The Main Character's Maturity in Twain's the Adventures
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Department of English Amiable Humor and Dual Address in The Adventures of Tom Sawyer Christoffer Molander Bachelor’s Degree Project Literature Spring Term, 2017 Supervisor: Giles Whiteley Abstract The humor of Mark Twain has long fascinated his readers. Critics such as Messent (2007), Budd (2005), Gerber (1988) and Camfield (2005) have all analyzed Mark Twain’s humor to reveal nuances and to help further the understanding of what makes Twain’s writing humorous. However, there is a distinct gap in the research so far conducted investigating Twain’s humor in relation to young readers, which this paper will begin to address. Twain’s novel The Adventures of Tom Sawyer (2007) poses a relevant subject for this research as Twain explicitly (in the preface to the novel) professes to write both for children and adults simultaneously. Writing in such a way can be categorized as either “double address” or “dual address”, understanding these terms according to the definitions of Barbara Wall (1991). In this paper I will argue that Mark Twain manages to create “dual address” in Tom Sawyer by using what Greg Camfield (2005) calls “amiable humor” and constructing scenes out of childhood in order to produce delight and nostalgia. By reading closely excerpts of the book and analyzing Twain’s specific use of humor through three prominent theories—superiority theory, relief theory and incongruity— it becomes possible to identify what the implied reader is meant to find humorous, and therefore if Twain manages to establish a “dual address”. An understanding of Twain’s humor from the perspective of both young and adult reader furthers our understanding of the novel by revealing Twain’s implementation of complex “dual address” narration and its implications. -
Mark Twain's Huckleberry Finn As Anti Racist Novel
Journal of Literature, Languages and Linguistics www.iiste.org ISSN 2422-8435 An International Peer-reviewed Journal Vol.46, 2018 Mark Twain’s Huckleberry Finn as Anti Racist Novel Ass.Lecturer Fahmi Salim Hameed Imam Kadhim college for Islamic science university, Baghdad , Iraq "Man is the only Slave. And he is the only animal who enslaves. He has always been a slave in one form or another, and has always held other slaves in bondage under him in one way or another.” - Mark Twain Abstract Mark Twain, the American author and satirist well known for his novels Huckleberry Finn and The Adventures of Tom Sawyer , grew up in Missouri, which is a slave state and which later provided the setting for a couple of his novels. Tom Sawyer and Huck Finn are the two most well-known characters among American readers that Mark Twain created. As a matter of fact, they are the most renowned pair in all of American literature. Twain’s father worked as a judge by profession, but he also worked in slave-trade sometimes. His uncle, John Quarles, owned 20 slaves; so from quite an early age, Twain grew up witnessing the practice of slave-trade whenever he spent summer vacations at his uncle's house. Many of his readers and critics have argued on his being a racist. Some call him an “Unexcusebale racist” and some say that Twain is no where even close to being a racist. Growing up in the times of slave trade, Twain had witnessed a lot of brutality and violence towards the African slaves. -
Tom Sawyer, Detective
https://onemorelibrary.com Tom Sawyer, Detective by Mark Twain Harper and Brothers, New York, 1896 Contents CHAPTER I. AN INVITATION FOR TOM AND HUCK CHAPTER II. JAKE DUNLAP CHAPTER III. A DIAMOND ROBBERY CHAPTER IV. THE THREE SLEEPERS CHAPTER V. A TRAGEDY IN THE WOODS CHAPTER VI. PLANS TO SECURE THE DIAMONDS CHAPTER VII. A NIGHT’S VIGIL CHAPTER VIII. TALKING WITH THE GHOST CHAPTER IX. FINDING OF JUBITER DUNLAP CHAPTER X. THE ARREST OF UNCLE SILAS CHAPTER XI. TOM SAWYER DISCOVERS THE MURDERERS CHAPTER I. AN INVITATION FOR TOM AND HUCK [Note: Strange as the incidents of this story are, they are not inventions, but facts—even to the public confession of the accused. I take them from an old-time Swedish criminal trial, change the actors, and transfer the scenes to America. I have added some details, but only a couple of them are important ones. — M. T.] WELL, it was the next spring after me and Tom Sawyer set our old nigger Jim free, the time he was chained up for a runaway slave down there on Tom’s uncle Silas’s farm in Arkansaw. The frost was working out of the ground, and out of the air, too, and it was getting closer and closer onto barefoot time every day; and next it would be marble time, and next mumbletypeg, and next tops and hoops, and next kites, and then right away it would be summer and going in a-swimming. It just makes a boy homesick to look ahead like that and see how far off summer is. -
Tom Sawyer & Huckleberry Finn
THE ADVENTURES OF TOM SAWYER & HUCKLEBERRY FINN CAST OF CHARACTERS: Showboat Captain (also plays Percy, Injun Joe, Preacher) Dolly, Captain's wife (also plays Aunt Polly, Schoolteacher) Tom Sawyer Harley, the first mate (plays Jim) Colin, showboat actor (plays Huck) Abigail, showboat actress (plays Becky) AS THE LIGHTS COME UP WE SEE A SHOWBOAT UPSTAGE. THE PADDLEWHEEL IS STILL TURNING AND SMOKE STILL FLOWS FROM THE SMOKESTACK THE BOAT HAS JUST DOCKED AT A WHARF. THE SHOWBOAT CREW AND COMPANY ARE ON HE DECK SINGING AND WAVING. AS THEY SING THE GANGPLANK IS LOWERED AND THEY SET UP THEm "PLAYING AREA" BOTH ON AND OFF THE BOAT. ON DECK IS THE CAPTAIN OF THE SHOWBOAT, A MAN OF :MIDDLE YEARS WHO IS PROBABLY MORE OF A SHOWMAN THAN A SEAMAN; THE CAPTAIN'S WIFE, DOLLY WHO IS ALSO THE LEADING LADY; ABIGAIL, THE INGENUE; HARLEY, THE FmST MATE; AND COLIN, THE JUVENILE AND LEADING MAN. HERE IT COMES, HERE IT COMES! HEY, LOOK UP THE RIVER, IT'S A SHOWBOAT HERE IT COMES, HERE IT COMES! CHUG A LUG! CHUG A LUG! CHUG A LUG! HEY! HERE IT COMES! LOOK UP THE RIVER, THERE'S A BOAT A-COMIN HUSH UP AND LISTEN TO THE MOTOR IillMMIN IT'S A SHOWBOAT! GREAT LAND 0 ' GOSHEN! THERE'S A SHOWBOAT PULLIN IN TODAY. AINT NO DOUBTIN THERE'LL BE SONGS FOR SIN GIN GOTTA BE THERE SHOUTIN WHEN THE BELLS START RINGIN ON THE SHOWBOAT. GREAT LAND 0 ' GOSHEN! THERE'S A SHOWBOAT PULLIN IN TODAY. THE BOAT'S FINISHED DOCKIN AND THE PADDLEWHEEL IS STOPPIN LISTEN UP AND YOU'LL HEAR THE CAPTAIN SAY.. -
Reading and Language Arts Lesson Ideas 1
Reading and Language Arts Lesson Ideas 1 Lesson Grade Point of View 6 Title: Level: Lesson Objectives: • Students will understand point of view in a literary text. • Students will identify point of view in literary texts and explain how the author develops the point of view of the narrator or speaker. Learning Modalities Targeted: Visual Auditory Kinesthetic/Tactile Warm-Up: • Describe the following scenario: An argument breaks out in the cafeteria over an umpire’s call at a baseball game from the previous afternoon. At the table are the two boys who are arguing, a close friend of one of the boys who is not participating in the argument, and a mindreading stranger. Imagine that one of the boys arguing, the friend, and the mindreading stranger were to give you his or her version of what happened. What do you think you would learn? Materials Needed: notebooks, pencil/pens, display device, Point of View Display Pages, Independent Practice worksheet, On Your Own activity, Show What You Know passage, highlighters, art supplies, novels written in various points of view Procedure: 1. Explain that each of the people in the Warm-Up scenario would have his or her own perspective or point of view about the argument. 2. Ask what students would learn if they were to hear the version of events as told by one of Reading and Language Arts Lesson Ideas 2 the boys who was a part of the argument. (They would hear about his thoughts and feelings.) In a story, this would be known as first person point of view. -
Ed 086 951 Title Institution Pub Date Note Available From
DOCUMENT RESUME ED 086 951 CS 000 883 AUTHOR Sebesta, Sam Leaton, Ed. TITLE Ivory, Apes, and Peacocks: The Literature Point of View, Volume 12, Part 2; Proceedings of the Annual Convention of the International Reading Association (12th, Seattle, May 3-6, 1967) . INSTITUTION International Reading Association, Newark, Del. PUB DATE 68 NOTE 148p.; See ED 078 347 for Volume 12, Part 1 of the Proceedings AVAILABLE FROM International Reading Assn. 800 Barksdale Rd., Newark, Delaware 19711(Stock No. 412, $2.50 nonmember, $2.00 member) EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Adolescent Literature; *Childrens Books; Elementary Education; Evaluation Techniques; Literary Analysis; Program Evaluation; Reading Centers; Reading Instruction; *Reading Interests; Reading Materials; *Reading Programs; Recreational Reading; Secondary Education; *Teaching Techniques IDENTIFIERS *Childrens Literature ABSTRACT The papers contained in this volume offer the opinions and evidence of sixteen specialists on matters pertaining to literature for children and adolescents--the writing of literature, the selection of literature, and the role of literature in reading instruction. Taken together, they cover a wide range of grade levels and represent many points of view. Divided into three main sections--on appreciation and selection, techniques and types, and programs and projects--the papers include: "Fun and Facts in Writing of the West," "Old Values in New Books," "Selecting and Evaluating Materials for Recreational Reading," "Reading Literature Critically," "Let Them Listen," "Teaching the Reading of Plays," "Improving the Literature Program: Poetry," "The Storyteller's Role," "Gateway English--A Literature Program for Educationally Disadvantaged Students," ',Junior Great Books Discussion Programs," "The Oregon Curriculum in Literature," "A Literature Program Matched to Students' Interests," "The Joy of Reading Rediscovered in High School Reading Centers," and "Sacred Cows: Real and Fancied--Evaluation of the Traditional Literature Program." (RB) r"- U SDEPARTMENT OF HEALTH. -
Mark Twain, the Dialogic Imagination, and the American Classroom Drew
Kansas English, Vol. 98, No. 1 (2017) Mark Twain, the Dialogic Imagination, and the American Classroom Drew Clifton Colcher Abstract Mark Twain is often read as a provincial realist or naturalist whose works are disseminated in simplified versions as children’s stories or seen as humorous social criticism of the southern United States and its dialects. This article focuses on two of Twain’s novels—A Connecticut Yankee in King Arthur’s Court (1889) and No. 44, the Mysterious Stranger (published posthumously with various titles)—in order to focus on the more modern, less provincial, novelistic aspects of Twain’s writing. The theories of Mikhail Bakhtin provide the background for a characterization of the novelistic nature of these works in an effort to re-focus Twain criticism away from realist or naturalist analysis and toward semiotic and structural considerations. This essay functions as an introductory-level presentation of Bakhtinian analysis and Twain criticism, as well as a reimagining of the role of Twain’s writings in the classroom, especially in light of recent controversies surrounding the language used in works like The Adventures of Huckleberry Finn. Of paramount importance to this argument are the temporal, spatial, formal and thematic coordinates of the two books, and the assertion that they conform to Bakhtin’s conception of the novel and how it radically differs from other forms. Keywords Mark Twain, Mikhail Bakhtin, semiotics, novelism, American literature, literary theory, pedagogy, literary criticism, modernism, realism, structuralism Novels like A Connecticut Yankee at King Arthur’s Court and No. 44, The Mysterious Stranger raise problematic questions for Twain scholars because they directly approach more philosophical human concerns while, at times, casting off the sarcastically humorous facade that characterizes Twain’s work in general. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
ORIGINAL "TOM SAWYER" MANUSCRIPT GOES on VIEW January 14, 1938
38114 - £fi £-~ THE MUSEUM OF MODERN ART 14 WEST 49TH STREET, NEW YORK FOR RELEAS3 TUESDAY, JANUARY 13, 1938 TELEPHONE: CIRCLE 7-7470 ORIGINAL "TOM SAWYER" MANUSCRIPT GOES ON VIEW AT MUSEUM OF MODERN MV? WITH LETTERS FROM MARK TWAIN COMMENTING ON LITERARY VANITIES AND THE POSITION OF TRUTH IN THIS WORLD The Museum of Modern Art, 14 West 49 Street, announces that it has obtained from Georgetown University, Washington, D. C., the loan of the original manuscript of The Adventures of Tom Sawyer by Mark Twain written nearly sixty-five years ago. The manuscript will go on public exhibition today as part of the Museum's current exhibi tion The Making of a. Contemporary Film, based on the Selznick motion picture production of Tom Sawyer soon to be released. The closing date of the exhibition has been extended to Monday night, February 14. The exhibition includes several early editions of the book Tom Sawyer, pages from the original scenario and revisiqns, voluminous research material, production charts, models of sets, costumes, props, make-up materials, original color sketches, stills, production photographs and examples or reproductions of other objects, ac tivities a.nd memoranda that go into the making of a modern motion picture. Georgetown University received the manuscript of Tom Sawyer in April 1934 as the gift of Nicholas F. Brady, who at one time lived across the street from Mark Twain's New York home on the southeast corner of Fifth Avenue and 9th Street. Tom Sawyer had been a favorite of Mr. Brady's since boyhood and he could glance across the street and see its author, whom he knew slightly, propped up in bed writing while he smoked a long cigar. -
Adventures of Tom Sawyer
2013–2014 Season Playguide The advenTures of Tom sawyer October 4–13, 2013, Studio Two, Riffe Center Adapted by Steven C. Anderson from Mark Twain’s The Adventures of Tom Sawyer Perhaps you’ve heard of a certain clever and witty author named Samuel The Story Clemens? Well, if you haven’t, don’t worry. Most folks know him by his pen name of Mark Twain. Twain introduces our play by stirring up a chance meeting between two of his well-loved characters—Tom Sawyer and Huckleberry Finn. The play proceeds as Tom and Huck delightfully reminisce about their zany adventures as boys. Recounting episodes of their boyhood prattles, Tom re-lives his rascally and mischief-maker ways only to be accompanied by the best friend a boy could ever have—Huck Finn. Whether Tom and Huck are using ‘spunk water’ for removal of the common wart, trying to spot a ghost lurking in a graveyard, or searching for a buried treasure, they are sure to stir up some mischief. The story continues to unfold as the two roguish adventurers plot against the villainous Injun Joe. Join CATCO is Kids as Tom and Huck are brought to life in this loving tribute to Mark Twain’s classic. Mark Twain, Master Storyteller Samuel Clemens was born on November 30, 1835, in Florida, Missouri, and was the sixth of seven children. At age four, Sam and his family moved to the small frontier town of Hannibal, Missouri, on the banks of the Mississippi River. Missouri, at the time, was a fairly new state (it had gained statehood in 1820) and comprised part of the country’s western border. -
Media Education. Медиаобразование. 2017. № 1
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/314724552 Media Education. Медиаобразование. 2017. № 1. Research · March 2017 CITATIONS READS 0 2 12 authors, including: Alexander Fedorov Anton Chekhov Taganrog Institute, Russia 195 PUBLICATIONS 89 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: International Journal of Media and Information Literacy View project Media Education Journal Медиаобразование (журнал) View project All content following this page was uploaded by Alexander Fedorov on 12 March 2017. The user has requested enhancement of the downloaded file. All in-text references underlined in blue are added to the original document and are linked to publications on ResearchGate, letting you access and read them immediately. Медиаобразование MEDIA EDUCATION Журнал истории, теории и практики медиапедагогики Journal of history, theory and practice of media education № 1 / 2017 Медиаобразование. Media Education. 2017. № 1 Медиаобразование. 2017. № 1. Редакционная коллегия: А.В. Федоров (гл. редактор), д.п.н., профессор, Журнал истории, Ростовский гос. экономический университет. теории и практики медиапедагогики Л.М. Баженова, к.п.н., экс-зав. лаб. экранных искусств Института художественного образования Российской академии образования (Москва). e-ISSN 1994-4195 . ISSN: 1994-4160 О.А. Баранов, к.и., профессор (Тверь). Б. Бахмайер, д.н., почетный профессор, Кассельский университет (Германия), Лондонский университет Журнал основан в 2005 году. (Великобритания). Е.А. Бондаренко, к.п.н., доцент ВГИКа (Москва). Периодичность – 4 номера в год. Д. Бэкингэм, д.н., профессор Университета Лагбороу (Великобритания). Е.Л. Вартанова, д.ф.н., профессор, декан факультета Журнал включен в следующие журналистики, Московский гос. -
Media Culture Soviet Film Critics About Soviet Cinema: From
Медиаобразование. Media Education. 2017. № 1 Media Culture Soviet film critics about Soviet cinema: from censorship to Gorbachev's perestroika Prof. Dr. Alexander Fedorov, Rostov State University of Economics, Russia E-mail: [email protected] Abstract Moscow publishing house Art began to produce in mid-1960s annual book collection Screen, which was to reflect the most important cinematic events in the USSR and the world. The first collection of this kind - Screen 1964 - was printed edition of 45,500 copies. The circulation of the next two collections were 30-35 thousand copies. From 1968 to 1985 the Screens were annually with a circulation of 50 thousand copies. Screen 1987 circulation has been increased to 75 thousand, but the rest of the collection issues have returned to the circulation of 50 thousand copies. Each book is illustrated with black-and-white frames of the movies and photos masters of the screen. Yearbooks Screen became a mirror of the Soviet criticism of the 1960s - 1980s, reflecting all ups and downs, forced to default figures, ideological passages, thaw and perestroika hope... From the time of the fisrt to last annual output has been a quarter century. Soviet film criticism changed significantly. The main materials for this article was articles of Soviet film critics about Soviet cinema in Screen yearbooks. The methods of theoretical research: classification, comparison, analogy, induction and deduction, abstraction and concretization, theoretical analysis and synthesis; methods of empirical research: collecting information related to the research subjects. Keywords: film critic, film studies, Soviet, USSR, film, movies, cinema, censorship. * Article was written as part of research with the financial support of the grant of the Russian Scientific Foundation (RNF).