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Research Work on the History of the „Dirndl" and the Traditional Costume in the Present Day
Universidade Católica Portuguesa Faculdade de Ciências Humanas Semester: 2020/21 Course: Museologia e Património / Museum studies and heritage Professor: Maria Roque A research work on the History of the „Dirndl" and the traditional costume in the present day Name: Anja Fürstenberg Students number: 139120606 Email: [email protected] Table of contents 1. The concept of traditional costume 3 2. The History of the „Dirndl“ 5 2.1. The story of the Wallach Brothers 6 2.2. The transformation to the „Dirndl of today“ 7 3. Museums that exhibit the Dirndl and traditional costumes 9 Bibliography 13 Declaration of academic honesty 15 2 1. The concept of traditional costume This research work deals with the origin of the Dirndl, the „Tracht“ from the Alpine region. Tracht means "that which is worn" or "the way it is worn“ and can be translated in English with traditional costume or folks costume. But before the dirndl can be examined more closely, the concept of traditional costume must be defined more precisely. The term traditional costume is often used to designate a very precise idea of a type of clothing. But a specific use of the term is problematic, because the clothing referred to as costume was not only worn in the Bavarian Oberland on certain occasions, but in some cases a traditional dress code was also used in everyday life. Until the middle of the 18th century, the term "Tracht" was understood to mean the totality of what a person wore outwardly, not only clothing, but also hairstyles and even the general appearance of a person. -
Application and Development of Korean and Vietnamese Traditional Patterns on Necktie Design
Journal of the Korea Fashion & Costume Design Association Vol. 12 No. 1 (2010) pp.61~76 Application and Development of Korean and Vietnamese Traditional Patterns on Necktie Design Pham Ho Mai AnhㆍYoun-Soon Lee+* Ph.D. Candidate, Dept. of Clothing & Fashion, Yeungnam Univesity Prof., Dept. of Clothing & Fashion, Yeungnam Univesity+* 한국 및 베트남 전통문양을 응용한 넥타이 디자인 개발 팜 호 메이안ㆍ이연순+* 영남대학교 의류학과 대학원 박사과정ㆍ영남대학교 의류학과 교수+* (2009. 11. 17. 접수; 2009. 12. 23. 수정; 2009. 12. 28. 채택) Abstract 세계적으로 넥타이는 착용자의 이미지를 표상하게 됩니다. 따라서 특히 넥타이 디자인에 각국의 문화적 요소를 활용하는 것이 문화적 이미지의 패션 상품 디자인과 함께 매우 중요하다. 본 연구의 목적은 한국 및 베트남의 전통문양을 학습에 적용 및 전통적인 문양에 관심을 더 이해 할 수 있게 도와 연구팀은 이러한 문양을 활용하여 특별하고 양국의 문화를 내표한 고유하고 세련 된 넥타이를 개발하고자 함이다. 우리는 또한 한국 및 베트남 전통문양 사이의 상징성 의미가 특히 유사한 문양을 설계도면 방법차이를 발견했다. 따라서 한국 및 베트남 문양 사이의 조합의 경우, 본 연구뿐만 아니라 국가의 특정 문화에 기여하는 다른 나라에 한국 및 베트남문양에 대한 미학의 측 면을 소개하였다. 결과를 요약하면 다음과 같다: 첫째, 한국 및 베트남 전통문양이 미학적, 실용성 및 문화유산의 가치가 있음을 알 수 있었다. 둘 째, 한국 및 베트남 전통문양의 소재로는 식물, 동물(조류, 곤충, 상상의 동물, 길상형상 및 문자, 기 하형태 등이 있다. 셋째, 한국전통 기하문양의 태극문양과 베트남의 전통기하문양의 특별한 기원과 행운, 창조의 조화 등 의미가 있으며, 이들 각각의 문양은 국기에 사용되어 현대에 이르기 까지 양 국가를 상징하는 공통점이 있다. 넷째, 한국 및 베트남의 우호증진을 기원하고 국제경쟁력이 있는 양국의 고유한 문화가 깃든 국제경쟁력이 있는 독특한 넥타이 상품개발을 위해, 양국의 대표적 전통 기하문양인 태극문양과 별문양을 응용하여 넥타이디자인을 행하였다. -
Broadway Costumes 2012 Rental List
Broadway Costumes Costume Rentals How-To’s, Contract Terms & Conditions Rental Rates & Deposits: The basic rental period is 2 nights. We do not charge for any days that Broadway Costumes is closed. Additional days rent at the rate of 20% per day plus tax. Special weekly rates and “play” rates may apply. Just inquire as to your special needs. Deposits are required and are usually twice the amount required as the stated rental rate up to and including the current retail value. Minimum deposit is $20. Deposits are not refundable for any cancellations unless 1 (one) week or more in advance, then 50% refunded. The deposit is NOT part of the rental balance. The entire rental balance is due when the costume is picked up. Deposits may be made by credit card (Visa, MasterCard, American Express) or by cash. Deposits are refunded after costume return and any applicable fees are paid. Rental Return: You must return all rented items by the date stated on the contract. Items not returned on the specified date are subject to a late fee of 20% of the basic rental rate per day late plus tax. Alterations by Broadway Costumes: Alterations and cleaning are normally included in the rental price. However, alterations may take up to two weeks at peak seasons; faster service may require an additional service charge. Alterations by Customer: NO ALTERATIONS are allowed by the customer. Any alterations done outside of Broadway Costumes will be considered as damage and will result in assessed fees. Smoking and Eating While in Costume: Be very cautious. -
Busana Kasual Gaya Hanbok Kombinasi Motif Sakura Dan Lurik Sebagai Upaya Penyetaraan Status Sosial
BUSANA KASUAL GAYA HANBOK KOMBINASI MOTIF SAKURA DAN LURIK SEBAGAI UPAYA PENYETARAAN STATUS SOSIAL Publikasi Karya Ilmiah Jurnal Karya Seni Tri Hartati NIM 1411787022 PROGRAM STUDI S-1 KRIYA SENI JURUSAN KRIYA FAKULTAS SENI RUPA INSTITUT SENI INDONESIA YOGYAKARTA 2018 UPT Perpustakaan ISI Yogyakarta UPT Perpustakaan ISI Yogyakarta 1 BUSANA KASUAL GAYA HANBOK KOMBINASI MOTIF SAKURA DAN LURIK SEBAGAI UPAYA PENYETARAAN STATUS SOSIAL Tri Hartati 1411787022 INTISARI Pemikiran masyarakat modern saat ini masih memandang orang lain dari penampilan luarnya saja. Sebagian orang mau menerima orang lain masuk dalam kelompoknya jika sesuai dengan standar yang ditetapkan. Busana digunakan untuk membedakan diri, tetapi bukan untuk memisahkan diri. Hanbok dipilih sebagai ide gaya busana yang diciptakan yaitu busana kasual karena memiliki tingkatan yang menunjukkan status sosial pemakainya. Hal tersebut selain sebagai kritik terhadap orang yang hanya memandang sebelah mata pada orang lain, juga sebagai upaya penyetaraan status sosial di masyarakat modern ini. Penciptaan busana ini didasarkan atas pendekatan estetika yang membahas dari sudut pandang seni, dan pendekatan ergonomi yang membahas mengenai keamanan, kenyamanan, dan keluwesan dalam berbusana. Busana yang diciptakan melalui metode penciptaan ‘practiced based research’ ini diciptakan oleh Gray. Metode tersebut menonjolkan penelitian atau riset terlebih dahulu sebelum berkarya, dan proses pengerjaannya secara konvensional. Hasil yang dicapai yaitu terciptanya delapan set busana yang didominasi warna cerah dengan warna berbeda. Setiap set terdiri dari dua bagian, yaitu jaket dan busana, baik celana dan atasan maupun gaun. Perpaduan lurik dan batik tulis motif sakura menjadi pengembangan busana yang ditawarkan, selain model busana yang dapat dipakai pada dua sisi, yaitu sisi dalam dan luar. Kata Kunci: hanbok, busana kasual, lurik, sakura, penyetaraan status sosial UPT Perpustakaan ISI Yogyakarta 2 ABSTRACT Modern people in our society nowadays still judge the books from the covers only. -
The Nineteenth Century (History of Costume and Fashion Volume 7)
A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45. -
The Development and Enactment of a Multicultural Unit With
THE DEVELOPMENT AND ENACTMENT OF A MULTICULTURAL UNIT WITH FIFTH-GRADE STUDENTS: AN EXPLORATORY CASE STUDY by Kelly Lynn Mankovich Bachelor of Science, California University of Pennsylvania, 1995 Master of Science, Duquesne University, 1997 Submitted to the Graduate Faculty of the School of Education in partial fulfillment of the requirements for the degree of Doctor of Education University of Pittsburgh 2018 UNIVERSITY OF PITTSBURGH SCHOOL OF EDUCATION This dissertation was presented by Kelly Lynn Mankovich It was defended on August 3, 2018 and approved by Dr. Erika Gold Kestenberg, Visiting Assistant Professor, Center for Urban Education Dr. Byeong-Young Cho, Associate Professor, Department of Instruction and Leaning Dissertation Advisor: Dr. Linda Kucan, Associate Professor, Department of Instruction and Learning ii Copyright © by Kelly Lynn Mankovich 2018 iii THE DEVELOPMENT AND ENACTMENT OF A MULTICULTURAL UNIT WITH FIFTH-GRADE STUDENTS: AN EXPLORATORY CASE STUDY Kelly Lynn Mankovich, EdD University of Pittsburgh, 2018 This exploratory case study involved the development and enactment of a multicultural unit. As the population of the school continues to become more diverse there became a need to educate students to become more culturally aware. The main purpose of the study was to raise students’ awareness and appreciation for cultural diversity through carefully selected multicultural books. Three books were chosen for their authentic and diverse cultures and literature styles. In addition to the selected books, other components were identified including student projects, multimedia resources, and guest speakers. The secondary purpose of this study was to consider the contrast between the mandated curriculum used in previous years, and this multicultural unit designed to provide opportunities for students to develop their cultural competence. -
Bulletin « a S I a R T »
BULLETIN « A S I A R T » Association pour la connaissance de la culture asiatique en France PRIX : 1,52€ (gratuit pour les adhérents) N° 51 Été 200 8 P armi les grands échassiers, l’ibis sacré blanc (Threskiornis æthipicus) était un oiseau typique très important dans la mythologie égyptienne où il symbolisait Thot, le dieu du Savoir et de la Sagesse. Les Égyptiens momifiaient cet oiseau qui a disparu de leur pays. Dans la même famille, l’ibis rouge (Eudocinus ruber) est tout aussi remarquable. Son magnifique plumage varie du rouge écarlate au rose orangé et les colonies savent s'organiser intelligemment pour protéger leurs petits. Pour l’illustration estivale, j’ai donc choisi de représenter ce thème selon la technique académique de peinture asiatique : le « gong bi ». Amicalement vôtre, Liliane Borodine Présidente Au sommaire de ce numéro : P1 : Caractère chinois de style cursif : « ti ān é » : cygne Illustration : « Les mots sont comme les oiseaux sauvages… » P2 : Page littéraire : Amour filial P3 : Fiche technique n° 51 : les pivoines pourpres en style spontané (1/2) P4 : Un petit goût d’Asie… P5 : Costumes et ornements chinois (3/4) P6 : Carnet de voyage : Huang Shan (1/3) P7 : Exposition au Mitsukoshi P8 : La belle histoire de l’artisanat coréen (2/3) Sujets de l’automne 2008 Bulletin d’adhésion « ASIART » Ont également participé à ce bulletin Amélie Besnard, Anne Le Meur, Kitty Poirier et KHUU Han Lap pour la calligraphie Association « A S I A R T » 11 bis, avenue de Versailles - 75016 PARIS Tél. 01 45 20 48 13 --- e-mail : [email protected] (Conférences, visites atelier de peinture, documentation, fournitures et tous renseignements) La page littéraire… AMOUR FILIAL Traduction du texte chinois « Yang Hiang veut tuer le tigre » Si voraces que soient les fauves, ils ne mangent pas leurs petits. -
To View Online Click Here
GCCL TRAVEL PLANNING GUIDE Grand European Cruise 2022 Learn how to personalize your experience on this vacation Grand Circle Cruise Line® The Leader in River Cruising Worldwide 1 Grand Circle Cruise Line ® 347 Congress Street, Boston, MA 02210 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. Soon, you’ll once again be discovering the places you’ve dreamed of. In the meantime, the enclosed Grand Circle Cruise Line Travel Planning Guide should help you keep those dreams vividly alive. Before you start dreaming, please let me reassure you that your health and safety is our number one priority. As such, we’re requiring that all Grand Circle Cruise Line travelers, ship crew, Program Directors, and coach drivers must be fully vaccinated against COVID-19 at least 14 days prior to departure. Our new, updated health and safety protocols are described inside. The journey you’ve expressed interest in, Grand European Cruise River Cruise Tour, will be an excellent way to resume your discoveries. It takes you into the true heart of Europe, thanks to our groups of 38-45 travelers. Plus, our European Program Director will reveal their country’s secret treasures as only an insider can. You can also rely on the seasoned team at our regional office in Bratislava, who are ready to help 24/7 in case any unexpected circumstances arise. Throughout your explorations, you’ll meet local people and gain an intimate understanding of the regional culture. Enter the home of a local family in Wertheim for a Home-Hosted Kaffeeklatsch where you will share coffee and cake, and experience what life is like for a typical German family; and chat with a member of Serbia’s Roma community to gain insight into the stigma facing this culture in Europe—and how they are paving the way for a new future for their people. -
Oktoberfest GUIDE
Oktoberfest GUIDE © ADOBE STOCK OKTOBERFEST GUIDE | HISTORY WILHELM VON KOBELL/PUBLIC DOMAIN Oktoberfest Time Line Break out the buttery 1880 minister president of Bavaria. Electricity was introduced to the pretzels and the icy Oktoberfest, which included 400 1960 brews, it’s time for booths and tents. The last year of the horse races, and the first year lederhosen and dirndl Oktoberfest. But how 1881 were picked as the official garments. did this celebration of Bratwurst makes its first appearance. all things German come 1980 DIGITAL CAT FROM MÜNCHEN, BAVARIA/CREATIVE COMMONS 1892 Terrorists plant a pipe bomb at the about? The people at Beer is served in glass mugs. main entrance of the festival. More than 200 people were injured and 13 Kegerator (who know a 1914-1918 killed. thing or two about beer) Oktoberfest canceled due to World War I. 2005 put together a history. Quiet Oktoberfest hours are intro- 1919-1920 duced to curb the hard partying and Keep reading for some milestones in Oktoberfest replaced by a smaller make a family-friendly time for visiting. the life of the Oktoberfest. autumn festival after World War I. © ADOBE STOCK 2008 OCT. 17, 1810 1939-1945 A smoking ban at Oktoberfest causes The first Oktoberfest didn’t have any- Oktoberfest after it grew large enough Oktoberfest canceled because of unrest. Several politicians are voted out thing to do with beer at all. Instead, it to include contests and carnival World War II. It was again followed by a of office. was a wedding reception for Prince booths. smaller autumn festival at the war’s Ludwig of Bavaria to Princess Therese Soon after, it turned into a 16-day end. -
Folk Dancer Online the Magazine of World Dance and Culture
Upcoming OFDA Dance Events... ISSN 2368-7134 Folk Dancer Online The Magazine of World Dance and Culture PUBLISHED BY THE ONTARIO FOLK DANCE ASSOCIATION VOLUME 50 NUMBER 4 October 2019 Folk Dancer Online Proofreaders Editor ............ Dorothy Archer To contact the Editor, or to send calendar ...............Rachel Gottesman Production ........... Bev Sidney items, articles, and other magazine content: ..................Adam Kossowski Advertising .... Paula Tsatsanis [email protected] ................Shirley Kossowski Dance Calendar...Terri Taggart Distribution..........Judy Deri Folk Dancer Online (formerly Folk Dancer/the Ontario FolkDancer) is the magazine of the Ontario Folk Dance Association. We publish five issues per year (Feb. 1, Apr. 1, June 1, Oct. 1 and Dec. 1). All rights reserved. Material may be reproduced with written permission of the editor, provided that magazine and author are acknowledged. Opinions expressed in this magazine are those of the individual author and do not reflect the views of the Folk Dancer Online and its staff or the Ontario Folk Dance Association and its Board of Directors. DEADLINE: All materials must be received, by e-mail or postal mail, six weeks prior to publication. Deadline for the December 1, 2019 issue will be October 15. Visit OFDA’s Website Web Design: Noemi Adorjan for local information and links to other www.ofda.ca [email protected] dance-related sites. Web Maintenance: Helen Winkler Ontario Folk Dance Association(OFDA) is a non-profit organization. Established in 1969, incorporated -
Hanbok, Korean Traditional Dress: a Selected Annotated Bibliography
Journal of East Asian Libraries Volume 2006 Number 138 Article 5 2-1-2006 Hanbok, Korean Traditional Dress: A Selected Annotated Bibliography Sarah H. Jeong Follow this and additional works at: https://scholarsarchive.byu.edu/jeal BYU ScholarsArchive Citation Jeong, Sarah H. (2006) "Hanbok, Korean Traditional Dress: A Selected Annotated Bibliography," Journal of East Asian Libraries: Vol. 2006 : No. 138 , Article 5. Available at: https://scholarsarchive.byu.edu/jeal/vol2006/iss138/5 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of East Asian Libraries by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Journal of East Asian Libraries, No. 138, February 2006 HANBOK, KOREAN TRADITIONAL DRESS: A SELECTED ANNOTATED BIBLIOGRAPHY Sarah H. Jeong Wake Forest University I. INTRODUCTION Hanbok (한복) is a type of dress traditionally worn by all ages of people of Korean heritage. The basic dress design is comprised of two parts, an upper component, i.e. jacket, and a lower segment, i.e. pants or skirt. Each individual hanbok, however, possesses unique characteristics suited to the wearer’s tastes and preferences. The hanbok has a rich, storied past, and its structure and form have evolved along with the developmental changes in the cultural climate of the Korean people. The origins of the Korean two-piece hanbok can be traced back to the Three Kingdoms period (57 B.C.-668 A.D.). During this period, the Korean peninsula was divided among three kingdoms: Koguryo in the north, Paekche in the southwest, and Shilla in the southeast. -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.