WHITHER CANADA Graham Chapman Announcer Mr. Bruce
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NEGATIVE CAPABILITY: DOCUMENTARY AND POLITICAL WITHDRAWAL SIMON GENNARD A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY VICTORIA UNIVERSITY OF WELLINGTON 2017 CONTENTS ABSTRACT 2 ACKNOWLEDGEMENTS 3 LIST OF ILLUSTRATIONS 4 INTRODUCTION 5 EXIT STRATEGIES CHAPTER ONE 16 NAMING AS SUCH CHAPTER TWO 32 ‘THE PURE FLIGHT OF A METAL BAR CRASHING THROUGH A WINDOW’ CHAPTER THREE 47 TROUBLE IN THE IMAGE WORLD CHAPTER FOUR 65 ‘THE QUEER OPAQUE’ CONCLUSION 83 BIBLIOGRAPHY 86 ILLUSTRATIONS 92 !1 ABSTRACT This thesis thinks with, alongside, and against several theories of political withdrawal that have emerged during the past three decades as they have been taken up by artists working with documentary video. Political withdrawal here refers to a set of tactics that position themselves in opposition to existing models of belonging, civic engagement, and contestation. The context in which this study takes place is one in which qualifying for citizenship in the liberal western state increasingly requires one remain transparent, docile, and willing to acquiesce to whatever demands for information the state may make. In response to these conditions, the theories and artworks examined in this thesis all propose arguments in favour of anonymity, opacity, and indeterminacy. Situating itself, sometimes uncomfortably, within the archives of feminist, queer, and anarchist thought, this thesis engages with selected video works by Martha Rosler, Bernadette Corporation, Hito Steyerl, and Zach Blas in order to understand the ways in which withdrawal may constitute a generative framework for enabling meaningful social change. These video works are here described as documentary, but not in the conventional sense that they are objective or transparent attempts to capture or record actual fact. -
Download PDF Version of Issue 87
Cambridge Alumni Magazine Issue 87 — Easter 2019 A hitchhiker’s guide to Douglas Adams’s Cambridge Tax policy might not be sexy but it determines the character of society Why sport is good for students – and for their academic results EASTER 2019 | CAM 87 1 2 CAM 87 | EASTER 2019 Editor Mira Katbamna Managing editor Steve McGrath Design and art direction Rob Flanagan University of Cambridge Bruce Mortimer Charis Goodyear Cambridge Alumni Magazine Issue 87 Easter 2019 02 INBOX Publisher The University of Cambridge Development & Alumni Relations Campendium 1 Quayside, Bridge Street 20 Cambridge CB5 8AB Tel +44 (0)1223 332288 07 DON’S DIARY Dr JD Rhodes. Editorial enquiries Tel +44 (0)1223 332288 08 MY ROOM, YOUR ROOM [email protected] Josie Rourke (Murray Edwards 1995). 11 SOCIETY Alumni enquiries Tel +44 (0)1223 332288 Cambridge University Brass Band. [email protected] 13 BRAINWAVES alumni.cam.ac.uk facebook.com/cambridgealumni Professor Stephen J Toope. @Cambridge_Uni #camalumni Contents Advertising enquiries Features Tel +44 (0)20 7520 9474 [email protected] 14 WHY TAX IS GOOD FOR YOU Services offered by advertisers Tax policy might not be sexy but it is at are not specifically endorsed the heart of determining the character by the editor, YBM Limited of a society. CAM investigates. or the University of Cambridge. The publisher reserves the right to 20 COMPLEXITY. BEAUTY. MYSTERY. decline or withdraw advertisements. Dr Ross Waller says that we know very Cover little about single-celled organisms. Illustration: Holly Exley. 24 DOWN THE RABBIT HOLE The Hitchhiker’s Guide to the Galaxy is Whether it’s a response to the digital published by Penguin Random House. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The Examples of Doctor Who and Monty Python's Flying Circus
AN00240X The British cultural background between 1969 and 1974: the examples of Doctor Who and Monty Python's Flying Circus. Agathe AZZAOUI Student Number: 21202177 1/37 Table of Contents: Introduction I- The social context in Britain after World War Two: men and their authority within a conservative Society 1. The emergence of social complaints in the postwar era 2. The division of tasks within the household and Conservative Women as seen in the Monty Python's Flying Circus 3. The male authority began to be challenged and the emergence of censorship: Doctor Who and the Flying Circus as evidence II- Between the 1960s and 1970s: going towards more sexual freedom and equality 1. The youth fought for equal rights between men and women: both the Flying Circus and Doctor Who support this idea 2. A wave of new reforms in favour of women 3. New social movements gave a different view on society III- Male gaze still present in the British society in the 1970s; a different form of power over women 1. The conservative ways still had an important place within society and male figures were still somehow dominant 2. The Monty Pythons supported women's sexual freedom but some men enjoyed it 3. Men, like in Doctor Who and the Flying Circus, promoted gender equality whereas others would use the same arguments in order to discredit women Conclusion Bibliography Acknowledgements 2/37 Introduction: Between 1969 and 1974, two television programmes reflected the British social background; the Monty Python's Flying Circus and Doctor Who. The Flying Circus was shown between 1969 and 1974 on the BBC and was created by five men coming from Cambridge and Oxford Universities, or Oxbridge. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Flip, Dip Dry, Serve the Big Match
north east raise a glass to pubs, people and news from your local Free ISSUE 04 www.cheersnortheast.co.uk // October 2010 cheers pubs and pints r Flip, dip dry, serve the view from Bruges pubs and cheese the big match Food and beer pairing is the new black the Good Beer Guide’s new faces revealed the battle of Budweiser a feast of festivals pubs and tradition rapper tap swashbuckling and foot-tapping to a 200-year-old tune inn-side bEEr // whISky // wInE // CIDEr // nEw pUbS // OlD pUbS // bEEr fOr lUnCh // bEEr fOr tEa // bEEr fOr DInnEr // pUbS! A4 Ad Original Draught 20/9/10 16:40 Page 1 BUDWEISERBUDWEISER BUDVARBUDVAR ORIGINALORIGINAL An ABV 5 craft lager brewed only at the Budweiser Budvar brewery in Southern Bohemia. Enjoys the EU PGI (protected geographical indication) giving it the same status as Champagne, Parmesan cheese or Melton Mowbray pork pies. Created in a 100 day natural brewing cycle using only the finest locally sourced ingredients These include whole Czech hops, Moravian barley malt, natural spring water from an ice age lake located 330 metres under the brewery and the same strain of yeast in use since 1895. Great to enjoy on its own and excellent with many different dishes from fish to tapas. Pours to a medium gold colour with a deep but light head formation giving a hoppy bitterness in the finish that makes this beer eminently drinkable and refreshing. n o r t he a s t raise a glass to pubs, people and news from your local I S S U E 0 4 Free www. -
Hvem Er Douglas Adams
Kopi fra DBC Webarkiv Kopi af: Kenneth Bernholm : Hvem er Douglas Adams Dette materiale er lagret i henhold til aftale mellem DBC og udgiveren. www.dbc.dk e-mail: [email protected] Hvem er Douglas Adams Kenneth Bernholm Published: 2005 Tag(s): biografi 1 Forfatter: Kenneth Bernholm (http://kennethbernholm.dk) Licens: Creative Commons Navngivelse-Ikke-kommerciel-Ingen bearbe- jdelser 2.5 Danmark License (http://creativecommons.org/licenses/by- nc-nd/2.5/dk/) ISBN: 978-87-91845-14-7 2 Chapter 1 Historien om Douglas Adams er i høj grad historien om hans forfatter- skab. Skæbnen, hvis man tror på den slags, ville nemlig, at Douglas Adams var på rette tid og sted med den rette historie. Tiden var 1978, stedet var den britiske radio BBC og historien var The Hitch Hiker's Guide to the Galaxy. Før denne tid havde Douglas uden synderlig succes kæmpet for at ernære sig som forfatter, men efter hans humoristiske science-fiction radiohørespil blev sendt på BBC, blev han et kultikon og hans bøger bestsellere. Man kan dårligt fortælle om personen og for- fatteren Douglas Adams uden samtidig at fortælle historien om Hånd- bog for vakse Galakse-Blaffere, som bogen kom til at hedde på dansk. Den skæbne, der tildelte ham livets store success, formåede desværre også at tage sig godt betalt. Douglas Adams døde den 11. maj 2001 i et fitnesscenter i Californien, hvor et hjerteanfald slukkede hans livslys. Han var næsten to meter høj, men blev kun 49 år gammel og efterlod sig ikke kun et populært forfatterskab og en kone og datter, men også en ab- surd verden, der altid blev en hel del klarere, når den blev betragtet og kommenteret af Douglas. -
{Download PDF} the Monty Pythons Flying Circus: Complete and Annotated: All the Bits
THE MONTY PYTHONS FLYING CIRCUS: COMPLETE AND ANNOTATED: ALL THE BITS PDF, EPUB, EBOOK Luke Dempsey | 880 pages | 13 Nov 2012 | Black Dog & Leventhal Publishers Inc | 9781579129132 | English | New York, United States Monty Python's Flying Circus, Season 1 on iTunes It What can I say about the comic genius of Monty Python? I can only offer my homage …. It came out of nowhere. Now my grandmother — MAN. Can you tell me the fastest way there? Uh, Bolton, yes. The M61 through Blackrod, the A or the A Which is fastest? I am not the least bit peckish for fermented curd. Well, then you want to take the M Take this road about 20 kilometers, then take a left at the crossroad. Then take a right and follow it to Khartoum. Are you — are you suggesting I go to Africa? No, no, no — well, yes, yes. Oh yes, fires, and pitchforks and men with horned heads. Horned heads? Oh yes, and nasty sharp, filed teeth and forked tails running about — naked! Are you by chance describing hell? No, no, no — well, yes. I am describing hell. I was just wasting your time. Ah, I see. Can you do me one more favor? Please lay down in front of my car. Whatever you say, squire. Cut to humorous cartoon. Jun 09, Stewart Tame rated it really liked it. This is a huge book. But that's to be expected from a collection of the complete and annotated scripts from all four seasons of Monty Python's Flying Circus. To be honest, the annotations are rather underwhelming. -
Picture As Pdf
1 Cultural Daily Independent Voices, New Perspectives A Grand Disarray in the Gardens Sylvie Drake · Wednesday, July 20th, 2016 There is a morbid fascination with lives lost or thrown away, the puzzlement of people sinking into hoarding, the zoning out, the giving up and giving in to squalor. Who would have thought that you could make a musical based on such a premise, let alone a pretty compelling one? Apparently, Doug Wright (author of I Am My Own Wife), Scott Frankel (music) and Michael Korie (lyrics) did. And we’re glad they did, as the musical born of that attempt — Grey Gardens, now at the Ahmanson Theatre — proves again that musical theatre can rise to surprising heights tackling just about any subject, no matter how dark or unlikely. Think of Stephen Sondheim’s Sweeney Todd and think especially of the Tom Kitt/Brian Yorkey Next to Normal, which so movingly chronicles the devastation of one woman’s bipolar disorder to the confusion and bewilderment of her family. Grey Gardens is largely based on the Maysles Brothers 1975 documentary about Edith Bouvier Beale and her daughter, “Little Edie” Beale, relatives of Jackie Bouvier Kennedy Onassis and once members of the same East Coast aristocracy. Thanks to a kind of reckless irrationality, the women over time sank into poverty and grime at the once grand 28-room mansion they shared in The Hamptons. The documentary made a large impression, not least because of the family name, but also because it was unsparing in its tell-all detail, showing us how these two not untalented women also shared a profound disconnection with reality and a stifling co- dependent relationship with each other. -
Nobody Expects the Spanish Inquisition
Nobody Expects the Spanish Inquisition Nobody Expects the Spanish Inquisition Cultural Contexts in Monty Python Edited by Tomasz Dobrogoszcz Foreword by Terry Jones ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 16 Carlisle Street, London W1D 3BT, United Kingdom Copyright © 2014 by Rowman & Littlefield All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Nobody expects the Spanish Inquisition : cultural contexts in Monty Python / edited by Tomasz Dobrogoszcz ; foreword by Terry Jones. pages cm Includes bibliographical references and index. ISBN 978-1-4422-3736-0 (cloth : alk. paper) – ISBN 978-1-4422-3737-7 (ebook) 1. Monty Python (Comedy troupe) I. Dobrogoszcz, Tomasz, 1970– editor. PN2599.5.T54N63 2014 791.45'028'0922–dc23 2014014377 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America But remember, if you’ve enjoyed reading this book just half as much as we’ve enjoyed writing it, then we’ve enjoyed it twice as much as you. Contents Acknowledgments ix Foreword xi Part I: Monty Python’s Body and Death 1 1 “It’s a Mr. -
FINAL SALUTE Each Year We Note the Passing of Influential Creators, Performers, and Institutions
FINAL SALUTE Each year we note the passing of influential creators, performers, and institutions. These passings occurred between SoonerCon 28 and the original date for SoonerCon 29. American actress and singer Peggy Lipton passed away May 11, 2019. Her best-known acting role was as undercover cop Julie Barnes on The Mod Squad, 1968-1973. She won a new generation of fans when she ran the Double R Diner as Norma Jennings, in Twin Peaks. Doris Day was a big-band singer, TV and film actress, and talk-show host. She won several awards for comedy and popularity. She was also an activist for animal welfare, lending her star power to several organizations bearing her name. She died May 13, 2019. Domestic cat Tardar Sauce was better known as the meme she unwittingly founded: Grumpy Cat. Dwarfism contributed to her scowling face, which graced ads for Friskies and General Mills Honey Nut Cheerios. The frowning feline cashed in her lives on May 14, 2019. The career of the inspired Tim Conway began in 1962 and lasted through TV, movies, voice-overs, and video games. Among his noted appearances were the goofy Dorf; four years on McHale ‘s Navy; eleven years on The Carol Burnett Show; several solo TV shows; and as Barnacle Boy, 1999-2012, on SpongeBob SquarePants. Conway took his final bow on May 14, 2019. Born in China, I.M. Pei moved to America in 1935 and in 1948 became a professional architect. He designed the John F. Kennedy Library, which took until 1979 to complete. In 1962 he was selected by OKC’s Urban Renewal Authority to redesign our downtown. -
Graduate Catalog 2021-2022
Graduate Catalog 2021-2022 GRADUATE CATALOG 2021-2022 FROSTBURG STATE UNIVERSITY 101 BRADDOCK ROAD FROSTBURG, MARYLAND 21532- 2303 WWW.FROSTBURG.EDU Published for the Division of Academic Affairs by the FSU Office of Communications & Media Relations Frostburg State University is a constituent institution of the University System of Maryland. ii | GRADUATE CATALOG 202 1 - 2022 The provisions of this catalog are not to be regarded as an irrevocable contract between the University and the student. The University reserves the right to change any provisions of requirement at any time, but its practice is to not make changes in degree and admission requirements retroactive. Other regulations and procedures and course offerings may change during the period of your enrollment. Whenever possible, such changes will be published in official University publications such as the Graduate Catalog and Registration Guidelines, and on the University website, with prior notice of changes provided. However, if circumstances require, such changes may be made without notice. NOTE: Notwithstanding any other provision of this or any other University publication, the University reserves the right to make changes in tuition, fees and other charges at any time such changes are deemed necessary by the University and the University System of Maryland Board of Regents. FSU is committed to making all of its programs, services and activities accessible to persons with disabilities. To request accommodation through the ADA Compliance Office, call 301.687.4102 or use a Voice Relay Operator at 1.800.735.2258. Frostburg State University is an Affirmative Action/Equal Opportunity institution. Admission as well as all policies, programs and activities of the University are determined without regard to race, color, religion, sex, national origin, status as a veteran, age or handicap.