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NUMBERS AND SYMBOLS 162, 164, 165, 172, 180, 195–7, I Encuentro Nacional de Arte de 200, 226, 229 Vanguardia (1968) exhibition, archive, 11, 44, 45, 71, 75–80, 104, 86, 156 148, 167, 219 Argentine Anticommunist Alliance (Triple A), 155 A Arnatt, Keith Adorno, Theodor, 81, 146, 229 An Exhibition of the Duration of the aesthetics Exhibition (1970) exhibition, aesthetic apprehension, 30, 44 53, 139, 202 aesthetic experience, 5, 16, 37, 43, An Institutional Fact (1972), 122 88, 90, 92, 112, 132, 179, Art and Egocentricity—A 191, 199, 225, 228 Perlocutionary Act? (1971), aesthetic norms, 181, 197, 199 51, 56, 122, 131 aesthetic object, 18, 24 Art as an Act of Retraction (1971), Algerian War of Independence, 26, 80 10, 44, 51–68, 103, 219 Althusser, Louis, 5, 93 Art & Project Bulletin no. 23 analytic philosophy, 4, 8, 10, 16, 17, (1970), 202 50, 111, 113, 141 Is it Possible for Me to Do Nothing as Andre, Carl, 209, 212 my Contribution to this apprehension, 13, 21, 30, 44, 46, 52, Exhibition? (1970), 56, 139 54, 58, 75, 83, 103, 112, 135, Self-Burial (1969), 52, 56, 136, 143, 144, 149–51, 153–5, 56n3, 134

1 Note: Page numbers followed by “n” refer to notes.

Arnatt, Keith (cont.) Arte de Sistemas II (1972) exhibition, Seven Exhibitions (1972) exhibition, 82, 93, 95–100 51–3, 56, 62, 71, 94, 121, 122, Arte e Ideología/CAYC al aire libre 138, 139, 216 (1972) exhibition, 10, 44, 82, A Specification for an Art Condition 93, 95–100 (1970), 139 artifactuality, 21 Tate Work (1972), 53, 122 Art in the Mind (1970) exhibition, Trouser-Word Piece (1972), 11, 52, 213 113, 121, 122, 125, 126, Artistas del Pueblo, 157, 158 129–34, 172 artistic genius, 4, 16, 29, 43, 112, Type Token (1970), 71 126, 150, 201, 232 Arrowsmith, Sue artists’ books, 1, 87, 122, 201, 208, Street Walk (1971), 76 212, 216–18 art Artists’ Books (1976) exhibition, 216 art and politics, 5, 12, 44, 82, 102, Artists Bookworks (1975) exhibition, 171, 227 216, 217 art and science, 193 Art Workers’ Coalition (AWC), 209 art-object, 2, 6, 16, 17, 20, 21, 33, Art & Language 36, 38, 43, 44, 50, 56, 70, Air-Conditioning Show (1966–67), 112, 133, 135, 136, 139, 150, 185 155, 157, 171, 190, 192, 197, Air-Conditioning Show/Air Show/ 200, 201, 218, 219 Frameworks 1966–7 autonomous art system, 192 (1966–67), 76, 185 autonomy of art, 16, 191, 231 Air Show (1966), 185 category of art, 10, 15, 16, 19, 21, 52, Art & Language Press Room (1970), 102, 103, 112, 135, 138, 145, 188 149, 151, 153, 178, 191, 194, The British Avant-Garde (1971) 197, 200, 210, 219, 228, 230 exhibition, 70, 75, 138, 140 object of art, 2, 5, 10, 13, 15, 18, De legibus naturae (1971), 140 19, 78, 121, 135, 153, 166, Heat Map (1967), 185 181, 186, 198, 230 Hot, Warm, Cool, Cold (1967), ontology of art, 21, 22, 132, 186, 185, 219 191, 219–20, 226 Idea Structures (1970) exhibition, sociability, 114 53, 56, 114, 136, 138, 184, social space, 6, 9, 13, 44, 67, 68, 194, 202 115, 134, 190, 226 Index 01 (1972), 189 system of art, 10, 15, 33, 132, 206 Index 02 (1972), 122, 124, 189 Art as Thought Process (1974) Lecher System (1970), 12, 77n5, exhibition, 136n4, 216 138, 145, 179, 183–200, 202 Arte de Sistemas I (1971) exhibition, Art-Language (magazine), 140, 10, 44, 82, 87–9, 91, 92, 114 177n1, 187, 204, 206, 209 INDEX 255 art magazines B Analytical Art, 206 Bainbridge, David, 54, 54n2, 77n5, Arts Magazine, 185, 201, 203, 205 138, 138n5, 177n1, 184–8, Aspen, 204 189n2, 195, 206 Interfunktionen, 204, 205, 207 Loop (1966), 185 Museumjournaal, 202 Bakhtin, Mikhail, 24, 34 October, 201 Baldwin, Michael, 4, 54n2, 76, 138, Red Herring, 207 138n5, 177, 177n1, 184–8, Studio International (see under 189n2, 215 Studio) Bal, Mieke, 32 The Fox, 207 Barry, Robert, 209, 211, 212 Arts Council of Great Britain, 51, 121, Barthes, Roland 125, 136, 216 connotation, denotation, 28 Artwords and Bookworks (1978) message (linguistic, iconic), 27 exhibition, 216 myth, 26, 27 artworld, 2–4, 13, 20–2, 31, 36, mythification, 156 38, 125, 128, 144, 150, 151, Paris Match (1955), 26, 28 184, 186–90, 193, 196, 200, The death of the author (1967), 205 205, 206, 208, 212, 217, Battcock, Gregory 219, 225 Documentation in conceptual art Atkinson, Terry, 54n2, 76, 138, (1970), 203 138n5, 177n1, 184, 186–8, Berni, Antonio 189n2, 206, 215 Juanito Langua (1962), 157 Attwood, Martin, 216 Beuys, Joseph, 51, 86, 94–6, 123, 207 Austin, J.L. Office for Direct Democracy by cheating, 47, 60 Referendum [Büro für Direkte felicity conditions, 46–8, 60 Demokratie durch How to Do Things with Words Volksabstimmung] (1972), 189 (1962), 44 Bishop, Claire, 220 illocutionary act, 47, 48, 48n1 Book as Artwork 1960/1972 (1972) locutionary act, 47 exhibition, 215 misfire, 46, 60 Bourriaud, Nicolas, 220 performative (gesture), 44–51, 60, Braque prize, 87 73, 103 Breakwell, Ian perlocutionary act, 47 UNSCULPT (1970), 63, 65 speech act theory, 47–51, 57 UNWORD (1969), 63–6, 88 uptake, 47, 49 Brest, Romero, 87, 157 avant-garde (the), 3, 29, 67, 75, 76, The British Avant-Garde (1971) 81, 123, 156, 181, 217 exhibition, 70, 75, 138, 140 Ayer, A.J., 18, 149 Bryson, Norman, 32 256 INDEX

Buchloh, Benjamin, 5, 112, 207 From Figuration to Art Systems Buren, Daniel, 78, 217 (1971) exhibition, 147 Art & Project Bulletin no. 24 Idea Structures (1970) exhibition, (1970), 202 53, 56, 114, 136, 138, 184, It rains, it snows, it paints (1970), 204 194, 202 Studio International July/August Camnitzer, Luis, 84 1970 (1970) exhibition, 202 Cámpora, Hector, 155, 158 Bürger, Peter, 81, 181, 197 Carnap, Rudolf, 18 Burgin, Victor Carnevale, Graciela All Criteria (1970), 136, 139, Acción del Encierro (1968), 86 140, 147 Caro, Anthony, 54, 69, 70, 178 Any Moment (1970), 136, 140, categorical ambiguity, 218, 219, 226 147, 202 censorship, 62, 67, 80, 87, 93, 97, Art as Idea from England (1971) 102, 103, 168, 201 exhibition, 114, 136, 146, 147 Centre of Art and Communication Idea Structures (1970) exhibition, (CAYC) 53, 56, 114, 136, 138, 184, Arte de Sistemas I (1971) exhibition, 194, 202 10, 44, 82, 87–9, 91, 92, 114 Margin note (1972), 135 Arte de Sistemas II (1972) The New Art (1972) exhibition, exhibition, 82, 93, 95–100 136, 140 Arte e Ideología/CAYC al aire libre Period of Interruption (1970), (1972) exhibition, 10, 44, 93, 136, 147 95–100 Room (1970), 11, 113, 114, Grupo de los Trece, 86 135–54, 172, 216 Hacia un Perfil del Arte Rules of thumb (1971), 140 Latinoamericano (1972–74) Situational aesthetics (1969), 12, exhibition, 87 114, 137, 149, 151 Violencia (1973) exhibition, 169 This Position (1969), 136, 136n4, Ciclo de Arte Experimental (1968), 87 140, 147 Clarín (newspaper), 93, 101 UK 76 (1976), 135 Clark, T.J., 5, 29, 119 Work and Commentary (1973), 140 Club de la Estampa, 157 Burn, Ian, 177, 189, 207 cognition, 17–19, 225 Soft Tape (1966–67), 71 Coldstream Report, 187 Butler, Judith, 49, 67 Collingwood, R.G., 17 Combalía, Victoria, 28, 29 communication (modes of), 35, 46, C 61, 77, 86, 121, 153 Cage, John, 2, 93, 135, 205 Compton, Michael, 51, 136n4, 216 Camden Arts Centre conceptual art Environmental Reversal (1969) and conceptualism, 11, 83–5 exhibition, 137 international networks, 138 , 214 INDEX 257 conversational analysis, 118 Duchamp, Marcel conversation participants, 45, 47 In Advance of a Broken Arm Coventry College of Art, 54n2, 177n1 (1915), 38 critical discourse analysis, 34, 118 Fountain (1917), 21 Croce, Benedetto, 17 Dwan Gallery, 211 culture Language to be Looked at and/or cultural commodity, 62, 229 Things to be Read (1967) cultural memory, 82 exhibition, 209 cultural studies, 33, 112, 118

E D Eco, Umberto, 28, 86, 118, 183 Danto, Arthur, 4, 20–2 empirical knowledge, 19, 196 de Man, Paul essentialist tradition, 149, 219 irony, 12, 184 Eventstructure Research Group, 137 rhetoric, 12, 183, 184 expression theory (of art), 4, 10, Derrida, Jacques, 50, 136 17–19 de Saussure, Ferdinand, 23–5 , 135 diachronic-synchronic, 45, 179 dialectics F dialectical relationship, 12, 24, 28, fallacy 151, 154, 218, 227 intentional fallacy, 49 dialectical understanding, 145, 181 phenomenological fallacy, 229 of experience, 172 family resemblance, 19 Dickie, George, 4, 21, 22 Fanon, Frantz, 80 discourse feminist critique, 5, 33 discourse analysis, 5, 8–10, 16, 33, Ferrari, León, 86, 156 34, 118 figure of speech, 184, 198 discursive field, 5, 115, 140, 149, Flanagan, Barry, 54, 63, 121 169, 173, 185, 197, 220, Hole in the Sea (1969), 76 228, 230 Flynt, Henry, 84 di Tella Institute, 80, 87, 156, 166 formalism, 3, 12, 29, 43, 49, 150, Documenta 5 (1972) exhibition, 179, 190–3 189, 189n2 Foucault, Michel, 4, 34, 77, 118, 182, Documenta 6 (1977) exhibition, 216 219, 231 Documentation in conceptual art Fuchs, Rudi, 125 (1970), 203 Fulton, Hamish, 51, 54, 121, 138 documentation; the document, 4, 11, 44, 45, 68, 70, 77–80, 103, 146, 180, 228 G Drucker, Johanna, 3, 217 García Canclini, Néstor, 81, 166, 167 Ducasse, C.J., 17 gender, 27, 132 258 INDEX

Gilbert & George, 54, 84, 87, 121, language as a social semiotic, 11, 34, 124–5, 138 113, 119 To be with Art is All we Ask (1970), logico-semantics, 35, 113, 120, 127 76, 76n5 metafunctions, 35, 119 Ginzburg, Carlos, 28, 45, 86n7, happenings, 52, 156, 165–6 87, 114 Harrison, Charles, 54, 67, 69, 70, Tierra (1971), 88–90 75–7, 76–7n5, 85, 86, 114, 136, Global Conceptualisms (1999) 138, 139, 146, 177n1, 178, 184, exhibition, 85 186–7, 189n2, 190, 192, 198, Glusberg, Jorge, 84, 86, 86n7, 91, 93, 199, 202, 209, 215, 217 101, 170 Hauser, Arnold, 5, 29 CAYC, 114 Hayward Gallery Gödel, Kurt The New Art (1972) exhibition, 51, incompleteness theorem, 195 121, 122, 124, 125, 128, 133, Gombrich, Ernst, 198, 199 135, 136, 138, 140, 189, 216 Goodman, Nelson, 30, 32, 79 hegemonic Graham, Dan art history, 5, 11, 29, 85 Homes for America (1966–67), centre/periphery debate, 11, 85 204, 205 practices, 33 Schema (March 1966) (1966), 204 Heidegger, Martin, 38 grammar of visual design, 35 Hilliard, John Greenberg, Clement John Hilliard Recent Work (1969) Greenbergian formalism, 12, 43, exhibition, 137 150, 179, 190–3 765 Paper Balls (1969), 55 history of styles, 191 historiography Grippo, Victor, 86n7, 99 historiographical discourse, 45, 78, Grupo Experiencias Estéticas, 90–2 79, 104 Guevara, Ernesto “Che”, 80, 188 historiographical fallacy, 181 historiographical process, 79–80, 84, 85, 180, 181 H Hodge, Robert, 35 Haacke, Hans Huebler, Douglas cancelled Guggenheim exhibition Duration Piece #4 (1969), 53 (1971), 88, 206 Duration Piece #8 (1970), 152, 153 Condensation Cube (1962–65), 213 Hurrell, Harold, 54, 77n5, 138–9, MoMA Poll (1970), 188 138n5, 177n1, 184 Shapolsky et al Manhattan Real Loop (1966), 185 Estate Holdings, A Real-Time Social System as of May 1, 1971 (1971), 205–6 I Halliday, M.A.K. idealist tradition, 17, 31, 36 functional grammar, 11, 34, Idea Structures (1970) exhibition, 53, 113, 119 56, 114, 136, 138, 184, 194, 202 INDEX 259 ideational, 34, 35, 119 Kress, Gunther, 35 ideology Kuhn, Thomas, 191 ideological function, 17, 201 paradigm shift, 193 ideological operation, 82, 230 Information (1970) exhibition, 188 Institute of Contemporary Arts (ICA), L 63–6, 86, 121, 123, 138, 193 Lamelas, David, 28, 114, 137, institutional theory of art, 10, 19–23 138, 214 intention Publication (1970) exhibition, 214 intentional fallacy, 49 Lanchester Polytechnic, 54n2, 177 intentionality, 49, 52–7, 71, Langer, Susanne, 17 195, 196 Lanusse, Alejandro Agustín, 137, (inter)textuality, 50, 136, 154–71 155, 169 irony, 12, 177, 179, 183, 184, Latham, John 197–200, 212, 220, 228 Art and Culture (1966–69), 63, 188 Skoob Tower Ceremonies (1964–68), J 63 Jacoby, Roberto, 86, 156 Still and Chew (1964), 62, 63 Leeuwen, van Theo, 34, 35 Leggett, Mike, 65–7 K Lessing, Gotthold, Kant, Immanuel Laocoön (1766), 199 Critique of Judgement (1790), 199 Levingston, Roberto Marcelo, 164 judgement of taste, 112 LeWitt, Sol sensus communis, 16, 30 Art & Project Bulletin no. 43 the sublime, 199 (1971), 202 Kaprow, Allan, 87, 101, 135, 166 Studio International July/August Karshan, Donald, 75–7, 138 1970 (1970) exhibition, 203 Kawara, On Lexico-grammar, 34 I Got up (1970) series, 203, 209 Lippard, Lucy Studio International July/August c. 7,500 (1973) exhibition, 210 1970 (1970) exhibition, 203 557,087 (1969) exhibition, 210, 212 Kosuth, Joseph 955,000 (1970) exhibition, 210, 212 Art after philosophy (1969), 11–12, 2,972,453 (1970) exhibition, 210 114, 137, 149 Number 7 (1969) exhibition, 209 Information Room (1970), 189 Studio International July/August Titled (Art as Idea as Idea) 1970 (1970) exhibition, 202 (1966–68), 211 Lisson Gallery, 51, 56, 71, 124, 214 Kozlov, Christine, 71 Wall Show (1970–71) exhibition, Krauss, Rosalind, 5, 85, 204 71, 214 260 INDEX logic military dictatorships (Argentina), 3, logical analysis, 18, 126 45, 80, 81, 155, 161 logical operations, 143 Miller, J. Hillis, 50 logical positivism, 17 minimalism, 70, 139, 140, 172, truth of logic, 134, 150 178, 196 logico-semantics, 8, 35, 115 Minujín, Martha, 166 London, 10, 11, 44, 51, 54, 63–6, 69, Mitchell, W.J.T., 31 70, 76, 79, 113, 114, 124, 125, modernism 136, 147, 162, 189, 194, 206, modernist art, 2, 3, 27, 29, 44, 210, 214, 215 49, 76, 112, 113, 140, 155, Long, Richard, 54, 70, 121 157, 178, 179, 196, 199, Louw, Roelof 204, 214, 225 The British Avant-Garde (1971) modernist art critic, 178, 179, 196 exhibition, 70, 75 modernist art discourse, 2, 3, 16, Orange Pyramid Show (1969), 69 29, 44, 76, 140, 155, 178, Stockwell Depot (1968) exhibition, 69 199, 214, 225 Tape-Recorder projects (1970–71), Montoneros, 169 10, 44, 68–80, 103 Morris, Robert, 140, 196, 199 Luhmann, Niklas, 21 Mukarovský,̌ Jan, 24 Lukács, György, 146 multimodal multimodal communication, 15, 35, 36, 113, 227 M multimodality, 8, 10, 33–8 Marchán Fiz, Simón, 28, 83 mystification, 4, 147, 182, 184, 211 Margolis, Joseph, 19 myth, 18, 26, 27, 87, 153 Marxism, 4, 34, 118 Marx, Karl, 181, 201, 231n1 base-superstructure dialectics, N 29, 182 narrative dialectics of history, 184 narrative semiotics of art, 32 Marxist analysis, 4, 112, 156 narrative temporality, 58 material and noumenal world, 16 narratological, 32, 211 McLuhan, Marshall, 193 naturalisation (process of), 27, 33, 81 meaning New Arts Laboratory, London, 65, 69 meaning-making process, 8, 11, New Criticism, 178 36–8, 45, 67, 83, 89, 113–14, New York Cultural Center (NYCC), 75 128, 129, 165 The British Avant-Garde (1971) mediation of meaning, 10, 44, exhibition, 75, 138, 140 70, 228 Conceptual Art and Conceptual structuration of meaning, 30, 114, Aspects (1970) exhibition, 126, 130, 230 71, 75 metaphor, 117, 120, 125, 130, 133, The Swiss Avant-Garde (1971) 172, 183, 204, 209 exhibition, 75 INDEX 261

Nigel Greenwood Gallery, 51, 215 Philip Morris (tobacco company), 123 Publication (1970) exhibition, 214 Phillpot, Clive, 208, 216 normalisation (process of), 12, 83, Words and Wordworks (1982) 101, 179, 182, 227, 228 exhibition, 208 photography, 11, 28, 44, 53–7, 70, 71, 93, 134, 205 O Piper, Adrian, 210, 211, 213, 214 October Group (the), 85 Plekhanov, G.V., 23 O’Doherty, Brian Pollock, Griselda, 32, 54 Aspen 5+6 (1967), 204 post-conceptual art, 220 National Endowment for the Arts, power 204, 216 power relations, 93, 112 Orton, Fred, 187, 189, 209 power structures, 27, 34, 93, 111, Osborne, Peter, 5, 191n3, 220 114, 120, 125–32, 134, 149, O’Toole, Michael, 35 154, 166, 208, 220, 226 Oxford Museum of Modern Art, 69 pragmatic, 28, 194 Prague linguistic circle, 24 press P art press, 12, 201–9, 215 Pazos, Luis function of, 10, 38, 91, 125, 139, Arte e Ideología/CAYC al aire libre 201, 205 (1972) exhibition, 10, 44, 82, printmaking, 93, 154–9, 161–2, 166 93, 95, 96 procedural aspect, 113, 130, 143, Experiencias realizadas:1969–71 146, 172 (1969–71), 90 proposition La realidad subterránea (1972), 94–7 general form of, 115, 116 Proceso a nuestra realidad (1972), of logic, 116 169, 170 propositional content, 11, 34, 48, Proyecto de monumento al prisionero 56, 141 político desaparecido (1972), public space, 5, 45, 82, 89–90, 98, 99, 94, 97 147, 165, 210 Pécora, Oscar, 157 Peirce, Charles S., 24, 25, 32, 49 icon-symbol-index, 25 R performative, 8, 11, 43–104, 183 Ramsden, Mel, 4, 71, 177, 189n2, 207 performative speech act, 46 Soft Tape (1966–67), 71 performativity, 56, 71, 77, 79, reading 220c, 232 modes of, 45, 113, 154 Perón, Juan, 155, 158, 169 reading and viewing regimes, 9, 37, phenomenology 111, 114, 134, 226 phenomenological, 53, 191, 197, ready-made (work of art), 5, 195, 199, 204 197, 230 phenomenological approach, 191 Reise, Barbara, 131, 132, 206, 215 262 INDEX relational aesthetics, 220 semantic relevance, 37 rhetoric semantic structure, 48 rhetorical operations, 8, 12, 179, 183 semiosis, 28, 136, 172 rhetorical shifts, 12, 45, 179, 191, field of, 28, 172 196, 219 semiotics rhetorical tropes, 98 semiological perspective, 26 Roberts, John, 81, 198 semiotic system, 6, 30, 34, 86, 119 Romero, Juan Carlos sensationalism, 81 Arte e Ideología/CAYC al aire libre Seven Exhibitions (1972) exhibition, (1972) exhibition, 10, 44, 82, 51, 52, 71, 121, 122, 138 93–5 Seymour, Anne, 51, 122, 140 Arte Gráfica Grupo Buenos Aires, Siegelaub, Seth 158 International General (press), 211 El juego lúgubre (1972), 99–100 January 5–31 1969 (1969) En homenaje a los caídos el 25/5/73 exhibition, 211, 214 en la lucha por la liberación March 1969 (1969) exhibition, 212 1973/Homenaje a Bellocq Siegelaub Seth: Beyond Conceptual (1973), 158 Art (2015–16) exhibition, 213 3er Premio Swift de Grabado (1970) Studio International July/August exhibition, 160 1970 (1970) exhibition, 202–3 4.000.000 m2 of the City of Buenos The Artist’s Reserved Rights Aires (1970), 147 Transfer and Sale Agreement, Proceso a nuestra realidad (1972), 212, 213 169 Xerox Book (1968), 212 Salón Premio Artistas con sign Acrilicopaolini (1972–73) indeterminacy, 50 exhibitions, 168, 169 signification, 2, 9, 17, 24, 27, 28, Swift en Swift (1970), 11, 113, 35, 38, 86, 89, 94, 103, 132, 154–71 135, 140, 153, 156, 165, 171, Russian avant-garde, 3 209, 228 signifier/signified, 23–6, 28, 50, 102 Situationists, 151, 165 S social St Martin’s College London, 54 social history of art, 5, 29, 112 Salón Premio Artistas con social conditions, 23, 49, 98, Acrilicopaolini, 156, 168, 169 112, 166 Searle, John, 48, 50, 56 social function of art, 8, 29, 83, self-referentiality, 43, 85, 190 102, 157, 198, 227 self-reflectivity, 43 social function of language, 23, 24 semantics social phenomena, 24 semantic elements, 113, 116, 147, social semiotic, 8, 11, 34, 111, 113, 155, 161, 162, 165, 172, 195 119, 120 INDEX 263

Sontag, Susan, 28 The New Art (1972) exhibition, spectatorship, 61 51, 121, 122, 124, 125, spectatorial desires, 45, 228 128, 133, 135, 136, 138, Stockwell Depot London, 69 140, 189, 216 structuralism, 24, 34, 122, 124 Tremlett, David, 51, 54n2, 121 Stubbs, Michael, 119 Tap Piece (1970), 76 Studio International, 12, 54, 69, 76, Tucumán Arde (1968), 87 114, 125, 136, 137, 149, 184, Tupamaros, 84 196, 201, 202, 204, 207, 212 Harrison, Charles, 54, 114, 177n1, 187 U July/August 1970 (1970) exhibition, unambiguity, 30 69, 136, 184, 202 universal Townsend, Peter, 202 universal (the) and the particular stylistics, 12, 49, 113, 154, 155, 162–4 (dialectics), 146, 199 Swift, Jonathan, 154, 161, 164 universal communicability, 16, 49 Gulliver’s Travels (1726), 154, universal concept, 18, 36 161, 162 universal expression, 16 synchronic and diachronic, 45, 179 universality, 30, 49, 117, 134 Szeemann, Harald universal status of art, 16 Documenta 5 (1972) exhibition, 189 universal truth, 4, 16, 18, 24, 37, When Attitudes Become Form (1969) 50, 112, 231 exhibition, 69, 121, 123, universal value, 16 138, 189

V T Ver y Estimar prize, 87 taste Victoria and Albert Museum, 208, judgement of, 112, 184, 191 215, 216 modernist, 192 viewing Tate Gallery, 51–3, 69, 136 regimes, 9, 37, 68, 111, 114, tautology, 11, 19, 84, 85, 93, 112, 117, 134, 226 137, 150, 153, 160, 164, 227 viewing and reading assumptions, 9 teleological, 153 violence temporal banalisation, 91, 94 temporal and conceptual tension, naturalisation, 81, 83, 94 59, 60, 103 trivialisation, 81 temporal distortion, 58 visual temporality, 58, 70, 91 visual and textual registers, 60 textuality, 50, 78, 136, 154–71 visual representation (systems of), text-based, 4, 53, 67, 76, 136, 138, 15, 27, 29, 33, 37, 130 140, 146, 155, 179, 210, 216 Vološinov, V.N., 23, 25, 34, 118 264 INDEX

W Philosophical Investigations (1953), Wall Show (1970–71) exhibition, 56, 117 71, 214 picture [Bild], 116, 144 Weiner, Lawrence proposition (general Declaration of Intent (1968), 145, form of), 11, 113, 152, 188, 203 115–17, 119, 120, Statements (1968), 152, 188, 213 126, 144, 150 Studio International July/August 1970 Wollen, Peter, 28, 151 (1970) exhibition, 203 Wollheim, Richard, 22 Weitz, Morris, 19, 22, 122 Western metaphysics, 16 When Attitudes Become Form (1969) Z exhibition, 69, 121, 123, 138, 189 Zabala, Horacio Whitechapel Art Gallery, 70, 72 300 metros de cinta negra para Wittgenstein, Ludwig enlutar una plaza pública Tractatus Logico-Philosophicus (1972), 98 (1921), 115–17 Ziff, Paul, 18