P22 Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

P22 Layout 1 22 Established 1961 Monday, June 17, 2019 Lifestyle Features A worker sorting newspapers and magazines for recycling at a waste center in the town Separated metal items at a waste center in the town of Kamikatsu, A worker stacking sheets of compacted aluminum cans at a waste center of Kamikatsu, Tokushima prefecture. — AFP photos Tokushima prefecture. in the town of Kamikatsu, Tokushima prefecture. lastic, paper, metal? In Japan’s then let’s recycle.’ It’s cheaper to recycle waste plastic products.” In 2018, Japan’s government Kamikatsu, sorting rubbish isn’t that sim- than burn it,” said town official Midori Suga. unveiled a proposal to tackle plastic waste, Pple. Residents face a mind-boggling 45 Kamikatsu is already close to achieving its with the goal of reducing the 9.4 million tonnes separate categories for their garbage as the goal, recycling about 80 percent of the 286 produced by the country each year by a quar- town aims to be “zero-waste” by 2020. And tons of waste it produced in 2017, far more ter by 2030. The plan proposes that retailers that’s not all: there isn’t even trash collection. than the national average of 20 percent. should charge for plastic bags-a measure Bottles separated into drums at a waste centre in the The 1,500 residents of the town in western The remainder, like most waste in Japan, is already widely adopted around the world-but town of Kamikatsu, Tokushima prefecture. Japan have to transport their waste themselves incinerated, as the country’s mountainous ter- that isn’t expected to come into effect before to a local facility. “Yes, it’s complicated,” said rain considered unsuitable for landfills. 2020 and other types of plastic packaging Naoko Yokoyama, a 39-year-old resident who The nation produces less general waste per won’t be covered. had brought her trash to the town’s waste cen- person than most developed countries, but it ter. “But I have become more environmentally generates more plastic waste per capita than conscious since I moved here a year ago,” she anywhere except the United States. In the past, told AFP. some plastic was exported for recycling, par- The categories cover everything from pil- ticularly to China, but a ban by Beijing on lows to toothbrushes as the town aims to recy- imports has left plastic recyclables piling up in cle all its waste, sending nothing to incinera- parts of Japan. tors, by next year. The process can be oner- Still, not all residents think the initiative ous-not only are there dozens of separate cat- could work elsewhere. “It works because egories, but items like plastic bags and bottles we’re only 1,500 people here,” said must be washed and dried to facilitate recy- Yokoyama, who moved from Kyoto. “It would cling. At the town’s waste facility, there are be difficult in a big town with a larger popula- dozens of different boxes for each category. If tion,” she added, because authorities would the parts of an item fall into different cate- struggle to enforce it. Kazuyuki Kiyohara, manager of a waste center, placing gories for recycling, residents are expected to plastic waste into a compacting machine in the town of take them apart and send each bit to the right Reduce consumption Kamikatsu, Tokushima prefecture. container. But other residents say the policy is just One man who had brought in a shelf had to common sense. “I understand it’s convenient to use a hammer to prise the wood from the met- just burn waste,” said 71-year-old local Saeko al, while elsewhere workers chopped up a Takahashi, as she washed milk cartons and tied thick, long rubber tube so it would fit into a newspapers together. “It’s better to recycle, it’s sorting box. Many parts of Japan already such a waste otherwise,” she explained. She require separation of rubbish, but most areas uses a compost bin for food waste such as fish have just a few categories, with the bulk of and meat and throws vegetable waste directly household waste going to incinerators. into her garden. “Food lasts longer when it’s Town official Suga said even Kamikatsu will A stack of compacted shipped in plastic packaging. So it’s not all bad, struggle to achieve zero-waste without aluminum cans at a ‘Let’s recycle’ but multiple layers of plastic aren’t necessary,” stronger efforts to reduce consumption. She waste center in the town Kamikatsu was not much different until an added Takahashi. said: “We have made efforts to achieve zero of Kamikatsu, Tokushima ultimatum: in 2000, the town was ordered to Kazuyuki Kiyohara, manager of the waste incineration and zero landfill disposal goals, but prefecture. shut down one of its incinerators because it no centre, said plastic makes up the majority of it’s not enough.” She explained: “We shouldn’t longer met stricter emissions standards. That the residents’ waste-and despite the scheme focus just on how to dispose of trash. We need left the town with just one incinerator that there has been little reduction in consumption. to come up with policies that prevent the pro- couldn’t handle all of Kamikatsu’s waste, and “Our lifestyle depends mainly on plastic,” the duction of waste.” — AFP there wasn’t enough money for a new one or to 38-year-old said, adding: “Consumers can Workers sorting trash at a waste centre in the town of pay a neighboring town for use of theirs. “We reduce plastic waste to a certain extent, but Kamikatsu, Tokushima prefecture. thought, ‘If we can’t burn waste in the town, we’ll still have waste if producers keep making apan’s booming animation industry is in holds. Miyazaki blazed an arthouse trail with later this year will be on the release of crisis-with low pay, long hours and a huge such animated classics as the Oscar-winning “Weathering with You”, Makoto Shinkai’s fan- Jshortage of artists-just as its global popu- “Spirited Away”, “Howl’s Moving Castle” and tasy follow-up to the record-breaking “Your larity has never been higher. Three of the 10 the fabulous “My Neighbour Totoro”. Name”, now the highest-grossing Japanese feature films in the running for top prize at the film of all time. world’s most important animation festival in Creative burn-out Its production team unveiled a sneak pre- Annecy in France-which ends Saturday-are But Yoshiaki Nishimura, a former Miyazaki view of the supernatural story at Annecy, with from Japan. The country is the only real chal- stalwart who produced the Oscar-nominated a high-school runaway meeting a girl who can lenger to Hollywood’s dominance of the labor- “The Tale of The Princess Kaguya”, told AFP change the weather. With a live-action version intensive genre. But just as Japanese anime that the industry was struggling to “face up to of “Your Name” in the works and US televi- seemed to be threatening to loosen Pixar and a lack of animators, bad working conditions sion about to remake the cult Japanese series Disney’s grip on the popular imagination with and perhaps a lack of creativity”. His peers also “Train Man” about an anime-obsessed youth, the likes of the teen mega hit “Your Name” and complain of low pay, a paucity of emerging the genre has never been closer to the inter- a Nintendo Super Mario movie in the pipeline, young talent and burn-out in overworked ani- national mainstream. Nishimura said that he long-running structural problems are in danger mation teams who often put in 12- to 18-hour has tried to keep the “Ghibli style and spirit of sapping its rise. days. Rising star Keiichi Hara, who showed his going... with a mix of hand-drawn and com- new film “The Wonderland” at Annecy after puter animation” at Studio Ponoc, which he winning the jury prize there four years ago set up after Miyazaki-a heavy smoker who with “Miss Hokusai”, feared for the future. was having health problems-first hung up his A person watches a Virtual Reality movie in Annecy during “Perhaps the biggest problem in the pencil in 2013. the Annecy International Animation Film Festival. Japanese animation industry is that there are no more young animators,” he warned. Ayumu New surfer story a hit Watanabe-whose beautiful “The Children of It scored its first hit in 2017 with “Mary and the Sea” was shown out of competition at the the Witch’s Flower” and Nishimura premiered a festival-worried about visual “standardisation” series of new shorts at Annecy. For him, the and lack of originality, not helped by the fact industry’s woes are “the result of an accumula- that “fewer and fewer animators can draw well tion of problems over the last five to 10 years”, by hand.” but he insisted his studio was trying to “create Even industry heavyweights like Mamoru a new environment”. And as the wowed audi- Hosoda, the genius behind “Wolf Children”, ences at Annecy for Masaaki Yuasa’s touching “The Boy and the Beast” and “The Girl who “Ride Your Wave” proved, despite its problems Leapt Through Time”, have to put in punish- Japanese anime can still get things very right. ingly long hours with relatively tiny teams. He The story of love, surfing and grief struck a told AFP last year that his latest hit “Mirai” was huge cord with critics at the French festival. inspired by his wife complaining that she was a Amel Lacombe, whose company Eurozoom is a widow to his work, calling him to account for key French animation distributor, said the leaving her “to bring up my son on her own”.
Recommended publications
  • Japan Week in Bhutan 2019
    FEATURE FILM - CRAYON SHIN CHAN–BRAVO! SAMURAI BATTLE 2002 / 95min / Dir: Keiichi HARA One morning, Shinnosuke and his parents have the exact same JAPAN WEEK IN BHUTAN dream. While Shin Chan becomes entranced with the “pretty lady” from that dream, his dog Shiro, also seems to have had the same September - October 2019 dream and begins digging a hole in the yard. Shin Chan discovers a wooden box in the hole. There’s a letter inside written in his own handwriting that says he’s in the second year of the Tensho era (1574). Even though he has no recollection of the letter, while standing at the bottom of the hole, he unwittingly travels through ©2002/Usui Yoshito. / Futabasha・ time to an unfamiliar place. SHIN-EI Animation・TV Asahi Corporation. JLPT (Japanese Language Proficiency Test) Seminar In December this year, JLPT will be conducted in Bhutan (Thimphu) for the first time. To commemorate this occasion, Japan Foundation will hold a JLPT seminar, explaining the purpose, usage, and countermeasures of the exam. All are welcome ! Mononoke – Animation program on BBS TV 2 from 1st October 2019 (Tue) at 5:00pm “Mononoke” is a Japanese horror taste animation which consists of 5 story- arcs, 12 episodes (25 min. each) in total. In feudal Japan, evil spirits known as mononoke plague both households and the countryside, leaving a trail of fear in their wake. One mysterious person has the power to slay the mononoke where they stand; he is known only as the Medicine Seller, and he vanquishes the spirits using the power of his Exorcism Sword.
    [Show full text]
  • (WHEN MARNIE WAS THERE) Is a Fourth Quarter 2017 LVCA Dvd
    OMOIDE NO MÂNÎ (WHEN MARNIE WAS THERE) is a Fourth Quarter 2017 LVCA dvd donation to the Hugh Stouppe Memorial Library of the Heritage United Methodist Church of Ligonier, Pennsylvania. Here’s Kino Ken’s review of that mystical animation from Japan. 16 of a possible 20 points **** of a possible ***** Japan 2014 color 103 minutes feature animation fantasy dubbed in English Studio Ghibli / Toho Company /Dentsu / Hakuhodo DY Media Partners Producers: Yoshiaki Nishimura, Koji Hoshino, Geoffrey Wexler (English version), Toshio Suzuki Key: *indicates outstanding technical achievement or performance (j) designates a juvenile performer Points: Direction: Hiromasa Yonebayashi 0 Editing: Rie Matsubara 2 Photography: Atsushi Okui 2 Lighting 2 Animation: Masashi Ando (Animation Director) 1 Screenplay: Keiko Niwa, Masashi Ando, and Hiromasa Yonebayashi based on the novel by Joan Robinson 2 Music: Takatsugu Muramatsu, Priscilla Ahn (theme music) Francisco Tarriega (“Valse in La Mayor” from Recuerdos de la Alhambra) 2 Production Design: Yohei Taneda Character Design: Masashi Ando 2 Sound: Eriko Kimura, Jamie Simone (English Version) Sound Direction: Koji Kasamatsu 1 Voices Acting 2 Creativity 16 total points English Voices Cast: Ava Acres (Sayaka), Kathy Bates (Mrs. Kadoya), Taylor Autumn Bertman (j) (Young Marnie), Mila Brener (j) (Young Hisako), Ellen Burstyn (Nan), Geena Davis (Yoriko Sasaki), Grey Griffin (Setsu Oiwa), Catherine O’Hara (Elderly Lady), Takuma Oroo (Neighborhood Association Officer), John Reilly (Kiyomasa Oiwa), Raini Rodriguez (Nobuko
    [Show full text]
  • Et Les Fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko
    OKKOet les fantômes © Hiroko Reijo, Asami, KODANSHA / WAKAOKAMI Project Project / WAKAOKAMI Asami, KODANSHA Reijo, © Hiroko Un film de Kitarô Kôsaka Directeur de l’animation sur LE VENT SE LÈVE présente SYNOPSIS Seki Oriko, dite OKKO, est une petite fille formidable et pleine de vie. Sa grand-mère qui tient l’auberge familiale la destine à prendre le relais. Entre l’école et son travail à l’auberge aux côtés de sa mamie, la jeune Okko apprend à grandir, aidée par OKKO d’étranges rencontres de fantômes et autres créatures mystérieuses ! et les fantômes INTRODUCTION Adapté d’un livre pour enfants très populaire qui s’est vendu au Japon à plus de Un film de Kitarô Kôsaka 3 millions d’exemplaires, OKKO ET LES FANTÔMES est le premier long métrage Directeur de l’animation sur LE VENT SE LÈVE réalisé par Kitarô Kôsaka, ancien collaborateur de Hayao Miyazaki au sein du Studio Ghibli. Une adaptation du livre a d’abord été publiée en manga dans le magazine « shojo » Nakayoshi des éditions Kodansha. Dessinée par Eiko Ouchi, la série compte 7 tomes sortis entre 2006 et 2012 (inédite en France). SORTIE LE 12 SEPTEMBRE Enfin, en parallèle au long métrage, une série TV animée, produite par le studio Madhouse, est réalisée par une équipe distincte de celle du film en proposant une approche différente de l’oeuvre originale. La série est à découvrir en ce moment sur Manga One, disponible dans l’offre JAPON - DURÉE : 95 MIN Pickle TV d’Orange. LES PERSONNAGES Oriko Seki, alias Okko : Âgée de 12 ans, elle est en dernière année d’école primaire.
    [Show full text]
  • Download the Program (PDF)
    ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P.
    [Show full text]
  • FREE ANIME FILM SHOWING the Remarkable Life and Works of Japanese Artist and Ukiyo-E Painter Katsushika Hokusai, As Seen from the Eyes of His Daughter, O-Ei
    FREE ANIME FILM SHOWING The remarkable life and works of Japanese artist and ukiyo-e painter Katsushika Hokusai, as seen from the eyes of his daughter, O-Ei. An opportunity to discover how life was in Tokyo back in 1814 during the Edo period. WEDNESDAY 30 NOVEMBER 2016 19:00 FREE ENTRANCE RESERVATION REQUIRED: CINÉ UTOPIA 16, avenue de la Faïencerie [email protected] - 46 41 51 43 L-1510 Luxembourg (Limpertsberg) 93 min Japan 2015 in Japanese with English subtitles A SUMPTOUS, SENSUOUS ANIMATED WORK OF ART! - Los Angeles Times GORGEOUS! A SMALL POETIC WONDER! - The Hollywood Reporter CRITICS’ PICK! EXTRAORDINARY! ENCHANTING! THOUGHT PROVOKING! - New York Times The Japanese Embassy in Luxembourg organizes a free anime film showing of « MISS HOKUSAI » From award-winning director Keiichi Hara (Colorful) and Japanese powerhouse Production I.G (creators of Ghost in the Shell) comes a remarkable story of the daughter behind one of history’s most famous artists. As all of Edo flocks to see the work of the revered painter Hokusai, his daughter O-Ei toils diligently inside his studio. Her masterful portraits, dragons and erotic sketches – sold under the name of her father – are coveted by upper crust Lords and journeyman print makers alike. Shy and reserved in public, in the studio O-Ei is as brash and uninhibited as her father, smoking a pipe while sketching drawings that would make contemporary Japanese ladies blush. But despite this fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art.
    [Show full text]
  • Print 2021.1.5 Updated
    BIOGRAPHY Ryo Kase Ryo Kase was born on November 9, 1974 in Kanagawa, Japan. Shortly after birth his family moved to Washington, United States, where he spent most of his childhood. Kase began his acting career in 2000 and gained his first starring role in Kazuyoshi Kumakiri’s Antenna (2004). He then went on to work with several internationally renowned Japanese film directors, including Takashi Kitano, Hirokazu Koreeda and Kiyoshi Kurosawa. His first appearance in an International film was Clint Eastwood’s Letters from Iwo Jima (2006). He continued to appear in several high-profile international films including Gus Van Sant’s Restless (2011), Abbas Kiarostami’s Like Someone in Love (2012), Hong Sang-soo’s Hill of Freedom (2014), Martin Scorsese’s Silence (2017) and Bel canto (2018). He is a recipient of multiple awards, including a nomination for Japan Academy Award, Blue Ribbon Award, Hochi Film Award and Asian Film Award. 5.January.2021 FILMOGRAPHY <MOVIE> 2020 MINAMATA Andrew Levitas The Works and Days C.W. Winter, Anders Edström (of Tayoko Shiojiri in the Shiotani Basin) 2019 TO THE ENDS OF THE EARTH Kiyoshi Kurosawa 2018 Bel Canto Dir. Paul Weitz LYING TO MOM (aka The Suzuki Family’s Lie.) Dir. Katsumi Nojiri Mori, The Artist’s Habitat Dir. Shuichi Okita 2017 Moonlight Shimo Ochiai Dir. Tasuku Emoto March comes in like a lion Dir. Keishi Otomo SILENCE Dir. Martin Scorsese 2016 Azumi Haruko wa Yukue Fumei Dir. Daigo Matsui 2015 FOUJITA Dir. Kohei Oguri Our Little Sister Dir. Hirokazu Koreeda 2014 Hill of Freedom Dir. Hong Sang-Soo My Hawaiian Discovery Dir.
    [Show full text]
  • Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
    WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978).
    [Show full text]
  • 07 — 08.2012 (2.25 Mb )
    JulAgo Julio Do01 Urban TV 2012 Soundays. 12 Transmissions 2012. Festival de cine y música Xposure Don Letts Chirie Vegas Lu02 Ma03 Mi04 Ju05 Vi06 Sá07 Do08 Apertura Ebb & flow. A Onda Ciclo de cine y debate: Inéditos 2012 Cine de Verano. Soundays en Cultura Traz, O Vento Leva Exclusión social y Anime en la terraza La Terraza Medio Ambiente Un vídeo de Gabriel Mascaro desgarro Apertura Genius Party Beyond, Eyvind Kang & Jessika Educación Poesía, de Lee Chang Proto Anime Cut de Mahiro Maeda y Kenney Solidaridad Ciclo de cine y debate: Dong otros Para niños y jóvenes Solidaridad social. Cine de verano. Genérico ¿Una utopía? Anime en La Terraza Le Havre, de Aki Ghost in the Shell 2.0 aurismäki Lu09 Ma10 Mi11 Ju12 Vi13 Sá14 Do15 Ciclo de cine y debate: Reapertura de la Ciclo de cine y debate: Urban TV 2012 Cine de Verano. Soundays en Exclusión social y exposición Ciudades Exclusión social. Fecha límite Anime en la terraza La Terraza aislamiento habitables ciudades Personas sin hogar inscripciones La chica que saltaba a Concierto de Lars y una chica de de futuro convalecientes través del tiempo, de The Necks verdad, de Graig La muerte del señor Cine de verano. Mamoru Hosada Gillespie Lazarescu, de Cristi Anime en La Terraza Puiu Paprika, de Satoshi Kon Lu16 Ma17 Mi18 Ju19 Vi20 Sá21 Do22 Ciclo de cine y debate: Ciclo de cine y debate: Cine de verano. Cine de verano. Soundays en Exclusión social y Exclusión social y Anime en La Terraza Anime en La Terraza La Terraza autoestima alcoholismo Redline, de Takeshi Evangelion: 1.0 You DJ Set de Lumpen Buscando a Eric, de Redención, de Paddy Koike Are (Not) Alone, de Nobleman Ken Loach Considine Hideaki Anno Lu23 Ma24 Mi25 Ju26 Vi27 Sá28 Do29 Ciclo de cine y debate El niño de la bicicleta, Ciclo de cine y debate: Cine de verano.
    [Show full text]
  • Lupine Loss and the Liquidation of the Nuclear Family in Mamoru Hosoda’S Wolf Children (2012) Dr
    Journal of Anime and Manga Studies Volume 1 ‘Wolves or People?’: Lupine Loss and the Liquidation of the Nuclear Family in Mamoru Hosoda’s Wolf Children (2012) Dr. David John Boyd Volume 1, Pages 1-34 Abstract: This essay examines an alternative eco-familial reading of Mamoru Hosoda’s manga film, Wolf Children (2012) through an analysis of Japanese extinction anxieties further exacerbated by 3/11. By reading the film through a minor history of the extinction of the Honshu wolf as a metaphor for 3/11, I argue that an examination of the degradation of Japanese preindustrial “stem family” and the fabulative expression of species cooperation and hybridity can more effectively be framed by the popular Japanese imaginary as a lupine apocalypse. In a reading of Deleuze and Guattari on becoming-animal, the omnipresence of lupine loss in the institutions of the home, work, and schools of contemporary Japan, interrogated in many manga, anime, and video game series like Wolf Children, further reveals the ambivalence of post-3/11 artists as they approach family and the State in seeking out more nonhuman depictions of Japan. In this reading of becoming-wolf, Hosoda’s resituates the family/fairy-tale film as a complex critique of the millennial revival of a nuclear Japan in the age of economic and environmental precarity and collapse. I hope to explore the nuances and contradictions of Hosoda’s recapitulation of family through a celebration of Deleuzo-Guattarian pack affects and an introduction of the possibilities of “making kin,” as Donna Haraway explains, at the ends of the Anthropocene.
    [Show full text]
  • Mamoru Hosoda and His Humanistic Animations
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE 79 Mamoru Hosoda and His Humanistic Animations Satoshi TSUKAMOTO 愛知大学国際コミュニケーション学部 Faculty of International Communication, Aichi University E-mial: [email protected] 概 要 本論文は、日本のアニメーションの監督である細田守の作品を考察する。彼のアニメーショ ンには、筆者によると二つの特徴がある。一つ目は人と人とのつながりが大切であるというメッ セージを、細田はアニメーションを通して伝えている。人と人とのつながりは、家族ばかりで なく、親戚、友人、隣人、師弟を含んでいる。作品によって人と人との関係性は違うが、その 重要性を彼の作品は伝えている。二つ目は異次元の世界をうまく描いているという点である。 インターネットの世界と現実、人間とオオカミ、人間と化け物などの二つの次元の違う世界を 相対立する世界というより、共存する世界として描いている。この二つの点が細田守のアニメー ションの特徴である。 Introduction Japanese animations are popular not only domestically but also globally. The wide variety of animations ranges from family-oriented TV animations such as Sazae San (1968–the present) and Chibi Maruko-chan (1990–1992, 1995–the present) to science fiction animations, such as Appleseed (2004) and PSYCHO-PASS (2015). Because of the Internet it is easy to gain access anywhere to the contents of Japanese animations 80 文明21 No.42 with provocative themes, and this situation contributes to their popularity (Otmazgin, 2014). The first animation appearing on TV in Japan was Astro Boy, created by Osamu Tezuka in 1963. Then, an epoch-making animation that surprised audiences throughout the world, Akira, was produced by Katsuhiko Otomo in 1988. In my generation (i.e., born in the 1960s), many people grew up with animations, starting with the TV series, Space Battleship Yamato (1974–1975). Lupin the Third: The Castle of Cagliostro (1979) and Nausicaa of the Valley of the Wind (1984) followed, both of which were directed by Hayao Miyazaki. Of course, I watched more animations in my school days. In fact, many people, including me, have been influenced by certain animations in their youth in one way or another.
    [Show full text]
  • Wolf Children
    PRESENTS WOLF CHILDREN A MAMORU HOSODA FILM Running time: 117 minutes Certificate: TBC Opens at UK cinemas on 25th October Press Contacts Elle McAtamney – [email protected] For hi-res images/production notes and more, go to – www.fetch.fm To the children, a movie like a delightful, fun fairy tale… To the youth, to make raising children, which they have yet to experience, seem full of surprises and wonder… And to the parents, to let them reminisce about their children’s growth… I am striving to make an invigorating movie that satisfies the principles of entertainment. Mamoru Hosoda Director, screenwriter, author of original story INTRODUCTION The long-awaited new film by Director Mamoru Hosoda! Yet another movie that enthralls people of all generations!! In “The Girl Who Leapt Through Time” (2006), he depicted the radiance of youth in flashing moments of life. In “SUMMER WARS” (2009), he told a story about a miracle, of how the bond between people saved Earth’s crisis, and the film swept awards domestic and abroad. Mamoru Hosoda has become the most noted animation director in the world. Why do his works appeal to people of all generations? His stories are not about the extraordinary, and they are not about superheroes. Set in towns that could really exist, the main characters are surrounded by ordinary people and are troubled by slightly unique circumstances, which they struggle to overcome. Based on well-thought-out scenarios, these real-to-life stories are made into dynamic animation. That’s why the main characters seem so familiar to us and draw our sympathy, and we get excited watching how they fare.
    [Show full text]
  • Mary and the Witch's Flower
    MEDIA ALERT – February 8, 2018 “Mary and The Witch’s Flower” Lands as Top Grossing GKIDS Release and Earns Special Two-Day Encore Screenings February 24 and 26 Due to Overwhelming Fan Demand • WHAT: The debut title from Studio Ponoc, “Mary and The Witch’s Flower,” will get a special encore screening following its successful January 18 premiere in cinemas. Grossing more than $1.1m for the special premiere event with Fathom Events led to the film debuting at number 3 at that day’s box office, with the highest per-screen-average- attendance. The total box office gross following the select theatrical release of the film now stands at $1.9m, making the title also the most successful GKIDS theatrical release in the company’s history. This stunning, action-packed fantasy adventure is the second collaboration between Academy Award®-nominated director Hiromasa Yonebayashi (Studio Ghibli’s When Marnie Was There and The Secret World of Arrietty) and two-time Academy Award®- nominated producer Yoshiaki Nishimura (Studio Ghibli’s The Tale of The Princess Kaguya and When Marnie Was There). Mary is an ordinary young girl stuck in the country with her Great-Aunt Charlotte and seemingly no adventures or friends in sight. She follows a mysterious cat into the nearby forest, where she discovers an old broomstick and the strange Fly-by-Night flower, a rare plant that blossoms only once every seven years and only in that forest. Together the flower and the broomstick whisk Mary above the clouds, and far away to Endor College – a school of magic run by headmistress Madam Mumblechook and the brilliant Doctor Dee.
    [Show full text]