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Shipley Wharf Retail Park | Shipley | West Yorkshire | Bd17 7Dz
PLANNING OBTAINED DECEMBER 2018 SHIPLEY WHARF RETAIL PARK | SHIPLEY | WEST YORKSHIRE | BD17 7DZ RETAIL UNITS TO LET Another Development by OPENING AUTUMN 2020 SHIPLEY WHARF RETAIL UNITS TO LET | SHIPLEY | BD17 7DZ LOCATION Shipley lies approximately 3 miles north of Bradford City Centre and forms part of the wealthy commuter hub within the SHIPLEY Leeds and Bradford conurbation. WHARF RETAIL PARK The town is the largest of those (including Ilkley, Otley, Bingley, Baildon and Guiseley) which form an arc of affluent areas north of Leeds and Bradford in a district with a rich industrial history. Strategically the town is located on both the River Aire and the Leeds Liverpool Canal from which it draws its historical significance. The famous village of Saltaire, including Salts Mill, is located nearby and is a Unesco designated World Heritage site ensuring several hundred thousand tourist visitors a year. SHIPLEY WHARF RETAIL UNITS TO LET | SHIPLEY | BD17 7DZ Notes Notes 1) This drawing MUST NOT BE SCALED. 1) This drawing MUST NOT BE SCALED. 2) All dimensions to be CHECKED ON SITE and any DISCREPANCY reported2) to theAll Architectsdimensions. to be CHECKED ON SITE and 3) The site boundary shown is the bestany assumed DISCREPANCY reported to the Architects. from available data and does NOT represent THE SITE legal ownership. 3) The site boundary shown is the best assumed from available data and does NOT represent legal ownership. SITE PLAN PRESENTATION 1:1000 SITE PLAN PRESENTATION The site is comprised of the former 0 20 40 60 80 1:1000 Airedale Mills and is located close 0 20 40 60 80 to ‘Fox's Corner’ where the Otley to Bradford (A6038) and Skipton to Leeds (A657) roads meet and is approximately 400 metres north of the town centre. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Contemporary Art Society Annual Report 1982
Contemporary Art Society Annual Report and Statement of Accounts 1982 ate Gallery 0 John Islip Street Dndon SW1 P 4LL 1-821 5323 The Annual General Meeting of the Contemporary Art Society will be held at Warwick Arts Trust, 33, Warwick Square, S.W.1 on Tuesday, August 9th, 1 983 at 6.1 5 p.m. 1 . To receive and adopt the report of the committee and the accounts for the year ended December 31,1 982, together with the auditor's report. 2. To appoint auditors, special notice having been given, pursuant to section 1 42 of the Companies Act 1 948 and section 1 4 (1} (a) of the Companies ' Act 1 976, of the intention to propose the following resolution as an ordinary resolution:-- that Messrs. Neville Russell be, and are hereby, appointed auditors of the Society in place of the retiring auditors, Messrs. Sayers Butterworth, to hold office until the conclusion of the next general meeting at which accounts are laid before the Society. 3. To authorise the committee to determine Messrs. Neville Russell's remuneration for the coming year. 4. To elect to the committee the following who has been duly nominated; Philip Poilock, The retiring members are Joanna Drew and the Marquess of Dufferin and Ava. 5. Any other business. By order of the committee Petronilla Spencer-Silver Company Secretary May 28 1 983 Company Limited by Guarantee Registered in London No. 255486 Charities Registration No. 208178 Untitled Drawing from a series of paintings made in Australia, 1 981 Chalk, charcoal and wash on paper 44£ x 62 inches/1 13x157 cm. -
Studio International Magazine: Tales from Peter Townsend’S Editorial Papers 1965-1975
Studio International magazine: Tales from Peter Townsend’s editorial papers 1965-1975 Joanna Melvin 49015858 2013 Declaration of authorship I, Joanna Melvin certify that the worK presented in this thesis is my own. Where information has been derived from other sources, I confirm that this is indicated in the thesis. i Tales from Studio International Magazine: Peter Townsend’s editorial papers, 1965-1975 When Peter Townsend was appointed editor of Studio International in November 1965 it was the longest running British art magazine, founded 1893 as The Studio by Charles Holme with editor Gleeson White. Townsend’s predecessor, GS Whittet adopted the additional International in 1964, devised to stimulate advertising. The change facilitated Townsend’s reinvention of the radical policies of its founder as a magazine for artists with an international outlooK. His decision to appoint an International Advisory Committee as well as a London based Advisory Board show this commitment. Townsend’s editorial in January 1966 declares the magazine’s aim, ‘not to ape’ its ancestor, but ‘rediscover its liveliness.’ He emphasised magazine’s geographical position, poised between Europe and the US, susceptible to the influences of both and wholly committed to neither, it would be alert to what the artists themselves wanted. Townsend’s policy pioneered the magazine’s presentation of new experimental practices and art-for-the-page as well as the magazine as an alternative exhibition site and specially designed artist’s covers. The thesis gives centre stage to a British perspective on international and transatlantic dialogues from 1965-1975, presenting case studies to show the importance of the magazine’s influence achieved through Townsend’s policy of devolving responsibility to artists and Key assistant editors, Charles Harrison, John McEwen, and contributing editor Barbara Reise. -
Bibliography
BIbLIOGRAPHY 3er salón Swift de grabado. 1970. Exhibition catalogue, September 9–27. Buenos Aires: The Museum of Modern Art. Adorno, Theodor. 1975 [1967]. Culture industry reconsidered. New German Critique 6: 12–19. AdSII. 1972a. Arte e ideología en CAYC al aire libre. Exhibition brochure. Buenos Aires: Centro de Arte y Comunicación. International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA) Documents no. 761671. AdSII. 1972b. Glusberg, Jorge. Arte e ideología en CAYC al aire libre. Exhibition brochure. Buenos Aires: Centro de Arte y Comunicación. International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA) Documents no. 747360. AdSII. 1972c. Ficha de obra de los artistas de la exhibición arte de sistemas II del Centro de Arte y Comunicación (CAYC). Exhibition catalogue. Buenos Aires: CAyC, September. International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA) Documents no. 761701. Althusser, Louis. 1971 [1970]. Ideology and ideological state apparatuses. In Lenin and philosophy and other essays, 121–176. Trans. Ben Brewster. London: NLB. Arnatt, Keith. 1989. “Keith Arnatt transport to another world”. Interview with Michael Craig-Smith. Creative Camera 6: 18–28. Arnatt, Keith. 1997. Interview with John Roberts. In The impossible document: Photography and conceptual art in Britain 1966–1976, ed. John Roberts, 47–53. London: Camerawork. Art & Language. 1991. Hostages XXV–LXXVI, exhibition catalogue, March 15– April 12. London: Lisson Gallery. © The Author(s) 2016 235 E. Kalyva, Image and Text in Conceptual Art, DOI 10.1007/978-3-319-45086-5 236 BibliOgraPhY Art & Language. -
TESS JARAY Present Lives and Works in London, UK 1957-60 Slade
TESS JARAY Present Lives and works in London, UK 1957-60 Slade School of Fine Art, University College, London, UK 1954-57 Saint Martins School of Art and Design, London, UK 1938 Moved to UK 1937 Born in Vienna, Austria Public Collections Abbot Hall Art Gallery, Kendal, UK Arts Council Collection, London, UK Contemporary Art Society, London, UK Graves Art Gallery, Sheffield, UK Museum of Contemporary Art, Belgrade, Serbia Museum des 20 Jahrhunderts, Vienna, Austria Städtisches Museum, Leverkusen, Germany Sundsvall Museum, Sundsvall, Sweden Szépmüvészeti Múzeum, Budapest, Croatia The British Council, London, UK The British Museum, London, UK The Fogg Art Museum, Harvard University, MA, US The Sainsbury Centre, Norwich, UK The Tate Collection, London, UK The Victoria and Albert Museum, London, UK University College London, London, UK Walker Art Gallery, Liverpool, UK Western Australia Art Gallery, Perth, Australia Whitworth Art Gallery, Manchester, UK Worcester City Art Gallery and Museum, Worcester, UK Select Solo Exhibitions 2018 Tess Jaray: Aleppo, Exile Gallery, Berlin, Germany 2017 Tess Jaray, Early Paintings, Sotheby’s S|2, London, UK Tess Jaray, Djanogly Art Gallery, Nottingham, UK Tess Jaray: Into Light, Marlborough Fine Art, London UK Tess Jaray: The Light Surrounded, Albertz Benda, New York, NY 2016 Tess Jaray: Dark & Light, Megan Piper, London, UK 2015 Extra Terrestrial, East Gallery NUA, Norwich University of the Arts, Norwich, UK 2014 The Landscape of Space, Djanogly Art Gallery, Nottingham, UK 2013 Drawings, Karsten Schubert, -
Smithsonian Year
\ ^^1. V? ^ # I < rr. f ithsonian Institution Smithsonian Year Annual Repoil: for the Snnithsonian Institution for the Year Ended Septennber 30, 1998 SMITHSONIAN INSTITUTION PRESS Washington, D.C. 1999 Cover: Two male one-inch-long Title page: Scientists at the National blennies, Emblemaria pandionis, IVIuseum of Natural History's marine fight over territory from their field station on the island of Carrie burrows in algae-covered pieces Bow Cay, off Belize, study the biodi- of coral rubble at the National Mu- versity of complex coral reef eco- seum of Natural History's marine systems. Belize's reef is the largest laboratory on the island of Carrie barrier reef in the western hemi- Bow Cay, off Belize. Studies of the sphere, offering a relatively undis- behavioral ecology of this and many turbed, environmentally healthy other species are helping scientists "laboratory" for learning about the to understand the competitive utiliza- interrelationships among coral reef tion of space and other resources organisms in their natural environ- by organisms in complex coral reef ment. (Photograph by Carl C. ecosystems. (Photograph by Hansen) Carl C. Hansen) Back cover: Research by Dr Judith Frontispiece: This powerful self-por- Zilczer, curator of paintings at the trait from 1917 by Kohno Michisei Hirshhorn Museum and Sculpture (1895-1950), an influential member of Garden, revealed that Willem de Japan's third generation of pro- Kooning (American, b. The Nether- gressive Western-style artists, is lands, 1904-97) created this oil paint- modeled on a self-portrait by ing on paper immediately upon Albrecht Durer painted in 1500. One learning of the assassination of of the definitive Japanese works of John F. -
Saltaire Bingley and Nab Wood
SALTAIRE, BINGLEY & NAB WOOD A 5.5 mile easy going walk, mainly at the side of the Leeds/Liverpool Canal and the River Aire with a pleasant halfway stop in Myrtle Park, Bingley, with no stiles and just one short hill through Nab Wood. At the end of the walk, do allow time to explore Salts Mill (see below). Start point: Saltaire Station, Victoria Road, Saltaire (trains every 30 minutes from Leeds). SALTAIRE is the name of a Victorian era model village. In December 2001, Saltaire was designated a World Heritage Site by UNESCO. This means that the government has a duty to protect the site. The buildings belonging to the model village are individually listed, with the highest level of protection being given to the Congregational Church (since 1972 known as the United Reformed Church) which is listed grade I. The village has survived remarkably complete. Saltaire was founded in 1853 by Sir Titus Salt, a leading industrialist in the Yorkshire woollen industry. The name of the village is a combination of the founder's surname with the name of the river. Salt moved his entire business (five separate mills) from Bradford to this site near Shipley partly to provide better arrangements for his workers than could be had in Bradford and partly to site his large textile mill by a canal and a railway. Salt built neat stone houses for his workers (much better than the slums of Bradford), wash-houses with running water, bath-houses, a hospital, as well as an Institute for recreation and education, with a library, a reading room, a concert hall, billiard room, science laboratory and gymnasium. -
K Eeping in T Ouch
Keeping in Touch | November 2019 | November Touch in Keeping THE CENTENARY ARRIVES Celebrating 100 years this November Keeping in Touch Contents Dean Jerry: Centenary Year Top Five 04 Bradford Cathedral Mission 06 1 Stott Hill, Cathedral Services 09 Bradford, Centenary Prayer 10 West Yorkshire, New Readers licensed 11 Mothers’ Union 12 BD1 4EH Keep on Stitching in 2020 13 Diocese of Leeds news 13 (01274) 77 77 20 EcoExtravaganza 14 [email protected] We Are The Future 16 Augustiner-Kantorei Erfurt Tour 17 Church of England News 22 Find us online: Messy Advent | Lantern Parade 23 bradfordcathedral.org Photo Gallery 24 Christmas Cards 28 StPeterBradford Singing School 35 Coffee Concert: Robert Sudall 39 BfdCathedral Bishop Nick Baines Lecture 44 Tree Planting Day 46 Mixcloud mixcloud.com/ In the Media 50 BfdCathedral What’s On: November 2019 51 Regular Events 52 Erlang bradfordcathedral. Who’s Who 54 eventbrite.com Front page photo: Philip Lickley Deadline for the December issue: Wed 27th Nov 2019. Send your content to [email protected] View an online copy at issuu.com/bfdcathedral Autumn: The seasons change here at Bradford Cathedral as Autumn makes itself known in the Close. Front Page: Scraptastic mark our Centenary with a special 100 made from recycled bottle-tops. Dean Jerry: My Top Five Centenary Events What have been your top five Well, of course, there were lots of Centenary events? I was recently other things as well: Rowan Williams, reflecting on this year and there have Bishop Nick, the Archbishop of York, been so many great moments. For Icons, The Sixteen, Bradford On what it’s worth, here are my top five, Film, John Rutter, the Conversation in no particular order. -
Smithsonian American Art Museum
Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S. -
Frank Bowling Cv
FRANK BOWLING CV Born 1934, Bartica, Essequibo, British Guiana Lives and works in London, UK EDUCATION 1959-1962 Royal College of Art, London, UK 1960 (Autumn term) Slade School of Fine Art, London, UK 1958-1959 (1 term) City and Guilds, London, UK 1957 (1-2 terms) Regent Street Polytechnic, Chelsea School of Art, London, UK SELECTED SOLO EXHIBITIONS 1962 Image in Revolt, Grabowski Gallery, London, UK 1963 Frank Bowling, Grabowski Gallery, London, UK 1966 Frank Bowling, Terry Dintenfass Gallery, New York, New York, USA 1971 Frank Bowling, Whitney Museum of American Art, New York, New York, USA 1973 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1973-1974 Frank Bowling, Center for Inter-American Relations, New York, New York, USA 1974 Frank Bowling Paintings, Noah Goldowsky Gallery, New York, New York, USA 1975 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, William Darby, London, UK 1976 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA Frank Bowling, Recent Paintings, Watson/de Nagy and Co, Houston, Texas, USA 1977 Frank Bowling: Selected Paintings 1967-77, Acme Gallery, London, UK Frank Bowling, Recent Paintings, William Darby, London, UK 1979 Frank Bowling, Recent Paintings, Tibor de Nagy Gallery, New York, New York, USA 1980 Frank Bowling, New Paintings, Tibor de Nagy Gallery, New York, New York, USA 1981 Frank Bowling Shilderijn, Vecu, Antwerp, Belgium 1982 Frank Bowling: Current Paintings, Tibor de Nagy Gallery, -
The Ferniehurst and Baildon Green Walk
BAILDON HERITAGE TRAILS The Ferniehurst and Baildon Green Walk Produced by Baildon Local History Society © Commissioned by Baildon Parish Council 2011 First edition - 2011 This booklet is one of a set created by Baildon Local History Society and commisioned by Baildon Parish Council. Please see inside the back cover for a list of the other booklets within the set. The walks are also available for download from the Documents section of the Baildon Parish Council web site - www.baildonparishcouncil.gov.uk Countryside Code and Privacy Several of these walks use public rights of way over farm land and others go close to houses. Please help keep Baildon the beautiful place it is. Be safe, plan ahead and follow any signs Leave gates and property as you find them Protect plants and animals and take your litter home Keep dogs under close control Respect other people and their property How to get there Bus: Service 624 terminates here. Alternatively take the 656/7/8 bus to Lucy Hall and walk down the track by the Old Glen House. Rail: Saltaire station. Airedale Line trains run through Saltaire from Leeds, Bradford and Skipton. From the station, turn left along Victoria Road. Walk over the canal and at the end of the road turn left and then right to walk over the river. Turn left and walk to the end of Higher Coach Road.. For details of buses and trains, check with MetroLine (0113 245 7676 or www.wymetro.com) If coming by car, park at the end of Higher Coach Road. See the back cover for a map of the walk.