Download Pdf File
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Best-Selling Band of the Decade Back with 'Over the Top' Tour
PAGE b10 THE STATE JOURNAL Ap RiL 20, 2012 Friday ALMANAC 50 YEARS AGO Nickelback is ready to rock Three Frankfort High School records were lowered in a dual track meet with M.M.I., but it wasn’t enough for the victory. The Panthers Best-selling band of the decade back with ‘over the top’ tour were edged out by the Cadets 59.5 to 56.5 at the Kentucky State College Alumni field. ing hard-rock journey nearly By Brian MccolluM Tommy Harp, Artist Mont- two decades ago in a rural d eTroiT Free Press fort and Robert Davis set farm and mining region of DETROIT – Before Nickel- new standards for Frankfort Alberta. It helps that Nickel- back became the best-selling High in hurdles, shot put and back is something of a fam- band of the past 10 years, re- broad jump, respectively. members Mike Kroeger, they ily affair, with a core that in- were four guys in a cold van cludes Kroeger’s half-brother Chad Kroeger on vocals and 25 YEARS AGO slogging across Canada with Former Frankfort In- longtime buddy Ryan Peake a small set of songs and big dependent School Dis- on guitar. Drummer Dan- dreams of a break. trict superintendents F.D. iel Adair (ex-3 Doors Down) Since then, there have Wilkinson, Lee Tom Mills, joined in 2005. been plenty of surreal, down- Jim Pack and Ollie Leathers “We try hard not to be dif- the-rabbit-hole moments, as joined current superinten- the bassist calls them: Like ferent,” says Mike Kroeger. -
Depliant English.Pdf
EDITORIAL Can there be too much coverage of a conflict? The question may seem disrespectful, but it still needs to be asked, and answered. Page The program at Visa pour l’Image this year 4 features three exhibitions on the battle EXHIBITIONS for Mosul: Laurent Van der Stockt for Le Admission free of charge, Monde, Alvaro Canovas for Paris Match, and Lorenzo Meloni for Magnum Photos, every day from 10 am with Meloni having a more general approach to 8 pm, Saturday, presenting the collapse of the caliphate. The September 2 brutality of the attacks and the geopolitical , issues involved are so critical that the battle to Sunday certainly deserves attention, and extended September 17 attention. So there are three exhibitions: of a total of 25, three are on the battle for Mosul. As André Gide said: “Everything has already Page been said, but as no one was listening, it has 30 to be said all over again.” At Visa pour l’Image, our ambition is to show EVENING SHOWS and see the whole world, and so we have Monday, September wondered why, of the thirty or so armed 4 to Saturday, conflicts around the world, only a small September 9, 9.45 pm number are covered by a large proportion at Campo Santo of photojournalists. Of the many stories submitted and reviewed by our teams, a few dozen, either directly or indirectly, have VISA D’OR been on Mosul. And for the first time ever in AWARDS the history of the festival, the four nominees & All the awards for the Paris Match Visa d’or News award are on the same subject: Mosul. -
What Can Be Done to Protect Schools and Universities from Military Use?
QUESTIONS AND ANSWERS ON THE DRAFT LUCENS GUIDELINES Global Coalition to Protect Education from Attack GCPEA 1 GCPEA Global Coalition to Protect Education from Attack What is military use of schools and universities? During armed conflicts, schools and universities are often used by armed forces and non-state armed groups as bases, barracks and temporary shelters, defensive and offensive positions or observation posts, weapons stores, and detention and interro - gation centres. Classrooms, school grounds, and lecture halls are also used for military training and to forcibly recruit children into armed groups. Sometimes schools and universities are taken over entirely, and students are pushed out completely. At other times education facilities are partially used for military purposes, with troops building a firing position on a school’s roof, or using a few classrooms, or occupying a playground while students continue to attend. Schools can be used for military purposes for a few days, months, or even years, and may be used during school hours, or when schools are not in session, over holidays, or in the evening. In all instances, military use of schools and universities puts students, teachers, and academics at risk. Where is military use of schools and universities happening? According to the Global Coalition to Protect Education from Attack (GCPEA), between 2005 and 2014, national armed forces and non-state armed groups, multi-national forces, and even peacekeepers have used schools and universities in at least 25 countries during armed confict, including: Afghanistan, Central African Republic, Chad, Colombia, Côte d’Ivoire, Democratic Republic of Congo, Georgia, India, Iraq, Israel/Palestine, Libya, Mali, Myanmar, Nepal, Pakistan, Philippines, Somalia, South Sudan, Sri Lanka, Sudan, Syria, Thailand, Uganda, Ukraine, and Yemen. -
Download The
Nothing to declare: Why U.S. border agency’s vast stop and search powers undermine press freedom A special report by the Committee to Protect Journalists Nothing to declare: Why U.S. border agency’s vast stop and search powers undermine press freedom A special report by the Committee to Protect Journalists Founded in 1981, the Committee to Protect Journalists responds to attacks on the press worldwide. CPJ documents hundreds of cases every year and takes action on behalf of journalists and news organizations without regard to political ideology. To maintain its independence, CPJ accepts no government funding. CPJ is funded entirely by private contributions from individuals, foundations, and corporations. CHAIR HONORARY CHAIRMAN EXECUTIVE DIRECTOR Kathleen Carroll Terry Anderson Joel Simon DIRECTORS Mhamed Krichen Ahmed Rashid al-jazeera Stephen J. Adler David Remnick reuters Isaac Lee the new yorker Franz Allina Lara Logan Alan Rusbridger Amanda Bennett cbs news lady margaret hall, oxford Krishna Bharat Rebecca MacKinnon David Schlesinger Susan Chira Kati Marton Karen Amanda Toulon bloomberg news the new york times Michael Massing Darren Walker Anne Garrels Geraldine Fabrikant Metz ford foundation the new york times Cheryl Gould Jacob Weisberg Victor Navasky the slate group Jonathan Klein the nation getty images Jon Williams Clarence Page rté Jane Kramer chicago tribune the new yorker SENIOR ADVISORS Steven L. Isenberg Sandra Mims Rowe Andrew Alexander David Marash Paul E. Steiger propublica Christiane Amanpour Charles L. Overby cnn international freedom forum Brian Williams msnbc Tom Brokaw Norman Pearlstine nbc news Matthew Winkler Sheila Coronel Dan Rather bloomberg news columbia university axs tv school of journalism Gene Roberts James C. -
For Immediate Release. FRIDAY, SEPTEMBER 30, 2011, 6-9 Pm
For Immediate Release. Please add this information to your listings. Thank you! O’BORN CONTEMPORARY presents: REVOLUTION, a solo exhibition, featuring photographs from the Egyptian revolution by ED OU OCTOBER 1 – NOVEMBER 5, 2011 www.oborncontemporary.com DATES: FRIDAY, SEPTEMBER 30, 2011, 6-9 pm Exhibition Opening and Reception Show Continues to NOVEMBER 5, 2011 Artist will be in attendance. Saturday, October 1, 12-5 pm Informal artist tours & talks. LOCATION: 131 Ossington Avenue, Toronto. GALLERY HOURS: Tuesday – Saturday, 11 – 6 and by appointment. TELEPHONE: 416.413.9555 EXHIBITION STATEMENT: In January of 2011, Egyptians from all corners of the country erupted in mass protests, challenging the heavy-handed rule of President Hosni Mubarak. The entire world watched, as Egyptians fought to have their grievances heard using sticks, stones, shouts, cell phones, and computers. Over the course of eighteen days, protesters occupied Tahrir square, the symbolic heart of the revolution where Egyptians of all ages and parts of society could speak with one unified voice, demanding the ouster of the president. They debated politics, shared their testimonies, supported each other, and mapped out their hopes and dreams for their country. On February 11, President Mubarak resigned, ending thirty years of autocratic rule. As the euphoria and excitement dies down, Egyptians are beginning to question what they have actually achieved. They are asking themselves what they want to make of their new Egypt and how to reconcile with decades of mistrust of authority, corruption, and an economy in shambles. The difficult part arguably, is still to come. ABOUT THE ARTIST: Ed Ou (24) is a culturally ambiguous Canadian photojournalist who has been bouncing around the Middle East, former Soviet Union, Africa, and the Americas. -
TRANSMISSION Pour L'image
Transmission pour l’image 2013 3 DAYS MONDAY, TUESDAY Transmission pour l’Image is a forum for meeting and discussing, and most & importantly it is for “transmission” from one generation of photojournalists - those behind the adventure of Visa pour l’Image with us - to the next generation. WEDNESDAY Transmission is not a course on how to “take photos” – quite the opposite. It SEPTEMBER is the photographers and picture editors who will take the time to talk about 2, 3 & 4, 2013 their work and the choices they have made, who will explain how they have produced, chosen, published and sold their pictures. Transmission is here so that young photojournalists can take on and carry on the values that are the basic principles which Visa pour l’Image has always Direct contact believed in. The first ten applicants will have the privilege of being part of this full- time experience over three days, listening, speaking and learning with the Talking to people professional participants. Hearing their JÉRÔME DELAY STANLEY GREENE chief photographer/Africa for photographer, NOOR photo experiences Associated Press agency Jérôme Delay is based in Johannesburg, and Stanley Greene has worked as a has been covering international news for photojournalist throughout the world, thirty years. reporting on war and poverty in Africa, the former Soviet Union, Central America, Asia and the Middle East, but is best known for JON LEE ANDERSON his work on the war in Chechnya. Stanley is a staff journalist with The New Yorker founding member of NOOR photo agency. Jon Lee Anderson has covered war zones including Afghanistan, Iraq, Uganda, Israel, FOR INFORMATION El Salvador, Northern Ireland, Lebanon, and JON JONES & REGISTRATION Iran. -
Wanting, Not Waiting
WINNERSdateline OF THE OVERSEAS PRESS CLUB AWARDS 2011 Wanting, Not Waiting 2012 Another Year of Uprisings SPECIAL EDITION dateline 2012 1 letter from the president ne year ago, at our last OPC Awards gala, paying tribute to two of our most courageous fallen heroes, I hardly imagined that I would be standing in the same position again with the identical burden. While last year, we faced the sad task of recognizing the lives and careers of two Oincomparable photographers, Tim Hetherington and Chris Hondros, this year our attention turns to two writers — The New York Times’ Anthony Shadid and Marie Colvin of The Sunday Times of London. While our focus then was on the horrors of Gadhafi’s Libya, it is now the Syria of Bashar al- Assad. All four of these giants of our profession gave their lives in the service of an ideal and a mission that we consider so vital to our way of life — a full, complete and objective understanding of a world that is so all too often contemptuous or ignorant of these values. Theirs are the same talents and accomplishments to which we pay tribute in each of our awards tonight — and that the Overseas Press Club represents every day throughout the year. For our mission, like theirs, does not stop as we file from this room. The OPC has moved resolutely into the digital age but our winners and their skills remain grounded in the most fundamental tenets expressed through words and pictures — unwavering objectivity, unceasing curiosity, vivid story- telling, thought-provoking commentary. -
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya
UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya Musa Abdul Kareem (Libyan) Journalist at Sabbha-based newspaper Fasanea Killed on 31 July 2018 UNESCO Statement Jeroen Oerlemans (Dutch) Veteran war photographer Killed in Libya on 2 October 2016 [UNESCO Statement] Abdelqadir Fassouk (Libyan) Photojournalist and correspondent for satellite news channel Arraed TV Killed in Libya on 21 July 2016 [UNESCO Statement] Khaled al-Zintani (Libyan) Freelance journalist Killed in Libya on 23 June 2016 [UNESCO Statement] Mohamed Jalal (Egyptian) Photographer Killed in Libya on 27 April 2015 [UNESCO Statement] Yousef Kader Boh (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 1 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya [UNESCO Statement] Abdallah Al Karkaai (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Younes Al Mabruk Al Nawfali (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] khaled Al Sobhi (Libyan) Journalist for Barqa TV Killed in Libya on 27 April 2015 [UNESCO Statement] Muftah al-Qatrani (Libyan) Journalist for Libya Al-Wataniya TV Killed in Libya on 22 April 2015 [UNESCO Statement] Moatasem Billah Werfali (Libyan) Freelance journalist and presenter for Libya Alwatan radio Killed in Libya on 8 October 2014 [UNESCO Statement] Tayeb Issa Hamouda 2 UNESCO Condemns Killing of Journalists Assassinated Journalists in Libya (Libyan) One of the founders of the Touareg cultural television channel Tomast Killed -
Telling Stories to a Different Beat: Photojournalism As a “Way of Life”
Bond University DOCTORAL THESIS Telling stories to a different beat: Photojournalism as a “Way of Life” Busst, Naomi Award date: 2012 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Telling stories to a different beat: Photojournalism as a “Way of Life” Naomi Verity Busst, BPhoto, MJ A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Media and Communication Faculty of Humanities and Social Sciences Bond University February 2012 Abstract This thesis presents a grounded theory of how photojournalism is a way of life. Some photojournalists dedicate themselves to telling other people's stories, documenting history and finding alternative ways to disseminate their work to audiences. Many self-fund their projects, not just for the love of the tradition, but also because they feel a sense of responsibility to tell stories that are at times outside the mainstream media’s focus. Some do this through necessity. While most photojournalism research has focused on photographers who are employed by media organisations, little, if any, has been undertaken concerning photojournalists who are freelancers. -
Chronicling the Soldier's Life in Afghanistan Transcript
Perspective Shifts Interviewer So today is May the third— Sebastian Junger Yeah. Interviewer 2011.  We’re in the studios of West Point Center for Oral History with Sebastian Junger.  And Sebastian, I would like to ask you—you know, there’s a lot of material we can go into, but since we’re here at West Point I’d like to focus on your most recent work, and ask you to tell me when you first got interested in war. Sebastian Junger I mean, I just have the assumption that every little boy is interested in war.  I remember growing up, you know, and all the adults that I knew had fought in World War II.  And when we played war, some of the boys had to play Germans, and no one wanted to play Germans, and everyone wanted to be Americans.  And the Vietnam War was going on, and so it started deploying with that.  But you know, like I—since I was a little boy, I mean it’s just—it’s exciting to pick up a crooked stick and pretend to shoot it at somebody.  I mean it says terrible things about the human species, I suppose, but that’s what little boys do—or a lot of them. Sebastian Junger And—but then after Vietnam, the Vietnam War was so controversial, and I—you know, I came from a part of society—Massachusetts, pretty liberal background—that was very, very against the war.  And the whole enterprise and the military and everything, I was just—found really unpleasant and distasteful, and that started to change after I started covering wars myself. -
Susan Swan: Michael Crummey's Fictional Truth
Susan Swan: Michael Crummey’s fictional truth $6.50 Vol. 27, No. 1 January/February 2019 DAVID M. MALONE A Bridge Too Far Why Canada has been reluctant to engage with China ALSO IN THIS ISSUE CAROL GOAR on solutions to homelessness MURRAY BREWSTER on the photographers of war PLUS Brian Stewart, Suanne Kelman & Judy Fong Bates Publications Mail Agreement #40032362. Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K, Toronto, ON M4P 2G1 New from University of Toronto Press “Illuminating and interesting, this collection is a much- needed contribution to the study of Canadian women in medicine today.” –Allyn Walsh McMaster University “Provides remarkable insight “Robyn Lee critiques prevailing “Emilia Nielsen impressively draws into how public policy is made, discourses to provide a thought- on, and enters in dialogue with, a contested, and evolves when there provoking and timely discussion wide range of recent scholarship are multiple layers of authority in a surrounding cultural politics.” addressing illness narratives and federation like Canada.” challenging mainstream breast – Rhonda M. Shaw cancer culture.” –Robert Schertzer Victoria University of Wellington University of Toronto Scarborough –Stella Bolaki University of Kent utorontopress.com Literary Review of Canada 340 King Street East, 2nd Floor Toronto, ON M5A 1K8 email: [email protected] Charitable number: 848431490RR0001 To donate, visit reviewcanada.ca/ support Vol. 27, No. 1 • January/February 2019 EDITORS-IN-CHIEF Murray Campbell (interim) Kyle Wyatt (incoming) [email protected] 3 The Tools of Engagement 21 Being on Fire ART DIRECTOR Kyle Wyatt, Incoming Editor-in-Chief A poem Rachel Tennenhouse Nicholas Bradley ASSISTANT EDITOR 4 Invisible Canadians Elaine Anselmi How can you live decades with someone 22 In the Company of War POETRY EDITOR and know nothing about him? Portraits from behind the lens of Moira MacDougall Finding Mr. -
Press Photo Awards and Is a Recipient of the Eugene Smith Humanistic Grant
IMAGES OF A CHANGING WORLD A FILM BY HELEN DOYLE Frameworks Images of a Changing World A film by Helen Doyle Produced by Nathalie Barton and Ian Quenneville Québec, Canada, 2013, HD, colour, stereo, 90 min. Original idea, researched, written and directed by Helen Doyle Photography Nathalie Moliavko-Visotzky Sound Olivier Léger Edited by Dominique Sicotte Visual Effects Guy Lessard Music Nigel Osborne Sound Design and Editing Benoît Dame Catherine Van Der Donckt Sound Mix Philippe Attié Produced by Nathalie Barton Ian Quenneville Produced by InformAction With the financial participation of Gouvernement du Québec (Crédit d’impôt cinéma et télévision - Gestion SODEC) Canada Media Fund Telefilm Canada and the Rogers Group of Funds under the Theatrical Documentary Program Canadian Film or Video Production Tax Credit SODEC Société de développement des entreprises culturelles – Québec and with the collaboration of Radio Canada ARTV Filmoption International Frameworks Images of a Changing World A film by Helen Doyle Produced by Nathalie Barton and Ian Quenneville Very short synopsis Bombarded by thousands of images every day, are we still able to truly see them, especially those of conflict and its aftermath? Helen Doyle takes us on a quest for the meaning of images and discovers a vast palette of contrasting images which shock and compel. Short Synopsis (125 words) Frameworks is a quest for the meaning of images. Bombarded by thousands of images every day, are we still able to truly see them, especially those of conflict and its aftermath? In a constantly changing field, creators of images are developing new visions of the photographic art form and looking for new strategies to capture our attention with significant images.