SAVE the DATE PRESS CONFERENCE Monday 8 April, H

INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO • via Festa del Perdono 7 • 8-19 April 2019 ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019 ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019 TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019 Aula Magna, Università degli Studi di Milano, via Festa del Perdono, 7 SAVE THE DATE PRESS CONFERENCE Monday 8 April, h. 2.00 pm

Introductory remarks DESIGN ISLANDS Alberto Bonisoli Italian Minister of Cultural Heritage and Activities Università degli Studi di Milano Stefano Sannino Ambassador of Italy to Spain and Andorra Marco Acerbis Architect Pietro Sebastiani Ambassador of Italy to the Holy See / Unopiù Cristina Tajani Alderwoman for Labour, Productive Activities and Commerce, Comune di Milano Chiara Andreatti Designer Elio Franzini Dean of Università degli Studi di Milano / Izipizi, Moroni Gomma Ernesto Mauri CEO Gruppo Mondadori Ludovica Diligu Fashion Designer Fabrizio Longo Brand Director Audi Italia / Labo.Artt Monica Spada Eni Vice President Long Term Positioning Initiatives Coordination Paolo Lioy CEO Whirlpool Italia Marco Williams Fagioli Designer Gilda Bojardi Editor INTERNI / Regione Umbria moderates and converses with the designers Marcantonio Designer Elena Guarnieri Journalist / Qeeboo Dorota Koziara Architect INSTALLATIONS / Krosno Glass Arco della Pace e Caselli Daziari - Audi City Lab Andrea Maffei Architect Hani Rashid Architect / Audi / Fioranese Orto Botanico di Brera - CircularEni Marco Merendi Architect Carlo Ratti Architect / Eni / Roberto Giovannini, Arcadia Serre Torre Velasca Claudio Larcher Architect and Ingo Maurer and Axel Schmid with CastagnaRavelli Light Designers / Urban Up - Gruppo Unipol Astrid Luglio Designer, NABA Università degli Studi di Milano / Mionetto Ico Migliore-M+S lab Architect / Whirlpool Nicoletta Vallorani Unimi Professor Humberto Campana Designer / Apex Brasil / Università degli Studi di Milano Vivian Coser Architect / Abirochas, Apex Brasil Davide Valoppi Architect Dario Curatolo Architect / Nerosicilia, Mosaicomicro / Ambasciata d’Italia a Madrid - Maria Cristina Finucci Architect / One Ocean Foundation, Officine Maccaferri, Ariston Thermo Group Interni Magazine, Coam, di_mad Gino Garbellini-Piuarch and Nemo Monti Architect and Curator / CityLife, Provincia Autonoma di Trento We would like to thank the Giampaolo Galenda Curator / Tainan City Government companies that have collaborated Raffaello Galiotto Designer / Nardi to produce the Exhibition. Massimo Iosa Ghini Architect / Knauf Italia, Corradi, Manni Green Tech Marcio Kogan and Filippo Bricolo Architects / Furrer RSVP Piero Lissoni Architect / Sanlorenzo • NextEvent [email protected] Fabio Novembre Architect / PerDormire tel. +39.02.97378833 Aldo Parisotto-Parisotto+Formenton Architetti Architect / Cimento • Mondadori Press Office Mara Servetto-Migliore+Servetto Architects Architect / CNAPPC - [email protected] Consiglio Nazionale Architetti, Pianificatori, Paesaggisti e Conservatori tel. +39 3381928051 Luigi Spedini Engineer / Piscine Laghetto Mac Stopa Architect / Boero, Targetti Andrew Waugh-Waugh Thistleton Architects Architect / AHEC - Via Mondadori 1, American Hardwood Export Council 20090 Segrate (MI) Co-Producers

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Università degli Studi di Milano UNIVERSITÀ DEGLI STUDI DI MILANO • via Festa del Perdono 7 • 8-19 April 2019 ARCHITECTURES/INSTALLATIONS ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019 Cortile del 700 ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019 Lissoni Associati with Sanlorenzo Cortile della Farmacia TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019 Estudio Campana with Apex Brasil Cortile dei Bagni During the FuoriSalone 2019, the magazine INTERNI presents the Exhibition-Event Luigi Spedini with Piscine Laghetto HUMAN SPACES in Milan from 8 to 19 April, brining together a series of experimental Cortile della Ghiacciaia Urban Islands Spaces for Students and interactive installations of architecture and design, the result of collaboration with Università degli Studi di Milano between internationally renowned designers and leading companies, as well as Cortile d’Onore institutions and startups. Ico Migliore - M+S lab with Whirlpool “Life is more important than architecture”: this is what Oscar Niemeyer (1907-2012) liked Maria Cristina Finucci with One Ocean Foundation, to say in his conversations, a statement that has provided inspiration for the theme of the Officine Maccaferri, Ariston Thermo Interni event for FuoriSalone 2019. It is an invitation, on multiple scales and in different Vivian Coser with Abirochas, Apex Brasil design dimensions, to put human beings and their vital needs back at the center. Raffaello Galiotto with Nardi Massimo Iosa Ghini with Knauf Italia, The projects extend the concept of Human Spaces to the environment and sustainability, Corradi, Manni Green Tech starting with emergencies such as the pollution of the seas, climate change and depletion of Parisotto+Formenton Architetti with Cimento resources. Emergencies that can still be dealt with through strategic action in the fields Piuarch and Nemo Monti of design, production and research on materials. This is demonstrated by an architectural with Citylife, pavilion in which wood is the structural material, by furnishings that recycle plastic at Provincia Autonoma di Trento Waugh Thistleton Architects - the end of its life cycle, mosaics made of glass from discarded monitors, fabrics with Arup with AHEC extraordinary properties, derived from fish scales. The examples also includestructures in Hall Aula Magna Migliore+Servetto Architects mycelium, a material derived from fungi, designed by Carlo Ratti Associati with Eni at the with CNAPPC Orto Botanico di Brera, where the main topic is the circular economy; the e-station by the Loggiato Ovest Marcio Kogan-Studio mk27 + firmAsymptote Architecture for Audi, to envision architecture for electric mobility and Filippo Bricolo with Furrer how it will transform the city; and the interactive pavilion by Ico Migliore with M+S lab Fabio Novembre with PerDormire for Whirlpool, where intelligent and ‘friendly’ machines help people to economize Portico Richini - Portico San Nazaro The Meet Lab on time and resources. Research installations that outline the only possible future: with Tainan City Government on that is in tune with nature and protects the environment. Portale Sud Cortile d'Onore Dario Curatolo with Nerosicilia, PRESS CONFERENCE Mosaicomicro Portale Nord Cortile d'Onore Università degli Studi di Milano Chiara Andreatti with Izipizi, Monday 8 April, h. 2.00 pm Aula Magna, via Festa del Perdono 7 Moroni Gomma Press Room TALK Charging the future Mac Stopa with Boero, Targetti Arco della Pace and Caselli Daziari - Audi City Lab DESIGN ISLANDS Portale Hall Aula Magna Tuesday 9 April, h. 6.30 pm Piazza Sempione (by invitation) Andrea Maffei with Fioranese CONCERT Ludovico Einaudi Cortile d’Onore Ludovica Diligu with Labo.Art Arco della Pace e Caselli Daziari - Audi City Lab Marco Williams Fagioli Tuesday 9 April, h. 8.30 pm Piazza Sempione with Regione Umbria Dorota Koziara, Mariusz Miekos, CONCERT Matteo Fedeli with Solo d’Archi Ensemble, "In viaggio con Guarneri" Karim Rashid with Krosno Glass Marcantonio with Qeeboo Università degli Studi di Milano Marco Merendi with Sunday 14 April, h. 7.00 pm Aula Magna, via Festa del Perdono 7 Roberto Giovannini, Arcadia Serre Naba with Mionetto PERFORMANCE Gaudats Junk Band Il Design. Un viaggio tra Italia Orto Botanico di Brera e Spagna with Embassy of Italy in Madrid - Interni Magazine Friday 12 April, Saturday 13 April and Sunday 14 April from h. 7.00 pm to h. 10.00 pm. Outdoor Lounges via Fratelli Gabba 10 and via Brera 28 Marco Acerbis with Unopiù Arco della Pace and Caselli Daziari Opening hours: Audi City Lab Asymptote Architecture with Audi - Università degli Studi di Milano: Orto Botanico di Brera 8-14 April, h. 10-24; 15-18 April h. 10-22; 19 April h. 10-18 CircularEni Carlo Ratti Associati with Eni - Orto Botanico di Brera: Torre Velasca 8-14 April, h. 10-23; 15-18 April h. 10-22; 19 April h. 10-18 Ingo Maurer + Axel Schmid and CastagnaRavelli with Urban Up - - Audi City Lab presso Arco della Pace - Caselli Daziari: Unipol Projects Cities, Gruppo Unipol 8 April, h. 10-24; 9 April, h. 10-16; 10 April, h. 20-24; 11-14 April, h. 10-24 - Torre Velasca: Via Mondadori 1, 8-14 April, h. 20-03 20090 Segrate (MI) Co-Producers internimagazine.com #humanspaces

1 INTERNI Milano Capitale del Design® 2019 FuoriSalone, 8-14 April 2019

Università degli Studi di Milano Orto Botanico di Brera Pg. 15 Pg. 91

Arco della Pace and Caselli Daziari - Audi City Lab Pg. 83 Torre Velasca Pg. 99

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2 Gilda Bojardi editor of INTERNI Magazine Maria Cristina Finucci Artist and President of Garbage Patch State

invite you to Lightening Ceremony of the Installation HELP THE PLANET, HELP THE HUMANS April 8th 2019, at 10,30 pm Università degli Studi di Milano - Loggiato Ovest del Cortile d’Onore via Festa del Perdono, 7 - Milano

with One Ocean Foundation special thanks to: Officine Maccaferri, Ariston Thermo Group

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CONCERTS and PERFORMANCES 9/14 APRIL 2019

LUDOVICO EINAUDI Tuesday 9 APRIL h. 9.00 pm ARCO DELLA PACE E CASELLI DAZIARI Audi City Lab piazza Sempione

NICK THE NIGHTFLY 5tet feat. KARIMA Wednesday 10 APRIL h. 7.00 pm Radio Monte Carlo TORRE VELASCA Urban Up - Gruppo Unipol piazza Velasca 5

GAUDATS JUNK BAND Friday 12, Saturday 13, Sunday 14 APRIL h. 7.00-10.00 pm ORTO BOTANICO DI BRERA CircularEni via Fratelli Gabba 10, via Brera 28

UNIVERSITÀ DEGLI STUDI DI MILANO via Festa del Perdono 7 MUSICIANS of the CONSERVATORIO GIUSEPPE VERDI MILANO from Tuesday 9 to Saturday 13 APRIL h. 7.00-8.00 pm Sunday 14 APRIL h. 12.00 am - 1.00 pm installation La Foresta dei Violini

TRIO CREMONA Saturday 13 APRIL h. 6.30 pm soprano Federica Zanello violin Monia Ziliani cello Fausto Solci music by Verdi, Puccini, Cilea, Ponchielli Cortile dei Bagni

MATTEO FEDELI Sunday 14 APRIL h. 7.00 pm with the precious violin Pietro Guarneri 1709 Solo d’Archi Ensemble Aula Magna INTERNI FuoriSalone 2019 CLOSING CONCERT Free admission, while seats last Via Mondadori 1, 20090 Segrate (MI) Co-Producers

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The magazine Interni is pleased to invite you Sunday 14 April 2019, h. 7.00 pm Aula Magna, Università degli Studi di Milano CONCERT Matteo Fedeli violin soloist and conductor presents In viaggio con Guarneri with Solo d'Archi Ensemble

PROGRAM Andante festivo, Jean Sibelius Mantras , Richard Meyer Valzer, Dmitri Shostakovich Palladio, Karl Jenkins Après un rêve, Gabriel Fauré Danse Macabre, Camille Saint-Saëns A solo, from "I Lombardi alla prima crociata", Giuseppe Verdi Elegia: La ruota della vita, Damiano Danti Danze rumene, Béla Bartók

In the foyer, the luthier Udino Lazzarin illustrates the steps of the making of stringed instruments with the help of forms utilized by the master craftsmen of Cremona, showing some violins in the construction phase, tools and accessories.

followed by light dinner, by invitation only

Thanks to: Edra

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MATTEO FEDELI Matteo Fedeli’s artistic mission is taking the voice of the famous cremonese luthiers Amati, Stradivari and Guarneri to the largest possible audience. Thousands of people crowd his concerts. He lives in an almost-twilight world of bodyguards and secret meetings. In fact, the circuit where these precious instruments move and circulate today obeys to laws of extreme secrecy. Ambassador of Italian Culture to the United States he goes on tour every year with concerts in several American States, touching prestigious musical sites, such as the splendid Severance Hall in Cleveland. His activity enjoys the endorsement of the Italian Senate of the Republic and of the Ministry of Cultural Heritage and Environmental Conservation. Thanks to the sensitivity to others shown by his coupling of charity work to great artistic events, and in acknowledgement of his artistic career, Matteo was bestowed the Croce di Cavaliere dell’Ordine di Malta, the Croce di Cavaliere di merito del Sacro Militare Ordine Costantiniano, three Paul Harris Fellowships and the Prize ‘The Man of the Year’ ILICA in New York. For his activity, Matteo Fedeli utilizes violins by Andrea Guarneri of 1694 and Pietro G. Guarneri 1709, graciously granted on loan by a private collection.

Pietro Guarneri 1709 Violin Was made in 1709 by Pietro Giovanni Guarneri, Andrea’s son, the founder of the famous luthiers’family in Cremona . This very rare exemplar that reached up to these days and carries all the experience that the luthier worked out in the workshop of his father, formerly apprentice by the Amati family and in particular by Nicola, the most famous for his undisputed abilities.

SOLO D’ARCHI ENSEMBLE Is the chamber and symphonic group of the musical association "Solo d'Archi", formed of accomplished artists with renowned experience and talented young promising musicians, which performs regularly all over Italy, holds concerts together with choirs and soloists. Recently, has organised musical events in the Duomo of Chioggia, the Duomo of Parma, the Olympic Theatre of Vicenza and the prestigious Società del Giardino of Milan, as well as various international tours in South Carolina, North Carolina and Texas. Most of activities are dedicated to charitable associations.

The concert is held with the support of

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MILANO AND THE FUORISALONE It is far too facile to equate Design with Milan, a formula that is normally used to understand the phenomenon of the Design Week in Lombardy. To fully understand this extraordinary event, we must start from FuoriSalone, an event that began thanks to an initiative of Interni in 1990, when the September appointment with the Salone del Mobile was shifted to April. In terms of cultural interest and experimentation, it expanded well beyond the limitations of a fair and market, bringing design into the city in a festive, pervasive way. Obviously, when people talk about design in Italy, by one road or another you always end up in Milan, the true capital of this industry. This is why FuoriSalone was set up and has developed on fertile ground in Milan, in an almost unstoppable way, occupying entire zones, that for one week become exhibition districts of great appeal for the whole world of design and its denizens, as well as for an international audience of trendsetters, designers and industry experts. The FuoriSalone has also had an impact on the shape of Milan, reinventing and updating several neighbourhoods in a permanent way. The Design Week, on an international level, represents a unique happening that, apart from specific interest in design issues, isperceived as a spectacular, popular crossover that cannot be missed. FuoriSalone moves and expands throughout the city, occupies every possible space, from showrooms to institutional spaces, museums to art galleries, without neglecting ‘unusual’ spaces such as workshops, warehouses, abandoned factories and involving monumental sites that, occupied by the temporary displays of the Design Week, show new facets. The city seems to expand, from the first to the second rings of the canals. The new heart of design beats in emerging districts, from Zona Tortona to the Innovation Design District, each with its own different characteristics. The most profound content of the FuoriSalone is its proposal of a cultural, spectacular and market model – translated into performances, installations, exhibitions and experimental expressions – in an utterly spontaneous way, also becoming part of a process of indirect education on a didactic-design level. If we take stock of the latest FuoriSalone episodes, we can see this event in its historical context, as a joint effort in which INTERNI is one of the absolute protagonists. The FuoriSalone is complementary to the historic Salone del Mobile, and takes the whole city as a place for the spread of a culture that makes design a factor of reflection, growth and interaction.This model has been very much mimicked globally but is still unparalleled. The Interni Guide with more than 400 events mentioned, which celebrates this year its thirtieth anniversary, is a fundamental tool to fully enjoy it

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3 INTERNI Milano Capitale del Design® 2019 FuoriSalone, 8-14 April 2019

INTERNI SYSTEM INTERNI APRIL 2019 INTERNI, The Magazine of Interiors and Contemporary Design, has had the good fortune to share in the fantastic and adventurous story of Italian furniture and decorating for over 60 years and has closely monitored the growth of design generated by the brilliant intuitions and works of courageous and outstanding figures of culture, architects, designers and entrepreneurs. INTERNI has grown with design as it spreads and influences our everyday lives. Over the years, the magazine has taken an increasingly determined commitment to communicating design culture internationally, promoting original creative alliances between designers, companies, culture and design operators in the widest sense of the word and has grown, under the direction of Gilda Bojardi, into a system of parallel publications that have transformed the magazine from elite media to mass-media. INTERNI continues to be an attentive and updated observatory of the design industry, anticipating trends in the field of design and INTERNI n°690 architecture. In the first half of the 1990s, the magazine became part of the largest April 2019 Italian publishing group, Mondadori Editore. INTERNI’s activities also include the invention and coordination of events and exhibitions, organized with the idea of encouraging contact between those who design and those who produce. The themes of experiments and of ephemeral layouts, aimed at bringing the design culture to a wider audience, are founded on the events organized in the late 1990s on the occasion of FuoriSalone in Milan. The famous urban phenomenon that enlivens the city of Milan during the week of the Salone del Mobile was created through the initiative of INTERNI in 1990; the magazine now coordinates the communication of approximately five hundred events. After the launch of the publications of INTERNI in Russia (2011) and China (2015), more international editions are now being planned. www.internimagazine.com INTERNI KING SIZE April 2019

INTERNI Guida FuoriSalone 2019 INTERNI RUSSIA INTERNI CHINA 30th edition - Paper + App since September 2011 since January 2015

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4 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

AUDI The Audi group, with its Audi, Ducati and Lamborghini brands, is one of the most successful premium manufacturers in the automotive and motorcycle industries. It operates in more than 100 global markets and manages 16 manufacturing plants in 12 countries. In Italy, the Audi brand ended 2018 as the top selling premium brand for the tenth consecutive year, with approximately 63,000 registrations. For Audi, Italy is the fifth largest sales market in the world after China, Germany, the US and the UK.

Audi is the premium brand of the Volkswagen Group: the four rings of its logo share a significant part of its long history since 1909. Horch, Wanderer, DKW and, of course, Audi were the four brands (one per ring) that originated Auto Union AG in 1932, which became Auto Union GmbH in 1949, the true ancestor of current Audi. That was a fundamental step for the German brand, like the acquisition by Volkswagen which took place between 1964 and 1966.

Over the decades, Audi has established itself as a manufacturer which is particularly focused on technology. Illustrious examples of technical innovations are the quattro all-wheel drive, whose standard presence on Audi cars dates back to the early 1980s, modern Turbodiesel TDI engines from the 1990s and construction technology Audi Space Frame for the production of aluminium cars and, in recent years, the achievements in the field of LED and Laser lighting techniques. These technological achievements summarized in the brand motto “Vorsprung durch Technik”, and the constant development towards its current identity as a premium brand, have led to racing successes – like the 13 victories in the 24 Hours of Le Mans, where Audi was the first brand to win the French endurance race with a hybrid diesel-electric car,– and to international market success.

Audi Italia is one of the protagonist at the FuoriSalone with its Audi City Lab, a space for ideas anticipating the future, for innovations that change the interaction between man and society, for design expressions that redesign reality and for the most recent examples of future mobility. A multidisciplinary laboratory which, on its 7th year, comes back to Milan. A showcase on the future of cars, which is already the present for Audi.

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5 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

Above: Audi e-tron, the first totally electric production model of the brand with the four ring emblem, the first in a range that will feature 12 fully electric vehicles by 2025. Below: style prototype and technological concept, Audi PB18 e-tron is an electric supercar that shows the lines of future sports cars.

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6 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

ENI Eni is an integrated energy company and employees approximately 33,000 people in 71 countries around the world. It carries out oil and natural gas exploration, development and extraction operations in 46 countries, trades in oil, natural gas, Lgn and electric power in 30 countries and markets quality fuels and lubricants in 32 countries. Eni produces crude oils and semi-finished products for the production of fuels, lubricants and chemicals that are distributed in the wholesale and retail markets. The company contributes to the energy transition towards a low- carbon future by promoting the development of energy from renewable sources with the use of its increasingly effective new technologies and with the application of the principles of circular economy to all its activities. After completing the transformation of its business model, which is now leaner, faster, and whose value chain is more effective, Eni has consolidated its organic growth in all its businesses by leveraging three main strengths: integration, efficiency and use of technology. Technology, in particular, plays a strategic role in all sectors, and contributes to the global acknowledgment of the operational excellence of Eni, favoring the decarbonisation of all the company activities and developing industrial efficiency through a circular economy model. Investing in technology and knowledge, Eni has achieved one of the fastest time- to-market in the industry and one of the lowest breakeven points. From Upstream to renewables, from Downstream to natural gas, from circular economy to capital management: Eni differentiates, strengthens and integrates all its businesses with an operating model in which all it’s activities become a system. Eni is back at FuoriSalone 2019 as coproducer of “Human Spaces” with the multiple part installation “The Circular Garden”, at Brera Botanical Garden, designed by CRA- Carlo Ratti Associati and created using edible and compostable material, to share the company’s commitment in the field of circular economy. Eni’s participation in the exhibition reflectsthe company’s strategic commitment for a future of increasingly sustainable energy, that becomes true also in the application of the principles of circular economy to its operations: a pathway based on the transformation of existing assets and on the development of innovative technological and industrial solutions, and that implies a reduction in the consumption of raw materials, lower environmental impact, recovery and recycling of scrap and waste. The installation at Fuorisalone 2019 also presents a series of in-depth analyses on the theme of energy efficiency and on the “CappottoMio” service of Eni gas e luce, an innovative thermal envelope for condos. It is the outcome of a partnership between the various professional departments in the Company and its partners, and it is not limited to heat insulation of buildings but extends to upgrading the heating systems of condominiums, also giving the opportunity to take advantage of all the tax allowances includes in the environmental bonus law.

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7 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

Arches in mycelium of part of the installation The Circular Garden, project by Carlo Ratti Associati for Eni at Orto Botanico di Brera.

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8 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

WHIRLPOOL CORPORATION One of the world’s top household appliance company, it has annual sales of approximately $21 billion, 92,000 employees and 65 production and technological research centres (ref. 2018). The Group markets the Whirlpool, KitchenAid, Maytag, Consul, Brastemp, Amana, Bauknecht, Jenn-Air, Indesit and Hotpoint brands and other major brands in nearly all the world’s countries. In Europe, the Middle East and Africa (EMEA) it has more than 21,000 employees, it operates in over 30 countries and has production sites in 7 countries. Whirlpool EMEA is an operating segment of Whirlpool Corporation. EMEA headquarters are located in Italy, in Pero, Milan.

WHIRLPOOL One of the main global brands in the market of household appliances, Whirlpool offers advanced and intuitive solutions, marked by avant-garde design that keeps pace with the contemporary requirements of consumers. With over a century of experience in the industry of household appliances, this brand operates in the four main categories (Cooking, Refrigeration, Dishwashers and Laundry) with innovative and high performance products, characterized by its 6th Sense technology that not only ensures excellent results but is also able to understand and anticipate people’s needs and wishes so that they have more time to pursue their passions. Today, homes are shared spaces through which to best express personality and lifestyle. While technology is constantly advancing, Whirlpool, a pioneer in making smart household appliances, continues to innovate to make the consumer experience part of this progress, helping to create homes increasingly focused on putting human beings at the centre through the 6th Sense technology. With The Perfect Time installation, conceived by Ico Migliore with M+S lab, Whirlpool immerses visitors in a sensory experience that explores the concepts of time, space and connection in order to celebrate the power of human relations: it shows that the design centred on humans that inspired W Collection can improve the use of household appliances and create more sharing. The installation shows how the combination between advanced design and latest generation intuitive technology gives back to people the value of their time.

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9 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

Above: the complete suite of household appliances W Collection by Whirlpool, with ovens, hoods, induction and gas hobs, combines avant-garde design and intuitive technology. Below: built-in microwave ovens are perfectly aligned with built-in ovens.

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10 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO

ARCHITECTURES / INSTALLATIONS

CORTILE DEL 700 From shipyard to courtyard project LISSONI ASSOCIATI produced by SANLORENZO

CORTILE DELLA FARMACIA Sleeping Piles project ESTUDIO CAMPANA supported by APEX BRASIL

CORTILE DEI BAGNI Miraggi project LUIGI SPEDINI produced by PISCINE LAGHETTO, DAVIDE GROPPI

CORTILE DELLA GHIACCIAIA Urban Islands - Spaces for Students project UNIVERSITÀ DEGLI STUDI DI MILANO

CORTILE D'ONORE The Perfect Time project ICO MIGLIORE - M+S LAB produced by WHIRPOOL Help the Planet, Help the Humans Project MARIA CRISTINA FINUCCI for ONE OCEAN FOUNDATION production OFFICINE MACCAFERRI in collaboration with ARISTON THERMO GROUP Brazilian Stone Scape project VIVIAN COSER promoted by ABIROCHAS and APEX BRASIL Regeneration project RAFFAELLO GALIOTTO produced by NARDI Human Proportions project MASSIMO IOSA GHINI produced by KNAUF ITALIA, CORRADI, MANNI GREEN TECH Passaggio in Blu project PARISOTTO + FORMENTON ARCHITETTI produced by CIMENTO

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11 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

La Foresta dei Violini project PIUARCH from an idea by Nemo monti with the support of Provincia Autonoma di Trento and Magnifica Comunità di Fiemme produced by CITYLIFE MultiPly Milano project WAUGH THISTLETON ARCHITECTS, ARUP produced by AHEC - American Hardwood Export Council

HALL DELL’AULA MAGNA Abitare il Paese/Open Nests CNAPPC - Consiglio Nazionale Architetti, Pianificatori, Paesaggisti e Conservatori project MIGLIORE+SERVETTO ARCHITECTS

LOGGIATO OVEST Parla! project MARCIO KOGAN-STUDIO MK27 + FILIPPO BRICOLO produced by FURRER Once upon a time... project FABIO NOVEMBRE produced by PERDORMIRE

PORTICO RICHINI AND PORTICO SAN NAZARO braINTAIWAN project THE MEETLAB produced by TAINAN CITY GOVERNMENT, Industrial Development Bureau of the Ministry of Economic Affairs of Taiwan

PORTALE SUD CORTILE D'ONORE La porta dei sognatori project DARIO CURATOLO produced by NEROSICILIA, MOSAICOMICRO

PORTALE NORD CORTILE D'ONORE Design Vibrations project CHIARA ANDREATTI produced by IZIPIZI, MORONI GOMMA

PRESS ROOM Human Rooms project MAC STOPA produced by BOERO, TARGETTI

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12 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO

DESIGN ISLANDS

PORTALE HALL AULA MAGNA Ouverture project ANDREA MAFFEI produced by FIORANESE

CORTILE D'ONORE teaser to e_Domesticity project ASYMPTOTE ARCHITECTURE produced by AUDI teaser to The Circular Garden project CARLO RATTI ASSOCIATI produced by ENI 9281. Tele in camicia. project LUDOVICA DILIGU produced by LABO.ART L.U.C.E. Pubblica - Luoghi Urbani Creano Esperienze project MARCO WILLIAMS FAGIOLI promoted by REGIONE UMBRIA Sacred Geometry project DOROTA KOZIARA, MARIUSZ MIEKOS, KARIM RASHID produced by KROSNO GLASS Giraffe in love project MARCANTONIO produced by QEEBOO Leonardo in the Greenhouse project MARCO MERENDI produced by ROBERTO GIOVANNINI, ARCADIA SERRE, GERFLOR Mondo Obliquo project NABA- Nuova Accademia di Belle Arti with Claudio Larcher and Astrid Luglio produced by MIONETTO Il Design. Un viaggio tra Italia e Spagna contest curated by AMBASCIATA D'ITALIA A MADRID - INTERNI, with the collaboration of COAM, di_mad exhibition design DAVIDE VALLOPPI - Noarc Studio

OUTDOOR LOUNGES Alter Ego project MARCO ACERBIS produced by UNOPIÙ

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab INSTALLATION

e_Domesticity project HANI RASHID and LISE ANNE COUTURE - ASYMPTOTE ARCHITECTURE production AUDI lounge EDRA

ORTO BOTANICO DI BERA - CircularEni INSTALLATION

The Circular Garden project CARLO RATTI ASSOCIATI production ENI lounge UNOPIÙ

TORRE VELASCA LIGHT INSTALLATION

Nel blu, dipinto di blu project INGO MAURER e AXEL SCHMID with CastagnaRavelli with URBAN UP - Unipol Projects Cities, GRUPPO UNIPOL

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14 INTERNI Milano Capitale del Design® 2019 FuoriSalone, 8-14 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO • via Festa del Perdono 7 • 8-19 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO

Ph. Paolo Sacchi

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via Francesco Sforza \C104;50 \C104;75 Co-Producers

Dorota Koziara 700 8-19 April 2019 Cortile del del Galiotto • Raffaello Legnaia Cortile Spaces for the Coser Cortile Students Vivian Ospedale La Statale LaSSST Lissoni Waugh Associati Associati Ghiacciaia Asymptote

Carlo Ratti Cortile

Thistleton Architects Architecture Acerbis Marco Marco Acerbis NABA \C7;43

\C30;SERVOSCALA \C7;116

\C7;96 Migliore+Servetto Piuarch via Festa del Perdono 7 via Festa del • Cortile

\C30;SERVOSCALA d’Onore Iosa Parisotto+ Formenton The Meet Lab Ghini Portico San Nazaro Portico Andrea Maffei Massimo Maria Cristina Finucci Press O ce Mac Stopa Aula Magna Luigi Cortile Cortile Bagni Pesci Stefano Giovannoni Spedini Cortile Estudio

Farmacia Campana Marco Acerbis Marco Marco Fagioli Conferenze/Conferences

Ico Migliore Il Design. Un viaggio Italia e Spagna tra

Ludovica Diligu M+S lab Marcio Kogan ﬁrst ﬂoor Fabio Novembre Auletta di Rappresentanza Senato Accademico \C5;70 Dario \C5;70 \C5;70 \C5;210 \C5;210 \C5;210 \C5;70 Chiara \C5;210 Curatolo

\C5;90 The Meet Lab \C5;210 Andreatti Marco UNIVERSITÀ DEGLI STUDI DI MILANO UNIVERSITÀ Merendi INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019 8-14 April 2019 - FuoriSalone, Design® Capitale del Milano INTERNI S

Portico largo Richini E via Festa del Perdono, 7 O N

Knauf Italia, PerDormire Università degli Studi di Milano Università degli Studi internimagazine.com #humanspaces Portale Hall Aula Magna Andrea Maffei with Fioranese Cortile d’Onore Asymptote Architecture with Audi teaser Carlo Ratti Associati with Eni teaser Ludovica Diligu with Labo.Art Marco Fagioli with Regione Umbria Mariusz Miekos, Dorota Koziara, Karim Rashid with Krosno Glass Marcantonio with Qeeboo Marco Merendi with Roberto Giovannini, Arcadia Serre Naba with Mionetto Il Design. Un viaggio Italia tra e Spagna with Embassy of Italy in Madrid - Interni Magazine Outdoor Lounges Marco Acerbis with Unopiù Via Mondadori 1, (MI) 20090 Segrate DESIGN ISLANDS ARCHITECTURES/INSTALLATIONS Cortile del 700 Sanlorenzo Lissoni Associati with Cortile della Farmacia Apex Brasil Estudio Campana with Cortile dei Bagni Luigi Spedini with Piscine Laghetto Cortile della Ghiacciaia for Students Urban Islands Spaces with Cortile d’Onore Ico Migliore - M+S lab with Whirlpool Maria Cristina Finucci with One Ocean Foundation Officine Maccaferri, Ariston Thermo Vivian Coser with Abirochas, Apex Brasil Nardi Galiotto with Raffaello Massimo Iosa Ghini with Università degli Studi di Milano Università Manni Green Tech Corradi, Parisotto+Formenton Architetti with Cimento Piuarch and Nemo Monti with Citylife, Provincia Autonoma di Trento Thistleton Architects - Waugh Arup with AHEC Hall Aula Magna Migliore+Servetto Architects with CNAPPC Loggiato Ovest Marcio Kogan-Studio mk27 + Filippo Bricolo with Furrer Fabio Novembre with Portico Richini e Portico San Nazaro The Meet Lab City Government with Tainan Portale Sud Cortile d'Onore with Nerosicilia, Dario Curatolo Mosaicomicro Portale Nord Cortile d'Onore Andreatti with Izipizi, Chiara Moroni Gomma Press Room Mac Stopa with Boero, Targetti INTERNI Milano Capitale del Design® 2019 FuoriSalone, 8-14 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO • via Festa del Perdono 7 • 8-19 April 2019

UNIVERSITÀ DEGLI STUDI DI MILANO Founded in 1924, the Università degli Studi of Milan is one of the largest universities in Italy, and one of the youngest, although it is based on a merger of institutions with over two centuries of history. It is the University in northern Italy with the widest range of scientific-disciplinary sectors: 130 first and second level programs, 31 doctoral courses and 66 schools of specialization. There are about 63,000 registered students. It is one of the leading Italian universities for scientific productivity according to the rankings of Shanghai, Taiwan and Leiden, and the only Italian university to be part of LERU (League of European Research Universities). The venerable Ospedale dei Poveri (Paupers’ Hospital), known as Ca’ Granda, now the central part of the State University, is one of Milan’s most historically and artistically significant architectural complexes. Commissioned by Francesco Sforza as a health care facility for the poor, its construction began in the mid-1400s, based on a design by the Tuscan Architect Antonio Averlino, known as Filarete (1400-1469). The project, which Filarete describes in his Treatise on Architecture, called for the construction of two quads separated by a large central courtyard, bordered by two- story porticoes on four sides. Two-story porticoes were also built in the four smaller courtyards into which each quad was subdivided. The project of the complex (covering 43,000 m2) was done in phases, relying on bequests and donations, but above all on the popular contribution of a special Jubilee known as the “Festa del Perdono” (Feast of the Pardon), celebrated on 25 March of each odd-numbered year. The first phase of the construction started in 1456, supervised by Filarete (the ground floor) until his death in 1469, continued under the supervision of the Milanese architect Guiniforte Solari (second floor) and then withGiovanni Antonio Amadeo. The second phase of the work began in 1624. The construction of the central courtyard based on Filarete’s design was completed by Giovanni Battista Pessina, immediately joined by Francesco Maria Richini, Fabio Mangone and Giovanni Battista Crespi. The Baroque façade and the church of the Annunciata were then built. Richini repeated, on the façade along Via Festa del Perdono, the double lancet windows, placing stone decorations made by Giovanni Antonio Amadeo in the interiors, belonging to the wing of the portico demolished to create the new large courtyard. The third phase, covering the period from 1797 to 1804, included the construction of the three courtyards inside the second quad and the completion of the vast façade towards the left. In 1939, the health care functions were shifted to the Policlinico and the Niguarda Hospital, and the Ca’ Granda became the location of the Rectorate of the Università degli Studi. The left wing (built in the late 1700s) has a neoclassical design. The façade (283 meters) is divided into three volumes that lead to the two lateral quads and the court of honour placed in between. The central courtyard is crowned by a quadriporticus topped by a loggia. In the right wing, the four small courtyards of the construction of Filarete have been restored for some time. The first, completed by Solari in 1467 and originally known as della“ spezieria”, is a quadriporticus topped by a loggia supported by elegant marble columns. Next comes a second courtyard, known as “dei Bagni delle donne” (1473), and a third small court known as “della Giazzeria” (Icehouse) (1468). The last of the four small courtyards is called “della Legnaia”. The present condition is the result of the extensive restoration work that began in 1953, based on a project by the architects Piero Portaluppi and Liliana Grassi.

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Università degli Studi di Milano Entrance - Via Festa del Perdono, 7

Portico to the Cortile d’Onore - Scalone d’onore Loggiato Ovest Sez. Loggiato Ovest

1st floor - Loggiato Ovest

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18 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

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Cortile del 700 ARCHITECTURE/INSTALLATION architecture/installation From Shipyard to Courtyard (8 x 33 x h 5,75 m.) project LISSONI ASSOCIATI production SANLORENZO furnishings Porro, Living Divani

From shipyard to courtyard interprets the philosophy of Sanlorenzo, one of the world’s leading producers of yachts and superyachts. The installation created by Piero Lissoni, art director of the company, resembles the wooden structures made by master shipwrights, reinterpreting the hull of an SX112 yacht in an abstract way. With a length of 33 meters, the impressive structure at the center of the Cortile del 700 is made in wood, painted in red to match the color of the protective coatings applied to the keels of boats at the shipyard. An ideal connection between past, present and future of Sanlorenzo, in which the hull in the installation, which represents the first phase in the construction of a yacht, narrates the skill of the craftsmen who shape these vessels, and looks forward to a new model that will be presented in 2020. Piero Lissoni says: “As if the sea had dried up, the profile of a yacht has been left peacefully reclining in the Cortile del 700, like a creature whose skeleton alone is known to us, telling a story of original purity.”

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PIERO LISSONI - LISSONI ASSOCIATI

Piero Lissoni, architect, designer and art director, established Lissoni Associati in Milan with Nicoletta Canesi in 1986. a firm that developsarchitectural, interior and industrial design projects and graphics. Piero Lissoni’s interest for art led him designing major temporary exhibitions in the capital city of Lombardy: the layout of “The Museum of Innocence of Orhan Pamuk” at the Bagatti Valsecchi Museum (2018), a retrospective exhibition of Giovanni Gastel, curated by Germano Celant, in Palazzo della Ragione (2016), the exhibition room in Museo Bagatti Valsecchi, opened with the “Triptych of Antonello da Messina” (2015), the anthological exhibition ph. Veronica Gaido dedicated to “Bernardino Luini and his Children” in Palazzo Reale (2014). Lissoni is artistic director of Alpi, Boffi, De Padova, Living Divani, Lema, Lualdi, Porro and Sanlorenzo. Acknowledged as one of the masters of contemporary design, he works for Alessi, Antrax IT, B&B Italia, Bonacina1889, Cappellini, Cassina, Cotto, Fantini, Flos, Glas Italia, Golran, Illy, Janus et Cie, Kartell, Kerakoll, Knoll, Nerosicilia, Olivari, Salvatori, Tecno, Viccarbe. Here are some of his projects: The Middle House, Swire Hotel group, Shanghai (2018), the yacht SX76 (2018), The Oberoi Al Zorah Beach Resort Ajman, United Arab Emirates (2017), Oceana Bal Harbour, a condominium with 240 units in Miami (2017), the Casa Fantini boutique hotel with 11 rooms on Lake Orta (2017), Roomers Hotel in Baden-Baden with 130 rooms and a spa (2016), the Conservatorium Hotel in Amsterdam (2012), the Mamilla Hotel in Jerusalem (2009), the refurbishment of Teatro Nazionale in Milan (2009) and the production sites of Fantini (2018), Kerakoll Design Lab (2014), Glas Italia (2010) and Living Divani (2007). Throughout his career, Lissoni has received numerous acknowledgements, among which the Good Design Award, the Red Dot Award and the ADI Golden Compass; he is a member of the Board of the Museo Nazionale MAXXI, Rome.

SANLORENZO The Sanlorenzo shipyard has been producing high quality yachts for over 60 years, which are the outcome of a combination of craftsmanship, design and technology, made to measure according to the style and the requirements of every individual ship-owner. This is why a Sanlorenzo is never the same as any other vessel, not even any other Sanlorenzo. Today, under the management of Massimo Perotti, Chairman of Sanlorenzo, this shipyard is one of the top three global manufacturers of motorised yachts longer than 24 metres. The company has four manufacturing sites: Ameglia, Viareggio and Massa for the production of yachts, and La Spezia, headquarters of Sanlorenzo Superyacht. With courage and the intention to open to new creative languages, over the years the company has linked itself with the world of design and arts, hence its recent global partnership agreement with Art Basel, the most significant international modern and contemporary art exhibition, for its annual events in Hong Kong, Basel and Miami.

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Cortile della Farmacia ARCHITECTURE/INSTALLATION architecture/installation Sleeping Piles (28 x 28 x h 5 m.) project ESTUDIO CAMPANA supported by APEX BRASIL

Sleeping Piles by Estudio Campana suggests a dialogue between the organic lines of nature and the curves of architecture, creating a harmonious symbiosis between landscape, time and space. Designed to stimulate reflections on the vital necessities of human beings, the installation proposes a reconnection between the natural world and the inner life of people, emphasizing the sensorial character of all the parts of the human body. The project supported by Apex Brasil, the Brazilian Trade and Investment Promotion Agency, takes its cue from the colonnade of the Cortile della Farmacia: at the center stand seven towers, with a height of five meters, covered with grass, which reflect and reverse the architectural curves of the arches and pillars of the colonnade. The Campana Brothers explain: “Sleeping Piles invites visitors to relax at the foot of the towers, leaving the chaos of the city and contemporary life behind them. The name Sleeping Piles is a play on words with 'sleeping pills.'” The installation comes to terms with a new poetics of occupation of public places and the coexistence of nature and artifice, promoting a different vision of the environment.

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Ph. Fernando Laszlo courtesy Estudio Campana ESTUDIO CAMPANA

Practicing since 1984 in Sao Paulo, Brazil, the brothers Fernando and Humberto Campana have built a career, becoming one of the most important and highly acclaimed international design studios. True ambassadors of their country, they stand out for an approach that incorporates the idea of transformation and reinvention. Bringing value to humble everyday or common materials is a very ‘Brazilian’ way of doing design, relying on colors, creative chaos and the triumph of simple solutions. In collaboration with communities, factories and industrial firms helps the duo to conserve the original HUMBERTO FERNANDO spirit of Estudio Campana. CAMPANA CAMPANA Celebrating its 35th anniversary in 2019, their works – many of which are produced for important brands and galleries – are included in the permanent collections of leading institutions like MoMA New York, Centre Georges Pompidou and Musée des Arts Décoratifs in Paris, the Museum of Modern Art of Sao Paulo and the Vitra Design Museum at Weil am Rhein. Honors include Designers of the Year 2008 at Design Miami, and Designers of the Year at Maison & Objet 2012. Also in 2012 they were selected for the Comité Colbert Prize in Paris, honored at Beijing Design Week, and they received the Order of Cultural Merit in Brasilia, and the Order of Arts and Letters of the Ministry of Culture in France. In 2013 they were listed among the 100 most influential Brazilians by Forbes. In 2014 the British magazine Wallpaper* listed them among the top 100 designers, and in 2015 in the top 200 design players.

APEX BRASIL The Brazilian Trade and Investment Promotion Agency works to support and communicate Brazilian products and services abroad, and to attract foreign investment in key sectors of the country’s economy. The objective of Apex Brasil is to build promotional initiatives, including trade missions and communications, business contacts and support for the participation of Brazilian companies at the main international fairs. The agency also organizes visits of foreign buyers and opinion makers to Brazil. Besides the main offices in Brasilia, Apex Brasil has nine branches in important global markets, to assist Brazilian brands in the process of internationalization, fostering business opportunities and improving the national presence on leading global markets. The commercial offices are in China (Beijing and Shanghai), the United States (Miami and San Francisco), South America (Bogota, Colombia), Central America and the Caribbean (Havana, Cuba), Europe (Brussels, Belgium), Eurasia (Moscow, Russia) and the Middle East (Dubai, United Arab Emirates).

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Cortile dei Bagni ARCHITECTURE/INSTALLATION architecture/installation Miraggi (Playa Living: 4x3 m; Dolcevita Divina 2,8x5,8 m) project LUIGI SPEDINI production PISCINE LAGHETTO lighting Davide Groppi landscape design Bearesi Giardini

The project dialogues with the history of the Cortile dei Bagni and its central pools, built from the 18th century onwards. Miraggi is a dreamlike installation that evokes the sensory emotion aroused by two extraordinary elements such as water and light. Based on a project by Luigi Spedini, it consists of two wellness areas with soft adjustable inclination seats organized around two mini swimming- pools: Playa Living (4 x 3 m) and Dolcevita Divina (2,80 x 5,80 m). Bamboo canes rise all around, a symbol of righteousness, elevation and purity. At night, this regenerating space reaches its apex in terms of scenic effects, thanks to Davide Groppi's lighting design. A light experience that floods the whole courtyard. "I thought that the real colour of light is blue, like the sky, like water", said Davide Groppi. "The space is flooded with an intense blue you can plunge into as in a great ablution, between the earth and the sky. The central pools of the courtyard are filled with coloured light, which spreads to the upper porticoes: the streams of water and the sky of Milan seem thus to merge into a great dream. The pools represent the lakes of Lombardy, with bamboo canes growing on the shore."

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LUIGI SPEDINI

Luigi Spedini, an engineer, has dozens of patents to his credit, including the rectangular flexible-walled above-ground swimming-pool and the gasometric systems of biogas plants for Enea (the Italian Agency for new technologies, energy and sustainable economic development). Entrepreneur, well-known for having designed and built the Laghetto pools, manufactured by the family-owned company Agrisilos, he has changed the approach to the world of water thanks to his innovative vision, transforming the pools into objects of design. The brand has recently been sold to the Fluidra Group, one of the worldwide top three manufacturers of swimming pools, fountains, wellness equipment and water treatment, a group for which Luigi Spedini continues to work as a designer.

PISCINE LAGHETTO Piscine Laghetto, based in Vescovato, Cremona, is a reference manufacturer of above-ground swimming-pools, with a patent dating back to 1982. Since 2013, thanks to Luigi Spedini’s design, the usual image of above-ground swimming- pools has been turned upside down. They have been changed into elegant pieces of furniture, that can perfectly fit in not only in the garden, but also on the terrace or inside the house. The swimming-pool is thus conceived as a new way of furnishing outdoor spaces, in order to regenerate or welcome guests. Structures that can be assembled and disassembled in a few hours, require minimal maintenance, even just for seasonal use and adapt to the continuous changes of our contemporary life. The takeover in 2017 by the Fluidra Spa Group confirmed the company's potential for expansion, both in the Italian and foreign markets. DAVIDE GROPPI Since the end of the 1980s, starting from a very small laboratory in the centre of Piacenza, Davide Groppi has been inventing and producing lamps bearing the same name brand. His creative and entrepreneurial independence has enabled him to develop highly recognizable projects, distributed throughout the world. During his many years of activity Groppi has cooperated with prestigious players by developing projects and installations: design companies, hotels and starred restaurants. Today the brand is part of the Italian Design Brands Group.

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Cortile della Ghiacciaia ARCHITECTURE/INSTALLATION architettura/installazione Urban Islands Spaces for Students project NICOLETTA VALLORANI and MATTEO VERCELLONI STATALE DI MILANO production STUDENTI E PERSONALE DELL'UNIVERSITÀ DEGLI STUDI DI MILANO with the support of Istituto Confucio dell'Università degli Studi di Milano furnishings Slide, Unopiù

In the context of human multiplicity of Università degli Studi di Milano, the multimedia experiential installations of Urban Islands / Spaces for Students represent a multifaceted interpretation of familiar, experienced, imagined, at times merely endured spaces. Ambivalent spaces capable of opening up for participation, or closing down like obstacles to communication. Located in the Cortile della Ghiacciaia – whose glass dome will be lit from below by an intermittent beam, symbolizing the beating heart of the University – the works are divided into two theme clusters: shared spaces and spaces of isolation. The first category contains the Immersive Spaces, multimedia narratives created based on writings by a group of students of all the departments, to experience with special visors, and the Emotional Maps, projections that trigger a dialogue with printed maps, sketched on the historic architecture of the courtyard to redesign a familiar but seldom illustrated topography. These ideally open places form a contrast with others whose dimension is that of spaces ‘not chosen,’ nevertheless seeking (and finding) a way to get beyond that condition through sharing. The Spaces of Care of the Progetto Giovani dell'Istituto Nazionale dei Tumori, and the “Statale al Bekka” initiatives, narrate closed areas that are reopened in the creative encounter between young residents of the Istituto Penale Minorile Cesare Beccaria (a juvenile detention center) and the students of the Università degli Studi di Milano. Via Mondadori 1, 20090 Segrate (MI) Co-Producers internimagazine.com #humanspaces

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URBAN ISLANDS - SPACES FOR STUDENTS

Project by: Marco Boffi, Paolo Borsa, Mariacristina Cavecchi, Carlo Alfredo Clerici, Ivano Eberini, Paola Gaggiotti, Paolo Inghilleri, Lisa Mazoni, Rossella Menegazzo, Barbara Piga, Linda Grazia Pola, Nicola Rainisio, Valeria Rianna, Margaret Rose, Luciana Rossi, Paolo Rusconi, Giuseppe Scutellà, Nicoletta Vallorani, Ctu-Unimi. Together with: Matteo Vercelloni

Sound project: Radio Statale

With the support of: CONFUCIUS INSTITUTE OF THE UNIVERSITA’ DEGLI STUDI OF MILAN Inaugurated in 2009, the Confucius Institute is the result of the University's cooperation with Liaoning Shifan Daxue (Liaoning Normal University) and the Office for the diffusion of the Chinese language in the world (Hanban) in Beijing. The Institute, well rooted in the territory, has been working for years with excellences of the Milanese and Lombard cultural scene for the organization of exhibitions, film festivals, conferences and courses in Chinese language and culture. PUNTOZERO TEATRO Non-profit association that since 1995 has been managing the theatrical activities for the young prisoners of the Cesare Beccaria Juvenile Penal Institute in Milan. Since 2016 it has been working with the Department of Foreign Languages and Literatures for theatre workshops that bring together students from the Università Statale and young people from Beccaria in a joint project. LABORATORIO DI SIMULAZIONE URBANA FAUSTO CURTI Fausto Curti Urban Simulation Laboratory Research structure of the Department of Architecture and Urban Studies of the Polytechnic School of Milan, it deals with urban design with an interdisciplinary approach. It participates in Urban Islands with the project "Ri-pensiamo via Celoria" (Let’s reconsider via Celoria), developed within Sustainable Campus. YOUNG PEOPLE PROJECT OF ONCOLOGICAL PEDIATRICS OF THE ISTITUTO NAZIONALE DEI TUMORI (NATIONAL CANCER INSTITUTE) OF MILAN This project was launched in 2011 to improve clinical aspects such as access to treatment protocols and psychosocial support. It creates spaces and projects to make the place of treatment a 'special space' through creative projects that provide young people with opportunities to meet and tools of expression and communication, supporting work on feelings, fears and hopes related to the trauma of a cancer diagnosis.

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation The Perfect Time (10 x 6 x h 5 m.) project ICO MIGLIORE with M+S lab production WHIRLPOOL

An installation in which the perception and experience of time change, thanks to dynamic narrative sequences that interpret the relationship between intuitive technology and the human factor. The ‘perfect time’ is the focus of the work created by Ico Migliore with M+S Lab for Whirlpool to narrate the W Collection Cooking line, which thanks to its combination of design and technologies of the latest generation can also be programmed from a distance, restoring a portion of valuable time to the user. In tune with the theme, the space has been set up as a sort of intelligent and permeable organism, to cross and to inhabit in a multisensory experience. Entering the pavilion is like venturing into a forest of light elements in white and transparent PVC, forming a landscape in which perception changes from day to night. At the center, inside a large transparent bubble, a cubical volume with golden hues welcomes visitors to an immersive expanded by mirrors, environmental videos, lights, sounds and graphics, in dynamic narrative sequences.

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ICO MIGLIORE - M+S lab

Architect, awarded with three Adi Golden Compasses, a mention of honour at the Premio Architetto Italiano, eleven Red Dot Design Awards, two German Design Awards and two IDA – International Design Awards, he teaches interior design and layout at the Politecnico di Milano and is a visiting professor at the Dongseo University of Busan (South Korea). A pupil of Achille Castiglioni, he established in 1997 together with Mara Servetto the firm Migliore+Servetto Architects, whose projects are characterized by a search for an expressive use of light and a narrative use of new technologies. Alongside the many projects developed with his firm, Ico Migliore isco- curator and art director of the Italian Pavilion, which he also designed for the 22nd International Exhibition of the Triennale di Milano, called “Broken Nature: Design Takes on Human Survival”; he was also creative advisor for the re-launch of the Museo Egizio in Turin, for which he also conceived a new logo, the coordinated image, the exhibition graphics of all spaces and the special layouts of six theme areas. He was ambassador of Design for the Italian Design Day in Doha and he participated as keynote speaker at the Noroo Color Trend Show 2018, promoted by Noroo Pantone at the DDP museum Dongdaemun in Seoul, where he exhibited his design sketches in his personal exhibition “Red Light Architecture”. He is currently working at a new exhibition on his firm in Seoul, at the Onground gallery, which will open in May 2019. M+S lab Established from an idea of Ico Migliore and Mara Servetto, M+S lab is an energy incubator to feed new projects. A research and experiment laboratory, it involves in the field of designyoung professionals coming from various fields under the insignia of excellence across-the-board.

W COLLECTION BY WHIRLPOOL Inspired by contemporary style, W Collection is a suite of built-in household appliances, the perfect combination of avant-garde design and intuitive technology that, thanks to its 6th Sense technology, understands consumer needs and anticipates their desires. W Collection has been made to ensure excellent results, leaving people some free time to devote to their passions.

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28 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation Help the Planet, Help the Humans (30 x 40 x h 1,5 m.) project MARIA CRISTINA FINUCCI curator Alessia Crivelli for ONE OCEAN FOUNDATION production OFFICINE MACCAFERRI in collaboration with ARISTON THERMO GROUP

In the lawn of the Cortile d’Onore, the Earth shows a bloody wound of incandescent magma: the lapidary inscription HELP. Using about two tons of plastic caps, the collection of which was promoted by Università Roma Tre in cooperation with Caritas, contained in red mesh food bags and situated inside PoliMac gabions by Officine Maccaferri, ArtistMaria Cristina Finucci drew four huge letters that make up the word Help, as if this was a cry of humanity in order to stop the environmental disaster of marine pollution which is currently underway. This is the third time that Cristina Finucci launches a desperate cry for help, after her Help performance in the Italian capital, at the Roman Forum (in 2018), and on the island of Mozia, Sicily (in 2016). The artist declared: "Over the years, during which I have made installations in various parts of the world to denounce the huge presence of plastic in oceans, my project has been transformed and it is no longer limited to the pressing environmental issue, but puts the individual and life on the planet at the centre”.

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MARIA CRISTINA FINUCCI

Graduated in architecture from the University of Florence, she lived and worked in Moscow, New York, Paris, Brussels, Madrid and Rome, where she currently lives. Her artistic research has gone through painting, sculpture, architecture, design, video art, until it merged into a form of transmedia art. In 2013 at UNESCO (Paris) Cristina Finucci decided to found the Garbage Patch State, a Federal State which includes five islands formed by plastic dispersed in the oceans, whose total size is 16 million square kilometres, thus being the second largest country in the world in terms of size. Through a narrative process of installations and other public events, known as the Wasteland series, Cristina Finucci told the story of the Garbage Patch State characterized by a strong ethical commitment and a very high media impact. Among her monumental installations in the world: Paris (Unesco, 2013); Venice (on the occasion of the Biennale Arte, 2013); Madrid (ARCO, 2014); Rome (MAXXI Museum, 2014); New York (Headquarters of the United Nations, 2014); Milan (EXPO in the City 2015, Bracco Foundation); Venice, Bluemed Conference (2015); Paris (Sustainable Innovation Forum COP 21, New York Times, 2015); Mozia, Trapani (Whitaker Foundation, 2016); Rome (Roman Forum, 2018). In 2018, in her capacity as Head of State, she signed the resolution of the UN Agenda 2030 for Sustainable Development. She received many awards in Italy and abroad. Her work as an artist has been exhibited in many museums and institutions including the Lu.C.C.A Museum of Contemporary Art and the Biennale of Shenzen; other works are in permanent collections of Institutions such as the Bracco Foundation and the Italian Chamber of Deputies. In February 2019 she was awarded the title of Grand Officer of the Order of Merit of the Italian Republic ALESSIA CRIVELLI Content author, with over 20 years of experience in creating marketing, communication and image strategies for some of the most prestigious global companies in the luxury industry. She is now an Ambassador for the Worldwide Shows Corporation, for which she is in charge of special projects. WSCorp, founded by Marco Balich, Gianmaria Serra and Simone Merico, is a leading holding company in entertainment and live communication; it brings together talented people for large-scale celebrations, Olympic ceremonies, immersive formats and exclusive corporate events.

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ONE OCEAN FOUNDATION In 2017, the year of its 50th anniversary, the Yacht Club Costa Smeralda (YCCS) launched an environmental sustainability project: One Ocean. The focus of this initiative, strongly supported by Princess Zahra Aga Khan, is the preservation of the marine environment to add its voice to one of the most urgent issues of our time. The highlight was the One Ocean Forum, the first organized in Italy on the theme of sea protection. Held in Milan on 3-4 October 2017, it was organized in partnership with UNESCO’s Intergovernmental Oceanographic Commission and Sda Bocconi Sustainability Lab. Following its success, at the beginning of 2018, the One Ocean Foundation was created, of which YCCS is a founding member. The foundation's mission is to promote the protection of marine environments through a series of projects, raising awareness among international leaders, institutions, companies and the general public about the Blue Economy and the culture of sustainability. The foundation also aims to become an active platform in bringing together and strengthening all the players that work in various parts of the world to promote the protection of seas. At the end of the One Ocean Forum, the Charta Smeralda was presented, which includes a Decalogue for the preservation of the marine environment, of which the Yacht Club Costa Smeralda was the first signatory. The Charta Smeralda is a code of ethics intended to guide individuals and organizations to adopt environmentally friendly behaviour. Everyone can contribute to the preservation of the marine environment by signing the Charta Smeralda and undertaking to follow the guidelines it provides. Thanks to its partners, the One Ocean Foundation works on a daily basis to support a great number of projects related to its mission of environmental protection. Artist Maria Cristina Finucci has chosen One Ocean Foundation to reinforce her urgent message about plastic pollution that she expressed through her installation Help the Planet, Help the Humans. .

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OFFICINE MACCAFERRI Founded in 1879, Officine Maccaferri, an international reference in civil and environmental engineering, bases its development on solid values: innovation, know-how, excellence in services and respect for the environment. A historical company of the Maccaferri Group, it offers advanced engineering solutions for the reduction of hydro-geological hazards as well as for the development and safety of transport infrastructures and the urban environment. Officine Maccaferri'ssensitivity to issues related to environmental sustainability has led the company to share the extremely serious environmental problem that arises from the dispersion of plastic debris in the oceans.

ARISTON THERMO GROUP This Group is now one of the leading players in the thermal comfort and energy efficiency international market, present in three sectors with reference brands and a complete range of products, solutions and services. The values of the Ariston Thermo Group are rooted in the cultural and industrial heritage of its founder, Aristide Merloni. In recent years, following a new

increase in CO2 emissions, the Group has focused its sustainable growth strategy on energy efficiency. This year it published its firstSustainability Report, further proof of the company's commitment to reducing energy consumption and its environmental impact without sacrificing comfort. This goal was achieved, first of all, using cutting-edge technologies, ensuring energy efficiency and the most complete offer of sustainable solutions. The Ariston Comfort Challenge Ariston, the leading brand of the Ariston Thermo Group, has recently launched The Ariston Comfort Challenge, an ambitious international project to support research into climate change in the Arctic area. Despite many difficulties, the mission has succeeded in delivering and assembling a welcoming and innovative modular house (the Ariston Comfort Zone), in the heart of the remote and icy town of Qeqertarsuaq, better known as Disko Island, where a group of researchers from the University of Copenhagen is working to collect and examine samples and data in order to make fundamental discoveries on the effects of climate change. The Ariston Comfort Challenge has launched a global campaign that has been seen by more than 200 million people around the world, thus helping to raise awareness about the sensitive issue of global warming.

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation Brazilian Stone Scape (3,5 x 5 x h 3/0,9 m.) project VIVIAN COSER promoted by ABIROCHAS, APEX BRASIL with Brasigran Gramazini Guidoni Madeiras Ecológicas Magban Marbrasa Nebrax by ddchem lights iGuzzini Illuminazione

The intense atmospheres of Brazil, her native land, and the exotic stones with vibrant colors of its rocky landscape, are sources of inspiration for the installation by architect Vivian Coser, in the Cortile d’Onore, promoted by Abirochas and Apex Brasil. The relations between man and nature are summed up in a configuration of organic forms marked by accentuated curves that interpret the traces and character of a specific environmental and cultural genius loci. The installation is like a lounge of great theatrical impact, inhabited by a set of coffee tables with tops in natural stone, stacked in a dynamic balance. The setting is surrounded by dense vegetation planted for the occasion which lights up during the evening hours thanks to a series of spotlights directed upward on the tops of the sculptural table-landscape. The tree represents a more explicit reference to nature that seeks a dialogue with contemporary man and stimulates him to shape his environment in pursuit of tranquility and wellbeing.

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VIVIAN COSER

The Vivian Coser studio, headquartered in Vitória and San Paulo, was founded in Brazil in 2005. Over the years it has established itself as one of the most important design studios in the field of architecture and interior design. At the head of the team, there is Vivian Coser, an architect with a master's degree from the Mackenzie Presbyterian University in Sao Paulo and a specialization course at the European Institute of Design in Milan. She has been able to give her work an international style that is attentive to the stylistic variations of her native country, Brazil. Today, Vivian Coser's work focuses on residential and commercial projects in the main cities of Brazil, the United States and Europe. Her passion for design and attention to detail make her a professional with a focus on site-specific and creative solutions. Her team is composed of architects, designers and urban planners, a pool that works synergistically and aims at carrying out multidisciplinary activities to promote efficient projects and define them in minute detail. The studio is also completelyfocused on sustainability, looking for technologically innovative materials, attentive to the demands of a market increasingly sensitive to environment-related issues.

ABIROCHAS Founded in January 1998 and based in Brasilia, Abirochas is the national representative body of the ornamental stone industry that includes all the companies with activities mainly related to ornamental stones. The association was one of the first Brazilian organisations accredited to participate in the export promotion programmes developed by Apex Brasil (the Brazilian Agency for Export and Investment Promotion). Abirochas also plays a political and institutional representation role and defends the industry interests at a national and international level and offers systematic surveys to monitor production, export, import and domestic consumption activities related to ornamental stones. It also plays a leading role in debates and discussions on topics of interest to the sector. Through its brand Brasil Original Stones, Abirochas is revisiting the concepts of presentation and promotion of stone materials and commercial products in foreign markets. Abirochas has recently acquired new headquarters in Brasilia. APEX BRASIL Brazilian Agency for Trade and Investment Promotion, Apex Brasil works to support and communicate Brazilian products and services abroad and to attract foreign investments in strategic sectors of the country's economy.

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Cortile d’Onore ARCHITETTURA/INSTALLAZIONE installazione Regeneration (7 x 7 x h 7 m.) project RAFFAELLO GALIOTTO production NARDI

Regeneration starts from the necessity, especially among the new generations, to update the concept of habitat: a concept that shifts from protective to symbiotic and regenerating. The outdoor installation created by Raffaello Gallioto is conceived as a space of wellbeing, where the natural elements are a source of psychophysical renewal. Produced by Nardi, a company specialized in outdoor furnishings, it is a model of the first phase of experimentation for het launch of an industrial program of plastic regeneration. Regeneration is like a room open to the sky, accessed from two sides, formed by the stacking and rotation of ten square rings. The dynamic twisted architecture, seven meters high, is composed of 688 connected modules in regenerated plastic; known as Komodo EcoWalls, they are outdoor dividers, and represent the first product by the outdoor furniture manufacturer Nardito be made entirely in plastic, obtained through the recycling of products that have reached the end of their life cycle. The result is a space permeable to light and air, where people can relax under a tree, lying on a gigantic padded seat and producing energy by means of hand-cranked rechargers for smartphones or other devices: a pleasant place in which to regenerate body, spirit and matter.

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RAFFAELLO GALIOTTO

After studying Fine Arts at the Venice Academy, he shifted his focus onto the design industry and he opened his design firm in 1993. Interested in materials and technology, he accrued specific knowledge of production processes, and characterized his designs with experiments and unusual solutions, working with manmade materials like plastic and natural materials like marble. He has worked with many companies designing many products, collections and experimental exhibitions, in particular in the stone industry, where he brought innovations with the use of digital technology. He is art director at Nardi, a company for which he has produced many projects for the outdoor sector. Since 2014, he has been curator of The Italian Stone Theatre, an experimental pavilion of Marmomac Verona. He has participated in conferences and held lectures on stone design internationally. He is Professor of Design at the University of Ferrara.

NARDI This company was established in 1990 near Vicenza and designs and builds quality outdoor resin furniture, for the residential sector and for hospitality. Each product is designed for people’s wellbeing and relaxation and the supply chain for its manufacture is totally Italian. The extremely high quality resin processed with sophisticated systems is offered in combination with aluminium, manmade fabrics, upholstery and glass. The products are distinguished by unique design and are ergonomic, weather resistant and completely recyclable. Various acknowledgments have been received in recent years, such as the ADI Design Index 2017 selection, the Red Dot Award and the Good Design Award in 2018. The company ended 2018 with growing sales, continuing a positive trend with which its turnover has been doubled in recent years, with constantly increasing profits.This business development has been recognized also by the Best Performance Award 2018, promoted by SDA Bocconi, J.P. Morgan Private Bank, PwC, Thomson Reuters and Gruppo 24Ore, in which Nardi was one of the 76 most virtuous Italian companies in the Best Performing Small Company category.

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation Human Proportions (10 x 4 x h 6 m.) project MASSIMO IOSA GHINI production KNAUF ITALIA, CORRADI, MANNI GREEN TECH with Intro, CostruireLeggero, Stylcasa lights iGuzzini Illuminazione

A path that modifies and amplifies space, interpreting its depth, dynamism and architectural proportions in relation to the human figure: the installation by Massimo Iosa Ghini is a volume with a rectangular visual form that embodies a perspective itinerary with an entrance that is larger that the final portion. enT meters in length, the structure uses the human body as its reference to create an initial non-finite effect, connected to time, distance and the desire to reach what seems to be unreachable. It terminates with the awareness of the idea developed by Palladio in the Teatro Olimpico of Vicenza, of inverse geometric proportion with respect to the starting point. The load-bearing structure is made with a system of cold-formed sections by Manni Green Tech, which follows the perimeter of the mini-architecture and constitutes the frame for the dry and waterproof infill materials byKnauf Italia; the same technology is used to line the internal plaster walls. A panel at the entrance, made by Corradi, interfaces with the load-bearing framework to create a sense of suspension. A lighting system by iGuzzini Illuminazione defines the host space and establishes a relationship between man and the environment. A 3D profile by Intro with a height of about 70 cm, at the terminal part of the installation, acts as a perceptive paradigm.

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MASSIMO IOSA GHINI

Considered as one of the most prominent Italian architects and designers in the international design sector, Massimo Iosa Ghini (Bologna, 1959) contributed in the 1980s to the innovative action of the avant-garde movements, and established the cultural movement of Bolidism and was a member of the Memphis Group of Ettore Sottsass. In 1990 he opened his firm Iosa Ghini Associati that now operates in Milan, Bologna, Moscow and Miami, developing projects for large groups and international developers and dealing with the design of residential, commercial and museum architectural spaces, cultural installations, areas and facilities for public transport and retail projects. Ph. Courtesy of Ouyi In the field of product and furniture design, he works with the most prestigious industry brands and many of his items are part of major international museum collections. With respect to interior design and architecture, it is worth noting the worldwide development of the Ferrari Store and Kiko Store chains, the IBM Software Executive Briefing Center (EBC), the Capital Group headquarters in Moscow, Casa Museo Giorgio Morandi in Bologna, the Kröpcke Underground station in Hannover, his partnership with the Cremonini Chef Express Group for motorway and airport areas and his projects currently under construction of the Brickell Flatiron residential building in Miami and the People Mover in Bologna. He has many teaching experiences and acts as a visiting professor. In 2013, Triennale di Milano dedicated to him an anthological exhibition called “Dagli esordi all’oggi sostenibile (From the Beginnings to a Sustainable Now)”. Since 2017 he was appointed “Ambassador of Italian Design”, on the occasion of the Italian Design Day, by the Ministry of Foreign Affairs.

KNAUF ITALIA Member of Knauf Gips KG, a global reference in the field of plasterboard panels and advanced systems for dry building, Knauf Italia is the Italian manufacturing centre for the production of panels, profiles and plasters with a gypsum base. It offers innovative, high-performance solutions in the field of soundproofing, thermal insulation and fire fighting products and technologically advanced, anti-sismic, and environmentally compatible systems. CORRADI For over 40 years, Corradi has been designing and implementing outdoor design solutions, making highly customised products. It patented Pergotenda, a combination between a pergola and a sunshade. Over time, it has expanded its know- how, also developing ranges of bioclimatic pergolas and shading sails. Every collection is conceived to make outdoor spaces comfortable and liveable. MANNI GREEN TECH This company of the Manni Group is specialized in off-site building and in sustainable prefabrication. With its constructive system, Manni Green Tech gives the possibility to make modular and scalable design buildings.

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Cortile d'Onore ARCHITECTURE/INSTALLATION architecture/installation Passaggio in Blu (13,4 x 6 x h 5,25 m.) project PARISOTTO+ FORMENTON ARCHITETTI production CIMENTO lighting FLOS BESPOKE scent project INTEGRA FRAGRANCES with L&S Group

A space permeable to view, in which to linger or simply to cross: Blue Passage, designed by Aldo Parisotto and Massimo Formenton, is a tunnel with two entrances, open to the outside and tapered at the middle. An updated version of a primordial cave, the pavilion is made in Cimento – an innovative patented compound that permits the creation of light structures, but with the visual impact of concrete – as a symbolic place, a quiet room for a regenerating break. Simultaneously closed and open, this light but solid work of architecture plays with the senses and the perceptions of visitors, stimulating them through four different aspects: the material imperfections of the texture, the gray color for the outer skin and blue for the inner surfaces, the game of perspective, and sound: the continuous reproduction of the sound of the sea, which becomes music and follows visitors as they move around inside the ‘shell’ of Cimento. In a world premiere, the pavilion also hosts the sculptural and materic furnishings of the first Cimento Collection by Cimento, for which Aldo Parisotto of Parisotto+Formenton Architetti is the art director.

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ALDO MASSIMO PARISOTTO+FORMENTON ARCHITETTI PARISOTTO FORMENTON

Established by Aldo Parisotto and Massimo Formenton, this firm is located in Padua and Milan asP+F Box, dedicated to creativity, networking and the promotion of design culture. Their research activity aims at multiple areas. As art directors and designers, they work with True Design, Baleri Italia and Cimento. They can claim significant partnerships with furniture and lighting companies, among which Cc-Tapis, Firmamento Milano, Mingardo, Minotti Cucine, Palmalisa Zantedeschi, Viabizzuno. In 2019 they received the Iconic Award and the Wallpaper* Design Award for the Hook water taps for Cea Design with Natalino Malasorti. In the nautical industry they design sailing and motor boat interiors for Sanlorenzo, Cantiere del Pardo and Mylius. The firm’s core business is retail design for fashion, luxury, and food brands. Authors of the concept of Nespresso boutiques in 2009, they handle projects for this brand all over the world. In architecture, they have made various commercial buildings and have worked on the museum theme, among which the refurbishment of the historic Palazzo Ricordi in Milan, and many residential projects in urban and natural settings, such as Villa Pedemontana in Pietra that received the German Design Award 2019. In 2016, for Interni Open Borders, they designed the pavilion called “The Empty Room”, paying homage to the concept of space of the Italian director Michelangelo Antonioni. Project Management: Elena Pratuzzi Design: Aldo Parisotto and Massimo Formenton, with assistants Daniele Garato, Federico Trenna

CIMENTO This SAI Industry brand, a leading company in the design and development of made to measure furniture, Cimento offers innovative cement products for architecture and design. Their patented compound, used in Cimento products, contains over 90% of mineral aggregates mixed with a cement binder to give these light structure panels the same expressive strength of cement. It is available in various colours and finishes, also customized.Thanks to its lightness and to the evocative aspect of exposed cement, it is used in various applications: interior walls, floors, outdoor façades, design items and furniture. Under the artistic direction of Aldo Parisotto of P+F Architetti, the Cimento Collection debuts at FuoriSalone 2019: tables, coffee table, seats and benches where the material is the main feature. This brand also has a policy aimed at environmental protection, with low consumption manufacturing cycles and the use of natural materials, as is certified by the Forest Stewardship Council.

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation La Foresta dei Violini (trestle 5 x 7,6 x h 8,5 m.; trunks 12 m.) project PIUARCH from an idea by Nemo Monti with the support of Provincia Autonoma di Trento and Magnifica Comunità di Fiemme production CITYLIFE wood coatings Ilva lights L&L Luce&Light

The forest of Paneveggio in Val di Fiemme is famous for its ‘resonant’ Norway spruce trees: a wood with extraordinary characteristics, used for centuries to make stringed instruments. It is said that Stradivari went there to personally select the wood for his violins. In November 2018 a wave of severe storms disrupted the age-old balance of the forest, felling many trees of this valuable natural heritage, amounting to over 700,000 cubic meters of timber. Along the arc of the Alps, about 12 million trees were destroyed. The installation La foresta dei Violini, created by the studio Piuarch based on an idea by Nemo Monti, bears witness to this lost forest; an off-scale trestle, 8.5 meters high and 7.6 in width, made with the lumber from the felled trees of Paneveggio, becomes a forcefully symbolic presence. It supports – as evidence of the destructive force of nature – two Norway spruce trunks, about 12 meters long, uprooted during the disaster, and now resting on the loggia. The installation becomes a place of active memory, where the giant trestle is a symbol of the work of man to repair the damages.

The Provincia Autonoma di Trento and la Magnifica Comunità di Fiemme supplied the wood and its processing.

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PIUARCH

Founded in 1996 by Francesco Fresa, Germán Fuenmayor, Gino Garbellini and Monica Tricario, Piuarch deals with the design of office and retail buildings, the development of residential complexes, interventions for the recovery of culture and urban regeneration, with a constant focus on the values of environmental quality and relationship with the surrounding environment. It is well-known at an international level for its cooperation with important international fashion houses, including Dolce&Gabbana, Gucci, Fendi and Givenchy. Apart from this activity, it has always experimented on social design projects. The studio, which was awarded the "Italian Architect of the Year Award 2013" and two Gold Medals for Honourable Mention at the Triennale of Milan, exhibited his works at the Architecture Biennale in Venice and is covered by many publications and dedicated monographs. NEMO MONTI Consultant in communication processes for companies, in 2010 he founded Nemo Monti Comunicazione, a multidisciplinary agency that develops branding strategies and produces original content in the architecture and design sectors.

Provincia Autonoma di Trento This territorial authority with special autonomy (since 1948) and about 540,000 inhabitants has always been committed to the protection, recovery and enhancement of the historical, artistic, archaeological and anthropological heritage of the Trentino region. Magnifica Comunità di Fiemme This millenary institution is a public body that manages the community's forest and real estate assets. Protected using eco-sustainable criteria, the forests provide valuable wood - spruce and larch - which is transformed into planks and semi-finished products in the Ziano-based industrial plant.

CITYLIFE This is the project for the redevelopment of the historic urban centre of Milan exhibition grounds (Fiera Milano). With a total surface area of 366,000 square meters, CityLife is one of the largest redeveloped urban areas in Europe and has seen the participation of prestigious names of architecture: Zaha Hadid, Arata Isozaki and Daniel Libeskind. Sustainability, quality of life and services are the elements that characterize the project: a place with an articulated and well-balanced mix of public and private functions. The Residences and the three office towers stand out for their innovation and efficiency in terms of environment and safety. The heart of the area is the Business and Shopping District, which in 2018 attracted 9 million visitors: it consists of Piazza Tre Torri with shops, services and a quality food offer. The area is completed by a large public park covering 173,000 square metres with over 2,000 trees. CityLife is a wholly-owned subsidiary of the Generali Group.

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Cortile d'Onore ARCHITECTURE/INSTALLATION Architecture/Installation MultiPly Milano (5 x 17,5 x h 7,5 m.) project WAUGH THISTLETON ARCHITECTS and Arup production AHEC - American Hardwood Export Council lighting design Seam

The installation is composed of modular cubes made using panels of sustainable engineered wood, conceived to encourage visitors to re-think how we design and build houses and cities. The three-dimensional structure, designed by Waugh Thistleton Architects, engineered by Arup and initiated by AHEC, is made using a flexible system of 16 boxes in cross laminated timber (CLT) and addresses one of the biggest challenges facing humankind – the urgent need to fight climate change. Putting people at center stage, MultiPly Milano is made of sustainable engineered American tulipwood, using digitally fabricated joints. The labyrinthine spaces lead visitors along steps, corridors and open spaces, inviting them to explore the potential of sustainable wood in architecture. American tulipwood is one of the most abundant hardwood species in the United States, particularly suitable for structural applications due to its extraordinary overall strength properties relative to its weight. AHEC, together with Waugh Thistleton Architects and Arup engineers, has opened new possibilities for its use, with thinner panels offering higher performance. MultiPly Milano is an installation created specifically for Human Spaces, an evolution of the pavilion originally shown at the V&A Museum during the London Design Festival 2018.

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WAUGH THISTLETON ARCHITECTS

Founded in London in 2005 by Andrew Waugh and Anthony Thistleton-Smith, Waugh Thistleton Architects is an international leader in the design of buildings of the highest architectural quality that acknowledge their impact on the environment. Advocating ANTHONY ANDREW sustainability in the widest sense of the THISTLETON WAUGH word, the studio focuses not solely on energy in use, but on embodied energy and longevity. With a design ethos routed in the principles of reduction, recycle and reuse, Waugh Thistleton produces innovative and imaginative design solutions that harness leading technologies. Over the last 20 years the quality of their buildings and commitment to the use of engineered timber construction has earned them an international reputation in environmentally viable architecture and design. The practice was responsible for the design and delivery of Murray Grove, the project which spearheaded the international movement in tall timber construction, and continues to explore the possibilities and applications of timber construction through their work, lecturing across the world with a focus on sustainability, timber construction and the future of architecture. In 2018 Waugh Thistleton Architects were shortlisted for the prestigious Stirling Prize for Bushey Cemetery; a series of buildings designed around the existing landscape and constructed from rammed earth taken from the site. ARUP Founded in 1946 in London by Sir Ove Arup, today it has 14,000 professionals in over 34 countries, and is the multinational company that realizes some of the most important architectural and construction projects around the world.

AHEC - American Hardwood Export Council The leading international trade association for the U.S. hardwood industry, representing the committed exporters among American hardwood companies and all the major U.S. hardwood product trade associations. For over 25 years, AHEC has been at the forefront of international wood promotion, successfully building a distinctive and creative brand for American hardwoods. AHEC’s support for creative design projects underlines the performance and aesthetic potential of these sustainable materials, providing valuable inspiration for designers and architects.

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Hall Aula Magna ARCHITECTURE/INSTALLATION architecture/installation Abitare il Paese /Open Nests (21 x 5 x h 9 m) CNAPPC - Consiglio Nazionale degli Architetti Pianificatori Paesaggisti e Conservatori project MIGLIORE+SERVETTO ARCHITECTS

Located in the Hall of the Aula Magna, the installation by Migliore + Servetto Architects communicates the fundamental values of the activities of the Consiglio Nazionale degli Architetti, Pianificatori, Paesaggisti e Conservatori (CNAPPC), the public council that through the initiative Abitare il Paese sets out to promote the enactment of public policies for cities and a national program of urban regeneration. The project is based on two levels of content, which correspond to two levels of environmental narration. The first value is connection, interpreted in terms of engagement: a dense network of suspended and interwoven elements establishes a dialogue, constructing a ‘spatial bond’ that is a reminder of the constant link with the environment and people that guides the designer. Connection is also a physical and conceptual way of summing up the network of relations CNAPPC constructs to involve a wider audience, raising awareness of the close correlation between design quality and the final quality of the environment in which we live. The second value is sharing, and its iconic reference is the worktable of the architect, a space of encounter and development of ideas, represented by a system of tables with different heights, extending for a length of 21 meters – on which graphic elements and objects offer stimuli and suggestions on the intrinsic themes of “living in our country.”

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CNAPPC - Consiglio Nazionale degli Architetti, Pianificatori, Paesaggisti e Conservatori (National Council of Architects, Planners, Landscape and Conservative Architects) This is a non-profit public body established within the Ministry of Justice. In the current Council, chaired by Giuseppe Cappochin, Italian architects are committed, through the initiative Abitare il Paese (Living the country), to promoting the adoption of public policies for cities and a national program of urban regeneration. This is an action plan to focus economic resources on integrated urban projects, which are exemplary in terms of environmental excellence and innovation, with Man at their heart. The National Council is working, at a political and institutional level, for the recognition of architecture and landscape as a common heritage of public interest, identifying enhancement, promotion and improvement policy guidelines for architecture and the diffusion of architectural culture education starting from schools.

MIGLIORE+SERVETTO ARCHITECTS

Ico Migliore and Mara Servetto develop projects conceived as active communication interfaces between companies or institutions and people: architecture, interiors and exhibition design projects characterized by an expressive use of light and new ICO MARA technologies. The originality of the MIGLIORE SERVETTO design method is reflected bythe large number of international awards and recognitions achieved, including three Compasso d'Oro Adi (2018, 2014 and 2008), five Adi Mentions of Honour, two German Design Awards, two FX Interior Design Awards, eleven Red Dot Design Awards, the Annual Exhibit Design Award and two International Design Awards. Recent projects include: the Italian Pavilion at the 22nd International Exhibition of the Triennale of Milan, Broken Nature; Leonardiana. A new museum, in the Vigevano Castle; the Chopin Museum in Warsaw; the permanent installation of "α-cromactive" light inside the bioclimatic greenhouse of the Intesa Sanpaolo skyscraper in Turin; the Coats! Max Mara Exhibition, Seoul 2017, at the Ddp in Seoul; the Exhibition B&B Italia / The perfect density for the 50 year-anniversary of B&B Italia, at the Triennale of Milan, which later became a permanent exhibition at the company's historic headquarters; the new format for Dmail stores (Percassi Group); the new Mondadori stores in Italy. Currently, they are working in Busan, South Korea, on the Blue Line Park project for the transformation of a 5-km- long disused railway overlooking the sea into an acoustic and theme park. In addition, they will soon be working with Italo Lupi on the permanent installation of the new Adi Design Compasso d'Oro in Milan.

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Loggiato Ovest ARCHITECTURE/INSTALLATION architecture/installation Parla! (10 x 1,2 x h 0,7 m.) project MARCIO KOGAN STUDIO MK27 with FILIPPO BRICOLO production FURRER lights Buzzi & Buzzi

Probably there is no more intense human space than that encapsulated in the living microcosm of a table, an iconic item that has always been a symbol for meeting and conviviality, in Italian and in Brazilian cultures. With his Parla! table, Marcio Kogan, founder of Brazilian design firm mk27, and the Italian architect Filippo Bricolo, did not intend to offer a simple design item, but conceived a call, an invitation to create a new convivium, offering visitors the possibility to enjoy a shared experience. “A call to wandering souls (...) an appeal to those who still want to dream but are no longer able to find the space to do so.” This is how the designers explain their project. 10 metres long, the table is made of precious Statuarietto marble, extracted in the area of Alpi Apuane and Versilia. Thanks to the production skills of Furrer, Carrara, this table offers itself as a symbolic space to combine two of the highest expressions of civilization: the word and food.

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MARCIO KOGAN - STUDIO MK27

Brazilian firm mk27, with main office in the city ofSao Paulo, was established in the late 1970s by architect Marcio Kogan. Having grown over the years with activities and projects around the world, it currently has 30 architects and many partners in various countries. The team architects follow the philosophy of Kogan, aiming to spread and carry on Brazilian Modernism, acknowledged globally as an iconic architectural movement of the past century. Throughout his career, Kogan has received many awards and acknowledgments: he is honorary member of AIA (American Institute of Architecture), Professor at the Ph. Fernando Guerra Escola da Cidade in São Paulo and the Politecnico di Milano and is considered by Brazilian magazine Época one of the 100 most influential persons in his country. Since 2001,mk27 has won over 250 national and international prizes and in 2012 it represented Brazil at the 13th Biennale of Venice. FILIPPO BRICOLO Architect and professor at the Mantua Annex of the Politecnico di Milano. Here, from 2015 to 2018, he led the “Design Laboratory I” with the Brazilians Marcio and Gabriel Kogan, and this partnership has led to the publication of the book “La casa felice. Indagine su Marcio Kogan. Studio mk27 (The Happy House. An Investigation on Marcio Kogan. Firm mk27)”. With Francesca Falsarella, he has established the Bricolo Falsarella Associati firm, which operates in the field of fitting, reusing and working on historical buildings and in valuable landscapes. He worked with the Castelvecchio Museum where he curated layouts and completed the recovery of the East Wing that had been left unfinished byCarlo Scarpa.

FURRER This company was established in Carrara in 1939 by Giuseppe Furrer to process, transform and market stone products of Italian and foreign production all over the world. Furrer soon became a point of reference in the stone industry, a market position that the company has maintained to the present day. Over the years this brand, ambassador of the excellence and quality of Italian productions, has created prestigious residential, commercial and maritime architectural projects all over the world. This success has been possible thanks to a combination of factors that has always been fundamental in the company: continuous investments for the expansion of the number of (Italian and foreign) quarries and of the range of products, the constant renewal of equipment for the transformation of material and particular attention to the requirements of customers and clients, everything supported by the know-how developed in 80 years in operation.

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Loggiato Ovest ARCHITECTURE/INSTALLATION architecture/installation Once upon a time... (21 x 1,6 x h.0,65/1,30 m.) project FABIO NOVEMBRE production PERDORMIRE

Fabio Novembre looks to the world of fables to create a red bed with a length of 21 meters, encouraging visitors to linger and to share spaces, moments and thoughts, while enjoying classical music, admiring the arches of the historical architecture of the Loggiato Ovest. “I decided to write a new fable in which a long bed would allow the good and evil characters of all the stories of the world to come together, to mingle and finally break down the barriers that are even more frightening today. The contours of things are blurrier than you might imagine... like the variable size of a bed. Sweet dreams!” says the designer. Six headboards leave comfortable spaces for relaxing on the long bed produced by PerDormire, the brand of Materassificio Montalese, for an immersive, multisensory experience in which red is the main color. The long luminous inscription “Once upon a time” glows over the installation. The unusual off-scale daybed is framed by six illustrations from the Una Fiaba PerDormire collection, designed by Fabio Novembre, composed of beds with evocative names like Castello, Principessa, Abito, Nuvola...

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FABIO NOVEMBRE

Born in Apulia, Fabio Novembre moved to Milan in 1984, where he graduated in architecture in 1992. In 1993, he moved to New York City, where he attended a film directing program at New York City University. He says he loves writing more than drawing. Eclectic and creative, he calls himself an “architecture anarchist”, who follows an independent road with a nonchalant approach, putting together lifestyle and design philosophy. He works on all design scales, from interior architecture to product and graphics, putting together old and modern materials. Since he opened his Milan firm, in 1994,he has been working for major design organizations Ph. Settimio Benedusi such as Driade, Venini and Kartell; he has also designed interiors, showrooms and boutiques for fashion brands such as Blumarine and Stuart Weitzman, and he has designed architectures for companies like AC Milan and Lamborghini.

PERDORMIRE PerDormire is a Brand of Materassificio Montalese, a historic Pistoia organization specialized in the artisan production and distribution of 100% Italian mattresses and beds, and was established in 2000 to market high-end mattresses. In just a few years it has become the top retail company project, and accounts for 45% of sales with over 110 stores in Italy. The success of the brand has led Michele Caso, founder of Materassificio Montalese, to invest in the contract and hotel industries and in 2015 he established PerDormire Hotel, a brand fully dedicated to the supply of high quality bedding systems for the hotel industry. Una Fiaba PerDormire, designed by Fabio Novembre, was presented in 2017 and is the first bed collection of the Italian Design Democratico (Democratic Design) project, conceived to make products that guarantee functionality, high-end design at an affordable price. Total wellness and quality for people and for the environment are the underlying values of the philosophy of Materassificio Montalese, as is shown bythe use of materials entirely derived from soy and a vacuum packaging technology that significantly reduces emissions connected with storage and transportation. Also the plant, with more than 20,000m2 of production area, is an expression of eco- sustainability, with a solar panels system that guarantees clean energy and meets up to 50% of the company’s requirements.

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Cortile d’Onore ARCHITECTURE/INSTALLATION architecture/installation BraINTAIWAN project THE MEET LAB production TAINAN CITY GOVERNMENT, Industrial Development Bureau of the Ministry of Economic Affairs of Taiwan Lorenzo Palmeri Beatrice Arenella

Andrea Bonessa Nicola Brembilla

This temporary architecture, conceived by the Italian-Taiwanese artistic collective The Meet Lab, on behalf of the Tainan City Government and the Industrial Development Department of the Ministry of Economic Affairs of Taiwan, expresses all the design and innovation capacity of the Taiwan-based textile manufacturing company through figures, innovative materials, art and objects. The installation consists of eight project areas, showing installations and works made with fabrics and accessories produced by fifteen different Taiwanese companies at the forefront of research. These include: graphene fabrics, the thinnest material known in the world, with thermal conduction properties (manufactured by Everest Textile), and moisturizing collagen-based fabrics made from fish processing waste, which have the property of breaking up odour molecules (manufactured by Eysan). Furthermore, the ultralight AirySektor membrane can be applied to any type of fibre, either synthetic or natural. It is a real revolution in the industry of waterproof, breathable and non-toxic fabrics (by BenQ Materials). And finally, thesurprising reflective products, illuminated by a flash, (by ShinKong Textile).

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THE MEET LAB

It is an Italian-Taiwanese artistic collective, a workshop for creating a dialogue between different natures, cultures and visions. A bridge between the design cultures of the East and the West. The project team working on BraIN Taiwan includes three curators and four designers. The curators are Elena Gemelli and Giampaolo Galenda work and live together, and are experienced in the fields of theatre, television, cinema and new media directing, and Luis Ma, developer of an international network operating in China, Australia, America and Pacific Asia. The designers are Lorenzo Palmieri, designer and musician; Beatrice Arenella, visual artist and designer; Andrea Bonessa, architect; Nicola Brembilla, architect. Seven people with similar backgrounds but different skills and experiences, invited to produce a new, concrete and poetical image of Taiwan, a country that in the past was considered as the 'world factory’, and is now a hub for the development of new ideas and new materials.

The exhibition layout conceived by Lorenzo Palmeri

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LORENZO PALMERI Architect, he works in many sectors, among which design, architecture, art direction, teaching, musical composition and production. Bruno Munari and Isao Hosoe, with whom he worked for many years, are among his masters. In 1997 he began dealing with education, teaching at major domestic and international design schools. As to music, he has written soundtracks for theatre and installations. In 2009, his album Preparativi per la pioggia was released, featuring prestigious guests such as Saturnino at the bass, and Franco Battiato. At the end of 2014, he published Erbamatta, his second album, and a new record is currently under way. As a designer, he participated in many collective and personal exhibitions. His designs have won and have been selected for important Italian and international awards, among which the ADI Design Index and the Good Design Award.

BEATRICE ARENELLA She specialized in movie design at the Politecnico di Milano, working with still and moving images. She has been working for 15 years as a freelance with institutions, companies and communication agencies. A curious observer, she has a particular penchant for photography.

ANDREA BONESSA He graduated in architecture in Milan in 1983. In 1988 he established his firm, now BonessaAssociati,specialized in residential, commercial and visual communication projects. He is one of the founding members of Giacimenti Urbani, association for the Reuse, Recycling, Recovery, and Repair for a conscious and virtuous use of resources during their lifecycle.

NICOLA BREMBILLA He graduated in architecture at IUAV in Venice. After various apprenticeships in major Italian and foreign firms, in 2010he set up Hypnos, with the intention to focus the experience he had accrued into a structured professional practice to face the challenges of contemporary world, especially the recovery of the existing housing stock.

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TAINAN CITY GOVERNMENT Tainan was established in 1620, and was the first walled town in the state of Taiwan, where it is the fourth city in terms of size. Being the originating city of Taiwan, it was the source of development and livelihood for the country. The city offers extraordinary contrasts: from the first Confucian temple, the place where culture and education in Tainan started; to the big temples, the famous Tainan Canal, a testimony to the ups and downs of civilizations, up to the contemporary city, with its bustling activities and important manufacturing industries.

IDB - Industrial Development Bureau This Taiwan association is active in the promotion of the main industrial policies, among which: the Five-Plus-Two Innovative Industries plan, focused on the area of smart machines, the Asia · Silicon Valley project, the biomedical industry, green energy technologies and the national defense industry, to strengthen the strategic capabilities of this sector. While traditional strategies for the national industrial policy are conceived based on just 3-5 years forecasts, IDB tries to anticipate industrial development trends a long-term perspective of 10 or 20 years, using these analyses as the foundation to define industrial policies that can maintain the competitiveness of Taiwan companies. Another priority is strengthening what has been achieved in Taiwan in terms of the development of fundamental industrial technologies. This process has been supported by many talented engineers, thanks to whom Taiwan now has a solid production base.

FFIA - Formosa Fashion Industry Alliance The main objective of FFIA is to support the development of fashion in Tainan, a city that has always been leading in the shoes, textile and manufacturing industries. By means of a careful planning and design strategy, FFIA offers a fashion system that adjusts to the productive nature of the city, and that can set the foundation of the apparel industry in Taiwan. Furthermore FFIA, thanks to its partnership with the government system, the academic world and with a rich basin of industrial resources, is an innovative fashion industry that interfaces with the tradition and the cultural roots of the country. The objectives of FFIA include three key concepts: "mix creativity and culture with everyday products", "keep the pace of the most recent trends to expand the fashion industry", "use human sciences and technology for the evolution of traditions and culture".

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Portale Sud Cortile d’Onore ARCHITECTURE/INSTALLATION design island La porta dei sognatori (2,87 x 5,95 x h 3,80 m.) project DARIO CURATOLO production NEROSICILIA, MOSAICOMICRO

Degree zero of human space, identified as the boundary between heaven and earth. The earth is represented by a ‘pour’ of material that descends from the staircase to the space in front of the portal, a magma formed by black volcanic stone by NeroSicilia (laNera surface). The sky is composed of thousands of stars, tiny tiles produced by Mosaicomicro by recycling the glass from discarded computer monitors and television sets, small fragments of different hues in a mixture of black, carbon and anthracite. The presence of man is represented by large partitions in gray lava stone (enneUno by NeroSicilia), marked by signs, words, codes, screen printed in glass on the walls. The partitions create a perspective effect that leads towards a gateway of light that divides the space and symbolizes the vision of the near future. A future visible to dreamers, to those who try to design it with sensitivity and awareness.

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ALDODARIO CIBIC CURATOLO

Graduated in architecture at La Sapienza in Rome, he deals with architecture, design and visual communication. He is a member of the Scientific Committee of the Triennale Design Museum (Triennale of Milan) and of the national executive committee of Adi. He is a member of the Lazio Aiap Council and the delegate for design of Inarch. He teaches editorial graphics at the IaD School of the University of Tor Vergata. Since 2000 he has been art director of the Order of Architects and the House of Architecture in Rome. In recent years he has been working on various projects to restore identity to places, companies and create new objects. He has been curator and designer of the Italian Pavilion at the Hong Kong Design Week 2017 with Ice and Bodw. For years he has been creating brands and visual identities for companies and institutions. In 2017 he worked for Istituto Luce – Cinecittà designing the visual identity of MIAC (Museo Italiano Audiovisivo e Cinema – Italian Museum of Audiovisual Arts and Cinema) and ISPI (Italian Institute for International Political Studies) and he won the international rebranding competition for the University of Campania L. Vanvitelli. He designed the installation Landstories, an Italian landscape seen as a project and exhibited in the Italian Pavilion, of which he was art director, at the 13th Architecture Biennale in Venice in 2012. He participated at the 67th and 68th Venice International Film Festival (in 2010 and 2011) as photography and art director of two documentaries: Ward 54 and Out of Tehran.

NEROSICILIA This brand, founded by Biagio Amarù and produced in Comiso, in the province of Ragusa, uses Etna’s lava stone that originated from the cooling and solidification of lava flows on the earth's surface. In order to be able to use it as cladding stone, Nerosicilia (which is part of the company Artigianato Industriale) has developed an oven that makes it possible to reproduce the heat conditions of lava. The combination of temperature, cooking time and cooling speed determines the shades and surfaces of Nerosicilia range of materials. The slabs, whose formats guarantee freedom of design to architects and designers, are free of enamels and chemical additives. MOSAICOMICRO This is the brand of the company Artigianato Industriale that, recovering recycled glass dust from CRT TV monitors and disused computers, produces ecological glass 'micro' format (6x6 mm) mosaics. The nature of recycled glass and the manufacturing process make each micro mosaic piece different and unique. Each one gives life to a different micro-surface: glossy, mat, velvety, smooth or structured.

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Portale Nord Cortile d’Onore ARCHITECTURE/INSTALLATION design island Design Vibrations (2,1 x 1 x h 4,50 m.) project CHIARA ANDREATTI production IZIPIZI with MORONI GOMMA

A theatrical optical totem that projects 'luminous vibrations.' This is Chiara Andreatti’s concept to transform the North Portal. The installation narrates the design approach of Izipizi, the Parisian brand of prêt-à-porter eyewear. “I have interpreted the architectural element of the arch as a binder/archive,” the designer says. “The repetition of the eyewear (300 pairs) and of neon tubes is the focal point, giving rise to a contemporary sea of lights. The portal is taken as the entrance into a world of new generation: the eyeglasses, chosen in tortoise textures and various hues, stand out against the luminous backdrop; their materials and colors are brightened by the neon, which creates games of transparency and material substance.” A setting to interpret the young, essential philosophy of the Parisian brand. A space of passage is temporarily transformed into a place of interaction for visitors, who are encouraged to take selfies and to share them on the social networks, to illustrate the positive vibrations and iconic design of Izipizi.

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CHIARA ANDREATTI

Born near Venice, she moved to Milan to study first at the European Institute of Design and then attend a master's degree at the Domus Academy. Chiara Andreatti has worked with many design studios such as Raffaella Mangiarotti, Renato Montagner and Studio Lissoni Associati, with whom she has cooperated for more than ten years. She designs for lifestyle and design companies such as Glas Italia, Lema, Potocco, Gebrüder Thonet Vienna, Non Sans Raison, Starbucks, CC-tapis, PaolaC., Mingardo and Atipico. From 2016 to 2018 she was art director of Texturae, Karpeta and BottegaNove. In 2018 she was asked to represent the 10th anniversary of Fendi at Design Miami. Her works have been published in the most important national and international magazines. In 2019 she won the IF Design Award with Loïe armchair designed for Gebrüder Thonet Vienna.

IZIPIZI Since its creation in 2010, the Parisian eyewear brand Izipizi has never stopped renewing itself, offering new collections for all generations and moments of life. There have been many collaborations with other lifestyle brands and international partnerships, including Colette, Betak, Le Bon Marché, Bonpoint, Woolrich and Moroni Gomma, distributor of Izipizi in Italy since the beginning. Multiple mix-and-match projects, which have given rise to exclusive and always updated design models. Now, eight years after the launch of its first eyewear model, Izipizi can count on a team of 60 people working on all the collections, in the spirit of a real start-up. With over 4000 stores worldwide, it has conquered the market with its direct and captivating language: neat and simple lines where the focus is mainly on quality, affordable prices and a select distribution network. MORONI GOMMA Considered as one of the historic shops in Milan, Moroni Gomma celebrates its 100th anniversary in 2019. From its initial specialization in rubber, the space in Corso Matteotti 14 has evolved over the years into a trendy concept store with a rich variety of products, from home office to kitchen, from living to wellness and outdoor items. Over the years Moroni Gomma has gradually added to direct sales also an exclusive activity of distribution in Italy of some of the most interesting international brands in the sector. Among the most interesting new items launched in recent years, the reading eyewear and sunglasses by the French brand Izipizi. A retail project that has been strengthened over time, as evidenced by the opening in April 2018 of the new Milan-based store in Corso Garibaldi 2, which is added to the historic store in order to offer a more widespread service in the city.

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Cortile d’Onore PRESS ROOM press room Human Rooms project MAC STOPA production BOERO, TARGETTI floors Tarkett furnishings True Design, Fiam Italia, Tonon

For the info point and press room, the two places of transit and activity that represent Interni’s calling card inside the exhibition, Mac Stopa/Massive Design has imagined a cubist composition that artistically reworks an iconographic vocabulary of forms and materials, channeled into a voyage of perceptions and vibrations based on the colors of nature. All the walls are painted in an eco- palette of pastel hues by Boero, with cool tones in the reception zone and warm ones in the adjacent press room. The floor features a geometric pattern ofcarpet squares by Tarkett. In contrast, hundreds of painted Boero cans feature warm colors in the ‘cool’ room and cool hues in the ‘warm’ one, on the three upper levels of the wall shelving, adding chromatic dynamism. These circular forms are the figures that stand out against the backdrop of the 3D puzzle, completed with furnishings by True Design, River Chair by Tonon and Coral Beach glass table by Fiam Italia, both designed by the polish designer, and the fundamental contribution of lighting by Targetti.

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MAC STOPA

Founder of Massive Design, the international studio based in Warsaw, Mac Stopa is an architect and designer whose work spans several design disciplines: architecture, interior design, industrial design, art, graphic design and fashion. Clients include: Google, Samsung, AstraZeneca, Unilever, Pernod Ricard, Bacardi-Martini, PwC and EY. In the field of architecture, recent projects include the prize-winning futuristic building housing the Genesis restaurant, and Art Walk, an open-air art gallery. Stopa has also designed products for a range of companies, including Cappellini, FIAM Italia, Mohawk Group, Milliken, Tonon and Nowy Styl Group. Since 2013, he has received over 90 international design prizes, including an iF Design Award, multiple Red Dot Design Awards, Good Design™ Awards, Iconic Awards: Interior Innovation, including Best of Best 2017, German Design Awards, Interior Design Best of Year and HIP Awards, the IIDA Titan Award 2017, Product Designer HIP Award 2018, as well as in 2018, the Badge of Honor for Merits for Inventiveness bestowed by the Prime Minister of Poland.

BOERO Italian brand that since 1831 embodies the vocation for color. For almost 200 years Boero has been a reference for architects and professionals, to whom it has always provided a technical consulting service both for the definition of plaster cycles and their application. A reference brand for paints and varnishes, it is part of the Boero Group, an Italian company manufacturing paints for the building, yachting and naval sectors. Thanks to its know-how and R&D investments, a primary value for the Group is sustainability: the company has in fact developed the Green Paints project, carried out in cooperation with the Italian Institute of Technology (in Bolzaneto, Genoa), aimed at the creation of innovative paints that incorporate micro-particles of bioplastics derived from vegetable waste. The brand is also committed to protecting Italy's historic centres: around 80 Piani del Colore (Colour Plans) have been created for the redevelopment of villages and districts in Italy, restoring their authentic colour tones and original identity. TARGETTI Founded in 1928 in Florence by Sankey Targetti, the company took on industrial dimensions in the 1930s. But it was in the 1970s that Targetti started to expand at an international level, thus becoming a leader in lighting technology. It has carried out many projects around the world: from museum spaces (Louis Vuitton Foundation, Paris) to urban lighting (Piazza san Marco, Venice) and large building lighting projects (Lego House in Billung, Denmark). Since 2017 it has been part of 3F Filippi, a leading group in technical lighting, which has enabled it to develop significant strategic, industrial and commercial synergies, confirming the importance of the brand, which is now one of the top five Italian groups in the lighting sector.

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Portale Hall Aula Magna DESIGN ISLAND design island Ouverture (14 x 1,4 x h 3,7 m.) project ANDREA MAFFEI production FIORANESE

Apparently heavy partitions establish a dynamic material relationship with the historical architecture of the cloister. In the installation Ouverture by Andrea Maffei, the porcelain stoneware of the Dot collection created by the designer for Fioranese reproduces the texture of concrete with filled circular bolt holes, which in the triangular format reinterprets the classic form of the rectangular formwork, covering the three access doors of the hall of the Aula Magna. The result is a true concrete ‘wall’ cut vertically and dynamically opened in front of each entrance, creating three large portals rotated by 30 degrees. The resulting voids frame and emphasize cornices, pilasters, capitals of the original doors, establishing a dialogue between antique marble and modern concrete, conveyed through the lightness of stoneware, in the active flow of crossing from the outdoor setting of the cloister to the indoor space of the building.

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ANDREA MAFFEI

After receiving his laurea cum laude in architecture in Florence, he moved to Tokyo to work for Arata Isozaki until 2004, where he became Associate Member and in charge of Italian projects. He developed the project of the Palahockey in Turin, a project implemented for the 2006 Winter Olympics and he drafted the project of the Olympic Swimming Pool and the Piazza d’Armi park of Turin (2002-2006). In 2005, he opened his firm in Milan. He has won various Italian competitions among which the new Bologna station (2008) and the new headquarters for the Provincial Council of Bergamo (2009). He participated in the major competition for the expansion of the city of Montecarlo (2007-2008) to extend the city over the sea with a new peninsula with residences, hotels, museums and offices and he signed the project ofthe new exit of the Uffizi museum (2007), of the new Maranello library (2009), already built and opened in 2011. Together with Isozaki, he designed the new Allianz tower in Milan, a 50-storey office building, 207m tall. He is currently dealing with the project for a new hall of the fruit and vegetable market of Milan and with a social housing complex in Melegnano, Milan. He was also awarded second prize for a large masterplan of more than 5 million square metres in Qingdao, China (2018). He writes for various architectural journals and since 1997 he has been contributing to “Casabella”. He curated the monograph “Toyo Ito, le opere, i testi, gli scritti (Toyo Ito, Works, Texts, Books)” (Electa).

FIORANESE A long tradition in processing stoneware is renewed in the combination with research and experimenting with new styles for contemporary living. Over 50 years, Fioranese has created an organization based on creativity, intelligence and spirit of renewal. “We design floors in an Italian design to meet the world”: this is the line of thinking according to which the Fiorano Modenese company has conceived an exclusive stoneware range. Dynamism, uniqueness and skill, supported by quality and technologically advanced production processes, are the hallmarks of this brand. Research activities draw inspiration from the surrounding world, in combination with natural material suggestions and with the most recent trends in fashion and interior design. Among the collection highlights, the more technical nature of the cement and cotto effect for contemporary architectures, the warm tones of nature in ceramic with wood or stone effect or the brightness of bathroom tiles. Fioranese has also started a company policy aimed at environmental respect and protection.

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Cortile d’Onore DESIGN ISLAND teaser to e_Domesticity (2,5 x 2 x h 2,5 m.) project ASYMPTOTE ARCHITECTURE production AUDI

Connections for future mobility come from a sustainable energy concept: it is a new form of interaction between man, the environment, and architecture. Starting from this reflection, firm Asymptote Architecture, on the occasion of Audi City Lab 2019, gives life to e_Domesticity, a work whose ambition is to redesign space and time to celebrate the near future when electric mobility will affect every aspect of our lives. The installation can be visited in Piazza Sempione at Arco della Pace, and is presented in the Cortile d’Onore (Main Courtyard) of the Università degli Studi of Milan with a descriptive panel that invites visitors to discover the main work.

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Cortile d’Onore DESIGN ISLAND teaser to The Circular Garden (ring-seat Ø 2,5 m) project CARLO RATTI ASSOCIATI production ENI

A large ring, 2.5 meters in diameter, on which it is possible to sit: this is the teaser in the Cortile d'Onore for the larger project The Circular Garden at the Orto Botanico di Brera, the installation by the studio Carlo Ratti Associati with ENI to narrate the innovations and activities of the company in the field of the circular economy. The ring-seat placed in the Cortile d'Onore is made of mycelium, the same organic material derived from fungi that has been used to make the four ‘rooms’ of the installation at the Orto Botanico. The ring is composed of a reflecting metal base and a curved wooden structure covered in mycelium.

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Cortile d'Onore DESIGN ISLAND design island 9281. Tele in camicia (9 x 0,10 x h 2,81 m.) project LUDOVICA DILIGU production LABO.ART

Ludovica Diligu, designer and founder of Labo.Art, a fashion brand, interprets the Human Spaces theme making a wooden display case whose objective is to remind us of memorabilia collections. This project features 5 maxi shirts flattened and resin coated, represented in various hues of blue, tones used to show the passing of time over a day, from dawn to sunset. “The shirt” – says Ludovica – “abandons its traditional use as a garment to be worn and turns into an installation that leads to thinking about the flow of life and of time”.

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LUDOVICA DILIGU

Born in Milan, Ludovica Diligu grew up in touch with the neighbouring worlds of art and invention. Classical studies, an inborn love for conceptual art and a marked sensitivity for colours have taken her to create garments experimenting with new materials and fabrics and reinterpreting the concept of apparel starting from the architectural analysis of shape. After a creative experience in theatre and fashion production, Ludovica embraced the philosophy of adding by removing, resulting in Labo.Art. style. She started her career in Milan, a city that gave her the opportunity to get to know the fashion industry and the excellence of the Italian textile manufacturing industry. In 2009, she moved with her family to Berlin, a city whose cultural brilliancy constantly stimulates new ideas, giving her the chance to start an international journey with the brand she has created.

LABO.ART Research and experimenting for contemporary elegance: these are the guidelines of Labo.Art, the fashion brand with creative offices in Berlin and a totally Italian production facility. This brand’s research is focused on lifestyles, by designing garments with architectural cuts that perfectly match the female body. Some of Labo.Art’s key elements are experimenting with new materials, special treatments of more traditional fabrics (jersey and cotton) and defining an always up-to-date colour palette. Lastly, Labo.Art collections do not forget references to the historic culture of the 20th century, drawing inspiration from the fashion and the cinema industries.

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Cortile d'Onore DESIGN ISLAND design island L.U.C.E. PUBBLICA Luoghi Urbani Creano Esperienze (9 x 7 x h 1 m.) project MARCO WILLIAMS FAGIOLI promoted by REGIONE UMBRIA

The Regione Umbria presents L.U.C.E. Pubblica – Luoghi Urbani Creano Esperienze, a territorial revitalization project created and implemented by Marco Williams Fagioli. Five luminous volumes in semi-transparent fiberglass portray anatomical details, muscles and tendons: the inspiration for Marco Williams Fagioli comes from the plaster casts – made and donated by Vincenzo Danti in 1573 to the Museum of the Pietro Vannucci Fine Arts Academy of Perugia – taken from the original sculptures of the Medici Chapel by Michelangelo (“Day” and “Night”). As the designer explains: “The main idea is the continuity between copy and original (marble sculpture) and between these and other copies that take their cue from a plaster cast, where emptiness and lightness form a contrast with the fullness of material.” The works have been reinterpreted as urban furnishings, projects of public lighting. The five pieces are made in semi-transparent fiberglass starting from molds, from which it is possible to produce only a limited number of copies, each different from the next.

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MARCO WILLIAMS FAGIOLI

Marco Williams Fagioli received two ADI Golden Compasses, in 2016 with his 5mm industrial design project for Treemme and in 2011 with the Multiverso communication project. He was selected at the 21st Triennale International Exhibition 2016 of Milan with his Matris project in the Designer over 35 selection. He participated in the design of the Convivium 2.0 installation for Expo 2015 in the area dedicated to the Regione Umbria. His 8emezzo project for the Regione umbria was exhibited at the Università Statale di Milano in partnership with in the Fuorisalone 2015. Marco Williams Fagioli established Zup Design in 2001, of which he is Creative Director, and deals with strategic and integrated design. Throughout his career he has obtained many acknowledgments: his project Anima Space Kitchen, designed for Binova, has received many awards and his layout designed for Vaselli Marmi, Marmomacc 2009, won the first prize atthe Best Communicator Award 2009. He has been teaching Design Method at NID, Nuovo Istituto Design of Perugia (since 2009), Design at ABA, Accademia di Belle Arti Pietro Vannucci of Perugia (since 2014), he is professor of Design at DA, Domus Academy of Milan (since 2017) of Retail Design and at the Degree Programme in Design of the Department of Civil and Environmental Engineering of Perugia (since 2019).

REGIONE UMBRIA The promotion and communication of the Umbria brand in Italy and abroad, by highlighting the best local qualities and supporting its cultural, natural and crafts heritage: these are the activities of the Regione Umbria that, since 2010, has started a project to renew and reposition its brand, with initiatives aimed at supporting an ancient land, fostering creativity and craft skills, between tradition and innovation. The local enhancement project L.U.C.E. Pubblica – Luoghi Urbani Creano Esperienze (Urban Areas Create Experiences) is based on the concept according to which cities must become privileged places from which Europe intends to restart for its own future, reserving, in community programs, spaces and resources for the Urban Agenda as a community financing tool for their development. The resulting challenge is to define an overall vision of cities where nfrastructuresi are integrated with digital, mobility and social and architectural quality. The main promoter of this is the Regione Umbria, which is also the catalyst of a new approach to urban policies, with the specific objective to spread culture, skills and professionalism throughout the region.

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Cortile d’Onore DESIGN ISLAND design island Sacred Geometry (15 x 4 x h 5 m) project DOROTA KOZIARA, MARIUSZ MIEKOS, KARIM RASHID production KROSNO GLASS

The installation traces the history of one of the oldest and largest glass factories in Poland, Krosno Glass, founded in 1923. Created by Dorota Koziara (also the curator of the brand's historical collection) and Mariusz Miekos, hosted in the arcade of the Cortile d’Onore, it is a tribute to historical and contemporary glass, to its magic, transparency and deep colours, which make it a unique material. The exhibition space is defined bytwo rows of methacrylate with mirror finish columns that recall the form of huge upside-down goblets. Under the portico, a series of exhibitors gather a selection of historical glass objects, created by Polish designers from the 1950s to the 2000s, and the items proposed by the new brand Krosno D'Sign, presented at Human Spaces. In the company's intentions, Krosno D'Sign will include new products designed by Polish creators and international designers. Among these, Karim Rashid, author of Sakred, the first collection of the newborn brand. The American designer declared: "Sakred represents the pure geometry of the cylinder and the cone, absolute and timeless elements to contain spirits. The proposal of various compositions and colours gives a sense of power, stability and purity to a daily ritual.

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DOROTA KOZIARA, MARIUSZ MIEKOS, KARIM RASHID

Born in Poland, Dorota Koziara studied in Poznan, at the Faculty of Interior Architecture and Industrial Design of the University of Arts. Being passionate about Italian design, she now lives between Poland and Milan. After working in 1995 with Alessandro Mendini and Atelier Mendini, in 2005 she opened her own studio in Milan, designing for important brands such as Alessi and Swatch. She has cooperated with many brands including Venini, Hermes, Abet Laminati, Swarovski, Krosno Glass, Christian Dior. She also promotes corporate development strategies through design and design criticism. She has curated international exhibitions Ph. Giovanni Miori and her work has been presented in Milan, London, Paris, New York, Berlin, Tokyo and Zurich. MARIUSZ MIEKOS Marketing and communication expert since 1991 Mariusz Miekos is associated with the creative agency Fastline Adv in Warsaw for which he has designed many campaigns for leading brands worldwide, winning a great number of competitions and awards. For Krosno Glass he created the brand Krosno D'Sign, by organizing the Krosno D'sign Team and involving international designers including Karim Rashid, Monica Armani and Dorota Koziara. KARIM RASHID Born in Cairo, Canadian naturalized citizen, resident in New York: with over 4000 projects, 300 awards and customers in over 40 countries, Karim Rashid is today one of the most visionary and prolific players of contemporary design. Focusing on style as an essential component of design, his works range from luxury goods (Christofle, Alessi, Veuve Clicquot) to democratic products (Paul Mitchell, 3M, Philip Morris), timeless furniture (Bonaldo, Tonelli, Vondom), lights (Artemide, FontanaArte) and high-tech equipment (Asus and SirinLabs). Rashid's works of art are in 20 permanent collections around the world, including the Brooklyn Museum of Art, the MoMA Ph. Lupe de la Vallina in New York and the Centre Pompidou in Paris.

KROSNO GLASS Founded in 1923 in the city bearing the same name in the south-east of Krakow, Krosno Glass is a company specializing in the production of blown and subsequently printed glass objects, an emblematic brand of glass produced in Poland. Despite the vicissitudes of the post-war Iron Curtain, Krosno Glass has perpetuated its fame, enriching itself over the years with a collection of glass items signed by many Polish artists and designers. Today Krono Glass is an important company with an international reach, present in 60 markets, that maintains its philosophical principles linked to values such as culture and research. At Human Spaces this company, that intends to be successful outside its borders, presents the new brand Krosno D'Sign, aimed at high-profile foreign markets, with the Sakred collection by Karim Rashid.

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Cortile d’Onore DESIGN ISLAND design island Giraffe in love (Giraffe-chandelier h 4 m.) project MARCANTONIO production QEEBOO

The Cortile d’Onore hosts the installation Giraffe in Love, a project based on collaboration between the designer Marcantonio and the brand Qeeboo. Two dreamy sculptural giraffes support a classic chandelier in the Maria Theresa style: Giraffe in Love is a tribute to the world’s tallest mammal, one of the species most at risk due to poachers. A beautiful animal with amazing spots, installed in Human Spaces "because it represents irony and lightness," says Marcantonio, “it is in love but does not yet know it, and having its heart far away from its head it experiences love in a carefree way.” The version in the exhibition is 4 meters high – the natural size of a young giraffe – and is made of fiberglass. It supports a chandelier at a height of 2.2 meters.

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MARCANTONIO

The research of the designer Marcantonio (Raimondi Malerba), after his studies at the Fine Arts Academy of Ravenna and an apprenticeship as a set designer, rapidly shifted towards art design, with the creation of one-offs and limited editions. In Cesena, in his workshop, works take form like the irreverent Monkey Lamp produced by Seletti, an icon and bestseller of the Italian design brand. He collaborates with Galleria Rossana Orlandi in Milan, showing some of his most visionary projects in limited editions.

QEEBOO A brand of accessories and furnishings of the new generation, created in 2016 by Stefano Giovannoni with the aim of “getting back to the roots of design,” through everyday useful objects that are democratic, clearly not bourgeois, available to everyone. The project comes from the desire to make space for creativity, using and reinterpreting iconic forms with imagination, giving them surprising, original, emotional aspects. The result is a collection of remarkable objects designed under the watchful eye of Stefano Giovannoni, in collaboration with some of the most eclectic designers on the international scene, creating a mixture of different styles and characters in a playful narrative approach. A magical mixture of technologies and industrial methods to produce poetic, often hybrid, ironic objects, easy to use, like seat-table-lamps, vase-ice buckets, leaving their interpretation up to the user.

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Cortile d’Onore DESIGN ISLAND design island Leonardo in the Greenhouse (3,1 x 4,58 x h 2,74 m.) project MARCO MERENDI production ROBERTO GIOVANNINI, ARCADIA SERRE floor Gerflor lights Davide Groppi tablet Samsung Electronics Italia

The installation is a container with pure, essential lines, for the faithful reproduction of the book stand touched by the hand of the Virgin in the Annunciation by Leonardo da Vinci (1472/1475), a painting on view at the Galleria degli Uffizi in Florence.Carved in solid arolla pine by the master craftsman Roberto Giovannini, the stand was made about 30 years ago for Syracuse University in New York State. The greenhouse designed by Arcadia Serre is a transparent architectural structure, light and impalpable, that protects without covering. It wraps the stand like a cloak of light that captures reflections and colors. Inside,thanks to the application of dichroic films on glass panels, a game of transparency, light and shadow takes form. The passage of time across the span of the day alters the perception of the book stand at the center of the greenhouse, in a kaleidoscope of colors and shapes that shift with variation in the vantage point.

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MARCO MERENDI

After graduating in architecture in Florence with a dissertation on industrial design, he worked with the firm LITE: daglicht / kunstlicht adviezen in Amsterdam, where he designed lighting equipment and the lighting of large areas. When he returned to Italy, after an experience with Minardi Formula 1 and Team Honda Gresini, Marco Merendi settled in Milan, where he worked with Studio Cerri & Associati and the firm of Ivana Porfiri dealing with the interior design of yachts, art galleries, layouts and private homes. A multitalented designer, Merendi loves to work in various design fields: architecture, design and communication. He teaches at the Scuola Politecnica di Design (SPD) in Milan and works with many brands, among which Lavazza, Gruppo Pentole Agnelli, FontanaArte, Viabizzuno, Davide Groppi, Buzzi & Buzzi, MDF Italia, Terra Moretti - Contadi Castaldi, Danese Milano, Futuroluce, Kundalini, Rapsel, Rossana Orlandi, Fratelli Guzzini, Gypsum, Paola Lenti, Agape and Madeamano.

ROBERTO GIOVANNINI Born in the heart of Florence in 1958, Roberto Giovannini is a highly specialized family business in the processing of carved wood that over the years has created, with the expert hands of owner and master Roberto Giovannini, true works of art, cared for in every detail, that keep the authentic tradition of handmade wood in perfect Florence style, combining art, history and beauty. Roberto Giovannini is now the ‘heir’, curious and passionate, of the visual guidelines of a historical period that goes from the 17th to the early 19th century. Thanks to his reputation as a wood carver, around thirty years ago, the Syracuse University of New York asked the master Giovannini to reproduce the bookstand painted by Leonardo da Vinci in the Annunciazione, kept at the Uffizi museum, which is now present in Interni Human Spaces, on the occasion of the celebrations for the 500 years from the death of the genius from Tuscany. ARCADIA SERRE Cesare Lamberti, based on the experience acquired in the family business in the field of protected cultivations, established Arcadia Serre in 2005. The company manufactures garden greenhouses, winter gardens and verandas and is the exclusive distributor in Italy of Janssens Alusystems products.

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Cortile d’Onore DESIGN ISLAND design island Mondo Obliquo (10 x 1 x h 2 m.) project NABA - Nuova Accademia di Belle Arti with Claudio Larcher and Astrid Luglio production MIONETTO

Looking at the world of sparkling wines through the lens of a dynamic experiential space where angles are just a matter of perception. The visual experimentation of Mondo Obliquo, the installation by Claudio Larcher and Astrid Luglio with a selected group of students at NABA, Nuova Accademia di Belle Arti, addresses the natural value of a steep slope: that of the hills of Valdobbiadene, home of the vineyards for the grapes that become Prosecco Mionetto. Mondo Obliquo is composed of ten objects with indefinite forms, made by hand in blown borosilicate glass, that seem vertical on a slanting plane and oblique on a horizontal plane. Five of them are shown in structures with a slope of 27 degrees, while the other five aredisplayed on a horizontal shelf, so the objects themselves seem inclined, instead of the plane. The angled structures, each two meters long, are made in colored metal rod; the horizontal structures are in metal. The space, framed by a series of colored panels, stands out for its clean geometric lines, underscored by a palette of tones of black, orange and white.

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NABA with CLAUDIO LARCHER and ASTRID LUGLIO

NABA, Nuova Accademia di Belle Arti This school of education in art and design is the largest private academy in Italy and the first to achieve, in 1980, an official acknowledgment of the Ministry for Education, University and Research (MIUR). It offers first and second level programs in the fields of design, fashion design, graphics and communication, multimedia arts, stage design and visual arts, for which it issued academic diplomas which have the same value as university degrees. Established as part of a private project in Milan in 1980 following the intention of Ausonio Zappa, Guido Ballo and Gianni Colombo, it has always aimed at challenging the rigid academic tradition, trying to introduce visions and languages which are closer to the contemporary art practices and to the system of art and creative professions.

CLAUDIO LARCHER Freelance in the field of architecture and design and in 2002 he established the firm Modoloco Design Workshop in Milan. He has taught at the Faculty of Design and Arts in Bolzano and at the Politecnico di Milano and for various Italian and international institutions. Since 2016, he has been managing the NABA three-year Design program.

ASTRID LUGLIO Born in Naples in 1988 and teacher at the NABA three-year Design program, after an experience in Melbourne in the field of product design, she came to Milan where she worked with the firm TourdeFork, focusing on culinary culture, its history, traditions and the gestures around the table. She is also co-founder of the collective experience The Ladies’ Room.

Project assistant: Manal Abu Moinassar Students at the NABA three-year Design programme:: Alberto Massara, Marco Merafina, Luca Vernieri, Chiara Torterolo, Nicole Eleonora Pizzi, Alyssa Rocco, Filippo Zonno, Miriam Re Cecconi, Giulio Grazioli, Francisco Laprea

MIONETTO Established in 1887, the outcome of the love for the land and wine-making of the progenitor, master wine producer Francesco Mionetto. Located in the Valdobbiadene hills, the cradle of Prosecco, in 131 years Mionetto has interpreted its local area and has become one of the most representative wine and Prosecco wine producers internationally. The work of winemakers in Mionetto is not exclusively dedicated to the production of high quality wine, but also to maintain an effective partnership with historical local suppliers. These relationships have been lasting for generations and this is how Mionetto has managed to guarantee the excellent quality level of the grapes purchased.

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Cortile d’Onore DESIGN ISLAND design island Il Design. Un viaggio tra Italia e Spagna contest curated by AMBASCIATA D'ITALIA A MADRID - INTERNI Magazine in collaboration with COAM, di_mad exhibition design Davide Valoppi, NOARC Studio

The installation presents the winning projects and honorable mentions of the competition organized by the Italian Embassy in Madrid, Design: A Voyage in Italy and Spain, in collaboration with Interni, COAM Colegio Oficial de Arquitectos de Madrid and di_mad, the association of designers in Madrid. Aimed at young professionals and students of design in Spain, the project approaches the theme of “Liquid Space. Time and light in the habitat of the new millennium”: how objects and spaces for living are changing, due to a concept of multiversatility that accompanies the contemporary lifestyle, above all that of the younger generations. The installation created by the architect Davide Valoppi of NOARC Studio (Rome) is composed of six elements with circular bases placed along the portico of the Cortile d'Onore, and plays with the relationship between full and empty volumes. The three larger structures, featuring the insertion of large red balloons that suggest images of lighter-than-air vehicles, with the color red shared by the flags of the two countries, are bordered by the arches of the courtyard and contain the prototypes of the three winning projects. In the three smaller structures, located against the columns, drawings and renderings are displayed of the eight projects that received special mentions assigned by the jury. All the structures are made with a light iron framework containing a wooden platform.

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IL DESIGN. UN VIAGGIO TRA ITALIA E SPAGNA

The selected projects, of which 3 were awarded and 8 received a special mention, were chosen by an international jury, chaired by the Italian Ambassador in Madrid, Stefano Sannino, and composed of Gilda Bojardi, Chief Editor of Interni, Luciano Galimberti, President of the Industrial Design Association, Marva Griffin, founder and curator of the Satellite Exhibition, Maria Güell, lighting designer, Carlos Lahoz, Vice President of the Colegio Oficial de Arquitectos de Madrid, and Mariano Martín, secretary of di_mad. The award ceremony took place on 7th March at the Italian Embassy in Madrid on the occasion of the Italian Design Day: the three winning projects were modelled in cooperation with three Italian companies: Ethimo, Ghidini 1961 and Officine Tamborrino. A special mention was made by Istituto Marangoni Milano, which will offer the finalist a scholarship for a Summer School 2019 master’s degree.

THE ITALIAN EMBASSY IN MADRID Situated in one of the most emblematic buildings of the Spanish capital, the Embassy represents Italian interests in Spain and promotes the development of cooperation and friendship relations between the two countries. The Embassy is a place of meeting and exchange in the artistic, trade, cultural and institutional fields. ITmakES stems from the desire to strengthen cooperation between Italy and Spain in some of the most vibrant areas of bilateral relations. This is a project that aims to enhance talented young people living in Spain by offering them opportunities for contact with the best Italian manufacturing and cultural entities. This is the framework in which the project "Design. A journey between Italy and Spain" was developed. COAM, Colegio Oficial de Arquitectos de Madrid Set up in 1929, it is the public corporation that represents and defends the professional interests of architects in Madrid and safeguards the cultural and environmental values of architecture for the benefit of society. di_mad, Asociación Diseñadores de Madrid It's a non-profit organization set up in 2004, which develops its activities within the Community of Madrid, but with national and international reach. The Association has the clear vocation of becoming a strategic reference tool for the promotion and diffusion of the culture of design and of its professionals.

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IL DESIGN. UN VIAGGIO TRA ITALIA E SPAGNA

WINNING PROJECTS

STUDENTS CATEGORY NESS, modular and fitted system of table mats and trivets project IED MADRID students Cristina Castillo, Patricia Lallana tutor Ivan Vidal, Patxi Cotarelo manufactured by GHIDINI1961 GHIDINI1961 The company (based in Villa Carcina, Brescia) was founded in 2016 as the new design brand of Ghidini Bosco, a company specializing in brass die-casting that combines advanced technologies with traditional craftsmanship and that, thanks to the cooperation with international architects and designers, has been creating classical and contemporary artworks for over 50 years. On this heritage Ghidini1961 has developed a diversified creative group, able to enhance the qualities of brass, a material wrongly neglected so far by contemporary design.

PROFESSIONALS CATEGORY BUFFET CAPA, chest of drawers with pull-out shelves project MANUEL GARCÍA FRAILE manufactured by ETHIMO ETHIMO Based in Vitorchiano, Viterbo, this company is specialized in quality outdoor decor. Inspired by Mediterranean atmospheres, it creates comfortable and functional collections, with a simple and contemporary design. The selection of materials and care for details guide the production choices of the company, which develops unique elements that fit into private gardens, exclusive country hotels and refined resorts.

LOOP KITCHEN, concealed monoblock kitchen project JESUS LOPEZ DE LOS MOZOS manufactured by OFFICINE TAMBORRINO OFFICINE TAMBORRINO Based in Ostuni, Brindisi, it was founded in 2012 as an evolution of Scaffsystem, specialized in the design and production of industrial warehouses, storage systems, mezzanines, structures for industrial logistics and structural solutions for architecture. Today Officine Tamborrinomanufactures metal objects inspired by the simplicity of Italian design of the 1950s, combining the latest technology in steel processing with manual attention to detail.

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SPECIAL MENTIONS PROFESSIONALS CATEGORY EN MI CASA HABÍA TRES LÁMPARAS, floor lamp Project by Guillermo Perales Casado The project was awarded the Summer School 2019 Prize by Istituto Marangoni Milano. ERAOLY, modular and fitted “domestic altar” Project by Olaya Pazos Gonzalez MOONLINE, Led lamp Project by Eric Conejo Tejada

STUDENTS CATEGORY ACCELERANDO, airport treadmill Project by Naomi Pham, Maria José Martinez, Anne Sofie Grenness BRIK N BRIK, external storm window Project by Eider Tomé Echeverria, Martinez Vara de Rey de Artaza, Sofía Fuentes Jimenez MUTABLE SPACES, installation Project by Ekaterina Bernadzikovskaia, Magdalena Mikolajuk, Tahani Barada, Valentina Loffa VENTAGLIO, recycled cardboard shutter Project by Mayte Molina Nácher XAM, ham slicer Project by Raquel Vázquez Tedín, Maria Eduarda Sampaio Olivera

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Cortile d’Onore OUTDOOR LOUNGES UNIVERSITÀ DEGLI STUDI DI MILANO outdoor lounges Alter Ego project MARCO ACERBIS production UNOPIÙ

The installation project designed by Marco Acerbis for the three outdoor lounges in the lawn of the Cortile d'Onore offers an ironic contemporary interpretation of life in the open air, where reality and fiction merge into a game of references. The Alter Ego installation is set up with various Unopiù furnishings, such as Les Arcs sofas and chairs, Amanda hammocks, Aton lamps and Baku carpets, and with metal silhouettes of life-size human beings that create a play of mirrors with the people who stay in the lounges and see themselves replicated by the silhouettes. The three outdoor lounges emphasize the relationship between people and space, intended as an architectural framework, but also as a setting for daily life, becoming a sort of stage where activities - play, relaxation, sports, entertainment - are both representation and reality, even in an institutional environment such as that of the Università Statale. In the evening, the lighting at the base of the silhouettes completes the effect of theatrical scenery.

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MARCO ACERBIS

Born in 1973, Marco Acerbis took a degree in architecture at the Milan Polytechnic. From 1997 to 2004 he lived in London where he worked with Foster & Partners. During this period he collaborated on the design of the scientific research facility on the campus of Imperial College in London, and acted as project leader for the Capital City Academy in London. Acerbis founded his studio in Bergamo in 2004. Fascinated by design on different scales, he works on both architecture and design. The Vertigo lamp designed for Fontana Arte has rapidly become a bestseller and a timeless icon, included in the permanent collection of the Vitra Design Museum. Ph. Sebastiano Rossi The Prius handle created for Colombo Design won an honorable mention in the 21st Compasso d'Oro ADI 2008. The Kloe armchair designed for Desalto won the Red Dot Design Award 2009, and the Wave fauct for IB Rubinetterie took the Red Dot Design Award 2015. His interest in the themes of contemporary living has prompted him to work in the field of ecosustainable architecture, with the construction of Polins - Polo di Innovazione Strategica (Portogruaro, VE), a building with CasaClima Class A+ certification.

UNOPIÙ Unopiù was set up in Italy in 1978, in the heart of Tuscia, an area of large villas and gardens, with an innovative idea: give value to the outdoors as well as the interior. An innovative concept, which has quickly made this company a reference point for the outdoor market throughout Europe. Unopiù's goal: to furnish every outdoor space of the house with the care and passion usually dedicated to the interior, creating functional and elegant areas to live moments of relaxation and conviviality with Italian taste and style. A reference in the production and distribution of outdoor design furniture and accessories, this company offers total look projects that can characterize any space, from the most classic to the most contemporary. Unopiù pays special attention to design - thanks to its cooperation with important international names including Marco Acerbis, Andreucci & Hoisl, Ferruccio Laviani, Meneghello & Paolelli, Paola Navone, Matteo Thun - and high quality products, made to last over time thanks to selected materials, including teak and synthetic fibre, able to withstand all weather conditions, even the most extreme. Another strong point of the brand is its distribution network: today Unopiù has 26 stores in Italy, France, Germany and Spain, as well as several partners and an intense e-commerce activity, which represents the evolution of its history.

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019

ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019

Arco della Pace and Caselli Daziari Audi City Lab INSTALLATION Asymptote Architecture - Hani Rashid and Lise Anne Couture with Audi LOUNGE Edra

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019

ARCO DELLA PACE AND CASELLI DAZIARI DI PIAZZA SEMPIONE One of the most emblematic monuments of the city of Milan is the Arco della Pace, a triumphal arch located at the beginning of Corso Sempione. It bears this name because in 1815, after the Congress of Vienna, it was dedicated to peace between European nations. It was inaugurated on 10th September 1838 with a ceremony in the presence of Emperor Ferdinand I of Austria and it is one of the most important neoclassical monuments in Milan. The first version was created in January 1806 based on the design of Architect Luigi Cagnola, as an ephemeral architecture intended to celebrate the arrival in Milan of the newlyweds Eugène de Beauharnais, Viceroy of Italy, and Augusta of Bavaria. The arch was made of canvas, plaster and wood and, since it was successful with foreign visitors, the Council of Milan decided that a new arch - this time in solid marble – would be built in a more appropriate manner. The new arch, still designed by Cagnola and conceived as the "Arch of Victory", meaning the French victory in the battle of Jena, was built in autumn 1807, in the area which used to be called Piazza d'Armi that was located behind the Sforza Castle, in an area which is now covered by Parco Sempione. The works were directed by Architect Cagnola under the supervision of the Municipality of Milan and of Napoleon himself. Two thirds of the work had already been done when, with the fall of the Kingdom of Italy, the project was dropped. It was only in 1826 that the construction of the building was resumed thanks to the interest shown by Habsburg Emperor Francis I of Austria. After the death of Luigi Cagnola, the direction of the works was entrusted to Carlo Giuseppe Londonio who completed this architecture in 1838, just in time for the inauguration ceremony to be attended by Ferdinand I, Emperor of Austria and King of Lombardy-Venetia. Finally, on 8th June 1859, four days after Magenta's victory, Napoleon III and Victor Emmanuel II made their triumphant entrance through the Arch, among the cheers of the exultant Milanese. After Milan went from the Hapsburg domination to Piedmont, the only changes that were made to the monument – which had been completed more than twenty years before - were the new dedicatory inscriptions placed on top of the arches. The Arch, of Corinthian order, is a large square: it has three arches - two smaller and one bigger - with four columns on the longer sides, surmounted by four statues. At the foot of each pedestal there is a frieze with a bas-relief: towards the city you can see Minerva, Mars, Apollo and Hercules, while towards the countryside Vigilance, History, Poetry and Lombardy. The position of the horses pulling the chariot of peace was changed by the Austrians who, in order to retaliate against the French, decided to rotate the horses by 180 degrees, so that their backs would be turned towards France. On the sides of the monument, there are two toll booths which were built at the end of the 18th century when a new organization of Milan had become necessary, both for the collection of duties and for the delimitation of the urban territory with respect to the countryside. Between 1783 and 1786 the city gates were rebuilt, with the demolition of the medieval ruins and the addition of the toll booths. The Arco della Pace area now shares the green area of Parco Sempione with the streets of Milanese nightlife, frequented by young people who meet especially at aperitif time in the many bars and clubs situated in the area, making this district of the city particularly lively at night.

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019

Casello Daziario

Casello Daziario Piazza Sempione

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Arco della Pace INSTALLATION and Caselli Daziari installation e_Domesticity (23,65 x 23 x h 7 m.) project HANI RASHID and LISE ANNE COUTURE ASYMPTOTE ARCHITECTURE production AUDI

e_Domesticity is an abstract sculptural e-station (electrical recharging station) situated in the space of Arco della Pace. The work designed by architects Hani Rashid and Lise Anne Couture (Asymptote Architecture New York) investigates various scenarios where electric and automated mobility exert their impact on how we might experience our surroundings and environments. Produced in collaboration with Audi, the project is predicated on forging an awareness of our current states of isolation, the result of our increasingly intense digital lives. The installation consists of 7 m diameter circular modular rings in order to create a new urban social space. The architecture was inspired by the mathematics and geometries of the Arco della Pace, coupled with the Audi logo four distinctive rings; an architecture where the act of recharging a car is also encouraging the recharging one's self. This e-station, constructed of massive steel rings fastened together by cylindrical parts of varying diameters, is a hybrid enclosure and urban system for unexpected encounters, play, repose. The installation is accessed from multiple points utilizing steps and ramps that encouraging the passage of visitors while also accomdating new concept electric vehicles, as the new Audi e-tron, (the first zero-emissions vehicle of Audi). In the adjacent former customs lodges, Audi will present the 7th edition of Audi City Lab, a hub of analysis on the future of mobility, starting with the issues of electric transportation.

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ARCO DELLA PACE and CASELLI DAZIARI - Audi City Lab • piazza Sempione • 8-14 April 2019

HANI RASHID and LISE ANNE COUTURE ASYMPTOTE ARCHITECTURE

Asymptote is a cutting-edge architecture practice founded in 1989 by architects Hani Rashid and Lise Anne Couture in New York City. The partnership is recognized globally for highly innovative and visionary buildings, masterplans, and interior architecture, as well as speculative research and design projects related to the future of architecture and cities. Asymptote has developed major masterplans, including Changsha Eco- Tech Resort City China, as well as a masterplan for the center of Monterrey, Mexico, a new CBD for the Prague Czech Republic, and a new cultural masterplan for the Ph. ©LuxProductions.com coastal capital of Azerbaijan, Baku. Asymptote’s built projects include the award-winning HydraPier Pavilion completed in Haarlemmermeer, Netherlands, Perry Street residential building in New York City, the Yas Marina Hotel in Abu Dhabi, and ARC, a Multimedia Museum in Daegu, South Korea. Building design proposals of note include the Sejong Arts Center in Korea, Guggenheim Museums in both Guadalajara, Mexico and Helsinki, Finland, and two mixed-use passenger cruise ship terminals for Kaohsiung and Keelung in Taiwan, and the award-winning design for the Strata Tower in Abu Dhabi. Currently, Asymptote is completing work on various buildings now under construction, including the Hermitage Modern/Contemporary Museum in Moscow, Russia, a new ING Bank HQ in Ghent, Belgium, the HydraLab Science and Technology Labs on the Danube River in Vienna, Austria, and the iconic 60-story Missoni Baia Tower on Biscayne Bay in Miami. Asymptote’s projects are in a number of significant museum collections, including the Museum of Modern Art (MoMA) in New York, the Netherlands Institute of Architecture (NAI), the Pinakothek der Moderne in Munich, the San Francisco Museum of Modern Art (SFMoma), the Centre Pompidou in Paris, the Frac Centre in Orléans, France and the Solomon R. Guggenheim Museum in New York. The practice’s work has been the subject of three monographs and is widely published internationally in professional journals. Hani Rashid and Lise Anne Couture have received numerous prestigious awards, including the AIA Award for Architecture, Middle Eastern Architecture Awards, Le Grand Prix de l’Architecture and in 2004 the Frederick Kiesler Prize in recognition of exceptional contributions merging of art and architecture.

AUDI E-TRON The first totally electric production model of the brand of the four rings, and the first in the world that can use 150 kW charging stations, replenishing most of the battery energy (80%) in less than 30 minutes. Audi e-tron is also equipped with the e-tron trip planner to outline itineraries in relation to recharge points, traffic conditions and battery level.

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Arco della Pace LOUNGE ARCO DELLA PACE AND CASELLI DAZIARI and Caselli Daziari production EDRA

Curated by Point.Architects, the lounge set up at the toll booths of the Arco della Pace is furnished with various Edra furnishings. The choice has fallen on Essential sofas, with their sober and minimalist elegance, and Pack, which stands out for its seat evoking an ice floe and its backrest which is a large bear lying on its side covered in ecological fur, both designed by Francesco Binfaré. The Gina chairs and Ella armchairs, made of polycarbonate and hand modelled by Jacopo Foggini, provide the area with unprecedented plays of light and transparency.

EDRA Combining craftsmanship and advanced technological research, Edra creates highly engineered solutions: timeless design furnishings that stand out for their precision and comfort. In the thirty years since its foundation, this company from Perignano (Pisa) has discovered talents such as the Campana brothers and Zaha Hadid. With its pieces, which have marked the history of Italian design, it has entered the collections of the most important international museums of contemporary art and represented the all-Italian excellence.

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ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019

ORTO BOTANICO DI BRERA - CircularEni

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ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019 Orto Botanico di Brera CircularEni INSTALLATION Carlo Ratti Associati with Eni LOUNGE Unopiù

EX SERRA

Via GABBA

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PRESS ROOM

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ORTO BOTANICO DELL'UNIVERSITÀ DEGLI STUDI DI MILANO Run by Università degli Studi di Milano, the Botanical Garden of Brera bears witness to the work of protection and enhancement of historical, scientific and cultural heritage conducted by the University at Palazzo Brera. Today, the Garden is utilized for educational and scientific activities, guided tours and many events open to the public. A historic garden and a splendid open-air museum, the Botanical Garden was founded in 1774 under the aegis of the Empress Maria Theresa of Austria. Located in the center of Milan inside the famous Brera complex that contains the Pinacoteca, the Biblioteca Braidense, the Fine Arts Academy, the Astronomical Observatory, it occupies an area of about 5000 m2: a splendid green oasis featuring many different kinds of trees, as well as architectural elements like the 18th century elliptical pools and the plots with their original bricks, now restored. The garden began as a Hortus Oeconomicus similar to that of the Collegium Theresianum in Vienna. Since its purpose was to promote agriculture, the arts, and the comforts of life, no exotic plants were included. The head of the Garden would teach Botany to the chemists and doctors of the Brera School. The Garden also had to supply medicinal plants for the Brera Spezieria. The project was assigned to Padre Fulgenzio Witman, who had already designed a large Botanical Garden for the University of Pavia. The garden was divided into three main areas: an area with plots for all kinds of plants following the classification of Linnaeus, an arboretum and an area for greenhouses. The design of these last was undoubtedly discussed with Piermarini, though it was implemented by Witman. In 1798, Witman compiled an inventory of the plants, listing besides “those in the ground that served for medicinal and culinary purposes, classified according to the system of Linnaeus”, also those in a greenhouse, with 950 pots containing exotic species. While in the Austrian period the aims were essentially education, when the French arrived new ornamental plants were added, making the garden a gathering place for the people in the city. When the Austrians retuned, in 1814, it was all gradually abandoned until Italy’s reunification in the Risorgimento. First assigned to the Politecnico, the Garden was later entrusted to the Regia Scuola Superiore di Agricoltura and then, in 1935, to the Istituto Superiore di Agricoltura, after which it passed to the Università degli Studi di Milano, of which it is still a part. After the conservative restoration of the two planting zones in 1999 - 2001, the garden was again opened for permanent public use. It was officiallyrecognized as a Museum in 2005, first as the Museo Astronomico-Orto Botanico di Brera, as part of the overall programme of renewal of the historical heritage of Palazzo Brera. Starting in February 2018, it bears the name Museo Orto Botanico di Brera. The regeneration of the arboretum, which covers about one third of the garden’s area, was completed in July 2018 and as a consequence the renovation of the Botanical Garden.

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Orto Botanico aerial view Astronomic Observatory

Alongside its original educational function, the Garden has now the additional role of protection of biodiversity and the raising of public awareness of endangered plant species. Many initiatives are organized for school groups and the public, and particular care has gone into making the facility accessible to the disabled.

THE RENOVATION PROGRAM Starting in 2013, the Università degli Studi di Milano, with the support of INTERNI and other partners (Rotary Club Milano, Amici di Brera), has launched a series of projects regarding various aspects of the renovation of the Brera Botanical Garden (part of the Università degli Studi di Milano):

1. Creation of paths for the sight-impaired (organized by the Botanical Garden with Rotary Club Milano), operative since 11 June 2013. 2. New entrance from Via Fratelli Gabba (organized by Amici di Brera, project by the architect Ruggero Moncada), completed in collaboration with INTERNI and opened on 16 September 2013. 3. Restoration of the education space inside the Botanical Garden (organized by INTERNI). Project by Luca Scacchetti. Completed at the end of October 2013 with the contribution of companies and institutions. 4. The creation, in 2015, of the permanent lighting system designed by Piero Castiglioni, with the production support of iGuzzini Illuminazione(organized by INTERNI). Opened on the occasion of FuoriSalone in April 2015. 5. Regeneration of the arboretum, in 2018, a project of Università degli Studi di Milano/Atelier De Molfetta Strode (curated by Università degli Studi di Milano, Orto Botanico di Brera and BeOpen/INTERNI).

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ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019

Orto Botanico di Brera INSTALLATION installation The Circular Garden (arch in mycelium h 4 m.) project CARLO RATTI ASSOCIATI production ENI

This installation experiments with the use of an unexpected building material: mushrooms, whose fibrous root, the mycelium, has been used by firm Carlo Ratti Associati to create monolithic arc-shaped structures, around 4 meters tall, with which modular 'rooms' have been created, distributed in the spaces of Brera Botanical Garden. A natural architectural project, which draws inspiration from the symbolisms of the Medieval fenced gardens (hortus conclusus) with the objective to describe Eni’s innovations in the field of circular economy and the actual scenarios to get beyond our current linear economic system, based on the accrual of waste and emissions. This project highlights the possibilities of an architecture that grows and develops organically, with the same pre- programmed intelligence of living beings. At the end of the installation, the 'rooms' will be dismantled and returned to the soil, starting a new virtuous cycle of growth. Inside the ‘rooms’ there are description to visitors, alongside with digital and multimedia contents, of Eni’s innovations in the field of circular economy. These are concrete projects, such as the production of biofuels from organic raw materials and waste, the collection and reuse of waste materials such as culinary vegetable oils, the recovery and enhancement of industrial and derelict areas. Visitors will be offered also a series of in-depth analyses on the theme of energy efficiency and on CappottoMio of Eni gas e luce, the innovative service for the energy upgrade of a condominium.

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ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019

CARLO RATTI ASSOCIATI

Carlo Ratti Associati is a design and innovation firm located in Turin with offices in New York and London. Linked to the research activities of Carlo Ratti for the Senseable City Lab at the Massachusetts Institute of Technology (MIT), the firm develops projects at different scales from furniture to urban planning. Combining design sensitivity and a targeted use of Ph. Sara Magni new technologies, Carlo Ratti aims at an architecture that can “feel and respond”. Among its recent urban and architectural projects, the masterplan for the Park of Science, Knowledge and Innovation in Milan, and the 280m tall skyscraper co- designed with Studio BIG in Singapore, the redesign of the headquarters of Fondazione Agnelli in Turin, the upgrade of the former Patrick Henry military village in IBA Heidelberg, the Pankhasari Retreat in Darjeeling, India and a concept for a floating gym powered by human energy in Paris. Among its product design projects there are experimental pieces of furniture for Cassina, light installations for Artemide and systems of responsive seats for Vitra. In all its designs, the firm investigates how new technologies, among which digital sensors and portable devices, are changing the urban environment and our everyday life. The works of Carlo Ratti Associati have been exhibited in various cultural institutions among which the Biennale of Venice, the MoMa in New York and the Biennale di Design of Istanbul, and published by The New York Times, The Wall Street Journal, Financial Times, The Guardian, BBC, Wired, Corriere della Sera, Repubblica, Il Sole 24 Ore, La Stampa. Carlo Ratti Associati is the only design firm whose works have been included twice in the list of the “Best Inventions of the year” by Time – respectively the Digital Water Pavilion (2007) and the Copenhagen Wheel (2014). In recent years, Carlo Ratti Associati has contributed to the launch of startup Makr Shakr, manufacturer of an innovative robotic bar system.

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96 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019

Orto Botanico di Brera LOUNGE ORTO BOTANICO DI BRERA project MARCO ACERBIS production UNOPIÙ

The project for the outdoor lounges designed by Marco Acerbis for the Brera Botanical Garden is divided into four areas, furnished with different Unopiù collections, including the Tweed sofa and armchair, in teak and stainless steel with fabric upholstery, designed by Meneghello Paolelli Associati, and the Welcome, Sunlace and Treble seating systems. Other Unopiù furniture and accessories furnish the information point and the events area.

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97 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

ORTO BOTANICO DI BRERA - CircularEni • via Fratelli Gabba 10, via Brera 28 • 8-19 April 2019

Above from left: modular system Sunlace with the new upholstery in cord; the armchair and the sofa from Tweed collection, designed by Meneghello Paolelli Associati. Below from left: modular system Treble; Welcome collection characterizes with a structure made of teak slats curved with steam.

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98 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019

TORRE VELASCA

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TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019

TORRE VELASCA Torre Velasca, 106-meters-high and with its characteristic capital-like shape, is considered as one of the most important works of architecture of the post-war period and among the best known in Milan. It is still a historical symbol for the city of Milan, so much so that in 2012 the Regional Directorate for Landscape and Cultural Heritage of Lombardy of the Ministry for Cultural Heritage and Activities declared this building as a monument of particularly important historical and artistic interest and therefore submitted it to all the protective provisions contained in the aforementioned Law Decree (Historical and Monumental Constraint). The design of the building is something absolutely innovative and cutting-edge in terms of construction methods and conception. More specifically, the use of reinforced concrete was the real revolutionary new technology that made it possible to develop innovative and bold building and aesthetic solutions. The building was created between 1956 and 1958 to rebuild the lot overlooking the 17th century square bearing the same name, named after the Spanish governor Juan de Velasco, following the bombing of 2nd World War. The tower stands in the middle of a large building district that includes an area - entirely owned by Società Generale Immobiliare which commissioned the project - previously covered with old houses and for which, at the time of its construction, an urban plan was being defined, partly already approved by the Municipality. The project involved the construction of a series of very high density closed blocks with courtyards which, as suggested by BBPR, were replaced by a semi- open curtain building at the centre of which there was a new square, dominated by the new skyscraper. The tower was designed and coordinated by a group of leading architects on the Milanese and European scene, who had founded the prestigious BBPR Studio a few decades before. Architects Banfi, Belgioioso, Peressutti and Rogers created an innovative, modern structure that was able to recall the traditional buildings of the historic centre of the city and of the Milanese district in which it stood. Torre Velasca is an example of the successful architectural season of the Modern Movement which characterized the cultural ferment that the city of Milan went through in the immediate post-war period, a time of great reconstructive and creative energy, still a reference for many urban approaches.

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100 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019

Torre Velasca LIGHT INSTALLATION light installation Nel blu, dipinto di blu project INGO MAURER, AXEL SCHMID production URBAN UP -UNIPOL PROJECTS CITIES, Gruppo Unipol technical realization CastagnaRavelli

Torre Velasca, the emblematic tower building of Milan, has been changed into an icon of light by Ingo Maurer and Axel Schmid, through a project that looks up to the sky, developed by Urban Up - Unipol Projects Cities of the Unipol Group, owner of the historic building. Transfigured in a luminous key, the majestic tower shines in a deep, mystical blue magic, while beams of white light project its geometry into the infinity of the sky, like a crown, a vertical decor. Blue is the colour of the light that illuminates the tower and white is the colour of the projected inscription, which reads “Nel blu dipinto di blu” . In the designers' vision, Torre Velasca (26 floors 106 meters high), one of the symbols of modern post-war Milanese architecture (signed by BBPR, 1958), is connected to another monument that symbolizes the city, the Duomo, reproducing the design of the spires with its floodlights pointing up to the sky. In order to carry out the project, 32 floodlights were mounted along the perimeter girders of the building, in order to cast light on the tower shaft and another 30 were added for the upper part and the roof. Twelve floodlights are aimed at the sky and a laser projector draws moving images.

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TORRE VELASCA • piazza Velasca 3/5 • 8-14 April 2019

INGO MAURER and AXEL SCHMID

Born in 1932, Ingo Maurer began designing lamps and lighting systems in 1966, that his company, Ingo Maurer GmbH, produces and distributes globally. Among his most famous series production designs there are Bulb (1966), the low voltage system YaYaHo (1984) and Lucellino (1992), the winged lamp. The lighting of underground stations Westfriedhof in Munich (1998) and Münchner Freiheit (2009), pendulum "Flying to Peace" for the Frankfurt Fair (2018), the LED lit lobby of Lafayette Maison in Paris (2004) and Unicef Crystal Snowflake for New York (2005) are just some of his site specific projects in a long list of spectacular works commissioned by private customers and Ph. Artcurial public buildings. Maurer has received many important design awards, among others, in February 2010, the Design Award of the German Federal Republic, and in 2011 the Golden Compass for his career by ADI. AXEL SCHMID Member of the Ingo Maurer GmbH team, Axel Schmid has signed some of the most famous lighting projects of the brand. Axel Schmid, together with Ingo Maurer, has made two light installations of Torre Velasca for Interni, on the occasion of FuoriSalone: Glow, Velasca, Glow! (2016) and Nel blu, dipinto di blu (2019).

Ph. Sonja Mueller

URBAN UP - UNIPOL PROJECTS CITIES Dedicated to the renovation of the buildings owned by the Unipol Group and aimed at upgrading some of the most important buildings in Italy, the Urban Up project started in the city of Milan with the renovation of some buildings that symbolize the history and position of the capital city of Lombardy. Urban Up is a project that combines innovation and tradition with the aim of enhancing the beauty and importance of true icons of the Italian urban landscape. Through modernization and renovation works, skyscrapers, buildings and historic buildings will once again take on a leading role in the city. GRUPPO UNIPOL It is one of the largest insurance groups in Europe, with total premiums of approximately €12.2 billion. It operates also in the banking services sector through the network of branches of Unipol Banca and manages significant diverse operations in the real estate, hotel and agricultural sectors. Unipol Gruppo S.p.A. is listed at the Italian Stock Exchange.

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RADIO MONTE CARLO, official radio of HUMAN SPACES Radio Monte Carlo is the Italian Radio of the Principality of Monaco, internationally renowned and very prestigious for its unmistakable sound and its fine music selection. Its music has always been a manifesto of style: its pay-off is Musica di Gran Classe (Classy Music), able to combine the most elegant pop music of the past and of present days with the most refined and exclusive sounds. It is intended for a predominantly adult, high-profile, cultured audience with a great interest for lifestyle including design, cinema, art, fashion, travel and sport. There are many editorial appointments dedicated to these topics, from the unmistakable voice of Kay Rush to Rosaria Renna and Max Venegoni in "Due come Noi" (Two like us) and finally "In viaggio con Di Maggio" (On the way with Di Maggio) as well as many authoritative radio speakers. In addition to music, which obviously plays a dominant role in the editorial offer, the radio has also a concrete life on the territory thanks to important partnerships, such as that with the Blue Note in Milan with live coverage of Nick the Nightfly and various jazz festivals throughout Italy. For years many live events have made Radio Monte Carlo the reference point for many artists: this year it will be the radio partner of the concerts in Italy of Phil Collins, Dido, Ennio Morricone, Jack Savoretti, Hooverphonic and Amy Macdonald. This radio station is also characterized by its great interest for art and major exhibitions (for instance, Steve Mccurry, Ferdinando Scianna, Ingres, etc.), but also for theatrical, film and sporting events (for instance, the Monte Carlo Rolex Masters Tennis Tournament and the Monaco F1 Grand Prix).

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TGCOM24.IT Tgcom24 is the multimedia information system of Gruppo Mediaset. Directed by Paolo Liguori, it operates on Internet, television, radio, smartphones and tablets. On desktops and mobile devices it can be reached at the address www.tgcom24. mediaset.it and with the app Tgcom24 for iOS and Android. It is the most often read news site in Italy on mobile devices, with an average of about 2 million individual users per day, and it ranks second for the sum of mobile and desktop users, with over 1.1. million visitors per day (data Audiweb). The All News channel (broadcast on channel 51 of digital terrestrial, on 509 for satellite and on-site streaming) reaches 2 million contacts every 24 hours. The programming focuses on hard news and in-depth coverage of the main stories of the day, on national and international levels. The breaking news bulletins of Tgcom24 are broadcast on Canale 5, Italia 1 and Rete 4, and by 6 radio networks, including Radio Mediaset (Radio Monte Carlo, Radio 105, R101, Virgin Radio and Radio Subasio). Between web, mobile, TV and radio, the Tgcom24 system reaches a potential range of over 10 million persons per day. Tgcom24 is on Facebook at www.facebook.com/tgcom24/, Twitter at @ MediasetTgcom24, and Instagram at @tgcom24. Weather info is part of the system, with video forecasts and the dedicated www.meteo.it and app. (In the picture the director Paolo Liguori).

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INTERNI THANKS The companies that have contributed to the exhibition

in Università degli Studi di Milano Artemide, AMARA - Rossa Sicily, Culti, Danese, Doma Food & Party Design, D&D Group International, Edra, Guan-Chuang Trading, Hausbrandt, I Profumi del Marmo, Izipizi, Krosno Glass, Levico Acque, Luceplan, Mionetto, Reisenthel, Sony, True Design.

in Orto Botanico di Brera True Design, Danese, Hausbrandt and Sony.

for the setting-up of INTERNI Stand at Salone del Mobile.Milano, Rho Fiera Nardi and Sony.

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ATHENA with SEGWAY as INTERNI PARTNER Segway is a brand distribuited by Athena and is leader in the two-wheeled electric mobility. It has always set the goal of producing alternative ecological means of transport for short distances. Eco-sustainability, innovation and high ease of use are the main features of all Segway products, which represent a “green” alternative in the world of short-range transport.

The Ninebot by Segway KickScooters, ES1 and ES2, are the perfect companion for short tracts thanks to an extremely reduced overall weight and a remarkable ease of transportation. The "One Push" mechanism allows you to quickly fold the scooters and store them on any public transport, taking up a minimum amount of space. ES1 and ES2 are notable for an excellent battery performance (up to 25 km of autonomy) and a driving comfort, guaranteed by the presence of shock absorbers and the integrated cruise control function.

During the week of the FuoriSalone, a team of young people known as the "Interni Angels" patrols the main design districts of the exhibition on electric Ninebot by Segway kickscooters, to distribute the FuoriSalone Guides published by Interni.

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ENG_STD_SEGWAY-GOPRO_2019.indd 1 30/03/19 11:32 INTERNI Milano Capitale del Design® 2019 - FuoriSalone, 8-14 April 2019

ATHENA with GOPRO as INTERNI PARTNER GoPro is the american brand distribuited in Italy and Malta by Athena and created in 2002 by Nick Woodman, surfer, skier and motorcycle enthusiast. The idea started with a small camera set on a wrist strap and it has turned into an international company selling over 26 million Action Cameras in more than 100 countries. From cameras to every kind of application and accessory: all GoPro products are designed to help people celebrating and sharing their most exciting moments of their lives.

Hero7 Black Incredibly stable shots. Intelligent image acquisition. Sturdy and waterproof, without the need for a case. All this is Hero7 Black: the most advanced GoPro of all time. With the HyperSmooth stabilizer system, you get perfectly stable shots without a gimbal. A new automatic intelligent mode lets you take perfect photographs. Thanks to live streaming and the GoPro App, you can share special moments in real time. Hero7 Black takes the performance of the GoPro photo cameras, as well as your photos and videos, to a completely different level.

During the week of the FuoriSalone, the Interni photographers and students in the Master in Photography program of IUAV University of Venice are equipped with the GoPro Hero7 Black, to create content in line with the theme of Human Spaces 2019.

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