Henk Neven Biography
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Nexus Conference 2009
Nexus Conference 2009 Reflections on Man after the End of History Part i . Faith, Death, and Freedom Sunday 6 September 2009 9.15 am — 5.30 pm Muziektheater Amsterdam Speakers Jonathan Sacks - Zainab Al-Suwaij - John Gray Yossi Klein Halevi - Anne Applebaum - Ernst Hirsch Ballin Elisabeth Young-Bruehl - Marc Sageman - Slavoj Žižek - David Modell Ramin Jahanbegloo - Leon Wieseltier - Eva Hoffman - Pierre Audi Charles Rosen - Moshe Halbertal - Nina Khrushcheva Pratap Bhanu Mehta - Tariq Ramadan - John Ralston Saul Karim Wasfi - Ladan Boroumand In cooperation with the Netherlands Opera Attendance at Nexus Conference 2009 We would be happy to welcome you as a member of the audience, but advance reservation of an admission ticket is compulsory. Please register online at our website, www.nexus-instituut.nl, or contact Ms. Ilja Hijink at [email protected]. The conference admission fee is € 75. A reduced rate of € 50 is available for subscribers to the periodical Nexus, who may bring up to three guests for the same reduced rate of € 50. A special youth rate of € 25 will be charged to those under the age of 26, provided they enclose a copy of their identity document with their registration form. The conference fee includes lunch and refreshments during the reception and breaks. Only written cancellations will be accepted. Cancellations received before 21 August 2009 will be free of charge; after that date the full fee will be charged. If you decide to register after 1 September, we would advise you to contact us by telephone to check for availability. The Nexus Conference will be held at the Muziektheater Amsterdam, Amstel 3, Amsterdam (parking and subway station Waterlooplein; please check details on www.muziektheater.nl). -
Einstein on the Beach an Opera in Four Acts ROBERT WILSON & PHILIP GLASS
CAL PERFORMANCES PRESENTS PROGRAM Friday, October 26, 2012, 6pm Saturday, October 27, 2012, 5pm Sunday, October 28, 2012, 3pm Zellerbach Hall Einstein on the Beach An Opera in Four Acts ROBERT WILSON & PHILIP GLASS Choreography by Lucinda Childs with Helga Davis Kate Moran Jennifer Koh Spoken Text Jansch Lucie Christopher Knowles/Samuel M. Johnson/Lucinda Childs with The 2012 production of Einstein on the Beach, An Opera in Four Acts was commissioned by: The Lucinda Childs Dance Company Cal Performances; BAM; the Barbican, London; Luminato, Toronto Festival of Arts and Creativity; De Nederlandse Opera/The Amsterdam Music Theatre; Opéra et Orchestre Music Performed by National de Montpellier Languedoc-Rousillon; and University Musical Society of the The Philip Glass Ensemble University of Michigan. Michael Riesman, Conductor World Premiere: March 16, 2012, Montpellier, France. Music/Lyrics Direction/Set and Light Design Originally produced in 1976 by the Byrd Hoffman Foundation. Philip Glass Robert Wilson Lighting Sound Costumes Hair/Makeup Urs Schönebaum Kurt Munkasci Carlos Soto Campbell Young Associates: Because Einstein on the Beach is performed without intermission, the audience is invited to leave Luc Verschueren and re-enter the auditorium quietly, as desired. Café Zellerbach will be open for your dining pleasure, serving supper until 8pm and smaller bites, spirits, and refreshments thereafter. The Café is located on the mezzanine level in the lobby. Associate Producer Associate Producer Senior Tour Manager Production Manager Kaleb Kilkenny Alisa E. Regas Pat Kirby Marc Warren Music Director Co-Director Directing Associate Michael Riesman Ann-Christin Rommen Charles Otte These performances are made possible, in part, by the National Endowment for the Arts, and by Patron Sponsors Louise Gund, Liz and Greg Lutz, Patrick McCabe, and Peter Washburn. -
Param Vir Oswald Sallaberger Beethoven Academie
hedendaagse opera Pierre Audi . Param Vir Oswald Sallaberger Beethoven Academie . Danel Kwartet Muziektheater Transparant Snatched by the Gods + Broken Strings wo 7, vr 9, za 10 februari 2001 teksten programmaboekje De Nederlandse Opera redactie deSingel met dank aan Muziektheater Transparant en Param Vir duur Snatched by the Gods 60 minuten pauze Broken Strings 60 minuten einde omstreeks 22u20 spreektaal Engels boventiteling Nederlands/Frans coördinatie, bediening Erik Borgman Nederlandse vertaling Janneke van der Meulen Franse vertaling Martine Bom inleiding door Piet De Volder en Param Vir 7 februari . 19u15 . Lokaal 58 . spreektaal Engels gelieve uw gsm uit te schakelen! Pierre Audi . Param Vir . Muziektheater Transparant Oswald Sallaberger . Beethoven Academie . Danel Kwartet Snatched by the Gods + Broken Strings regie Pierre Audi compositie Param Vir libretto Snatched by the Gods William Radice, gebaseerd op een gedicht van Rabindranath Tagore, ‘Devatar Gras’ libretto Broken Strings David Rudkin, gebaseerd op een traditioneel boeddhis- tisch verhaal ‘Guttil Jatak’ muzikale leiding Oswald Sallaberger muzikale uitvoering Beethoven Academie en Danel Kwartet licht Hugo Van Uum (naar Jean Kalman) zangers Snatched by the Gods Maitra Robert Poulton Moksada Vivian Tierney Annada Cynthia Buchan Rakhal Christopher Stark Boatman Hubert Claessens Beide Param Vir opera's, Snatched by the Gods en Broken Strings, werden gecom- Pilgrim 1 Monique Krüs poneerd in opdracht van de Biënnale van München en gingen in première in de Pilgrim 2 Nuala Willis Amsterdamse Studio's op 11 mei 1992, in een productie van De Nederlandse Pilgrim 3 Michael Bennett Opera. Deze productie werd later opgevoerd op de Biënnale van München en Pilgrim 4 Richard Suart werd daar bekroond met de BMW-prijs voor beste regie en beste dirigent. -
Music Jos Schuring
Music Jos Schuring From Louis Andriessen, Ton Koopman, the Royal Concertgebouw Orchestra, Within Temptation and DJ Tiësto to Frans Brüggen or Han Bennink and Wouter Hamel: Dutch music of every conceivable genre is well represented beyond the country’s borders. The current music culture in the Netherlands is a result of a long history coupled with the recent past in which the differences between conventional ideas and contemporary styles fight it out in an exciting battle. From the very beginning the fighters for the old and new music have joined forces to resist the mainstream. Both camps challenged the nineteenth-century-style structure of musical society, with its insatiable appetite for the symphonies of Beethoven and Mahler. The end of the 1960s and the beginning of the 1970s saw the emergence of Reinbert de Leeuw’s Schönberg Ensemble, the New Ensemble under Ed Spanjaard, Frans Brüggen’s Orchestra of the Eighteenth Century, and the Amsterdam Baroque Orchestra under Ton Koopman. Together with countless other ensembles, they have enriched the musical life of the Netherlands. In the New YorkTimes the Instant Composers Pool, often called the ICP Orchestra, was recently hailed as the continuing flagship of the Dutch avant-garde. In the meantime, numerous current or former ICP musicians have achieved international success on their own merits. Saxophonist Ab Baars and trombonist Wolter Wierbos tour outside the Netherlands on a regular basis. And the young Wouter Hamel and British-Dutch Benjamin Herman have also achieved considerable success abroad. Dutch pop music is just too good to be confined to its home in the Netherlands. -
JONATHAN HARVEY List of Works BIOGRAPHY CONTENTS
“He is a rare spirit, ever in search of the new and numinous” The Sunday Times JONATHAN HARVEY List of Works BIOGRAPHY CONTENTS Born in Warwickshire in 1939, Jonathan Harvey was a chorister at page St Michaelʹs College, Tenbury and later a major music scholar at St Biography 2 Johnʹs College, Cambridge. He gained doctorates from the Article by Paul Griffiths (Eng) universities of Glasgow and Cambridge and (on the advice of 3-4 Benjamin Britten) also studied privately with Erwin Stein and Hans Article by Paul Griffiths (German) 5 Keller. He was a Harkness Fellow at Princeton (1969-70). Article by Paul Griffiths (French) 6 An invitation from Boulez to work at IRCAM in the early 1980s has so far resulted in seven realisations at the Institute, and two for the List of works Ensemble Intercontemporain, including the celebrated tape piece Opera 7-8 Mortuos Plango, Vivos Voco, Bhakti and Advaya for cello, live electronics and pre-recorded sounds. Harvey has also composed for Orchestral 8-12 most other genres: orchestra (Tranquil Abiding, White as Jasmine and Ensemble 12-17 Madonna of Winter and Spring - the latter scheduled for a Chamber Music 17-19 performance by the Berlin Philharmonic and Simon Rattle in Instrumental 20-23 autumn 2006), chamber (four string quartets, Soleil Noir/Chitra, and Choral 24-28 Death of Light, Light of Death, for instance) as well as works for solo instruments. He has written many widely-performed Vocal 28-29 unaccompanied works for choir - as well as the large-scale cantata Works involving Live or for the millennium BBC Proms, Mothers shall not Cry (2000). -
Exeter College Register 2019
EXETER COLLEGE REGISTER 2019 Cover image of Exeter College by Ian Fraser is available as a print from www.vaprints.co.uk Contents From the Rector 2 From the President of the MCR 9 From the Chaplain 11 From the Librarian and the Archivist 14 Departing Fellows 22 Obituaries 29 Rector’s Seminars 43 Tolkien, The Movie – a linguistic response 46 Student Activities 51 ‘The famous orationer that has publish’d the book’: Printed Lectures on Elocution 55 The Governing Body 63 Honorary Fellows 64 Emeritus Fellows 66 Honours, Appointments, and Awards 68 Publications Reported 69 The College Staff 71 Class Lists in Honour Schools 76 Distinctions in Preliminary Examinations, and Frist Class in Moderations 79 Graduate Degrees 80 University, College, and Other Prizes 85 Major Scholarships, Studentships, and Bursaries 87 Graduate Freshers 92 Undergraduate Freshers 96 Visiting Students 103 Births, Marriages, Civil Partnerships, and Deaths 104 Notices 107 Contributors 108 1 From the Rector In June the Governing Body finalised Exeter’s new Strategic Plan, for the years 2019-2029. The new Plan is only the College’s second. The first, approved in 2008, identified an acute shortage of space as a major strategic problem. Fuelled in part by large numbers of alumni donations, Cohen Quadrangle – opened in 2017 and now the recipient of the first prize in the Higher Education and Research category at the World Architecture Festival – splendidly filled that gap. The new plan uses Cohen Quad as a springboard for further achievement in four major dimensions: diversity, excellence, stewardship (including sustainability) and community. Prioritised by Exeter’s Strategy Group, projects identified by Governing Body in June will implement these themes in five major areas of activity: the undergraduate experience; the postgraduate experience; Fellows, staff and governance; connections within and beyond College; and resources & stewardship (including buildings and infrastructure). -
Register 2020 Edition
EXETER COLLEGE REGISTER 2020 Cover image of Exeter College by Ian Fraser is available as a print from www.vaprints.co.uk Contents From the Rector 2 From the President of the MCR 8 From the President of the JCR 10 From the Chaplain 12 From the Librarian 14 Obituaries 19 Incoming Fellows 39 Rector’s Seminars, Symposium, Subject Family Dinners, and Webinars 43 From the Organ Scholar 46 The Governing Body 48 Honorary Fellows 50 Emeritus Fellows 51 Selected Publications 53 Honours, Appointments, and Awards 56 College Lecturers 56 The College Staff 59 Class Lists in Honour Schools 64 Distinctions in Preliminary Examinations, and First Class in Moderations 65 Graduate Degrees 67 University Prizes 71 College Prizes 72 Major Scholarships, Studentships, and Bursaries 74 Graduate Freshers 80 Undergraduate Freshers 85 Visiting Students 91 Births 92 Deaths 92 Notices 94 Contributors 95 1 Editorial I took over editing the Register in 2015, and have appreciated the work of all who have contributed to it, not least to Matt Baldwin, for his skill in editing and patience with my dithering. But it is time for me to pass on the Register. I wish my successor every success, and thank you, dear readers, for your continued commitment. From the Rector Each academic year at Exeter is difficult to summarise. This proved particularly true of 2019/20, during which six months of normal in-person activity were followed by six months of pandemic-induced virtual events, academic and otherwise. Inevitably much attention focused on coping with the effects on the College of Covid-19. -
A Cosmopolitan Between Earth and Heaven Pierre Audi at the Netherlands Opera and the Holland Festival Boekmanstudies
Kasper Jansen A Cosmopolitan between Earth and Heaven Pierre Audi at the Netherlands Opera and the Holland Festival Boekmanstudies 1 - A Cosmopolitan in Amsterdam The unlikely appointment of Pierre Audi Looking like an exotic wild creature with his large, dark eyes darting apprehensively around, Pierre Audi arrived to take up his appointment as artistic director of the Netherlands Opera on 17 June 1988. As he entered a small room in the basement of Amsterdam’s Muziektheater, the windowless space suddenly seemed to become a cage, imprisoning him. Audi had travelled from London that day. He had seen nothing of Amsterdam, apart from the Muziektheater. One of the world’s greatest music stages, it frightened him. He had never directed a real opera, only contemporary music theatre. He thought: “How on earth am I ever going to direct in this huge black hole?” Audi’s small stature in an oversized black suit made him look even younger than his 31 years. He made the round of introductions to all the strangers present in the room, shaking hands with each. He answered some questions, promised to deliver an ambitious artistic package within budget, and said that he wanted to direct operas himself when the occasion allowed. He then posed for a few photos, and after 15 minutes Pierre Audi was gone again, on his way back to London. He had escaped Amsterdam already. With his free, independent spirit, he seemed not the type to form any bonds. “A real cosmopolitan,” sighed Bernard Sarphati, the chairman of the Netherlands Opera. And then, as a validation of Audi’s appointment, he added: “But then, Amsterdam is a cosmopolitan city.” The appointment of Pierre Audi as the successor to previous director Jan van Vlijmen was a total surprise. -
Pierre Audi Artistic Director
PIERRE AUDI ARTISTIC DIRECTOR A critically acclaimed director and artistic director, Pierre Audi was appointed Artistic Director of Park Avenue Armory in 2015. He also serves as the Artistic Director of the Dutch National Opera, a position he will hold until September 2018, when he will take over as General Director of the Festival d’Aix-en-Provence. Audi’s career trajectory has been characterized by both reinventing the classics and supporting groundbreaking new work. He founded the Almeida Theatre which, under his direction, established an international reputation for producing provocative new plays and musical commissions, introducing a vast number of then-living composers to the U.K., from John Cage, to Alfred Schnittke and Arvo Pärt, and mounting for the first time in the U.K. works by Robert Wilson, Deborah Warner, Simon McBurney, and Robert Lepage, among others. Appointed as head of the Dutch National Opera in 1988, Audi was the youngest opera leader at the time and today is the longest serving in the world. He helped transform the company into one of the most cutting-edge and successful in Europe, with a commitment to commissioning new work and building new audiences for the art form. Among the numerous critically acclaimed performances are his staging of Wagner’s Ring cycle, in which the theater was completely remade to set the orchestra in the middle of the stage, his now-classic cycle of three Monteverdi operas, Vespers, and madrigals, some of which were subsequently presented at the Brooklyn Academy of Music, the Sydney Festival, and the Los Angeles Opera. -
'Unity in Diversity'?
ECP16th session Can Europe still manage ‘Unity in Diversity‘? Te role of culture in the migration debate ROTTER DAM17 1 CONTENT INTRODUCTION WELCOME SPEECHES Guy Coolen, Guus Beumer, Karl Erik Normann, p.4 DEBATES Keynote speech Frie Leysen and Debate on Can Europe still manage ‘Unity in Diversity’, p.8 Keynote speech Andras Horvath and Debate on Te built environment as a carrier of culture, p.10 Keynote speech Marie Louise von Plessen and Debate on “Migration in Europe - a historic perspective”, p.12 ECP Future Generation - new ECP Youth Initiative, p.40 A Battle of Ideas introduced and moderated by Claire Fox and Plenary debate on ‘Can we achieve unity in Report by ECP Future Generation, p.42 diversity?’, p.16 Follow-up ECP Batumi 2016, Levan Khetaguri, p.43 Speech by Rotterdam Alderman Joost Eerdmans, p.21 New ECP-members, p.44 Keynote Speech by Pierre Audi. p.24 Rotterdam Declaration of ECP 2017, p.47 WORKSHOPS SOCIAL AND CULTURAL EVENTS Creative Process led by Timothy Emlyn-Jones and Guided tours, Performances, Receptions and Dining, Nik Dee-Dahlstrom, p.25 p. 49 Identity and the “otherness“ in modern European PARTICIPATING MEMBERS, p.54 societies led by Lyudmila Nurse, p.33 CONTACTS AND IMPRESSUM, p.57 PRESENTATIONS Ring of Resilience by Arion Luijten, p.39 THANKS TO HOST AND SUPPORTING BODIES, p.58 2 Introduction Upon the invitation of the City of Rotterdam and ful integration of the new refugees, while defending the Festival Operadagen the European Cultural Par- European values of democracy and human rights. liament (ECP) held its 16th Session in Het Nieu- A workshop on the Creative Process of we Instituut, Rotterdam, on 11 – 13 May 2017. -
International Friends of Festival D'aix 2019
INTERNATIONAL FRIENDS OF FESTIVAL D’AIX 2019 TREAT YOURSELF TO A UNIQUE OPERATIC EXPERIENCE AND CONTRIBUTE TO MAKE OPERA A LIVING ART! JOIN THE FESTIVAL’S INTERNATIONAL FRIENDS FESTIVAL D’AIX-EN-PROVENCE IS FULLY COMMITTED AND HELP US MAINTAIN FESTIVAL D’AIX’S LEADING POSITION TO ITS HIGHLY AMBITIOUS MISSION: AS AN INTERNATIONAL OPERATIC LAB • Offering festival goers a unique vibrant experience with bold opera performances featuring the finest international conductors and “Aix-en-Provence leads the way” - The New-York Times their orchestras, visionary stage directors and headline artists, and with a superb new programming of concerts designed to enrich the “Aix-en-Provence is home to a festival that manages to be one of both the operatic experience most distinguished and the most open-minded in the world” - Opera • Becoming a key international epicenter for opera creation and artistic experiments, while revealing and developing young promising talents through the renowned International Under Bernard Foccroulle’s leadership for the past 12 years, the Festival Festival’s Academy d’Aix has established itself as an unprecedented and internationally renowned cultural event in the Provence-Alpes-Côtes d’Azur region. Now in its 70th year, Festival in Aix-en-Provence is embarking on a bold • Further diversifying our audiences through groundbreaking new chapter under the visionary leadership of Pierre Audi. outreach and educational initiatives, innovative accessible opera forms, the widespread diffusion of the Festival’s original productions and world creations abroad Pierre Audi has led the Dutch National Opera to worldwide prominence for the past 20 years and is Artistic Director of the Park Avenue Armory in New York City. -
The Twilight Zone Cast Announced
Press Release: Tuesday 17 October The cast is announced for the world premiere of THE TWILIGHT ZONE, based on stories from the classic 1960s CBS television series, adapted by Anne Washburn, directed by Richard Jones THE TWILIGHT ZONE Based on stories by Rod Serling, Charles Beaumont and Richard Matheson Adapted by Anne Washburn Directed by Richard Jones Almeida Theatre Tuesday 5 December 2017 – Saturday 27 January 2018 Press night: Tuesday 12 December at 7pm Between light and shadow, science and superstition, fear and knowledge is a dimension of imagination. An area we call the Twilight Zone. Adapted by Anne Washburn (Mr Burns) and directed by Olivier Award-winner Richard Jones, this world premiere production of the acclaimed CBS television series The Twilight Zone lands on stage for the first time in its history. Or its present. Or its future. Jones directs a cast featuring Oliver Alvin-Wilson, Franc Ashman, Adrianna Bertola, Lizzy Connolly, Amy Griffiths, Neil Haigh, Cosmo Jarvis, John Marquez, Matthew Needham and Sam Swainsbury. The set is designed by Paul Steinberg, with costume designed by Nicky Gillibrand, lighting design by Mimi Jordan Sherin, composition and sound by Sarah Angliss, sound by Christopher Shutt, movement direction by Aletta Collins, casting by Julia Horan, and illusions by Richard Wiseman. Anne Washburn’s plays include Mr Burns: A Post Electric Play, which received its European premiere at the Almeida in 2014. Other plays include 10 out of 12 (Premiere: at Soho Rep, NYC), Antlia Pneumatica (Premiere: Playwrights Horizons, NYC), The Communist Dracula Pageant (Premiere: ART, Boston), A Devil at Noon (Premiere: Actors Theater of Louisville, Kentucky), I Have Loved Strangers (Premiere: Clubbed Thumb Summerworks, NYC), The Internationalist (Premiere: 13P, NYC), The Ladies (Premiere: The Civilians, NYC), The Small (Premiere: Clubbed Thumb Summerworks, NYC), and translation adaptations of Euripides' Orestes (Premiere: The Folger, Washington D.C.), and Iphigenia In Aulis (Premiere: Classic Stage Company, NYC).