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Bibliography BIbLIOGRAPHY 3er salón Swift de grabado. 1970. Exhibition catalogue, September 9–27. Buenos Aires: The Museum of Modern Art. Adorno, Theodor. 1975 [1967]. Culture industry reconsidered. New German Critique 6: 12–19. AdSII. 1972a. Arte e ideología en CAYC al aire libre. Exhibition brochure. Buenos Aires: Centro de Arte y Comunicación. International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA) Documents no. 761671. AdSII. 1972b. Glusberg, Jorge. Arte e ideología en CAYC al aire libre. Exhibition brochure. Buenos Aires: Centro de Arte y Comunicación. International Center for the Arts of the Americas at the Museum of Fine Arts, Houston (ICAA) Documents no. 747360. AdSII. 1972c. Ficha de obra de los artistas de la exhibición arte de sistemas II del Centro de Arte y Comunicación (CAYC). Exhibition catalogue. Buenos Aires: CAyC, September. 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Trans. Stephen Heath. London: Fontana. Barthes, Roland. 1977c [1961]. The photographic message. In Image–music–text, 15–31. Trans. Stephen Heath. London: Fontana. BibliOgraPhY 237 Barthes, Roland. 1985 [1969]. Is painting a language? In The responsibility of forms, 149–152. Trans. Richard Howard. Berkeley: University of California Press. Beardsley, Monroe C. 1976. Is art essentially institutional? In Culture and art, ed. Lars Aagaard-Mogensen, 194–209. Atlantic Highlands: Humanities Press. Berland, Jody, Will Straw, and Tomas David. 1996. Introduction: The art of the- ory/theory and art conference. In Theory rules: Art as theory/theory and art, ed. Jody Berland, Will Straw, and David Tomas, 3–19. Toronto: Yyz Books and University of Toronto Press. Bishop, Claire. 2004. Antagonism and relational aesthetics. October 110: 51–79. Bourriaud, Nicolas. 2002. Relational aesthetics. Trans. Simon Pleasance and Fronza Woods. Dijon: Les Presse du Reel. Bouwsma, O.K. 1950. The expression theory of art. In Philosophical analysis, ed. Max Black, 71–98. Ithaca: Cornell University Press. Box, body, burial: The sculptural imagination of Keith Arnatt. 2009. Press release to the homonymous exhibition, February 8–April 25. The Henry Moore Institute, Leeds. https://www.henry-moore.org/whats-on/2009/02/08/ box-body-burial-the-sculptural-imagination-of-keith-arnatt Breakwell, Ian. 1969. UNWORD. Green Island, magazine special edition. Breakwell, Ian. 2004. Interviewed by Victoria Worsley. National Live Stories, British Library series. Breakwell, Ian, and John Hilliard. 1970. John Hilliard and Ian Breakwell. Studio International 180(925): 94–95. Brett, Guy. 1969. Inside out in the worlds of art. The Times, July 14, 11. Brett, Guy. 1970a. In the head. The Times, July 3, 14. Brett, Guy. 1970b. A context for art. The Times, December 29, 7. Brett, Guy. 1972. Live action pieces at the Tate. The Times, February 29, 9. Brooks, Rosetta. 1972. The new art. Studio International 184(948): 152–153. Bruner, Louise. 1972. Review of art in the mind. The Blade, May 7, 1–2. Bryson, Norman. 1983. Vision and painting: The logic of the gaze. London: Macmillan. Bryson, Norman. 1988. Introduction. In Calligram, ed. Norman Bryson, xiii– xxix. Cambridge: Cambridge University Press. Buchloh, Benjamin. 1990. Conceptual art 1962–1969: From the aesthetics of administration to the critique of institutions. October 55: 105–143. Buren, Daniel. 1968. Is teaching art necessary? Extracts reproduced in Lucy Lippard, Six years: The dematerialisation of the art object from 1966 to 1972 [. .], 51. Berkeley: University of California Press. Buren, Daniel. 1975. Notes on work in connection with the place where it is installed, taken between 1967 and 1975 […]. Studio International 190(977): 124–129. Bürger, Peter. 1984. Theory of the avant-garde. Trans. Michael Shaw. Minneapolis: University of Minnesota Press. 238 BibliOgraPhY Burgin, Victor. 1968. Art society system. 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Burgin, Victor. 1986. Between. Oxford: Blackwell. Burgin, Victor. 2013. In conversation with the author, April. Unedited material. Burn, Ian, and Mel Ramsden. 1980. Soft Tate 1966–67. In Art & Language, 17–18. Eindhoven: Van Abbemuseum. Butler, Judith. 1997. Excitable speech: A politics of the performative. London: Routledge. Butt, Gavin, ed. 2005. After criticism: New responses to art and performance. Oxford: Blackwell. Camnitzer, Luis. 2007. Conceptualism in Latin American art: Didactics of libera- tion. Austin: Texas University Press. Carey, Peter. 1970. Art’s extremes. Hampstead and Highgate Express, Letters, July 17, 6. Carnap, Rudolf. 1935. Philosophy and logical syntax. London: Kegan Paul. Caro, Anthony. 2005. [Comment.] Anthony Caro. London: Illuminations. DVD. Carroll, Noël. 1994. Identifying art. In Institutions of art: Reconsiderations of George Dickie’s philosophy, ed. Robert J. Yanal, 3–38. Pennsylvania: Pennsylvania State Press. CAYC. 1971. From figuration art to systems art in Argentina. Exhibition cata- logue, February. London: Camden Arts Centre. Chapin, Louis. 1971. Art: British conceptualism and “artists and writers”. The Christian Science Monitor, July 19, 7. Clarín. 1972a. Concurso. September 18, n.p. Clarín. 1972b. Reclamo británico de obras de arte. November 22, n.p. Clarín. 1972c. El levantamiento de una muestra plástica no tuvo fundamento legal. December 8, n.p. BibliOgraPhY 239 Clark, T.J. 1973. Image of the people: Gustave Courbet and the 1848 revolution. Berkeley: University of California Press. Clark, Herbert. 1996. Using language. Cambridge: Cambridge University Press. Cockcroft, Eva. 1974. Abstract expressionism, weapon of the cold war. Artforum 12(10): 39–41. Cohen, Jonathan L. 1964. Do illocutionary forces exist? The Philosophical Quarterly 14(55):
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