At Oktoberfest, a Controversy Brews Over Racy Designer Dirndls - WSJ.Com 10/10/10 5:05 PM
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Research Work on the History of the „Dirndl" and the Traditional Costume in the Present Day
Universidade Católica Portuguesa Faculdade de Ciências Humanas Semester: 2020/21 Course: Museologia e Património / Museum studies and heritage Professor: Maria Roque A research work on the History of the „Dirndl" and the traditional costume in the present day Name: Anja Fürstenberg Students number: 139120606 Email: [email protected] Table of contents 1. The concept of traditional costume 3 2. The History of the „Dirndl“ 5 2.1. The story of the Wallach Brothers 6 2.2. The transformation to the „Dirndl of today“ 7 3. Museums that exhibit the Dirndl and traditional costumes 9 Bibliography 13 Declaration of academic honesty 15 2 1. The concept of traditional costume This research work deals with the origin of the Dirndl, the „Tracht“ from the Alpine region. Tracht means "that which is worn" or "the way it is worn“ and can be translated in English with traditional costume or folks costume. But before the dirndl can be examined more closely, the concept of traditional costume must be defined more precisely. The term traditional costume is often used to designate a very precise idea of a type of clothing. But a specific use of the term is problematic, because the clothing referred to as costume was not only worn in the Bavarian Oberland on certain occasions, but in some cases a traditional dress code was also used in everyday life. Until the middle of the 18th century, the term "Tracht" was understood to mean the totality of what a person wore outwardly, not only clothing, but also hairstyles and even the general appearance of a person. -
The Andaman, Langkawi: the Perfect Island Getaway 兰卡威,完美的度假胜地 Advertising Agency Intermediachina Advertising@Tianjinplus
14 The Andaman, Langkawi: The Perfect Island Getaway 兰卡威,完美的度假胜地 Advertising Agency InterMediaChina advertising@tianjinplus. com Publishing Date July 2015 Tianjin Plus is a Lifestyle Magazine. For Members ONLY www. tianjinplus. com ISSN 2076-3743 Nankai University IST offers your children a welcoming, inclusive international school experience, Study your MBA at Nankai University, Tianjin where skilled and committed teachers deliver an outstanding IB education Nankai University’s MBA is designed to prepare • 100% taught in English in an environment of quality learning resources and world-class facilities. business executives of the future for senior • AMBA accreditation leadership positions both in China and globally. • Only two years work experience required Through immersive teaching by specialists in the IST is ... fully accredited by the Council of International Schools (CIS) field, thought-provoking discussions with course • Scholarships available for September intake IST is ... fully authorized as an International Baccalaureate World School (IB) colleagues and challenging hands-on business IST is ... fully accredited by the Western Association of Schools and Colleges (WASC) exercises, you will further advance your problem- IST is ... a full member of the following China and Asia wide international school associations: solving capabilities, enhance your strategic business To make an enquiry or apply please email: ACAMIS, ISAC, ISCOT and EARCOS foresight, and nurture your entrepreneurial drive [email protected] to become a truly -
An East Central European Folk Aesthetic As a Postmodern Garment Design Inspiration
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2006 An East Central European folk aesthetic as a postmodern garment design inspiration Jessica Ann Havlicek Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Havlicek, Jessica Ann, "An East Central European folk aesthetic as a postmodern garment design inspiration" (2006). Retrospective Theses and Dissertations. 19420. https://lib.dr.iastate.edu/rtd/19420 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An East Central European folk aesthetic as a postmodern garment design inspiration by Jessica Ann Havlicek A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Textiles and Clothing Program of Study Committee: Jean Parsons (Major Professor) Susan Torntore Amy Bix Iowa State University Ames, Iowa 2006 11 Graduate College Iowa State University This is to certify that the master's thesis of Jessica Ann Havlicek has met the thesis requirements of Iowa State University ~:. Signatures have been redacted for privacy 111 TABLE OF CONTENTS LIST OF FIGURES iv ABSTRACT vi CHAPTER 1. INTRODUCTION Purpose and research approach for this study 1 Terminology 1) Artwear 3 2) Post-modern 4 3) East Central European 6 4) Folk 9 CHAPTER 2. -
Broadway Costumes 2012 Rental List
Broadway Costumes Costume Rentals How-To’s, Contract Terms & Conditions Rental Rates & Deposits: The basic rental period is 2 nights. We do not charge for any days that Broadway Costumes is closed. Additional days rent at the rate of 20% per day plus tax. Special weekly rates and “play” rates may apply. Just inquire as to your special needs. Deposits are required and are usually twice the amount required as the stated rental rate up to and including the current retail value. Minimum deposit is $20. Deposits are not refundable for any cancellations unless 1 (one) week or more in advance, then 50% refunded. The deposit is NOT part of the rental balance. The entire rental balance is due when the costume is picked up. Deposits may be made by credit card (Visa, MasterCard, American Express) or by cash. Deposits are refunded after costume return and any applicable fees are paid. Rental Return: You must return all rented items by the date stated on the contract. Items not returned on the specified date are subject to a late fee of 20% of the basic rental rate per day late plus tax. Alterations by Broadway Costumes: Alterations and cleaning are normally included in the rental price. However, alterations may take up to two weeks at peak seasons; faster service may require an additional service charge. Alterations by Customer: NO ALTERATIONS are allowed by the customer. Any alterations done outside of Broadway Costumes will be considered as damage and will result in assessed fees. Smoking and Eating While in Costume: Be very cautious. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
The Nineteenth Century (History of Costume and Fashion Volume 7)
A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45. -
Masterarbeit / Master's Thesis
a MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Fake, Fashion or the Reinvention of Tradition: Dirndl in Salzburg“ verfasst von / submitted by Marlene Gruber angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 656 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / CREOLE-Cultural Differences degree programme as it appears on and Transnational Processes the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Ayşe Çağlar Thanks to my supervisor Univ.-Prof. Dr. Ayse Çağlar for the guidance and insightful comments during the course of this thesis the interview partners Maria Aberer, Haimo Falkensteiner, Lorenz Forstenlechner, Hans Köhl, Marianne Meislinger and Katharina Rausch and all research participants involved in this study for their sincerity and willingness to support this paper my family for their unfailing support, patience and continuous encouragement throughout my years of study Table of contents INTRODUCTION .......................................................................................................................... 9 1 THE DIRNDL IN TIMES PAST .......................................................................................... 15 2 THE MYTH OF AUSTRIANESS ........................................................................................ 21 3 FROM TRADITION TO TASTE IN THEORY ..................................................................... -
To View Online Click Here
GCCL TRAVEL PLANNING GUIDE Grand European Cruise 2022 Learn how to personalize your experience on this vacation Grand Circle Cruise Line® The Leader in River Cruising Worldwide 1 Grand Circle Cruise Line ® 347 Congress Street, Boston, MA 02210 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. Soon, you’ll once again be discovering the places you’ve dreamed of. In the meantime, the enclosed Grand Circle Cruise Line Travel Planning Guide should help you keep those dreams vividly alive. Before you start dreaming, please let me reassure you that your health and safety is our number one priority. As such, we’re requiring that all Grand Circle Cruise Line travelers, ship crew, Program Directors, and coach drivers must be fully vaccinated against COVID-19 at least 14 days prior to departure. Our new, updated health and safety protocols are described inside. The journey you’ve expressed interest in, Grand European Cruise River Cruise Tour, will be an excellent way to resume your discoveries. It takes you into the true heart of Europe, thanks to our groups of 38-45 travelers. Plus, our European Program Director will reveal their country’s secret treasures as only an insider can. You can also rely on the seasoned team at our regional office in Bratislava, who are ready to help 24/7 in case any unexpected circumstances arise. Throughout your explorations, you’ll meet local people and gain an intimate understanding of the regional culture. Enter the home of a local family in Wertheim for a Home-Hosted Kaffeeklatsch where you will share coffee and cake, and experience what life is like for a typical German family; and chat with a member of Serbia’s Roma community to gain insight into the stigma facing this culture in Europe—and how they are paving the way for a new future for their people. -
Traditional Clothes from Austria Are Called “Trachten” and They Are Defined As Traditional Clothes from Different Regions Or Federal Countries
Austria and its “Trachten” Traditional clothes from Austria are called “Trachten” and they are defined as traditional clothes from different regions or federal countries. In general, there are two different types of clothes men can wear. On the one hand men can wear the “Steireranzug”, which consists of grey cotton trousers and a grey cotton jacket. These two pieces of clothing have little green details mostly made of wool and the buttons are staghorn buttons. On the other hand men can wear different kinds of “Lederhosen”. “Lederhosen” are trousers made of full-grain leather, which can have different colors – mostly between light brown and black. The color depends on which leather is used. There are short “Lederhosen”, which end just over the knees, some which are knee-long and long ones, which reach the ankles. Men combine “Lederhosen” either with a shirt, mostly checked and in different colors or with a shirt and a waistcoat on top of it. A Lederhosen can also be worn by women. Women normally wear “Dirndln”. A “Dirndl” is a dress and it consists of the dress itself, an apron on top of the dress and a blouse underneath the dress. “Dirndln” can be worn either in a short version or long version. For nearly every region in Austria there is a typical “Dirndl”. For example, there is the “Vulkanlanddirndl” – in English “volcano landscape Dirndl”. It is a typically East Styrian one. It got its name from the fact that in the east of Styria there were some active volcanos thousands of years ago. Another example is the typical Dirndl from our region. -
Roman Clothing and Fashion
ROMAN CLOTHING AND FASHION ALEXANDRA CROOM This edition published 2010. This electronic edition published 2012. Amberley Publishing The Hill, Stroud, Gloucestershire GL5 4EP www.amberley-books.com Copyright © Alexandra Croom 2010, 2012 The right of Alexandra Croom to be identified as the Author of this work has been asserted in accordance with the Copyrights, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without the permission in writing from the Publishers. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN 978-1-84868-977-0 (PRINT) ISBN 978-1-4456-1244-7 (e-BOOK) CONTENTS List of Illustrations Acknowledgements 1 - Introduction 2 - Cloths and Colour 3 - Men’s Clothing 4 - Women’s Clothing 5 - Children’s Clothing 6 - Beauty 7 - Provincial Clothing 8 - Conclusions Pictures Section Glossary References Weaving Terminology Bibliography LIST OF ILLUSTRATIONS TEXT FIGURES 1 - The costume of goddesses 2 - Woman spinning 3 - Tunic forms 4 - A clothes press 5 - Tunics of the first and second centuries 6 - Tunics of the third and fourth centuries 7 - Tunic decorations 8 - Portrait of Stilicho 9 - Tunics 10 - Togas of the first to fourth centuries 11 - The ‘Brothers’ sarcophagus 12 - Togas of the fifth and sixth centuries 13 -
Oktoberfest GUIDE
Oktoberfest GUIDE © ADOBE STOCK OKTOBERFEST GUIDE | HISTORY WILHELM VON KOBELL/PUBLIC DOMAIN Oktoberfest Time Line Break out the buttery 1880 minister president of Bavaria. Electricity was introduced to the pretzels and the icy Oktoberfest, which included 400 1960 brews, it’s time for booths and tents. The last year of the horse races, and the first year lederhosen and dirndl Oktoberfest. But how 1881 were picked as the official garments. did this celebration of Bratwurst makes its first appearance. all things German come 1980 DIGITAL CAT FROM MÜNCHEN, BAVARIA/CREATIVE COMMONS 1892 Terrorists plant a pipe bomb at the about? The people at Beer is served in glass mugs. main entrance of the festival. More than 200 people were injured and 13 Kegerator (who know a 1914-1918 killed. thing or two about beer) Oktoberfest canceled due to World War I. 2005 put together a history. Quiet Oktoberfest hours are intro- 1919-1920 duced to curb the hard partying and Keep reading for some milestones in Oktoberfest replaced by a smaller make a family-friendly time for visiting. the life of the Oktoberfest. autumn festival after World War I. © ADOBE STOCK 2008 OCT. 17, 1810 1939-1945 A smoking ban at Oktoberfest causes The first Oktoberfest didn’t have any- Oktoberfest after it grew large enough Oktoberfest canceled because of unrest. Several politicians are voted out thing to do with beer at all. Instead, it to include contests and carnival World War II. It was again followed by a of office. was a wedding reception for Prince booths. smaller autumn festival at the war’s Ludwig of Bavaria to Princess Therese Soon after, it turned into a 16-day end.