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Panel Of Top Music Men: Absorbing The Innova- tions Of The Seventies . Al Abrams Opening Sales Co. To Rep Labels In Chi Product Flow ... A Key To Establish- ing New Acts: Colleges . Key Execs Exit MGM . Holzman To Keynote '70 NARM Confab ... Atlantic /Atco Fall Sales Push Grosses $7 Mil ... More Local BBC Radio LAURA NYRO: PRAISING HER SINGING, SINGING HER PRAISES INT’L SECTION BEGINS ON PAGE 49 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 20/December 13, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 /Cable Address: Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN BOB COHEN BRUCE HARRIS NORMAN STEINBERG EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York HARVEY GELLER, Hollywood WOODY HARDING Ml '70 : An Art Director DEM COIN MACHINE & VENDING ED ADLUM General Manager ED KELLEHER, Assistant Established "Must' CAMILLE COMPASIO, Chicago LISA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. CHICAGO CAMILLE COMPASIO 29 E. Madison St., Chicago, III. Phone: (312) FI 6-7272 HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. 90028 Phone: (213) 465-2129 ENGLAND DORRIS LAND 3 Cork Street, London, Wl, England Phone: 01-734-2374 NASHVILLE JUANITA JONES 806 16th Ave. South, Nashville, Tenn. 37203 MIDEM, an established “must” on which is devoted to classical and con- Phone: (615) 244-2898 the music industry calendar, is ready- temporary serious music. This has ing its in Like ITALY HOLLAND 1970 gathering Cannes. been organized in cooperation with MARIO PANVINI ROSATI PAUL ACKET a true "growth company," this Interna- the International Music Council of Galleria Passarella 2 Theresiastraat 59-63 tional Record and Music Publishing UNESCO and will center its intentions Milan (Italy) The Hague Tel: 790990 Tel: 837700 Market has never been content to rest on the promotion of young perform- GERMANY on the laurels of its previous year’s ers and composers. Between the pop CHRISTIAN TOERSLEFF BELGIUM success. Under its general manager, and classical formats — on Jan. 16 2 Hamburg 56 Etienne Smet Bernard Chevry, MIDEM has held hon- and 17 — there will be a symposium Leuchtturmeg 30 Hugo Verrieststraat 87 Tel: 24-91-94-86 Sint-Niklaas (wass) est post-mortems on its convention, on the promotion of classical and con- Tel: (03) 76.48.80 acting intelligently to remove whatever temporary serious music in modern BRAZIL PEDRO FRAZAO inadequacies that could inhibit its ever society. AUSTRALIA DE VASCONCELOS RON TUDOR increasing importance to the world- But, MIDEM would not be the major 1 1 Rua Frei Caneca, 1 , Apt. 3 8 Francis St., Sao Paulo, S.P., Brazil wide music community. force it is on the global music scene Heathmont, Victoria Tel: 239.40 18 Tel: 870-5677 There has been, happily, a year-to- if it did not literally “mean business.” ARGENTINA year need to improve facilities for par- For as we have pointed out in the MIGUEL SMIRNOFF MEXICO ticipants as MIDEM’s conventioneers past, MIDEM has a sizeable impact on Belgrano 3252, Piso 4 SALVADOR ARREGUIN in year, for in- the course of it Buenos Aires, Argentina ANTONIO SENS grew numbers. This the music business as Tel: 89-6796 Tiber 100 — 7 y 8 Pisos stance, there's a new Festival Palace initiates and, oft-times, consummates Mexico D.F. CANADA 5, in Cannes, offices of which, inciden- many deals that can effect the flow of Tel: 25-39-52 11-62-96 WALT GREALIS tally, are fully booked up. Chevry, in product from nation-to-nation for years RPM 1560 Bayview Ave. JAPAN fact, was obliged to reopen 36 offices to come. Toronto 17, Ontario Adv. Mgr. on the terrace of the old Palace to The slogan, “Meet at the MIDEM,” Tel: (416) 89-2166 SHOICHI KUSANO Editorial Mgr. satisfy demands of 4000 participants then, is far more than an expression FRANCE MORIHIRO NAGATA and 270 firms for the 1970 event. of informality and goodtimes. MIDEM CHRISTOPHE IZARD 466 Higfashi-OIzumi will 24, Rue Octave Feuillet Neirimaku MIDEM have a total of 380 offices, combines both a condition of goodwill Paris XVI Tel: 870-9358 Tokyo 100 more than last year. among music people who share com- Broadening its scope, the “variety" objectives; it’s good business to SUBSCRIPTION RATES $25 per year anywhere in the U.5.A. mon Published weekly by Cash Box, 1780 Broadway, New York, and “pop” segment of MIDEM, Jan. well. should N.Y. 10019. Second class postage paid at Hartford, Conn. 06105 be there as MIDEM USA. 18-23, will be preceded by a new in- come highly recommended by the Copyright © 1969 by The Cash Box Publishing Co., Inc. All rights reserved. Copyright under Universal Copyright Convention. novation, MIDEM Classique (11-15), very industry it serves. ;- 1 ” -,TV CashBox CashBoxTOP100 VJ\ AND WHEN I DIE 34 BABY IT’S YOU 67 POINT IT OUT Blood, Sweat & Tears-Columbia 45008 2 3 Smith-Dunhill 4206 17 12 Smokey Robinson & Miracles-Tamla 54189 71 — LEAVING ON A JET PLANE WHOLE LOTTA LOVE 68 I’M SO GLAD 1 FELL FOR YOU David Ruffin-Motown Peter, Paul & Mary-WB/7 Arts 7340 6 10 Led Zeppelin-Atlantic 45 58 1158 72 — RUBBERNECKIN’ NA NA HEY HEY KISS HIM GOODBYE I’LL HOLD OUT MY HAND 0 Elvis Presley-RCA 9768 83 — Steam-Fontana 1667 4 7 Clique-White Wha 43 52 70 VOLUNTEERS COME TOGETHER EARLY IN THE MORNING Jefferson Airplane-RCA 0245 75 83 Beatles-Apple 2654 1 1 Vanity Fare-Page Or 44 54 71 LADY-0 TAKE A LETTER MARIA 38 MIDNIGHT Turtles-White Whale 334 77 82 R.B. Greaves-Atco 6714 3 4 Dennis Yost & Classics IV-Imperial f 41 46 72 I’M TIRED FORTUNATE SON 39 YOU GOTTA PAY THE PRICE Savoy Brown-Parrot 40042 78 79 Creedence Clearwater Revival-Fantasy 634 7 9 Gloria Taylor-Silver F 39 43 SHE Tommy James _ _ HOLLY HOLY 40 SEE RUBY FALL • & Shondells-Roulette 7066 Neil Diamond-Uni 55175 8 11 Johnny Cash-Columbia ‘ 40 41 NO TIME % Guess Who-RCA 0300 _ _ SOMEDAY WE’LL BE TOGETHER 41 COLD TURKEY DON’T LET HIM Supremes-Motown 1156 14 21 Plastic Ono Band-Apple 42 TAKE YOUR * 51 • LOVE FROM ME 9 WEDDING BELL BLUES 42 KOZMIC BLUES Four Tops-Motown 1159 85 92 Fifth Dimension-Soul City 779 5 2 Janis Joplin-Columbia ‘ 46 56 BABY TAKE ME IN ELI’S AIN’T IT • 10 COMING FUNKY NOW PT. 1 YOUR ARMS Three Dog Night-Dunhill 4215 9 8 James Brown-King 51 61 Jefferson-Janus 106 86 _ 11 YESTER-ME, YESTER-YOU, JINGLE. JANGLE ARIZONA YESTERDAY Archies-Kirshner 55 69 # Mark Lindsay-Columbia 45037 90 94 Stevie Wonder-Tamla 54188 11 14 45 SUITE: JUDY BLUE EYES 78 RUBEN JAMES Kenny Rogers & First Edition-Reprise RAINDROPS KEEP FALLIN’ ON MY Crosby, Stills & Nash-Atlantic 19 15 0854 27 24 HEAD 46 LOVE WILL FIND A WAY 79 1 STARTED LOVING YOU AGAIN Al Martino-Capitol 2674 81 84 B.J. Thomas-Scepter 12265 22 32 33 34 80 HAPPY 13 IN 47 I GUESS THE LORD MUST BE BACKFIELD MOTION Paul Anka-RCA 9767 80 87 Mel & Tim-Bamboo 107 12 13 IN NEW YORK CITY 35 36 81 LAND OF 1,000 DANCES 14 SOMETHING Electric Indian-United Artists 50613 87 _ Bealtes-Apple 2654 10 6 VENUS TRACES/MEMORIES MEDLEY Shocking Blue-Colossus 108 89 15 CHERRY HILL PARK 0 Lettermen-Capitol 2697 _ — Billy Joe Royal-Columbia 44902 15 20 49 DON’T LET LOVE HANG YOU UP SHE CAME THROUGH THE 16 HEAVEN KNOWS Jerry Butler-Mercury 72991 54 • BATHROOM WINDOW Grass Roots-Dunhill 4217 20 23 50 TRY A LITTLE KINDNESS Joe Cocker-A&M 1147 _ _ - 17 DOWN ON THE CORNER Glen Campbell-Capitol 2659 48 : 84 SHE BELONGS TO ME Creedence Clearwater Revival-Fantasy 634 18 22 51 DOCK OF THE BAY Rick Nelson-Decca 732550 73 76 18 JAM UP, JELLY TIGHT Dells-Cadet 5658 52 53 85 GOIN’ IN CIRCLES Friends of Distinction-RCA 0204 Tommy Roe-ABC 11247 25 39 52 SWINGIN’ TIGHT 82 80 Bill Deal & Rhondels-Heritage 818 58 59 86 WANT YOU TO KNOW 19 LA LA LA (IF I HAD YOU) Rotary Connection-Cadet Concept 7018 — — Bobby Sherman-Metromedia 150 23 30 53 MAKE YOU OWN KIND OF MUSIC I’M Mama Cass-Dunhill 4214 50 25 87 GONNA LOVE YOU 20 BABY I’M FOR REAL Intrigues-Yew 1002 92 93 Originals-Soul 35066 16 16 WINTER WORLD OF LOVE 88 TOGETHER 9 Engelbert Humperdinck-Parrot 76 21 SMILE A LITTLE SMILE FOR ME 40044 89 Illusion-Steed 722 — — -— Flying Machine-Congress 6000 13 5 55 WHAT YOU GAVE ME JENNIFER TOMKINS 59 65 Street People-Musicor 1365 — — 2 I WANT YOU BACK • Jackson 5-Motown 1157 28 50 56 WONDERFUL WORLD, BEAUTIFUL 90 SUGAR, SUGAR 23 ELEANOR RIGBY PEOPLE Archies-Calendar 1008 56 27 91 SHE LETS HER HAIR Aretha Franklin-Atlantic 2683 24 29 67 79 DOWN Tokens-Buddah 151 95 — 24 EVIL WOMAN 57 GET IT FROM THE BOTTOM 92 TONIGHT I’LL SAY A Crow-Amaret 112 30 38 Steelers-Date 164 63 64 PRAYER 25 GROOVY GRUBWORM 58 BLISTERED Eydie Gorme-RCA 0250 98 — Harlow Wilcox-Plantation 28 26 33 Johnny Cash-Columbia 4502 1 61 62 93 1 LOVE YOU 26 MIND, BODY & SOUL 59 CUPID Otis Leavill-Dakar 614 94 — Flaming Ember-Hot Wax 6902 21 19 Johnny Nash-Jad 22 1 62 68 94 OH ME OH MY (I’M A 27 UPON CRIPPLE CREEK 60 TURN, TURN, TURN FOOL FOR YOU BABY) The Band-Cepitol 2635 32 40 Judy Collins-Elektra 4568 60 67 Lulu-Atco 6722 — — 28 FRIENDSHIP TRAIN 61 COWBOY CONVENTION 95 ME & YOU O.C.
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  • 391 À 437 .Cwk

    391 À 437 .Cwk

    Aux Etats-Unis, Blood, Sweat and Tears est sans conteste le groupe de rock de la fin des sixties qui intègre le plus de jazz à sa démarche musicale : passages swing intégrés aux compositions binaires, présence active d’une phalange de souffleurs (trompette, trombone, sax) qui ne se limite pas à un travail de section (comme dans le R’n B ou dans un groupe comme Chicago) mais est faite de vrais solistes - parmi ces solistes, un trompettiste qui fera ensuite une belle carrière dans le jazz, Lew Soloff, le tromboniste Jerry Hyman et un saxophoniste dont on ne sait trop ce qu’il est devenu depuis, Fred Lipsius. Tous trois sont mis à contribution dans la superbe version du God bless the child de Billie Holiday qui figure dans le disque BST 2 (sans doute le meilleur) : 439. Blood, Sweat and Tears: God Bless the child David Clayton-Thomas (voc) Lew Soloff, Chuck Winfield (tp, flgh) Jerry Hyman (tb) Fred Lipsius (as, pn) Dick Halligan (org, pn) Steve Katz (gt, hca) Jim Fielder (b) Bobby Colomby (dms); rec 1968 (CBS) A côté de ces groupes rock (et de plusieurs autres) qui lorgnent vers le jazz, il nous faut maintenant repasser de l’autre côté, et évoquer le phénomène inverse : l’impact qu’a le rock sur de nombreux jazzmen, à commencer par Miles Davis ! Electric Miles - Le Jazz-Rock en gestation Et revoilà Miles Davis ! Décidément omniprésent dans l’histoire du jazz moderne. Un petit rappel, peut-être ? 1945 : débuts dans le be-bop aux côtés de Charlie Parker : d’emblée, le son et le phrasé de Miles se situent aux antipodes de ceux de Dizzy et des autres trompettistes be-bop.
  • Dutch Pop Music Is Here to Stay

    Dutch Pop Music Is Here to Stay

    DUTCH POP MUSIC IS HERE TO STAY Continuïteit en vernieuwing van het aanbod van Nederlandse popmuziek 1960-1990 Olivier van der Vet Uitgever: ERMeCC, Erasmus Research Centre for Media, Communication and Culture Drukker: Ridderprint Ridderkerk Omslagontwerp: Nikki Vermeulen Ridderprint ISBN: 978-90-76665-24-5 © Olivier van der Vet, 2013 DUTCH POP MUSIC IS HERE TO STAY: Continuïteit en vernieuwing van het aanbod van Nederlandse popmuziek 1960-1990 Dutch Pop Music Is Here To Stay: Continuity and Innovation of Dutch Pop Music between 1960-1990 Proefschrift ter verkrijging van de graad van doctor aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus Prof.dr. H.G. Schmidt en volgens besluit van het College voor Promoties. De openbare verdediging zal plaatsvinden op donderdag, 16 mei 2013 om 15.30 uur door Olivier Nicolo Sebastiaan van der Vet geboren te ‘s-Gravenhage Promotiecommissie: Promotor: Prof. dr. A.M. Bevers Overige leden: Prof. dr. C.J.M van Eijck Prof. dr. G. De Meyer Prof. dr. P.W.M. Rutten Copromotor: Dr. W. de Nooy VOORWOORD Continuïteit en vernieuwing zijn de twee termen die in dit onderzoek centraal staan. Nederlandse artiesten zijn op zoek naar continuïteit in hun loopbaan en platenmaatschappijen naar continuïteit in de productie. In dit streven vinden zij elkaar en ontstaat het aanbod. Continuïteit stond ook centraal in het traject dat ik heb afgelegd voor dit promotieonderzoek. Vanaf de start, toen ik als onderzoeker bij het Erasmus Centrum voor Kunst- en Cultuurwetenschappen (ECKCW) werkte, tot nu, is het promotieonderzoek een constante factor geweest. Wat er in deze periode ook is veranderd, het promotieonderzoek bleef.