vs. album download Every Pearl Jam Album, Ranked. During the mid- to late 1980s and early ’90s, it seemed as though all of the most innovative bands had some sort of a connection to the area. After all, the glorious Northwestern metropolis served as ground zero for the siring of grunge—a movement that ushered in a vast shift in musical tastes, by bands whose songs still define an entire generation of rock fans. In terms of impact, it could be argued that Pearl Jam were the most influential of grunge’s four unwilling forefathers (Nirvana, Alice in Chains, and ), and that their vast contributions to rock have inspired—and continue to inspire—countless artists. And they aren’t done yet: Earlier this year, the grunge granddaddies revealed the collaborative writing sessions for Pearl Jam’s next opus were well underway . With Pearl Jam’s third studio LP, , turning 25 on November 22, the milestone anniversary felt like an opportune time to go back, review the band’s catalogue with an analytical ear, and determine where this acclaimed album stands when stacked up against the rest of the band’s output. The following is our ranking of all Pearl Jam’s albums—starting with our least favorite. 11. Riot Act (2002) Pearl Jam’s seventh album was their first following the September 11 attacks and the accidental deaths of nine fans during their set at Denmark’s Roskilde Festival in 2000. As such, frontman ’s lyrics on Riot Act revolve around personal and political themes, with one tune, “Bu$hleaguer,” squarely criticizing President George W. Bush and his administration’s policies. However, Riot Act , on a whole, feels somewhat disjointed as it shifts back and forth between semi-solid rockers honoring their grunge roots and gloomy experimental tunes that ultimately fall flat. Plus, Vedder’s voice is not at its most potent here, and that’s an understatement. Album Highlight: “” 10. Lightning Bolt (2013) The band’s most recent studio effort is, as expected, Pearl Jam’s most mature offering—a collection of tracks that could best be described as “dull radio rock.” A solid record with a couple of infectious songs, the album also exhibits folk elements, boasting various forms of instrumentation that include violin, piano, and, on the track “Sleeping by Myself,” Vedder’s favorite: the ukulele. But on “Sirens,” the guys tear it up, doing their best to channel the Dead Kennedys. The Rock and Roll Hall of Famers’ self-released Lightning Bolt denotes a band that’s admirably reached that elusive point where they can really do whatever they want. But Vedder’s simplistic lyrics come across as rather banal, and there is a veritable dearth of hooks. All things considered, Lightning Bolt feels more formulaic than inspired. Album Highlight: “Mind Your Manners” 9. Binaural (2000) This is another album where Pearl Jam took considerable risks with its sound, experimenting with different elements and recording approaches— only this time, with slightly better results. In fact, Binaural is an extremely diverse album that’s front-loaded with catchy tunes such as “God’s Dice,” “Evacuation,” and the imitable and underrated “Light Years.” But again, at a certain point—after the ethereal “Thin Air,” basically—the tracks on Binaural start becoming less accessible. The album, which is the first to feature ex-Soundgarden drummer Matt Cameron, lacks an overall consistency, but did mark the start of a more mature era for the guys. Album Highlight: “Thin Air” 8. Pearl Jam (2006) Known to many fans as “Avocado,” Pearl Jam shows promise early on with tracks such as “” and “Severed Hand”—though they share similar chord structures—before deteriorating into derivativeness. Toward the end, there’s “Army Reserve,” a somber track whose lyrics Vedder co-wrote with Damien Echols of the exonerated West Memphis Three, followed by “Come Back,” a beautiful blues-imbued ballad that leads into album closer “Inside Job,” which is perhaps one of PJ’s most affective songs. Overall, though, Pearl Jam doesn’t feel as well produced, with the guitars overwhelming the other performances at times. In addition, this album gave us “Parachutes,” a chaotic must-skip that sounds a bit awkward and muddled. Album Highlight: “Come Back” 7. (2009) If you don’t dig Backspacer , perhaps listen to it a few more times. One of Pearl Jam’s least appreciated offerings, it’s rife with quick, upbeat, riff- heavy hard-rockers such as “Supersonic” and “Got Some”—songs spiked with rhythms and beats that’ll latch onto your brain’s memory centers like barbed wire. Throughout this vibrant album, one detects hints of horns, cellos, violas, violins and pianos, but none are ever used to the point of distraction. Backspacer also contains “Just Breathe,” one of the band’s most beautiful tracks, and “Amongst the Waves,” which is perhaps one of its most optimistic offerings. Album Highlight: “Amongst the Waves” 6. (1996) Considered Pearl Jam’s most diverse release, No Code is a pensive LP that truly displays the band’s versatility. With tribal beats, fuzzed-out guitars, and stellar bass lines, No Code has tinges of garage rock (“Habit”) and country rock (“Red Mosquito”), while hard-charging tunes such as “Lukin,” “Present Tense,” and “Hail, Hail” satisfy fans who prefer the group’s edgier side. Lyrically, Vedder takes a more narrative approach, creating characters and stories to convey his feelings on spirituality and introspection. There are also acoustic moments to the album, as well as an overly ambitious attempt at spoken word (“I’m Open”), and the cringe-worthy track “Mankind,” which, regrettably, features guitarist Stone Gossard on lead vocals. Album Highlight: “Smile” 5. Gigaton (2020) Who in their right mind could ever have imagined Pearl Jam would issue one of its finest records three decades into its illustrious career? Certainly, no one who heard Lightning Bolt . But doggone it, Pearl Jam did just that in 2020, delivering Gigaton, a passionate, introspective collection of cogent and insightful songs with pensive lyricism. Vedder shows off his vocal range across the entire record, and even plays pump organ on the album’s memorable, moving closer “River Cross.” Standouts on Gigaton include the head-bopping rocker “Quick Escape,” the infectiously groovy “Superblood Wolfmoon,” the musically majestic “Seven O’Clock,” and acoustic gem “Comes Then Goes,” which features wise and particularly relevant words from Mr. Vedder: “Could all use a savior from human behavior sometimes.” Album Highlight: “Superblood Wolfmoon” 4. Vitalogy (1994) By all accounts, Vitalogy was the album that nearly ended Pearl Jam. During its recording, tensions between Vedder and the rest of the group boiled over—at a time when the frontman seemed more intent on taking down Ticketmaster. But really, this record—and the subsequent break the band took afterward—saved them. Vitalogy also happens to be a powerful, accomplished, and at times, extremely aggressive record with truly dynamic songs, including “Not for You,” “Nothingman,” and of course, the radio-friendly “Better Man.” Unfortunately, it also includes “Bugs,” a confounding tune that’s more annoying than an actual bug. Like, how did that song make it onto the final version of the album? Album Highlight: “Corduroy” 3. Ten (1991) Ten is such a seminal release and left such an undeniable impact on the grunge genre that it’s hard not to place it at No. 1. However, if you put all nostalgia aside and really analyze their debut, you will find it is not Pearl Jam’s best LP. Yes, it introduced them and their anthemic sound to the world, and yes, it laid their foundation with classic songs such as “Even Flow,” “Alive,” and “Jeremy.” But the evolution that followed can’t be ignored. Ten captures an immature band still trying to find itself and its identity. Sure, most groups wish that their debut albums could be as imposing, but it was merely a preview of what was to come from Pearl Jam, whose subsequent output showed a more mature outfit, with more awareness of the world around them. Album Highlight: “Black” 2. Vs. (1993) Expectations were extremely high for Pearl Jam’s sophomore album following the commercial and critical success that was Ten , and, all in all, the grunge masters delivered , silencing skeptics who’d written them off as a possible flash in the pan. The band’s first studio effort with longtime producer Brendan O’Brien, Vs. boasts some of Pearl Jam’s most beloved and captivating tracks: “Daughter,” “Dissident,” “Animal,” and “Elderly Woman Behind the Counter in a Small Town.” This phenomenal album also cemented Pearl Jam’s status as one of rock’s most potent acts. Album Highlight: “Rearviewmirror” 1. Yield (1998) Pearl Jam’s last album with drummer , Yield is perhaps the band’s most honest and sincere studio set, a cohesive, well-rounded record with profound lyricism provided equally by Vedder, Jeff Ament, and Gossard. It possesses some of PJ’s finest tracks, including lead-off single “Given to Fly,” the sardonic “Do the Evolution,” and the gentle, wispy “Wishlist.” It’s hard to find a single stinker in the bunch, but if flaw is to be found on this masterpiece, songs such as “Push Me, Pull Me” and “Pilate”—a song Ament wrote about his dog—feel like they’d fit better on some of the band’s subsequent releases. Vedder’s vocal range is also on full display here, with him wavering between restrained and bombastic. Yield is a must-have for true fans and simply a fantastic album for anyone who appreciates engrossing rock. Album Highlight: “Wishlist” Which Pearl Jam album do you think is best? Vote in our poll, and tell us on our Facebook page how you’d rank the records. Vs. pearl jam album download. Add to Custom List. Add to My Collection. AllMusic Rating. Overview ↓ User Reviews ↓ Credits ↓ Releases ↓ Similar Albums ↓ facebook twitter tumblr. AllMusic Review by Steve Huey. Pearl Jam took to superstardom like deer in headlights. Unsure of how to maintain their rigorous standards of integrity in the face of massive commercial success, the band took refuge in willful obscurity -- the title of their second album, Vs., did not appear anywhere in the packaging, and they refused to release any singles or videos. (Ironically, many fans then paid steep prices for import CD singles, a situation the band eventually rectified.) The eccentricities underline Pearl Jam's almost paranoid aversion to charges of hypocrisy or egotism -- but it also made sense to use the spotlight for progress. You could see that reasoning in their ensuing battle with Ticketmaster, and you could hear it in the record itself. Vs. is often Eddie Vedder at his most strident, both lyrically and vocally. It's less oblique than Ten in its topicality, and sometimes downright dogmatic; having the world's ear renders Vedder unable to resist a few simplistic potshots at favorite white-liberal targets. Yet a little self-righteousness is an acceptable price to pay for the passionate immediacy that permeates Vs. It's a much rawer, looser record than Ten, feeling like a live performance; Vedder practically screams himself hoarse on a few songs. The band consciously strives for spontaneity, admirably pushing itself into new territory -- some numbers are decidedly punky, and there are also a couple of acoustic-driven ballads, which are well suited to Vedder's sonorous low register. Sometimes, that spontaneity comes at the expense of Ten's marvelous craft -- a few songs here are just plain underdeveloped, with supporting frameworks that don't feel very sturdy. But, of everything that does work, the rockers are often frightening in their intensity, and the more reflective songs are mesmerizing. Vs. may not reach the majestic heights of Ten, but at least half the record stands with Pearl Jam's best work. Pearl Jam: a guide to their best albums. Pearl Jam are grunge’s great survivors. Unlike Nirvana, Soundgarden, Alice In Chains and the other major bands from the Seattle scene’s graduating class of 1991, they’ve never gone away, either permanently or temporarily. And while they’ve endured their share of traumas – not least the deaths of so many friends and contemporaries – they’ve ridden them out. But then resilience is part of Pearl Jam’s DNA. They were born in tough circumstances: guitarist Stone Gossard and bassist Jeff Ament were previously members of Mother Love Bone, whose career had barely got out of the traps when singer Andrew Wood fatally OD’d. They turned their grief into hope, channelling it into multimillion-selling debut album Ten , only to be disparaged by the gatekeepers of cool as grunge fifth columnists. Much of the scorn was directed at singer Eddie Vedder, the San Diego surf rat seen as an interloper in the insular north- west scene. His rich baritone and heart-on-sleeve sincerity sat at the opposite end of the spectrum to Kurt Cobain’s weaponised irony and punk- rock sneer. The derision didn’t dent Pearl Jam’s rise – their second album, 1993’s Vs ., sold nearly a million copies in its first week. But Vedder in particular hated their success. The band pushed back hard against it, refusing to make videos or be interviewed. By late 90s the insanity was starting to fade and things had reverted to something approaching normality. Their record sales were a fraction of what they once were – 1998’s Yield sold a million copies compared, to Ten ’s eventual 13 million – and you suspect no one was happier about that than Pearl Jam. There were still hard times to endure, not least the tragedy of nine fans who were crushed to death during the band’s set at Denmark’s Roskilde festival in 2000. But for the most part their troubles were largely behind them. Since the turn of the millennium, Pearl Jam have existed outside the mainstream music industry. These days much of the band’s potency comes from their devotional live shows rather than from the commercial impact of their albums, repositioning them as a kind of Gen-X Grateful Dead (they were one of the first bands to make recordings of their gigs available to fans as ‘official bootlegs’). But it underlines that Pearl Jam in 2019 are much the same as Pearl Jam in 1991: a band of the people, for the people. Pearl Jam - Ten (Epic, 1991) Pearl Jam’s debut is one of the great albums. Where their peers wielded irony like a weapon, Ten wore its earnestness as a badge, yoking Eddie Vedder’s magnetic intensity to songs that were anthemic ( Even Flow ), empathetic ( Jeremy , inspired by a school shooting) and brooding ( Black ). Their debt to the unfashionable rock bands of the past provided ammo for their detractors – Alive was snidely pegged ‘the grunge Free Bird ’, disregarding the personal heartbreak at its core. But Ten sold in the millions and Pearl Jam had the last laugh, even if would prove to be a bitter one.View Deal. Pearl Jam - Vitalogy (Epic, 1994) Three albums in, and no one hated Pearl Jam more than Pearl Jam. Vitalogy was a determined attempt to destroy everything they’d built. The only problem was that they were incapable of making a bad record. The first single, Spin The Black Circle , was a blast of punky noise designed not to be played on the radio (it didn’t work), the wheezing Bugs was crazy. But the surface abrasion of Last Exit and Corduroy couldn’t hide their arena-rock hearts, while the album’s triptych of slow burners – Better Man , Immortality and Nothingman – are among the best songs they’ve written.View Deal. Pearl Jam - Vs. (Epic, 1993) Success blind-sided Pearl Jam. As the title indicated, Vs . was the sound of band of who wanted to kick against fame. They dialled down the grand emoting. The album clanked and rattled to life with opener Go , and Blood was a blast of petulant fury that wouldn’t have sounded out of place on a Nirvana album. Yet they couldn’t quite throw the baby out with the bath water. Rearviewmirror and the plaintive Elderly Woman Behind The Counter In A Small Town gave lie to the notion that Pearl Jam were anything other than an arena rock band, and a classy one at that.View Deal. Pearl Jam - No Code (Epic, 1996) Pearl Jam’s fascinating, occasionally brilliant fourth album sounds like nothing they made before or since. Recorded against a backdrop of intra- band turmoil – Vedder had reportedly wrested artistic control – its default setting was low-key. But ‘quiet’ didn’t necessarily mean ‘bad’. Opener Sometimes and the Afro-beat-tinged Who You Are exuded calm beauty, while the furious Hail, Hail proved they could still crank it up. No Code baffled many who’d bought Ten and Vs ., and the band’s sales took a downturn. For Pearl Jam, though, that counted as a victory.View Deal. Pearl Jam - Yield (Epic, 1998) After the stylistic left turn and subsequent commercial failure of No Code , the band’s fifth album was a corrective. While there were still low-key moments – Given To Fly is Led Zeppelin’s Going To California given a 90s makeover – the band toughened up their approach on the garagey Brain Of J. and Do The Evolution , even if they stopped short of returning to the emotional scale of Ten . Significantly, Yield marked a shift in the power balance – Vedder abdicated responsibility as chief decision maker, lightening the mood within the group, and Pearl Jam were a band again.View Deal. Eddie Vedder - Into The Wild (J Records, 2007) All four of Pearl Jam’s noughties albums were good, but none were outstanding. And none came close to Vedder’s debut solo record. The stripped-back soundtrack to the man-versus-nature film Into The Wild , it mirrored the untamed beauty of the film’s Alaskan setting perfectly. Vedder played the majority of the instruments himself, adding to the sense of isolation. Far Behind and the gleaming Hard Sun came on like a windswept Pearl Jam, but the delicate Rise and The Wolf had a panoramic grace that was all their own.View Deal. Brad - Shame (Epic, 1993) The first and best album from Stone Gossard’s long-running side project: a set of slinky, intimate songs that sat poles apart from Pearl Jam’s arms- wide-open grandstanding. Gossard was the marquee name, but singer/keyboard player proved to be the real star. His fabulously smoky voice was equally at home with somnambulant ballads like Buttercup as it was on hazy funk rock workouts like 20th Century . No one expected Shame to deliver Pearl Jam sales, and it didn’t disappoint on that front. But Gossard never sounded like he was enjoying himself quite so much again.View Deal. Pearl Jam - Pearl Jam (J Records, 2006) Aka The Avocado Cover. In truth, the fruit was the only thing that really distinguished it from 2000’s Binaural , 2002’s Riot Act and 2009’s Backspacer , a run of albums that found Pearl Jam in a holding pattern, albeit a high-quality one. Their records were still great, but they were no longer indispensable. The opening pair of and World Wide Suicide were fuzzy and propulsive, while Gone provided the requisite moment of quiet reflection. But the urgency that once drove Pearl Jam seemed to be concentrated in their gigs and their countless live recordings.View Deal. Pearl Jam - Lightning Bolt (J Records, 2013) Pearl Jam’s most recent studio album was their best in 15 years. That was in part down to Sirens , a chiming, unadorned love song that provided a completely different emotional punch to the great ballads of Ten, Vs . and Vitalogy . But this was more than just a one-song record. The rocket-fuelled Mind Your Manners found Stone Gossard and Mike McCready letting loose with some unembarrassed soloing, My Father’s Son benefitted from the presence of keyboard player/unofficial sixth member Boom Gasper, and closing track Future carried emotional weight without being dragged under by it. View Deal. MQS Albums Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Pearl Jam – Vs. (1993/2013) [HDTracks FLAC 24bit/96kHz] Pearl Jam – Vs. (1993/2013) FLAC (tracks) 24 bit/96 kHz | Time – 59:42 minutes | 1,38 GB | Genre: Alternative, Rock Official Digital Download – Source: HDTracks.com | Digital Booklet | © Epic/Legacy. Vs. is Pearl Jam’s second album, and their first release after becoming the one of the biggest rock bands of the early 1990s. Uncomfortable with their new-found fame, the band found refuge in obscurity. The title of Vs. did not appear anywhere on the album’s packaging, and no singles or music videos were released for the album. This remastered version of Vs. features three bonus tracks recorded by Brendan O’Brien at the studio during the Vs. sessions: a previously version of “Hold On”, “Cready Stomp”, a previously unreleased studio outtake, and Pearl Jam’s cover of Victoria Williams’ “Crazy Mary” featuring Wiliams on backing vocals and guitar (this track was previously released on the 1993 tribute album Sweet Relief: A Benefit for Victoria Williams. Chart History/Awards – Reached #2 on the US Billboard 200 and Canadian Albums charts. – #14 on the US Billboard 200 decade-end chart for 1990-1999. – Certified diamond by the RIAA in 2013. – Certified 13x Platinum in the US. A much more raw and direct album than Ten, Vs. appealed to music fans of nearly every background and sold 950,378 copies in its first five days of release. It outperformed all other entries in the Billboard top ten in that week combined, setting the record for most copies of an album sold in its first week of release. The album was recorded and mixed one song at a time, with most of the musical material coming from jam sessions the band played together instead of one member writing a song and bringing it in. Guitarist Stone Gossard said, “I think we allowed things to develop in a more natural, band-oriented sort of way”. Pearl Jam took to superstardom like deer in headlights. Unsure of how to maintain their rigorous standards of integrity in the face of massive commercial success, the band took refuge in willful obscurity — the title of their second album, Vs., did not appear anywhere in the packaging, and they refused to release any singles or videos. (Ironically, many fans then paid steep prices for import CD singles, a situation the band eventually rectified.) The eccentricities underline Pearl Jam’s almost paranoid aversion to charges of hypocrisy or egotism — but it also made sense to use the spotlight for progress. You could see that reasoning in their ensuing battle with Ticketmaster, and you could hear it in the record itself. Vs. is often Eddie Vedder at his most strident, both lyrically and vocally. It’s less oblique than Ten in its topicality, and sometimes downright dogmatic; having the world’s ear renders Vedder unable to resist a few simplistic potshots at favorite white-liberal targets. Yet a little self-righteousness is an acceptable price to pay for the passionate immediacy that permeates Vs. It’s a much rawer, looser record than Ten, feeling like a live performance; Vedder practically screams himself hoarse on a few songs. The band consciously strives for spontaneity, admirably pushing itself into new territory — some numbers are decidedly punky, and there are also a couple of acoustic-driven ballads, which are well suited to Vedder’s sonorous low register. Sometimes, that spontaneity comes at the expense of Ten’s marvelous craft — a few songs here are just plain underdeveloped, with supporting frameworks that don’t feel very sturdy. But, of everything that does work, the rockers are often frightening in their intensity, and the more reflective songs are mesmerizing. Vs. may not reach the majestic heights of Ten, but at least half the record stands with Pearl Jam’s best work. Vs. pearl jam album download. Your cart is empty. Cet élément a bien été ajouté / retiré de vos favoris. Pearl Jam. Released on 10/19/93 by Epic - Legacy Main artist: Pearl Jam Genre: Pop/Rock. Listen to this album in high quality now on our apps. Enjoy this album on Qobuz apps with your subscription. Enjoy this album on Qobuz apps with your subscription. Listen on Qobuz. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $9.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 2011 Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - D. Abbruzzese, Composer - D. Abbruzzese, Lyricist - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Composer - E. Vedder, Composer - E. Vedder, Lyricist - Eddie Vedder, Composer - Eddie Vedder, Lyricist - J. Ament, Composer - J. Ament, Lyricist - Jeff Ament, Composer - Kevin Scott, 2nd Engineer - M. McCready, Composer - M. McCready, Lyricist - Mike McCready, Composer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - S. Gossard, Composer - S. Gossard, Lyricist - Stone Gossard, Composer. (P) 1993 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Mastering Engineer - Adam Ayan, Re-Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Brendan O'Brien, Recording Engineer - Brett Eliason, Recording Engineer - Darren Salmieri, Re-Issue Producer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Kevin Scott, 2nd Engineer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Rick Parashar, Recording Engineer - Stone Gossard, Composer - Stone Gossard, Lyricist. (P) 2011 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Mastering Engineer - Adam Kasper, 2nd Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Brendan O'Brien, Recording Engineer - Darren Salmieri, Re-Issue Producer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Kevin Scott, 2nd Engineer - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Composer - Stone Gossard, Lyricist. (P) 2011 Epic Records, a division of Sony Music Entertainment. Adam Ayan, Re-Mastering Engineer - Brendan O'Brien, Mixing Engineer - Brendan O'Brien, Producer - Brendan O'Brien, Recording Engineer - Darren Salmieri, Re-Issue Producer - Dave Abbruzzese, Drums - Eddie Vedder, Vocal - Jeff Ament, Bass - Kelley Walker, Executive Producer - Kevin Scott, 2nd Engineer - Michael McCready, Guitar - Nick DiDia, Recording Engineer - Pearl Jam, Performer - Pearl Jam, Producer - Stone Gossard, Acoustic Baritone Guitar - Sylvia Reed, Executive Producer - Victoria Ann Williams, Composer - Victoria Ann Williams, Lyricist - Victoria Williams, Guitar - Victoria Williams, Producer - Victoria Williams, Vocal. (P) 1993 Epic Records, a division of Sony Music Entertainment. About the album. 1 disc(s) - 15 track(s) Total length: 00:59:52. (P) 1993, 2011 Sony Music Entertainment. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. 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