Students Mobilize for Impeachment
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INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Jon Lord June 9 1941 – July 16 2012
Jon Lord June 9 1941 – July 16 2012 Founder member of Deep Purple, Jon Lord was born in Leicester. He began playing piano aged 6, studying classical music until leaving school at 17 to become a Solicitor’s clerk. Initially leaning towards the theatre, Jon moved to London in 1960 and trained at the Central School of Speech and Drama, winning a scholarship, and paying for food and lodgings by performing in pubs. In 1963 he broke away from the school with a group of teachers and other students to form the pioneering London Drama Centre. A year later, Jon “found himself“ in an R and B band called The Artwoods (fronted by Ronnie Wood’s brother, Art) where he remained until the summer of 1967. During this period, Jon became a much sought after session musician recording with the likes of Elton John, John Mayall, David Bowie, Jeff Beck and The Kinks (eg 'You Really Got Me'). In December 1967, Jon met guitarist Richie Blackmore and by early 1968 the pair had formed Deep Purple. The band would pioneer hard rock and go on to sell more than 100 million albums, play live to more than 10 million people, and were recognized in 1972 by The Guinness Book of World Records as “the loudest group in the world”. Deep Purple’s debut LP “Shades of Deep Purple” (1968) generated the American Top 5 smash hit “Hush”. In 1969, singer Ian Gillan and bassist Roger Glover joined and the band’s sound became heaver and more aggressive on “Deep Purple in Rock” (1970), where Jon developed a groundbreaking new way of amplifying the sound of the Hammond organ to match the distinctive sound of the electric guitar. -
OZ 35 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD. -
I.U. Approves Fee Hike Student Presidents Address Board
l - J l ____ ■»- ! --------- La-. r»----im k m is J m I.U. approves moil n i uravvi my rtt ochoomi fee hike by JeEBteM eysn Sharp The board approved a per credit The Indiana University Board of hour rate far students enrolled at the Trustee* approved a II per cent Bloomington campus. Previously, increaae ta student fete for under these students paid a Oat sum of $3S1 graduate Indiana reaidenta at IUPUI for 13 to 17 credit hours. at Ita masting Friday, June 17 in Undergraduate Indiana resident students will now pay 117 per credit The current fee of H I per credit hour. Bloomington graduate students hour will be raiaed to 133 per credit who are residents win pay $3$ per hoar effective the 1877 7* academic credit hour. This Is an increase of 11 year. per cent far graduate students. Reoldent graduate atudenta at Fees for the academic year 1V70-70 IUPUI feeo were raiaed hem CM per w ere not approved by the board at the credit hour to H t an increaae of S3 recommendation of Ryan Ryan said percent tha 1173-79 fees should not be The largeet increaaee came in the approved became the current fee feee aaaeaaed graduate, non-reeident increatee are beaed on the assump atudenta. The per credit hour fee van tion of future student enrollment, $63 and will be raiaed to 171, an revenue generated from student fees increaoeof 37percent. and the ratio of inflation Before the board granted approval In other board action, approval was for the fee increaaee, there was much granted for the purchase of property discussion about the amount of • t $10413 W. -
Beware of Mr. Baker“
Bemerkungen zu „Beware of Mr. Baker“ Erscheinungsjahr: 2013 Regisseur: Jay Bulger Interviewpartner: Eric Clapton, Jack Bruce, John Lydon, Charlie Watts, Lars Ulrich, Steve Winwood, Carlos Santana, Jonny Rotten, Femi Kuti Vorbemerkungen: Ginger Baker, 1939 in England geboren, spielte bereits als Sechzehnjähriger Schlagzeug bei Jazzgrößen des Traditional Jazz wie Terry Lightfoot (englischer Klarinettist und Big-Band Leader) oder Mr. Acker Bilk (Jazz- Klarinettist, Band-Leader). Ende der fünfziger Jahre wandte er sich dem Blues und der beatorientierten Musik zu. Er wurde u.a. Schlagzeuger bei Alexis Korner. Seinen weltweiten Durchbruch erzielt er 1966 mit der Supergruppe „Cream“, der als Bassist Jack Bruce und als Gitarrist Eric Clapton angehörte. In die Musik der Gruppe wurden ausschweifende Improvisationen eingebaut. Auch sein Schlagzeugspiel war sehr innovativ. Er verwendete u.a. zwei Bass-Drums. Weitere Stationen waren „Blind Faith“ oder „Ginger Baker’s Air Force“. In den siebziger Jahren ging Baker nach Nigeria, wo er mit dem Saxophonisten/Trompeter/Sänger Fela Kuti (Mr. Afrobeat) arbeitete. Heute arbeitet er wieder im Jazz-Bereich. Seine gegenwärtige Band nennt sich „Ginger Baker’s Jazz Confusion“. Ginger Baker's Jazz Confusion mit Abbass Dodoo, Pee Wee Ellis, Ginger Baker, und Alec Dankworth Filmplakat Filminhalt: Beginnen möchte ich die Besprechung mit einem wörtlichen Zitat des Filmkritikers Joachim Hentschel in der Süddeutschen Zeitung vom 21. Dezember. „Ginger Baker ist, mit Verlaub, ein Arschloch. Ein gemeingefährlicher Mann. Das sieht man gleich in der ersten Szene von "Beware Of Mr. Baker", dem Doku-Porträt von Jay Bulger, das jetzt im Kino läuft. Da geraten Baker, die heute 74-jährige Hauptfigur, und Bulger, der 31-jährige Regisseur, in einen hektischen Streit darüber, wer in der Reportage sonst noch auftreten dürfe. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Julie Fowlis Mark Steel
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM MAY – AUG 2014 MARK THOMAS JULIE FOWLIS JIM CREGAN & BEN MILLS RICHARD HERRING LYNDA LA PLANTE THEA GILMORE GLENN TILBROOK BARBARA DICKSON MARK STEEL MARTIN ROWSON ROPETACKLECENTRE.CO.UK MAY 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this summer. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first-class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious With support from pre-show suppers from 6pm before most of our Thursday events. Advance booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 MAY 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2014 RICHARD RICHARD DURRANT HERRING CYCLING MUSIC RICHARD HERRING, WE’RE - TOUR & ALBUM ALL GOING TO DIE! ‘a cracking hour of LAUNCH intelligent, thought- With bicycles as lighting stands and provoking satire’ The a stage set carried in panniers, this Edinburgh Evening News will be a truly intriguing concert of beautiful guitar music. -
May to August 2018 Y a M
May to August 2018 y a M 1 1 , d y o r k c A y p p o P MEDIA PARTNER www.thequeenshall.net +44 (0)131 668 2019 Clerk Street, Edinburgh EH8 9JG Booking Tickets Online www.thequeenshall.net Over the phone +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights In person 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5.15pm or until 15 mins after start on show nights Edinburgh International Festival Tickets for EIF cannot be bought through our sales channels until the Festival starts. Until then, please visit: eif.co.uk | +44 (0)131 473 2000 | Hub Tickets, The Hub, Castlehill, Edinburgh EH1 2NE Transaction charge: A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees Some shows incur a booking fee ( bf ), which is a per ticket charge for all bookings (phone, online, in person) Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. If you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don't have this information in advance, a 'doors open' time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. -
Rod Stewart Foot Loose & Fancy Free Mp3, Flac
Rod Stewart Foot Loose & Fancy Free mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Foot Loose & Fancy Free Country: UK Released: 1977 Style: Acoustic, Soft Rock, Pop Rock MP3 version RAR size: 1445 mb FLAC version RAR size: 1213 mb WMA version RAR size: 1385 mb Rating: 4.7 Votes: 823 Other Formats: DXD MP2 APE WAV WMA TTA AHX Tracklist Hide Credits Fast Side Hot Legs A1 5:06 Guitar – Billy PeekSaxophone – Phil KenzieWritten-By – Stewart* You're Insane A2 Percussion – Paulinho Da Costa, Tommy VigSaxophone – Phil KenzieWritten-By – 4:37 Chen*, Stewart* You're In My Heart A3 Acoustic Guitar – Fred TackettSynthesizer [String Synthesizer] – Nicky 4:42 HopkinsViolin – Richard GreeneWritten-By – Stewart* Born Loose A4 Blues Harp [Harp] – John MayallGuitar – Billy PeekPercussion – Paulinho Da 5:51 CostaWritten-By – Grainger*, Cregan*, Stewart* Slow Side You Keep Me Hangin' On B1 8:21 Arranged By [Strings] – Del NewmanWritten-By – Holland, Dozier, Holland* (If Loving You Is Wrong) I Don't Want To Be Right Arranged By [Strings] – Del NewmanDrums – Roger BethelmyElectric Piano – David B2 4:12 FosterGuitar – Steve CropperSaxophone – Phil KenzieWritten-By – Hampton*, Banks*, Jackson* You Really Got A Nerve B3 4:48 Written-By – Grainger*, Stewart* I Was Only Joking B4 5:55 Written-By – Grainger*, Stewart* Companies, etc. Published By – Jobete Music (UK) Ltd. Published By – Island Music Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Skylark Music Ltd. Credits Bass – Phil Chen Drums – Carmine Appice (tracks: A1 to B1, B3, B4) Engineer – Andy Johns Engineer [Mastering] – Lee Hulko Guitar – Gary Grainger (tracks: A1, A2, A4, B1, B3, B4), Jim Cregan Lacquer Cut By – AC* Mastered By – Arun Chakraverty Organ – John Jarvis Photography By [Cover] – David Alexander Photography By [Sleeve] – Kent Gavin Piano – John Jarvis Producer – Tom Dowd Notes Side "A" (otherwise known as "Fast Side") Riva Music Ltd (1-3), Riva Music Ltd/Skylark Music/Warner Bros. -
Stay Safe Everybody Bunter Is Back and John Firminger Arrives John
October 2020 October 117 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Not the homeless, just a queue for theatre tickets back in 1973 Stay safe everybody Bunter is back and John Firminger arrives John Howard swamps the mag with reviews Susan Moore tells Keith about books and bands Jazz Junction, Soul Kitchen, Blues Rambling And more.... 1 The Festival is taking place at Gloucester Guildhall over the weekend of 29 - 31 January 2021. It's the 28th Festival and the line-up has the cream of UK Cajun and Zydeco bands. Because of the current health crisis, no American or European bands have been booked. There will be Cajun food and dance workshops and a licensed bar. The DJs are Swamp Rock Roadshow a.k.a. Carole and Nigel playing a mix of Swamp Rock and Southern States tracks. Weekend or Day tickets are available now from gloucesterguildhall.co.uk or phone 01452 503050 2 Professor Chris Whitty, Chief Medical Officer for England, has been in touch with all the latest scientific evidence which proves that, in the interests of the health of the nation, we need to “HOLD THE THIRD PAGE!” Greetings Gang. Welcome to Issue 117, the autumn edition of Tales From The Woods magazine. We hope that it finds all of you, your families, friends in fine health and helping to keep this dreadful virus at bay. Well, it certainly doesn’t look good does it? According to news reports just days ago at the time of typing, we are in for another long haul through the oncoming winter months, nothing much is going to change for the next six months.