Department for Preventive Conservation National Museum Belgrade Odeljenje Za Preventivnu Zaštitu Narodni Muzej Beograd

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Department for Preventive Conservation � National Museum Belgrade Odeljenje Za Preventivnu Zaštitu � Narodni Muzej Beograd DEPARTMENT FOR PREVENTIVE CONSERVATION NATIONAL MUSEUM BELGRADE ODELJENJE ZA PREVENTIVNU ZAŠTITU NARODNI MUZEJ BEOGRAD NUMBER 10 * 2004/2005 * BROJ 10 Uvodna reč Foreword U zemljama koje prolaze teške ekonomske, In countries going through difficult economic, društvene, socijalne krize kulturno nasleđe i in- social and cultural crises, cultural heritage and stitucije zaštite ostale su dobrim delom tradicio- institutions in charge of protection remain to a nalne i neosetljive na savremeni razvoj muzeologi- great extent traditional and not responsive to the je i zaštite. Neophodno je sprovesti radikalne re- modern development of museology and protection. forme i ceo sistem zaštite i brige za kulturno nas- It is necessary to introduce radical reforms and to leđe postaviti na nove osnove. Jedan od najvažni- build the complete system of protection and care of jih zadataka će biti zalaganje da naša država us- cultural heritage on new foundations. One of the most important tasks for our country is to establish postavi pravni sistem, koji će uključiti preventiv- a legal system with preventive conservation as one nu zaštitu kao jednu od osnovnih strategija oču- of the basic strategies in preservation of cultural vanja kulturnog nasleđa. heritage. Reforme treba da obuhvate sve akcije koje se Reforms are to include all actions related to pro- odnose na profesionalace i institucije, ali i u široj fessionals and institutions, but also to broader pub- javnosti, državnim organima i organizacijama, fi- lic, state authorities, organisations, financial and nansijskim i komercijalnim centrima. commercial establishments. U devastiranim i zapuštenim sredinama kakva In devastated and neglected environments, like je naša, sistem mera preventivne zaštite mora da ours, the system of preventive conservation meas- se postavi vrlo široko i da obuhvati sve ono što di- ures has to be developed broadly and include all rektno ili indirektno utiče na sudbinu kulturnog that has a direct or indirect impact on the future of dobra. cultural property. Više je nego jasna odgovornost za očuvanje The responsibility of the entire society and pro- kulturne baštine i nacionalnog identiteta jedne fessionals in charge of culture and heritage for nacije kako celog društva tako i profesionalaca u preservation of cultural heritage and national iden- kulturi i zaštiti. Preventivna zaštita je jedan od tity of a nation is more than obvious. Preventive osnovnih teorijskih i praktičnih odgovora na conservation is one of the basic theoretical and ovaj izazov danas, i jedan od osnovnih elemena- practical answers to the current challenges and one ta svake zdrave strategije zaštite kulturnih doba- of the fundamental elements of every sound strate- ra. gy for protection of cultural property. When safekeeping conditions for cultural prop- Kada se radi o uslovima čuvanja kulturnih do- erty are concerned, the situation in our museology bara, situacija u našoj muzeologiji je posebno kri- is particularly critical but in the same time it offers tična, ali takođe i dobra polazna osnova za orga- a good starting point for organization and imple- nizovanje i primenu preventivne zaštite. mentation of preventive conservation. Nadamo se da će razvoj preventivne zaštite u We do hope that development of preventive con- DIJANA Centru i proširivanje njegovih aktivnosti servation policy in DIANA Centre and expansion of na celu regiju, uticati da neadekvatno upravlja- its activities throughout the region will help the nje kulturnim dobrima pripadne prošlosti. Prvi inadequate management of cultural property to go znak promena biće implementacija preventivne to the history finally. First sign of changes would be zaštite kao jednog od fundamentalnih, metodo- the implementation of protection as one of funda- loških principa opšte kulturne politike i strategije mental, methodological principles of general cul- uz novo zakonodavstvo u oblasti kulture i zaštite tural policy and strategy followed by new legisla- baštine. tion regarding culture and heritage protection. Organizovanjem DIJANA Centra za preven- The National Museum in Belgrade has become tivnu zaštitu, Narodni muzej u Beogradu i na na- both nationally and internationally a peer among cionalnom i na međunarodnom planu izbija u pr- those who officially accepted preventive conserva- vi red onih koji su preventivnu zaštitu zvanično tion as a new strategy of development by organising usvojili kao novu strategiju svog razvoja. DIANA Centre for Preventive Conservation. DIJANA Centar potvrđuje da kulturno dobro DIANA Centre is a proof that cultural property and preventive conservation are of universal signif- i preventivna zaštita imaju univerzalno značenje, icance by bringing together all those caring about čvrsto povezujući sve one koji se brinu o buduć- the future and survival of cultural heritage. This nosti i opstanku kulturnog nasleđa. To znači da also means that protection of cultural property zaštita kulturnih dobara ne sme da ima lokalni must not be of local character, but must unite and karakter, već treba da objedinjuje i obuhvata include complete cultural heritage and that protec- kompletno kulturno nasleđe i da se sistemi zaš- tion systems have to be built in a unique manner for tite moraju graditi jedinstveno za širu regiju. the entire region. This approach of DIANA Centre Ovakav pristup DIJANA Centra već su prepoz- has already been recognized by significant national nale značajne domaće i međunarodne organiza- and international organisations in charge of culture cije kulture i zaštite (UNESCO, ICCROM) , ali i and protection (UNESCO, ICCROM) as well as our kolege i institucije u okolnim zemljama našeg re- colleagues and institutions in the neighbouring giona. countries. dr Tatjana Cvjetićanin Reč urednika Unapređujući aktivnosti na jed- nom od svojih osnovnih poslova - konzervaciji, Narodni muzej veliku pažnju posvetio je razvijanju svesti o Editor in chief/Glavni urednik značaju nasleđa, obavezi da se ono dr Tatjana Cvjetićanin sačuva, potrebi za obukom i obrazo- vanjem novih kadrova posebno u Editor/Urednik oblasti zaštiti pokretne arheološke Mila Popović-Živančević građe. Rezultat je bila napredna, ak- še sveobuhvatnu zaštitu kulturnog Editorial Board/Uređivački odbor tivna, aktuelna Letnja škola konzer- nasleđa, kako čitamo i u 10 broju. Jim Black Jubileji su prilika da se ocene rezul- vacije Dijana, osnovana prepoznava- Helena Jaescke jući nužnosti promene dotadašnjeg tati: iskorak iz osnovnog koncepta i grananje i raznorodnost do koje se Mila Popović-Živančević sistema, vođena i razvijana prime- Malena Stojčev njujući, gotovo instinktivno, koncept skokovito razvio bilten, prepoznato je ne samo kao uspešan rezultat, već Pamela Warner koji je tek bio prepoznavan kao os- i kao potreba da se osnuje novi stru- novni, postavljajući temelje sveobuh- Language Editors/Lektori čan časopis, u kojem će naći mesto vatne zaštite kulturnog nasleđa. Sa- Engleski studije i prilozi koji uveliko preras- Malena Stojčev da je ovaj pionirski projekat u oblas- taju osnovni informativni nivo i izla- Aleksandra Džikić Nikolić ti edukacije u konzervaciji postao ze iz uskog okvira škole za konzerva- jezgro aktivnosti u oblasti preventiv- ciju i uskog okvira struke konzerva- Srpski ne zaštite u Srbiji i primene koncep- tora. Nadamo se da ćemo od sledeće Zvezdana Popović ta celovite, integrisane zaštite, insti- godine imati i bilten i naučno-struč- Aleksandra Džikić Nikolić tucionalizovan u Odeljenje za pre- nu publikaciju, koja će biti prepoz- Francuski ventivnu zaštitu Narodnog muzeja. nata kao jedno od osnovnih aktera u Zvezdana Popović daljem razvoju preventivne zaštite Translated by/Prevodioci Jednako kao se škola Dijana raz- ne samo u Srbiji već i u regionu. vila u novog aktera na polju zaštite, Ujedno, na ovaj način Narodni mu- Engleski tako je i glasilo Dijana, zamišljeno zej dobiće novu priliku da što uspeš- Malena Stojčev kao bilten koji nudi osnovne infor- nije realizuje i drugu svoju osnovnu Aleksandra Džikić Nikolić macije o aktivnostima Škole, preras- ulogu - stalnog susreta sa publikom i dr Tatjana Cvjetićanin tao u časopis koji i aktivno promovi- stalne promocije baštine. Mira Ovanin Irena Vujčić-Pavlović dr Tatjana Cvjetićanin Ana Glišić Jana Šubic Prislan A word from the editor Gojka Pajagič Bregar The National Museum in Belgra- Diana, created as an information po- Maja Franković de, fostering activities in a range of ol about Diana school activities, de- Gorazd Lemajič one of its main areas of responsibili- veloped into a periodical that pro- Vesna Živković ty - conservation, has paid a great at- motes actively comprehensive pre- Tatjana Nedeljković tention to the rising awareness about ventive heritage protection, as it the value of heritage, obligation to could be seen as well in the 10th is- Francuski preserve it, need to train and educate sue. Jubilees create ideal opportuni- Maja Franković new professionals, especially in the ties for evaluation: a shift from ori- Design and typesetting/ field of an archaeological conserva- ginal concept, growth and diversity Dizajn i priprema tion. The result was forward-thin- into which newsletter progressively Veljko Džikić king, active and fresh Summer school evolved, has been recognized not on- of conservation Diana, established ly as a successful result but also as a Circulation/Tiraž with recognition of a necessity to need to establish a new specialized 1800 change an existing system, and direc- journal. There, studies and contribu- Published by/Izdavač ted and developed by almost instinc- tions
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