Harvard University Department of Architecture. As a result, the professional architecture program: Master of Architecture was formally granted a six-year term of accreditation. The accreditation term is effective January 1, 2006. The program is scheduled for its next accreditation visit in 2012. Submitted to: The National Architectural Accrediting Board Date: 14 September 2011 Harvard Graduate School of Design Architecture Program Report September 2011 Program Administrator: Jen Swartout Phone: 617.496.1234 Email: [email protected] Chief administrator for the academic unit in which the program is located (e.g., dean or department chair): Preston Scott Cohen, Chair, Department of Architecture Phone: 617.496.5826 Email: [email protected] Chief Academic Officer of the Institution: Mohsen Mostafavi, Dean Phone: 617.495.4364 Email: [email protected] President of the Institution: Drew Faust Phone: 617.495.1502 Email: [email protected] Individual submitting the Architecture Program Report: Mark Mulligan, Director, Master in Architecture Degree Program Adjunct Associate Professor of Architecture Phone: 617.496.4412 Email: [email protected] Name of individual to whom questions should be directed: Jen Swartout, Program Coordinator Phone: 617.496.1234 Email: [email protected] 2 Harvard Graduate School of Design Architecture Program Report September 2011 Table of Contents Section Page Part One. -
PULSATION in ARCHITECTURE Eric Goldemberg
JR0235_ BR Full color, revolutionary work on digital architecture NEW! PULSATION IN ARCHITECTURE Eric Goldemberg Pulsation in Architecture makes a very strong case, as the title suggests, for not only movement in archi- tecture—whirling, swirling, curling and more—but for a movement in architecture as well. Eric Goldemberg’s se- lection of architects and their works captures a constel- lation of architectural ideas hurtling along the vector of digital innovation like proton beams in the Large Hadron Collider. While many of these designers are quite well known in their own right, Goldemberg’s compilation suggests greater global affinities than might otherwise be supposed. —Terence Riley, Architect Retail Price: $89.95 Special Promotional Price: $79.95 when Ordered Direct from J. Ross Publishing Order online at WWW.JROSSPUB.COM or call 954-727-9333 ext.2 pulsation in architecture Pulsation in Architecture highlights the role of digital de- sign as the catalyst for a new spatial sensibility related to rhythmic perception. It proposes a novel critical reception of computational architecture based on the ability of digi- tal design to move beyond mere instrumentality, and to engage with core aspects of the discipline: the generative engine of digital architecture reinvigorates a discourse of part-to-whole relationships through the lens of rhythmic affect. There is a paradigm shift in spatial perception due to the intense use of computational techniques and the capacity to morph massive amounts of data in spatial patterns; rhythm plays a pivotal role in the articulation of the topology of buildings, generating the atmospheric character that induces moods and throbbing sensations in space. -
517651584007.Pdf
proyecto, progreso, arquitectura ISSN: 2171-6897 [email protected] Universidad de Sevilla España Cachorro Fernández, Emilio COLONIA HELIOTERÁPICA EN LEGNANO, 1937-38. DESAFÍO RACIONALISTA DE BBPR A LA ARQUITECTURA DEL RÉGIMEN proyecto, progreso, arquitectura, núm. 7, noviembre, 2012, pp. 90-103 Universidad de Sevilla Sevilla, España Disponible en: http://www.redalyc.org/articulo.oa?id=517651584007 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto 7 ARTECTRA ETRE CCRSS 9 COLONIA hELIOTERÁPICA EN LEGNANO, 1937-38. DESAfÍO RACIONALISTA DE BBPR A LA ARQUITECTURA DEL RÉGIMEN SUN THERAPY COLONY AT LEGNANO, 1937-38. RATIONALIST CHALLENGE TO THE OFFICIAL ARCHITECTURE BY BBPR Emilio Cachorro Fernández RESUMEN La colonia helioterá ica en Legnano único ejem lo italiano seleccionado or Alred Roth ara re resentar la aruitec tura emergente de los años treinta período culminante del Moimiento Moderno signicó la gran oportunidad de constatar el rme com romiso del gru o R con el nuevo es ritu de su oca Los múlti les actores ue intervinieron en el resultado de la ora acen que se pueda considerar todo un maniesto una perecta síntesis de la ortodoia anguardista que guió su primera etapa proesional cuo origen radica en un concurso público de ideas conocado para satisacer nes sociales en un entorno -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer.