The Most Illustrious Ladies of the Italian Renaissance
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The Emergence of the Duchy of Milan: Language and the Territorial State
Jane Black The emergence of the duchy of Milan: language and the territorial state Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ??????????????????????????????????????????????. ?????????????????????????? a cura di ??????????????????????????????? Firenze University Press 1 Reti Medievali Rivista, 14, 1 (2013) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2012 Firenze University Press DOI 10.6092/1593-2214/388 The emergence of the duchy of Milan: language and the territorial state di Jane Black The map that appears opposite page one of Bueno de Mesquita’s biography of Giangaleazzo Visconti is labelled Northern and Central Italy, showing the ter- ritories of Giangaleazzo Visconti in 1402; no area on the map is identified as 1 the Duchy of Milan . The titles bestowed on Giangaleazzo by Wenceslas, king of the Romans, in 1395 and 1396 had raised Milan initially, and then the other Vis- 2 conti territories in Lombardy, to the status of duchy . Giangaleazzo himself al- luded to his cities collectively as such: in the testament of 1397, produced in the first flush of his acquisition of the second diploma, he appointed his son Giovanni Maria heir to two areas – «the duchy, or rather the city and diocese of Milan», and «the duchy of the cities of Brescia, Cremona, Bergamo, Como, Lodi, Piacenza, 3 Parma, Reggio and Bobbio» . The duke would surely have been disappointed that his greatest achievement was not recognized on Bueno de Mesquita’s map. And yet the author’s terminology was more realistic than Giangaleazzo’s: it would take more than a dazzling diploma to create a new territory with a name and a rec- ognized identity. -
EUI Working Papers
DEPARTMENT OF HISTORY AND CIVILIZATION EUI Working Papers HEC 2010/02 DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Giulia Calvi and Isabelle Chabot (eds) EUROPEAN UNIVERSITY INSTITUTE , FLORENCE DEPARTMENT OF HISTORY AND CIVILIZATION Moving Elites: Women and Cultural Transfers in the European Court System Proceedings of an International Workshop (Florence, 12-13 December 2008) Edited by Giulia Calvi and Isabelle Chabot EUI W orking Paper HEC 2010/02 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1725-6720 © 2010 Giulia Calvi and Isabelle Chabot (eds) Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract The overall evaluation of the formation of political decision-making processes in the early modern period is being transformed by enriching our understanding of political language. This broader picture of court politics and diplomatic networks – which also relied on familial and kin ties – provides a way of studying the political role of women in early modern Europe. This role has to be studied taking into account the overlapping of familial and political concerns, where the intersection of women as mediators and coordinators of extended networks is a central feature of European societies. -
The Story of the Borgias (1913)
The Story of The Borgias John Fyvie L1BRARV OF UN ,VERSITV CALIFORNIA AN DIEGO THE STORY OF THE BORGIAS <Jt^- i//sn6Ut*4Ccn4<s flom fte&co-^-u, THE STORY OF THE BOEGIAS AUTHOR OF "TRAGEDY QUEENS OF THE GEORGIAN ERA" ETC NEW YORK G. P. PUTNAM'S SONS 1913 PRINTED AT THE BALLANTYNE PRESS TAVI STOCK STREET CoVENT GARDEN LONDON THE story of the Borgia family has always been of interest one strangely fascinating ; but a lurid legend grew up about their lives, which culminated in the creation of the fantastic monstrosities of Victor Hugo's play and Donizetti's opera. For three centuries their name was a byword for the vilest but in our there has been infamy ; own day an extraordinary swing of the pendulum, which is hard to account for. Quite a number of para- doxical writers have proclaimed to an astonished and mystified world that Pope Alexander VI was both a wise prince and a gentle priest whose motives and actions have been maliciously mis- noble- represented ; that Cesare Borgia was a minded and enlightened statesman, who, three centuries in advance of his time, endeavoured to form a united Italy by the only means then in Lucrezia anybody's power ; and that Borgia was a paragon of all the virtues. " " It seems to have been impossible to whitewash the Borgia without a good deal of juggling with the evidence, as well as a determined attack on the veracity and trustworthiness of the contemporary b v PREFACE historians and chroniclers to whom we are indebted for our knowledge of the time. -
Leonardo Da Vinci and the Persistence of Myth Emily Hanson
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2012 Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth Emily Hanson Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Hanson, Emily, "Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth" (2012). All Theses and Dissertations (ETDs). 765. https://openscholarship.wustl.edu/etd/765 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Art History & Archaeology INVENTING THE SCULPTOR LEONARDO DA VINCI AND THE PERSISTENCE OF MYTH by Emily Jean Hanson A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2012 Saint Louis, Missouri ACKNOWLEDGEMENTS I wouldn’t be here without the help and encouragement of all the following people. Many thanks to all my friends: art historians, artists, and otherwise, near and far, who have sustained me over countless meals, phone calls, and cappuccini. My sincere gratitude extends to Dr. Wallace for his wise words of guidance, careful attention to my work, and impressive example. I would like to thank Campobello for being a wonderful mentor and friend, and for letting me persuade her to drive the nearly ten hours to Syracuse for my first conference, which convinced me that this is the best job in the world. -
The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The hoirC Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI Maureen Elizabeth Cox University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the History of Art, Architecture, and Archaeology Commons, and the History of Religion Commons Scholar Commons Citation Cox, Maureen Elizabeth, "The hoC ir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4657 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Choir Books of Santa Maria in Aracoeli and Patronage Strategies of Pope Alexander VI by Maureen Cox-Brown A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts School of Art and Art History College of The Arts University of South Florida Major Professor: Helena K. Szépe Ph.D. Elisabeth Fraser Ph.D. Mary Fournier Ph.D. Date of Approval: June 28, 2013 Keywords: Humanism, Antonio da Monza, illuminated manuscripts, numismatics, Aesculapius, Pinturicchio, Borgia Copyright © 2013, Maureen Cox-Brown DEDICATION This is lovingly dedicated to the memory of my mother and her parents. Et benedictio Dei omnipotentis, Patris et Filii et Spiritus Sancti descendat super vos et maneat semper ACKNOWLEDGMENTS I would like to thank Dr. -
Profiling Women in Sixteenth-Century Italian
BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and -
Città Ideale
Città di Vigevano VERSO EXPO 2015 CITTÀ IDEALE VERSO EXPO Si la Piazza Ducale est un splendide bijou “En date du 2 février 1494 à la évocatrice du mélange de la technologie Vigevano 2015 de la Renaissance lombarde, le château Sforzesca, je dessinai les 25 escaliers, et de l’art, le génie a travaillé comme La visite de Vigevano est toujours un des Visconti et des Sforza, qui se trouve chacun de 2/3 de la brasse et de largeur ingénieur pour le Duc, Ludovic Sforza, dit moment de grande émotion. Vigevano à côté, est la forteresse qui la protège 8” brasses (Léonard de Vinci – Manuscrit le More, pendant plus de vingt ans. Les a un cœur antique qui est resté intact et l’orne. Vigevano a une tradition H, feuille 65 v.). grands témoignages sont le château et la à partir de la Renaissance jusqu’à manufacturière liée à la mode: ici fut La présence de Léonard de Vinci sur le place ducale, qui évoquent sans aucun aujourd’hui. Ce fut le Duc de Milan, inventé le talon aiguille, on peut trouver sa territoire de Vigevano est documentée doute les dessins de la “Cité idéale”, mais Ludovic Sforza à vouloir la place ducale documentation au Musée de la chaussure; par le patrimoine culturel de manière aussi la Sforzesca avec le réseau des (Piazza Ducale): les architectes de on y fabrique encore des chaussures de pertinente, dont les origines se trouvent navires, des moulins et le Colombarone, la cour milanaise contribuèrent à sa haute qualité. A quelques kilomètres, le dans la période des Sforza. -
Id E a L T O W N Id E a L T O
CittàCittà didi VigevanoVigevano VV E E R R S S O O EEXX P P O O 22 0 0 1 1 5 5 II D D E E A A L L TT O O W W N N VigevanoVigevano Città di Vigevano V E R S O E X P O 2 0 1 5 Vigevano IDEAL TOWN With patronage of: V E R S O E X P O Vigevano 2 0 1 5 Leonardo da Vinci and the “Ideal Town” [This day 2 February 1494 at the Sforzesca I drew 25 steps of 2/3 of an arm each, 8 arms wide] Leonardo da Vinci’s time in Vigevano is documented by (Leonardo da Vinci - Manuscript H, sheet 65 v.) the town’s significant cultural heritage, origins of which “Adì 2 di febraio 1494 alla Sforzesca ritrassi scalini 25 di 2/3 di braccio l’uno largo braccia 8” can be traced back to the Sforzesca era. (Leonardo da Vinci - Manoscritto H, foglio 65 v.) A figure immediately evoking the happy combination of technology and art, Leonardo worked as an engineer for the Duke, Ludovico Sforza, known as “Il Moro”, for over twenty years. The Castle and Piazza Ducale clearly evoke the great master’s designs for the “Ideal Town”, as does the Sforzesca, with its network of canals, mills and the Colombarone, the first example of a Lombard farm. V E R S O E X P O Vigevano 2 0 1 5 Built between 1492 and 1494 at the wishes of Ludovico il Moro, Piazza Ducale was one of the first models of a Piazza Ducale Renaissance square and is one of the best examples of XV century Lombard architecture. -
'Sforziada' Frontispieces of Giovan Pietro Birago
NEW LIGHT ON THE 'SFORZIADA' FRONTISPIECES OF GIOVAN PIETRO BIRAGO M. L. EVANS D. H. TURNER'S interest in the Milanese miniaturist Giovan Pietro Birago dated from his cataloguing ofthe detached full-page miniature ofthe Adoration ofthe Magi from the renowned Sforza Hours, which entered the British Museum in 1941, published in the Gatalogue of Addittons to the Manuscripts igj6-Tg4§.'^ Many years later. Turner selected both the Sforza Hours and the Grenville Library Sforziada, with its frontispiece by Birago, for the exhibition 'Renaissance Painting in Manuscripts' held in 1983-4.^ During the run of this exhibition a previously unknown calendar leaf from the Sforza Hours was brought to the attention of British Library staff and was purchased by the Department of Manuscripts.^ Turner encouraged the publication of the calendar leaf by the present writer in a recent issue of The British Library Journal (vol. xii (1986), pp. 21-7). He was also instrumental in the preparation of this essay on the Sforziada although, sadly, he did not live to see it completed. Since his emancipation from the name of convenience ^Master ofthe Sforza Hours*, by which he was known prior to 1956, Giovan Pietro Birago has emerged as a leading figure in the last great era of Milanese manuscript illumination.''^Outstanding amongst the series of commissions which Birago executed for members of the Sforza dynasty during the last decade ofthe fifteenth century are three illuminated frontispieces^ in de luxe copies ofthe printed edition of Giovanni Simonetta's life of Francesco Sforza, known as the Sforziada (British Library, London, Bibliotheque Nationale, Paris and Biblioteka Narodowa, Warsaw) (pl. -
The Borja Family, Universal Valencians
THE BORJA FAMILY, UNIVERSAL VALENCIANS COURTYARD, PAlAU DUCN. GANDIA DURINGTHE FIFTEENTH AND SIXTEENTH CENTURIES, THE BORJAFAMILY WIELDED POLITICAL, CULTURAL AND RELIGIOUS POWER OVER RENAISSANCEROME. ACCOUNTS OF THEIR LIVES, MIXING FACT AND FICTION, HAVE GIVEN RISE TO A CONTROVERSY OF ENORMOUS PROPORTIONS. PALAU DUCAL. GANDIA mongst the families our country branch of the family settled in Xativa a united Italy. But the death of Calixtus has given to history there is no and began to prosper after taking the III caused a reaction in Rome against . question that the most univer- side of King Peter the Ceremonious in the Borias and Pere Lluís was forced to sally known is the Boria family, espe- the War against the "Unió". This was flee the city. He died shortly after- cially under the ltalianized form of their the start of an ascent which was to take wards, leaving his immense fortune to surname, Borgia. Recently, as part of off when one member of the family, the his brother Roderic. the events surrounding the 1994 "Octo- Bishop of Valencia Alfons de Boria Roderic, who by then had been made a ber" Awards, a symposium was held on ( 1 378- 14581, a man with extraordinary cardinal, managed to withstand the dif- the Borias in which a number of specia- powers of diplomacy, travelled to ltaly ficulties of the moment and with the help lists discussed the main points of the with Alfons V and ,eventually came to of his money, so they say, was elected political and family life of this Valencian occupy the Papal throne with the name Pope in 1492 with the name Alexander clan which, amongst others, produced Calixtus 111 (1455). -
“Under the Shade of the Mulberry Tree”: Reconstructing Nature in Leonardo’S Sala Delle Asse
_full_alt_author_running_head (neem stramien B2 voor dit chapter en nul 0 in hierna): 0 _full_alt_articletitle_running_head (oude _articletitle_deel, vul hierna in): “Under the shade of the mulberry tree” _full_article_language: en indien anders: engelse articletitle: 0 168 Pederson Chapter 7 “Under the Shade of the Mulberry Tree”: Reconstructing Nature in Leonardo’s Sala delle Asse Jill Pederson Painted by Leonardo da Vinci during the last decade of the fifteenth century while in the service of Duke Ludovico Maria Sforza of Milan, the Sala delle Asse, or the “Room of the Wooden Boards” as it is known,1 prominently dis- plays Visconti and Sforza coat of arms and four plaques with laudatory inscrip- tions set against an elaborate pattern of branches and verdant leaves (Fig. 7.1).2 * I would like to thank Raffaella Fabiani Giannetto and Anatole Tchikine for the opportunity to present the original version of this paper during their session at the annual meeting of the Renaissance Society of America in New York, 2014. Earlier iterations of this essay were gener- ously read by Carlo Catturini, Allie Terry Fritsch, David Young Kim, Lia Markey, and Timothy McCall. Research was made possible by fellowships from the Center for Medieval and Renaissance Studies at UCLA and the American Philosophical Society. 1 Recent bibliography on the Sala delle Asse includes: Claudio Salsi, “Riflessi düreriani e tedeschi nella Sala delle Asse del Castello di Milano,” in Dürer e il Rinascimento: tra Germania e Italia, ed. Bernard Aikema and Andrew John Martin (Milan: -
Food, Culture and Politics at the Este Court of Ferrara - a Pseudoscientific Approach to Reigning
European Scientific Journal September 2014 /SPECIAL/ edition Vol.2 ISSN: 1857 – 7881 (Print) e - ISSN 1857- 7431 BETWEEN HISTORY AND LEGEND: FOOD, CULTURE AND POLITICS AT THE ESTE COURT OF FERRARA - A PSEUDOSCIENTIFIC APPROACH TO REIGNING. Andrea Guiati, PhD Distinguished Teaching Professor Director, Muriel A. Howard Honors Program Coordinator, Italian Section SUNY Buffalo State Abstract Gastronomy, by which I mean the pleasure and the luxury ofthe dinner table, was always a passion of the ambitious Este family. They were rulers of Ferrara from the beginning of the 13th to the end of the 16th centuries. The Estensi, as they were called, fancied fine clothes, elaborate ceremonies, beautiful art works and succulent food. Today's Ferraresi have adopted many of their customs and habits. If they can afford it, that is. The Este laid a splendid table. Famous chefs, such as Cristoforo Messibugo, whose name is still revered in culinary circles, spent their time inventing dishes for the many courses that typically made up one of these gargantuan feasts. And what a sparkling life was lived in those splendid times! When I grew up in Ferrara in the 1960s and early 1970s very few people seemed to remember the city‘s glorious past, the castle moat had become one of the favorite dumping grounds to rebellious teenagers who would throw in it outdoor bar furniture, bicycles and whatever else they found lying around late at night. The breathtaking castle was in need of repairs. Via delle Volte with its arches and cobblestones had become home to prostitutes and small-time thieves, the wall surrounding the city was crumbling down.