Public Art Outreach Session

Total Page:16

File Type:pdf, Size:1020Kb

Public Art Outreach Session Free reSOurCeS FrOM THe GeTTY COnServATIOn InSTITuTe www.getty.edu/conservation • Free books and other publications on • Conservation Perspectives, The GCI an extensive variety of conservation- Newsletter (1991-present) in HTML & PDF related subjects • Sign up for the bimonthly GCI e-Bulletin • Project descriptions, images, videos, and bibliographies • Connect with us on Facebook for the latest news and photos (www.facebook. • AATA Online, a database of abstracts com/GettyConservationInstitute) of international conservation literature (aata.getty.edu) • Watch us on YouTube www.youtube.com/gettyconservation The Getty Conservation Institute is a private international research institute dedicated to advancing conservation practice through the creation and delivery of knowledge. © 2012 J. Paul Getty Trust 11.10 GCI Abstract Book ad f.indd 1 3/14/12 3:24 PM GCI ABSTRACT BOOK AD PUB(S): ABSTRACT BOOK CONTACT: CAROL HAHN TRIM: 7.5” x 10” INSERTION: MARCH 2012 PROOF: 1 NON BLEED ABSTR ACTS 2012 THE AMERICAN INSTITUTE FOR THE CONSERVATION OF HISTORIC & ARTISTIC WORKS The American Institute for Conservation of Historic & Artistic Works (AIC) is the national membership organization supporting conservation professionals in preserving cultural heritage by establishing and upholding professional standards, promoting research and publications, providing educational opportunities, and fostering the exchange of knowledge among conservators, allied professionals, and the public. The Foundation of the American Institute for Conservation (FAIC) supports the preservation of cultural materials through education and research initiatives for conservators and allied professionals. FAIC advocates public appreciation of conservation and the primary role it plays in increasing understanding of our global cultural heritage. 1156 15th Street NW, Suite 320, Washington, DC 20005-1714 202-452-9545 | fax: 202-452-9328 [email protected] | www.conservation-us.org 40TH ANNUAL MEETING Connecting to Conservation: Outreach and Advocacy May 8 –11, 2012 Albuquerque Convention Center Albuquerque, New Mexico The theme of this annual meeting will be outreach and advocacy in conservation, an exploration of how conservation connects with allied professionals, the press, our clients, and the general public. This meeting will feature a General Session format very different than in years past. For the 40th Annual Meeting, in addition to four sessions where all attendees gather to hear a selection of presenters, there will be other breakout sessions where a wide array of topics pertaining to the overall theme will be addressed in topical conversations presented in smaller group settings rather than a large lecture format. BOARD OF DIRECTORS SPECIALTY GROUP OFFICERS President: Meg Loew Craft Architecture Vice President: Pamela Hatchfield Chair: Patricia Miller Secretary: Lisa Bruno Vice Chair: Stephanie M. Hoagland Treasurer: Brian R. Howard Director, Committees & Task Forces: Catharine Hawks Book and Paper Director, Communications: Nancie Ravenel Chair: Penley Knipe Director, Professional Education: Stephanie M. Lussier Program Chair: Jamye Jamison Director, Specialty Groups: Deborah Lee Trupin Conservators in Private Practice Chair: George Schwartz 2012 ANNUAL MEETING Vice Chair: Judith Watkins Tartt Program Committee Electronic Media Pamela Hatchfield Chair: Christine Frohnert Meg Loew Craft Program Chair: Jeff Martin Nancie Ravenel Objects Assisted by the Outreach Program Chairs Chair: Sanchita Balachandrian Poster Session Committee Program Chair: Mina Thompson Amy Crist Paintings Angela M. Elliot Chair: Laura Rivers Matthew Cushman Program Chair: Katrina A. Bartlett AIC & FAIC STAFF Photographic Materials Executive Director: Eryl P. Wentworth Chair: Barbara N. Brown Meetings Associate: Adam Allen Program Chair: Monique C. Fischer Finance Manager: Sandy T. Nguyen Research & Technical Studies Membership Associate: Steven Charles Chair: Catherine H. Stephens Development & Education Associate: Abigail Choudhury Vice Chair: Jason Church Communications Director: Morgan Gilpatrick Institutional Advancement Director: Eric Pourchot Textiles Membership & Meetings Director: Ruth Seyler Chair: Susan Anne Mathisen Membership Coordinator: Ryan Winfield Vice Chair: Robin Hanson Wooden Artifacts Chair: Alex Carlisle Program Chair: Stephanie Auffret Back cover photo: Virginia Avenue Skyline, courtesy of the Indianapolis Convention & Visitors Association; visitIndy.com TaBLE OF CONTENTS 40th Annual Meeting .............................................. 2 Outreach Sessions ................................................ 4 Keynote Speakers .....................................................4 Articulating Value Session ...............................................5 Communicating Conservation Session ......................................7 Communicating the Haiti Recovery Project Session ............................8 Conservation & Education I Session .......................................9 Conservation & Education II Session ......................................11 Conservation Conversations Session. .12 Case Studies I Session: Public Outreach in the Developing World .................14 Case Studies II Session: Disaster Outreach ..................................16 Case Studies III Session: Outreach Tools ....................................17 Exhibiting Ourselves Session ............................................20 The Great Debate Session ..............................................23 Linking Environmental and Heritage Conservation: Presentations, Discussions, and Tips ...........................24 Outreach to Allies Session ..............................................24 Public Art Outreach Session ............................................28 Working with Artists Session ............................................31 Architecture ................................................... 32 Book & Paper .................................................. 39 Electronic Media ................................................ 46 Objects ...................................................... 50 Paintings ..................................................... 53 Photographic Materials ............................................ 60 Research & Technical Studies ........................................ 64 Textiles ...................................................... 67 Wooden Artifacts ................................................ 73 Joint Sessions: Book & Paper + Research & Technical Studies ...................... 77 Joint Sessions: Objects + Research & Technical Studies ........................... 80 Poster Sessions ................................................. 83 Outreach Sessions 3 OUTREACH SESSIONS Keynote Speakers It’s a Material World Presented by Samuel Jones TYLER GREEN Outreach and advocacy are familiar words to any organisation seeking public support and funding. However, they are about Tyler Green, an influential arts journalist, will speak on the current more than simply making a case: thinking about just what the state of arts journalism today and his perspectives on what makes conservation sector provides and how it can change the profession conservation projects worthy of public attention in the news. and reinvigorate it as an important part of the public realm. Tyler Green is based in Washington, DC where he edits and This speech is based on It’s a Material World, which Samuel writes “Modern Art Notes” (MAN) and is the U.S. columnist Jones published with John Holden in 2008.It will examine for Modern Painters magazine. Green’s newest venture is conservation in wider social and political contexts. Conservators The Modern Art Notes podcast, a weekly program which deal on a daily basis with ideas and concepts that are at the he independently produces and hosts. It is distributed each very heart of the public realm, caring for the values around Thursday via MAN, iTunes, RSS feed and on MANPodcast. which society is built. Telling this story is not just a vital part com. The Washington Post has named Tyler Green one of of outreach and advocacy, but can also help policy-makers and Washington’s 14 “young and influential” cultural figures. society meet some of the most significant challenges that we, Away from MAN, Green has written for Fortune, Conde collectively, face. Nast Portfolio, Smithsonian, Washingtonian, The New York Observer, LA Weekly, Black Book magazines and has contributed op-eds to newspapers such as the Los Angeles Times, DR. Anne-ImelDA RAdiCE The Boston Globe, The Philadelphia Inquirer, and to The Wall Street Dr. Anne-Imelda Radice will speak on the subject of advocacy, Journal’s arts op-ed column, “In the Fray.” about impacting public policy, and injecting importance for caring of cultural heritage into the lives of the public. Prior Why and How Museums and Conservators to joining the Dilenschneider Group, Radice was director of Should Nudge Conservation Forward the Institute of Museum and Library Services (IMLS) from Presented by Tyler Green 2006 to 2010. Previously acting assistant chairman for programs at the National Endowment for the Humanities (NEH), she At a time when journalism is struggling and when journalism served as chief of staff to the secretary of the United States about art is increasingly falling away, how can conservators Department of Education. In the early 1990s, she was acting present stories about art and about their practice to the public? National Endowment for the Arts (NEA) chairman and senior Green will discuss why
Recommended publications
  • Henry Varnum Poor: Commemorating 125 Years
    Henry Varnum Poor: Commemorating 125 Years by Ron Michael, Curator, Birger Sandzén Memorial Gallery Extended Essay - August 2012 Seeking Beauty Henry Varnum Poor is an important name not only for those interested in the history of Kansas or American art, but for Angular detail of Self Portrait, circa those who celebrate bountiful lives. Determined to follow his own 1917, lithograph, size unknown. path, he was committed to a life based on unadorned pursuits and a constant search for beauty. He once wrote to friend and fellow artist Birger Sandzén, “I want to make beautiful things so as to make our living as beautiful as possible.”1 Developing and using his multi-faceted talents, he also lived a life of great variety. At various times in his life he combined one or more professions as an artist, craftsman, builder, writer, teacher, organizer, administrator, evaluator and more. He was the perennial “jack-of-all-trades,” or perhaps more appropriately, a “renaissance man.” Just within the arts he explored a vast array of differing media – oils, watercolors, ceramics, pastels, drawings, frescos, etchings, lithography, woodworking, textiles, and illustration. He seemed to turn everything he touched into art. Perhaps nowhere is this better evident than the house he designed and constructed near New City, New York. Dubbed Crow House it was conceived as a place of comfort for his family – away from, but still accessible to, the bustling metropolis of New York and other Eastern cities. As he continued to write in his letter to Birger Sandzén, “The joy and satisfaction in making the house has been tremendous, and the future work of carving and painting our huge beams and stones will be great.
    [Show full text]
  • The Blogging Artist: a Genre-Analysis Approach
    Tarih Kültür ve Sanat Ara ştırmaları Dergisi (ISSN: 2147-0626) Journal of History Culture and Art Research Vol. 2, No. 2, June 2013 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr/index.php اث ار وا وا Özel Sayı/Special Issue (English Studies ) DOI: 10.7596/taksad.v2i2.220 The Blogging Artist: a Genre-Analysis Approach ∗ Anda-Elena Cre ţiu ∗∗ Abstract Building on the now classic approaches to Discourse Analysis offered by Swales and Bhatia, the present paper tries to establish the benefits and value of applying the method of Genre Analysis to teaching English for Art Purposes, with a focus on a more recent Internet genre, that of the artist’s blog (weblog). The artist’s blog is seen as part of the greater genre of the weblog, which has already been classified into a number of subgenres. The paper proposes yet another dimension to be added to those already considered when classifying the weblogs: the dimension of “occupational-oriented content” as a descriptive for further classifications; it also tries to uncover the generic features of this type of discourse. The ultimate aim of this study is, on the one hand, that of providing art students with the necessary know-how of using the weblog genre for their current and future professional purposes, as part of the complex system of genres devised by the artistic discourse community in order to communicate both within and without itself, and, on the other hand, to help students use their knowledge of the English language to create such a discourse type in order to obtain maximum benefits.
    [Show full text]
  • AI – ARTISTIC INTELLIGENCE? MACHINE and ARTIST COLLABORATE THROUGH AI March 14
    1 Get creative Vocabulary Creativity; copying Grammar Past perfect simple and past perfect continuous Reading A blog Listening A podcast Speaking Discussing a problem Writing A review Presentations Using visuals Creativity is intelligence having fun. (Albert Einstein) What does the quote mean? Do you agree with it? Do you think intelligence and creativity are closely connected? Vocabulary Creativity 1 Read the text. Do you use any of the strategies in How to be the text? Do you use any other strategies when you’re thinking of new ideas? more creative 2 Match the meaning of the phrases in bold to the GET TIRED: A psychological study by Mareike Wieth words in blue in the text. and Rose Zacks found that the best ideas often 1 In the next 15 years, people could have their brains emerge when you’re feeling tired, and daydreaming zapped to make them more creative. promotes creativity. Some studies show that we are 2 Did you know that washing your hair with your eyes most productive at 2.55 pm, just after lunch, when we are feeling sleepy. So next time you get stuck, wait closed can awaken your other senses? until you’re tired – it may work for you! 3 We wanted a new idea for the design but didn’t come up with anything. Then a walk in the park inspired us. GET MOVING: The co-founder of Apple, Steve Jobs, loved taking long walks. They used to help 4 Camila dreamed of being an athlete and she him dream up new ideas for products.
    [Show full text]
  • Catalogue 119 Antiquariaat FORUM & ASHER Rare Books
    Catalogue 119 antiquariaat FORUM & ASHER Rare Books Catalogue 119 ‘t Goy 2020 Antiquariaat Forum & Asher Rare Books Catalogue 119 1 Ex- tensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www. ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. ANTIL UARIAAT FOR?GE> 50 Y EARSUM @>@> Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com covers: no. 203 on page 115. frontispiece: no. 108 on page 62. title page: no. 184 on page 104. v 1.2 · 07 Jul 2021 Christianity and children’s education intertwined: a very rare Italian ABC book 1.
    [Show full text]
  • Vellum Article
    Vellum on Boards By Peter D. Verheyen Copyright © 2002 Allein ein Pergament, beschrieben und beprägt, ist ein Gespenst, vor dem sich alle scheuen. J.W. v. Goethe, Faust. INTRODUCTION: Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find exposure to this technique. As a material, vellum has many wonderful characteristics. It is translucent, can be made transparent, is available dyed or veiney, and exceedingly well wearing. Its major drawback is its hygroscopic nature, causing it to stretch as it absorbs water and to shrink as it dries. In dry conditions this will cause the boards to warp strongly. This, perhaps more than anything else, has discouraged binders from working with this wonderful material. The structure described in this article is designed to address this problem of warping, and hopefully lead to an increase in the numbers of binders working in vellum. By applying the “split board” technique I learned as an apprentice in Germany, and described in Wiese, one reduces the pull of the vellum on the boards, making it much easier to control with the counter-linings applied to the inside of the case.
    [Show full text]
  • Tangible Display Systems: Bringing Virtual Surfaces Into the Real World
    Tangible display systems: bringing virtual surfaces into the real world James A. Ferwerda Munsell Color Science Laboratory, Chester F. Carlson Center for Imaging Science, Rochester Institute of Technology ABSTRACT We are developing tangible display systems that enable natural interaction with virtual surfaces. Tangible display systems are based on modern mobile devices that incorporate electronic image displays, graphics hardware, tracking systems, and digital cameras. Custom software allows the orientation of a device and the position of the observer to be tracked in real-time. Using this information, realistic images of surfaces with complex textures and material properties illuminated by environment-mapped lighting, can be rendered to the screen at interactive rates. Tilting or moving in front of the device produces realistic changes in surface lighting and material appearance. In this way, tangible displays allow virtual surfaces to be observed and manipulated as naturally as real ones, with the added benefit that surface geometry and material properties can be modified in real-time. We demonstrate the utility of tangible display systems in four application areas: material appearance research; computer-aided appearance design; enhanced access to digital library and museum collections; and new tools for digital artists. Keywords: advanced display systems, tangible user interfaces, digital painting systems. 1. INTRODUCTION When observers interact with objects they typically engage in a complex set of behaviors that include active manipulation and dynamic viewing. These behaviors allow observers to experience how objects look from different viewpoints and under different lighting conditions, which provides rich visual information about object shape and material properties. Modern computer graphics systems have the ability to render both static and dynamic images of objects with high fidelity, but the ability to interact with these objects is typically indirect, through trackballs, mice and similar devices.
    [Show full text]
  • Dowthwaite, Liz (2018) Crowdfunding Webcomics
    CROWDFUNDING WEBCOMICS: THE ROLE OF INCENTIVES AND RECIPROCITY IN MONETISING FREE CONTENT Liz Dowthwaite Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2017 Liz Dowthwaite Crowdfunding Webcomics: The Role of Incentives and Reciprocity in Monetising Free Content Thesis submitted to the School of Engineering, University of Nottingham, in partial fulfilment of the requirements for the degree of Doctor of Philosophy. © September 2017 Supervisors: Robert J Houghton Alexa Spence Richard Mortier i To my parents, and James. ii Doug Savage, 2007 http://www.savagechickens.com/2007/05/morgan-freeman.html “They’re not paying for the content. They’re paying for the people.” Jack Conte, founder of Patreon “We ascribe to the idealistic notion that audiences don’t pay for things because they’re forced to, but because they care about the stuff that they love and want it to continue to grow.” Hank Green, founder of Subbable iii CROWDFUNDING WEBCOMICS – LIZ DOWTHWAITE – AUGUST 2017 ABSTRACT The recent phenomenon of internet-based crowdfunding has enabled the creators of new products and media to share and finance their work via networks of fans and similarly-minded people instead of having to rely on established corporate intermediaries and traditional business models. This thesis examines how the creators of free content, specifically webcomics, are able to monetise their work and find financial success through crowdfunding and what factors, social and psychological, support this process. Consistent with crowdfunding being both a large-scale social process yet based on the interactions of individuals (albeit en mass), this topic was explored at both micro- and macro-level combining methods from individual interviews through to mass scraping of data and large-scale questionnaires.
    [Show full text]
  • How to Have Computer
    MANKATO COMPUTER TECHNOLOGY UNIVERSITY FINDING FUN ON YOUR COMPUTER Watching Videos and Listening to Music. Playing Games. HOW TO HAVE Finding Random Fun Stuff. COMPUTER Learning Something New. FUN Using Social Networking. Having Fun Without the Internet. Exploring Computers as a Hobby. If you're in the mood for instant entertainment, look no further than your computer. HOW TO HAVE No matter what you like to do for fun, you've got endless options. COMPUTER Have computer fun by checking out new games, chatting with your friends, learning something new, exploring computers as a hobby, FUN watching funny videos or even creating your own content to share. As long as your computer works, you'll never have to be bored again. WATCHING VIDEOS AND LISTENING TO MUSIC WATCH ORIGINAL CONTENT ON YOUTUBE. • YouTube has videos of anything you'd like to see, from silly videos of cats making weird noises to footage of the Apollo Mission. • Search for a topic you're into or check out a popular channel and subscribe. • YouTube is also a great way to check out music videos. Search for your favorite songs, artists, and albums to check out their corresponding visuals. • If you're into gaming, check out YouTube Gaming at https://gaming.youtube.com. Here you'll find gaming-specific content, including live streams of gamers playing your favorite titles. MAKE YOUR OWN YOUTUBE VIDEO. • Want to go viral? A great way to have fun on the computer is making your own videos and putting them online. Here are some video ideas to get you started: Start vlogging.
    [Show full text]
  • China.] Kahler, William R
    RULON~ January 22, 2019 eList MILLER Varia, 1623-1974 21 items BOOKS To Order: Call toll-free 1-800-441-0076 400 Summit Avenue Outside the United States call 1-651-290-0700 St. Paul, Minnesota E-mail: [email protected] 55102-2662 Other catalogues available at our website at rulon.com USA Member ABAA/ILAB ~ R a r e & f i n e b o o k s in many fields VISA, MASTERCARD, DISCOVER, and AMERICAN EXPRESS accepted. If you have any questions regarding billing, methods of payment, Manuscripts shipping, or foreign currencies, please do not hesitate to ask. 1. [Bible in Hebrew, O.T., Genesis.] Hebrew manuscript scroll. [n.p., n.d.] $250 Parchment scroll, approx. 87” by 23”, in three 29” sections sewn together. Written in black ink, in Hebrew script. Begins at Genesis 26:19, ends at Genesis 35:18. The parchment is very clean, with just the occasional spot of browning to the scroll (no marks affecting the text). An attractive manuscript of the first book of the Old Testa- ment. 2. [Bible in Hebrew, O.T., Esther.] “Hebrew scrolls of the Megillah of Esther Hebrew scroll of Esther. [n.p., n.d.] $250 are often difficult to date and localize, given the longstanding practices used in Manuscript scroll in Hebrew of the book the production of these manuscripts. of Esther, approx. 55” x 15” in two sections Written on the skin of a kosher animal, of parchment stapled together; text in 10 the text comprises the ten chapters of the columns, with the ninth containing the Book of Esther, including the origin story enlarged names of the sons of Hamon.
    [Show full text]
  • Selected Press
    Selected Press Jay Scheib Feature Articles, Reviews, and General Press Jay Scheib | [email protected] | Selected Feature Articles and Reviews The best New York theater directors - Time Out New York Time Out New York Kids Time Out Chicago Time Out Worldwide Travel Book store Subscribe to Time Out New York Subscriber Services Home Art Books Clubs Comedy Dance Film Games Gay I, New York Kids Museums Music Opera & Classical Own This City Real Estate Restaurants & Bars Sex & Dating Shopping Spas & Sport Theater Travel TV Video Tools Theater E-mail Time Out New York / Mar 25, 2009 Print New York's best Rate & comment Report an error The best New York theater directors Share this 1. Jay Scheib Mixing multimedia with deadpan-cool (and very sexy) actors, Scheib is forging new ways of seeing drama. 2. Ken Rus Schmoll Schmoll takes on more difficult playwrights, teasing out the ambiguity and menace in their words. 3. Elizabeth LeCompte As chief engineer of the Wooster Group’s postmodern tech spectacles, she has influenced a generation of experimenters. 4. Anne Kauffman She helmed two of our favorite shows in years: The Thugs and God’s Ear. Sensitive to thorny language, she makes the murky crystal clear. Cheap tickets 5. Joe Mantello Seats for a song Sure, he helmed the blockbuster Wicked, but the former actor is most at home Find great deals on working on tough drama on an intimate level. tickets. 6. Richard Foreman Guides They don’t call him the king of the avant-garde for nothing; Foreman is the auteur’s Student Guide auteur: He writes, designs, directs and even operates the sound.
    [Show full text]
  • Introduction to Garment Screen Printing ,20-"3!2'-, 2- #62'*# !0##, 0',2',%
    Introduction to Garment Screen Printing ,20-"3!2'-, 2- #62'*# !0##, 0',2',% ,"#6 #!2'-, ,#S &2 -5[ · #$','2'-, -$ 1!0##, .0',2',% · !0##, .0',2',% 2 %*,!# · 2#.V !V12#. · ," 2!.#1 · --*1 -$ 2&# 20"# #!2'-, 5-S #22',% 3. #-30 -0"1.!# · #22',% 3. "0" 0--$ o %*-!"',% &' *'%&2 o (-,20-**',% &3$'"'2! · #22',% 3. !-30 .0',2 0# o #22',% 3. !-30 .0#11 !-00#!2*! o #22',% 3. !-30 "0!#0 !-00#!2*! o #22',% 3. $-0 .0-.#0 5-0"$*-5 #!2'-, &0##S )- *+*32'-, · ,025-0" · 3 1202# · ," · -3,2'2'#1 · 2&#0 +0' *#1 2- !-,1'"#0 *6$.*# *+*32'-, #!2'-, .-30S ,025-0" · 0',2 2!.#1 o .-2 !-*-0 o .-30 !-*-0 .0-!#11 /(0#12 o .-2 .0-!#11 · 30"'#,2 2!.#1 o $%# %0"'#,2 o *$2-,# %0"'#,2 · $%# 2!.#1 o 412#0 %0.&'!1 412#0 %0.&'! 1-$250# 1 o '#!2-0 %0.&'!1 '#!2-0 %0.&'! 1-$250# · (-*-0 1#.02'-, o .-2 !-*-0 1#.02'-, o .-30 !-*-0 .0-!#11 1#.02'-, o .-2 .0-!#11 1#.02'-, · 412#0 '$%# .0-!#11',% /4'.2 1-$250# #!2'-, .'+#S .'*$ 32.32 · .'*$ 2!.#1 o ,"5#2 o 61#0 o '#**3$ · -5 $'*$1 0# !0#2#" o 0',2#" $'*$1 ,"5#2 %3 *# 5#2 61#0 5#2 o ,"V"05, #!2'-, '6S !0##, 0#.02'-, · !0##, !&-'!# · #%0#1',% ," "0!',% · *$3*1'-, !&-'!# · (-2',% "0!',% · 2#,!'* 2&'!",#11 · ,"*',% !-2#" 1!0##, #!2'-, #+#,S 0#V4#%'1202'-, ," *6.-130# · 0#V0#%'1202'-, o #$.*2#1 2--*1 · *6.-130# o *6.-130# 2'$#1 2#.
    [Show full text]
  • Duke's Oceanfest 9-Day Event Honors Legendary Olympian
    SUMMER/FALL 2014 THE COMPLETE GUIDE TO GO® Oahu ® wheretraveler.comFind the best FAMILY FUN of the Island OCEANFRONT wheretraveler.com DINING SHOPPING SPREE Duke's Oceanfest 9-day event honors legendary Olympian OAHWM_1407SF_cover.indd 1 6/2/14 6:18:04 PM OAHWM_1407SF_PlacedAds.indd 2 6/2/14 3:39:25 PM OAHWM_1407SF_PlacedAds.indd 1 6/2/14 3:39:32 PM Oahu Summer.Fall 2014 CONTENTS SEE MORE OF THE OAHU AT WHERETRAVELER.COM The Plan The Guide Let’s get started The best of the Oahu 4 Editor’s Itinerary 28 SHOPPING Plan your day but don’t be afraid to stray away from Local Design Wear it. Skydive on the North Olive Boutique offers a Shore then climb aboard a range of apparel, from ship for a nautical ride. T-shirts to dresses >>TRIP PLANNER Start with breakfast at ENTERTAINMENT Koko Head Cafe then head 36 to beautiful Lanikai Beach. Strumming Along 80 My Oahu Annual Ukulele Festival Lee Anne Wong takes centerstage at Former “Top Chef” con- Kapiolani Bandstand testant shares her favorite spots on the island. 42 ACTIVITIES Also Inside Rev Your Engines Race around a 06 Ask the Experts 24 serpentine course at 10 Hot Dates this indoor race track 72 MUSEUMS & 58 ATTRACTIONS 46..&3'"-- 5)&$0.1-&5&(6*%&50(0 CT[h Where Now Art Deco Exhibit wheretraveler.comF i n d t h e b e s t FAMILY FUN of the Island OCEANFRONT wheretraveler.com Never-seen-before DINING SH O PPI N G SPREE 14 Friendly Competition Eugene Savage murals Duke’s OceanFest features a nine-day open-sea are now on display D u k e ' s O c e a n f e s t competition, which includes men’s, women’s and 9-day event honors legendary Olympian keiki surf contests, as well as the Hawaii Paddle- 62 DINING board Championship.
    [Show full text]