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The Illustration Game: Quotes & Notes
Rhode Island School of Design DigitalCommons@RISD Faculty & Librarian Work RISD Faculty & Librarians 1-1-2019 The Illustration Game: Quotes & Notes Jaleen Grove Rhode Island School of Design, [email protected] Illustration Department Rhode Island School of Design, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/faculty_work Part of the Illustration Commons Recommended Citation Grove, Jaleen and Department, Illustration, "The Illustration Game: Quotes & Notes" (2019). Faculty & Librarian Work. 4. https://digitalcommons.risd.edu/faculty_work/4 This Book is brought to you for free and open access by the RISD Faculty & Librarians at DigitalCommons@RISD. It has been accepted for inclusion in Faculty & Librarian Work by an authorized administrator of DigitalCommons@RISD. For more information, please contact [email protected]. The Illustration Game: Quotes and Notes Jaleen Grove The Illustration Game, published in Communication Arts magazine, is an artwork that critically evaluates and satirizes the illustration industry 1959-2019. It conceives of the time period in the form of a board game in which players roll a die to advance along a path, accumulating points or losing them according to typical events of each decade. The path winds through a forest of quotations that were said in print at the time or shortly after by leading illustrators and critics. For the quotations to read properly and succinctly, wording was very slightly modified in some cases. The sources and the quotes without modification are given here for those who wish to see context and origin. This document only discusses the quotations that appear in the black background. -
Danbury Raid and the Forgotten General
Danbury Raid and the Forgotten General “I am dying, but with a strong hope and persuasion that my country will gain her independence.” General David Wooster’s dying words after being mortally wounded by the British at the Battle of Ridgefield on the Danbury Raid, 1777 Start/Finish: Compo Beach / Cedar Point, Westport, Connecticut Distance: 61.5 miles Terrain: In town cycling, country roads and some busier sections Difficulty: Hilly with some steep grades Connecticut supplied more food and cannons to the Continental Army during the American Revolution than any other state, which explains why it was eventually known as the “provision state.” Soldiers cannot survive for long if they must rely on the local population for food, clean water, clothing, tents, blankets and other basics, especially in an environment where more colonists were Loyalists or neutral than most contemporary Americans realize. The Rebels simply had to have an organized, well-protected supply line. Danbury, located just 25 miles from Long Island Sound and between New York and Boston, was ideally situated for a major depot. After American victories at Trenton and Princeton in 1776 and 1777, the British felt an urgent need to go on the offensive. They took advantage of their control of the waterways and moved 26 ships off of Compo Beach in Fairfield as a staging area for an attack on Danbury. Today there’s a fantastic Cannon Revolutionary War Memorial at the spot in Westport where the Redcoats came ashore on April 25, 1777 under the leadership of British New York Governor Tryon. Nearly 2000 British troops moved quickly in a forced march through the farm- covered landscape. -
Stepping out of Her Place: a New Look at Women's Roles During Selected Wars in U.S. History
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 Stepping out of her place: a new look at women's roles during selected wars in U.S. history Nicole Lynn Bowen Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Education Commons Recommended Citation Bowen, Nicole Lynn, "Stepping out of her place: a new look at women's roles during selected wars in U.S. history" (2004). LSU Master's Theses. 526. https://digitalcommons.lsu.edu/gradschool_theses/526 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. STEPPING OUT OF HER PLACE: A NEW LOOK AT WOMEN’S ROLES DURING SELECTED WARS IN U.S. HISTORY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Curriculum and Instruction by Nicole Lynn Bowen B.A., Birmingham-Southern College, 2002 May 2004 I dedicate this work to my loving husband, Christopher, and my parents James and Rose Jordan. Thank you Chris for being by my side every step of the way, being my partner and my friend, encouraging me, and never letting me lose faith. Thank you Mom and Dad for always believing in me, being a constant and steady source of support throughout my education, and making me believe that I can do anything I put my mind to. -
Cinematic Poster Design Teacher Information Sheet
SLSmyth 1 Cinematic Poster Design Teacher Information Sheet The purpose of this assessment is to: • Expand student understanding of design skills and design practice. • Enable students to demonstrate skills with appropriate media and techniques for design. • Enable students to demonstrate an understanding of methods and ideas from established practice appropriate to design. • Enable students to develop ideas in a related series of drawings appropriate to established design practice. Achievement Standard/s: This assessment serves as a method by which the following achievement standards might be measured. Both of these standards are internally assessed. Achievement Standard Number 2.1 Demonstrate an understanding of methods and ideas Title from established practice appropriate to design. Number of Credits 4 Version 1 Achievement Standard Number 2.3 Develop ideas in a related series of drawings Title appropriate to established design practice. Number of Credits 4 Version 1 Context/Setting: This activity requires students to demonstrate understanding of methods and ideas from established practice appropriate to design and to develop ideas in a related series of drawings appropriate to established design practice. Students are to do this within the context of communicating and developing a visual idea based on vintage and contemporary poster design, current or historical events and established design practice. Context also refers to the varied sites and modes in which these practices occur. In order to demonstrate their understanding, the students will draw on the work of established artists/illustrators and designers in order to put together a cohesive unit of design work that shows process, development and exploration of content and media. -
The Ludington Regiment, Sybil Ludington and the 1777 British Invasion of Connecticut
THE LUDINGTON REGIMENT, SYBIL LUDINGTON AND THE 1777 BRITISH INVASION OF CONNECTICUT One of the most enduring stories that arose out of the British invasion of Connecticut is the midnight ride by sixteen-year old Sibel1 Ludington, daughter of Colonel Henry Ludington. Her ride was initiated to recruit members of her father’s regiment located in Dutchess County, New York, to help repel the British invaders. This story, as told by recent writers, involves a sixteen year old girl living with her father and eleven brothers and sisters, a horse of varied descriptions, a dark and stormy night, a route that covered forty miles on narrow, rutted and muddy roads, a ride that lasted from 9:00pm until dawn, Sibel knocking on doors along the route, use of a stick by Sibel to spur her horse and to fend off at least one attacker and a successful ride that recruited 400 men who were in her father’s regiment.2 The Sibel Ludington story, as this book is written, is acknowledged to have been first mentioned in a Memoir of Colonel Ludington published by the Ludington family in 1907 and in an article in Connecticut Magazine that same year written by a descendant of the Henry Ludington family, Louis Patrick.3 Even though these two simultaneously publications did not appear until 130 years after the event, the Sibel Ludington story has continued to gather momentum and is now an accepted part of Revolutionary history. Not only does the current day story go beyond the original from 1907, it has acquired a plethora of new details added by each new storyteller. -
Norman Rockwell Museum Featured Illustrators, 1993–2008
Norman Rockwell Museum Featured Illustrators, 1993–2008 Contemporary Artists Jessica Abel John Burgoyne Leon Alaric Shafer Elizabeth Buttler Fahimeh Amiri Chris Calle Robert Alexander Anderson Paul Calle Roy Anderson Eric Carle Margot Apple Alice Carter Marshall Arisman Roz Chast Natalie Asencios Jean Claverie Istvan Banyai Sue Coe James Barkley Raúl Colon Mary Brigid Barrett Ken Condon Gary Baseman Laurie Cormier Leonard Baskin Christin Couture Melinda Beck Kinuko Y. Craft Harry Beckhoff R. Crumb Nnekka Bennett Howard Cruse Jan and Stan Berenstain (deceased) Robert M. Cunningham Michael Berenstain Jerry Dadds John Berkey (deceased) Ken Dallison Jean-Louis Besson Paul Davis Diane Bigda John Dawson Guy Billout Michael Deas Cathie Bleck Etienne Delessert R.O. Blechman Jacques de Loustal Harry Bliss Vincent DiFate Barry Blitt Cora Lynn Deibler Keith Birdsong Diane and Leo Dillon Thomas Blackshear Steve Ditko Higgins Bond Libby Dorsett Thiel William H. Bond Eric Drooker Juliette Borda Walter DuBois Richards Braldt Bralds Michael Dudash Robin Brickman Elaine Duillo Steve Brodner Jane Dyer Steve Buchanan Will Eisner Yvonne Buchanan Dean Ellis Mark English Richard Leech Teresa Fasolino George Lemoine Monique Felix Gary Lippincott Ian Falconer Dennis Lyall Brian Fies Fred Lynch Theodore Fijal David Macaulay Floc’h Matt Madden Bart Forbes Gloria Malcolm Arnold Bernie Fuchs Mariscal Nicholas Gaetano Bob Marstall John Gilmore Marvin Mattelson Julio Granda Lorenzo Mattotti Robert Guisti Sally Mavor Carter Goodrich Bruce McCall Mary GrandPré Robert T. McCall Jim Griffiths Wilson McClean Milt Gross Richard McGuire James Gurney Robert McGinnis Charles Harper James McMullan Marc Hempel Kim Mellema Niko Henrichon David Meltzer Mark Hess Ever Meulen Al Hirschfeld (deceased) Ron Miller John Howe Dean Mitchell Roberto Innocenti Daniel Moore Susan Jeffers Françoise Mouly Frances Jetter Gregory Manchess Stephen T. -
The Midnight Ride of Sybil Ludington
The Midnight Ride of SybilSybil LudingtonLudington Marlene Pérez Illustrated by James Watling and Joe Lemonnier Photo Credits: 23 ©North Wind Picture Archives Copyright © by Houghton Mifflin Harcourt Publishing Company All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner unless such copying is expressly permitted by federal copyright law. Requests for permission to make copies of any part of the work should be submitted through our Permissions website at https://customercare.hmhco.com/contactus/Permissions.html or mailed to Houghton Mifflin Harcourt Publishing Company, Attn: Intellectual Property Licensing, 9400 Southpark Center Loop, Orlando, Florida 32819-8647. Printed in the U.S.A. ISBN 978-1-328-54109-3 1 2 3 4 5 6 7 8 9 10 XXXX 27 26 25 24 23 22 21 20 19 18 4500000000 A B C D E F G If you have received these materials as examination copies free of charge, Houghton Mifflin Harcourt Publishing Company retains title to the materials and they may not be resold. Resale of examination copies is strictly prohibited. Possession of this publication in print format does not entitle users to convert this publication, or any portion of it, into electronic format. The Midnight Ride of SySybibill LuLudidingngtotonn Marlene Pérez Illustrated by James Watling and Joe Lemonnier Contents All About Sybil ............... 2 Sybil’s Father................. 6 Fire in Danbury! ............. 10 Sybil’s Ride ................ -
Acadian Culture and Contemporary Commercialism: George Rodrigueâ
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Acadian Culture and Contemporary Commercialism: George Rodrigue's Artistic and Marketing Practices Kevin M. Sandridge Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE ACADIAN CULTURE AND CONTEMPORARY COMMERCIALISM: GEORGE RODRIGUE’S ARTISTIC AND MARKETING PRACTICES By Kevin M. Sandridge A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Fall Semester, 2003 Copyright © 2003 Kevin M. Sandridge All Rights Reserved The members of the Committee approve the thesis of Kevin M. Sandridge defended on November 3, 2003. Robert Neuman Professor Directing Thesis Jack Freiberg Committee Member Adam D. Jolles Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Figures.................................................................................................................... iv Abstract............................................................................................................................... v INTRODUCTION .............................................................................................................. 1 The Origins of Blue Dog........................................................................................ -
Battle of Ridgefield - Wikipedia
Battle of Ridgefield - Wikipedia https://en.wikipedia.org/wiki/Battle_of_Ridgefield Coordinates: 41°18′19″N 73°30′5″W The Battle of Ridgefield was a battle and a series of Battle of Ridgefield skirmishes between American and British forces during the American Revolutionary War. The main battle was fought in Part of the American Revolutionary War the village of Ridgefield, Connecticut, on April 27, 1777. More skirmishing occurred the next day between Ridgefield and the coastline near Westport, Connecticut. On April 25, 1777, a British force landed between Fairfield and Norwalk (now Westport) under the command of New York's Royal Governor Major General William Tryon. They marched to Danbury, where they destroyed Continental Army supplies after chasing off a small garrison of troops. Word spread concerning the British troop movements, and Connecticut militia leaders sprang into action. Major General David Wooster, Brigadier General Gold Selleck Silliman, and Brigadier General Benedict Arnold raised a combined force of roughly 700 Continental Army regular and irregular local militia forces to oppose the raiders, but they could not reach Danbury in time to prevent the destruction of the supplies. Instead, they set out to harass the British on their return to the coast. The company led by General Wooster twice attacked Tryon's Monument to David Wooster in Danbury, rear guard during their march south on April 27. Wooster was Connecticut mortally wounded in the second encounter, and he died five days later. The main encounter then took place at Ridgefield, Date April 27, 1777 where several hundred militia under Arnold's command Location Ridgefield, Connecticut and confronted the British; they were driven away in a running present-day Westport battle down the town's main street, but not before inflicting casualties on the British. -
30 Typographic Communications Today
Qq Rr Ss Tt UuVvWw XxYy Zz 1234567890&/E03W £%!?( PUBLISHED BY INTERNATIONAL TYPEFACE CORPORATION, VOLUME SIXTEEN, NUMBER ONE, WINTER 1989 T1ONS TODAY ol0 Pe eo 04 Major New Bode, eLUewed & Summarized im tfii& 116,6,ue. raw 30. ITC EXHIBITION SCHEDULE At the ITC Exhibition Center A retrospective of the work of British calligrapher Donald Jackson, scribe to Her Majesty's Crown Office at the House of Lords, London. The Letter E A troublesome character with a questionable past - it turns out to be our most useful vowel. The Annual Report... a Perennial Headache The average reader spends a total of nine minutes with it, so why all the angst? Al Hirschfeld: Last of the Broadway Caricaturists His caricatures of Broadway stars document 60 years of New York theatre history. Families to Remember Continuing through March 16th Kaye and Fine, and ITC Caslon® - two en- 12 during, universally appreciated families. Typographic Milestones: Jan Tschichold 16 PAINTING WITH WORDS How a radical thinker almost single- handedly changed the course of typographic design in the 20th century. "Trustees of the Future" Prize Winners First, second and third prize-winners 20 in the fourth annual Herb Lubalin International Student Design Competition. What's New from ITC? ritish calligrapher, Donald Jackson, M.V.O., is (Good things come in threes). 24 scribe to Her Majesty's Crown Office at the House of Lords, London. One, ITC American Typewriter ® Italic, This retrospective exhibit of his work is comprised of more at long last, is now here to round out that family. Two, ITC Isadora;" a script than 50 pieces that were created using methods and techniques that especially designed for digital bitmap have not been altered since the 14th century. -
November 2016
LearnAboutMoviePosters.com November 2016 THIS SATURDAY Rare Casablanca, Freaks and Boris Karloff Selections Open Heritage Auctions Vintage Movie Poster Sale Nearly 1,000 lots of high-end posters including unique Facebook office motivational posters offered Nov. 19-20 DALLAS — Two movie posters for the Oscar-winning Casablanca, a Half-Sheet Style B (est. $40,000) and an overwhelming Italian 2 Fogli measuring 3-feet by 4-feet (est. $50,000), headline a collection of nearly 1,000 lots in Heritage Auctions' autumn Vintage Poster Auction. The November 19-20 event offers extraordinary pre-war paper rarely seen at auction. Many of the lots are making their first appearances with the world's largest auctioneer of vintage movie posters. "The number of striking posters is in the hundreds and few top the eye appeal of the Casablanca Italian 2 Fogli," said Grey Smith, Director of Vintage Posters at Heritage. "This is only the second time we've offered this poster, and I've been hunting for another for decades. This will make for a shining gem among any collection." Featuring an image so striking that the presence of the Casablanca title is nearly superfluous, artist Luigi Martinati provides one of the most stunning illustrations ever printed for this Michael Curtiz masterpiece. The exceptional illustration palpably exudes all of the drama, tension (no comma) and romance from one of cinema's greatest love stories. Early paper for the 1932 box office bomb and exploitation film Freaks is highly sought after today and a Pre-War Belgian Poster for the original release ranks among the most impossible to find (est. -
Special Double Issue ™
VOLUME 10 NUMBER 1-2 PUBLISHED by J. RUSSELL JINISHIAN © SUMMER / FALL 2008 / $12.00 Special Double Issue ™ An Insider’s Guide to Marine Art for Collectors and Historians What’s Inside: • Latest News from Today’s Premier Marine Artists, Learn What they’re Working on in their Studios right now • Latest Marine Art Sales & Prices • Marine Art Exhibitions Across the Country • Upcoming Auctions • Book Reviews Two classic views of America’s Busiest 19th Century Harbor by the Dean of New York Steamship Painters… William G. Muller Bound for Fall River, Steamer PROVIDENCE Passing under the Brooklyn Bridge, 1885 Oil 26” x 38” $35,000 William G. Muller East River Nocturne, New Haven Line Steamer RICHARD PECK Approaches the Brooklyn Bridge, 1895 Oil 28” x 46” $40,000 Information on purchasing the Artwork pictured in the MARINE ART QUARTERLY may be obtained by contacting the Publisher, J. Russell Jinishian at (203) 259-8753 or [email protected] News From the Artists s always, there has been a great deal of activity Carolina (spartanburgartmuseum.org). Next summer ing their western lifestyle and surrounding natural in the marine art world over the last six months you can find it at the New Bedford Art Museum in beauty, offered great support and encouragement to Aincluding exhibitions, workshops and projects New Bedford, Massachusetts (newbedfordartmuseum. artists. Over the last 20 years, large, private collec- by dedicated marine artists all over the globe. So let’s org). See our Exhibition Pages for actual dates. tions have been amassed, and